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Davido has been on a victory lap since last March when he dropped his fourth studio album Timeless, which earned the Afrobeats heavyweight three Grammy nominations this year. But on April 17, he’ll celebrate a very special stop: his first headlining show at NYC’s Madison Square Garden.
“I always said I want to be at the Garden. I think that’s every artist’s dream. The greats have performed there, like Michael Jackson,” he tells Billboard over Zoom while on the set of his music video for the Fave-assisted “Kante.” “I did five arenas last year for the Timeless Tour. But we didn’t have New York, so definitely this time, we wanted to add New York.”
The North American leg of the Timeless Tour included stops in Washington, D.C., Houston, Chicago, Boston, Toronto and Atlanta (the last stop was part of Davido’s A.W.A.Y Fest, which featured additional performances from his “Unavailable” collaborator Musa Keys, Spinall, Victony, King Promise and more). Following his summer stint, Davido embarked on the European leg, which had stops in the U.K., Germany, Denmark, Sweden and France. He ended 2023 back home with three performances in Abuja, Port Harcourt and Lagos. His MSG show is the first of three additional North American arena dates, which continue with a show at Montreal’s Place Bell on April 19 and end with a show at Orlando’s Additional Financial Arena on April 24.
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“My show right now is over two hours [long]. And my new setup for tour, there’s a Stage A and there’s a Stage B, so I’m running up and down the whole night,” he says. “To produce the Davido show right now, we’re talking about $400,000, almost $500,000 – just for production alone. That’s one thing I think we’ve improved on a lot. And I have an amazing band, The Compozers. It’s the full package.”
Davido says he always has a new favorite Timeless track that he enjoys playing live, but “I definitely love performing ‘Feel,’ ‘cause it’s a very energetic record and it’s a feel-good song.” But when it comes to Davido’s other timeless records, he says the crowd still goes crazy over his 2013 track “Skelewu.” “I don’t feel like there’s a major formula to making timeless music. To me, it just comes naturally.” There is, however, one key ingredient needed for Davido’s pre-show ritual. “I definitely need to get my massage, a little 40-minute massage in,” he adds. “I eat, but I don’t like to eat too much ‘cause I don’t want to be too full ‘cause I gotta move around. And 20 minutes before I get on stage, I like to have a little bit of quiet time to myself.”
Performing in New York has also become a special ritual. The first time the Atlanta-born Nigerian artist born David Adedeji Adeleke performed in New York was in 2014 at the Pulse 48 nightclub in Brooklyn, which the New York Police Department had to shut down because the show was overbooked. “I’ve been coming back to New York almost every year since then,” he says. “New York was one of the first cities that was really putting on for African music in the mainstream. The first song that I got on the radio was in New York, so New York has a special place in my heart.”
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His 2017 single “Fall,” which was later included on his sophomore album A Good Time, gradually took over U.S. airwaves two years after its release, reaching No. 13 on R&B/Hip-Hop Airplay and No. 14 on Mainstream R&B/Hip-Hop Airplay in 2019. And listeners were eager to discover exactly who was behind it: In New York City, “Fall” became a top 10 record on Shazam in 2019, Rolling Stone reported at the time, while “If,” another big Davido record from 2017, was a top 50 Shazam record two years after it came out.
Davido recently scored another hit with his apperance on Chris Brown’s “Sensational,” which earned Davido and fellow featured artist Lojay their first entries on the Billboard Hot 100. “I feel like I should have 100 entries, bro, but they finally let a n—a in!” he laughs. “Shoutout to CB. Me and him have an amazing working relationship, [we’ve] been working for years now, we got a couple records, performed all over the world with my brother. Me and CB ‘bout to drop more records, too. I think we drop another one in a couple of weeks, so watch out for that.” The two have collaborated on “Blow My Mind” and “Lower Body” in 2019, “Shopping Spree” (also with Young Thug) in 2020 and “Nobody Has to Know” in 2022.
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His fans will also have to watch out for his upcoming album (“It’s another classic, trust me,” Davido teases) that he’s currently working on – even while he’s on tour. “We got a mobile studio, so I can literally record anywhere. Inspiration can come anytime whether I’m on stage, whether I’m on the road,” says Davido. “I’ll always set up a studio and I have my producers fly with me, travel with me.”
And as he continues to spread African music and culture across the globe through his recorded and live music, Davido wants his African fans who will be attending the MSG show to “leave and be proud to be who they are, proud of the culture, proud of how far we’ve come. As Africans, we’re changing the narrative of being African in America. Years ago, it was a different thing. Now, when you say you’re African, you’re proud to say it, eat the food, wear the clothes, play the music,” he says. “And [for] the people that are coming to experience African culture for the first time, I want them to leave knowing that they’re never going to forget this.”
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Laura Pausini made her world tour stop at the Kaseya Center in Miami on Saturday (March 30), delivering a retrospective of songs that celebrated her 30-year career.
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The Italian superstar, who effortlessly performs in three languages (English, Spanish, and Italian), kicked off her trek in her native country last December and will wrap the tour on April 6 at New York’s The Theater at Madison Square Garden.
At 8:40 p.m. Saturday night, Pausini arrived on stage wearing a black pantsuit topped with a sequined trench coat. Also wearing a coral-colored tie and gloves, she kicked off her show with “El Primer Paso en la Luna,” part of her 2023 album Almas Paralelas.
She then performed other songs off the new set, including “Durar,” “Un Buen Inicio” and “Todas Las Veces,” before greeting the packed venue, mostly of people above their 30s.
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“Thank you everybody. I’m so happy to be here. Of course this show would be 80 percent in Spanish because you changed my life. Bienvenidos a todos una vez más,” the artist said. “Tonight we’re here to look back at the 30 years of my career. This is a recap of the most significant songs and moments that I have experienced with you by my side. I will share videos that show what it’s like to live inside a dream.”
Immediately after, Pausini performed a medley with the “most personal songs of all my career.” Sitting at a piano, she explained that in 2010 she took a break from music to become a mother. She noted the challenges she faced as a then 35-year-old woman trying to get pregnant, and recalled writing a song to gain strength. It was later, during one of her tours, that she discovered she was expecting.
Pausini also shared a video of the day she proposed to her longtime boyfriend, and guitarist, Paolo Carta. The couple got married in 2023 after dating for 18 years and having their daughter.
In the midst of her compelling storytelling, she played the piano and performed the heartfelt songs “Así Celeste,” “Nuestro Amor de Cada Dia” and “Frente a Nosotros.”
Showcasing her musicianship, Pausini then switched the piano keys for an electric guitar and performed a rocking set of some of her biggest early 2000s hits: “Escucha Atento,” “Entre Tu y Mil Mares,” “Como Si No Nos Hubieramos Amado,” and “Volveré Junto a Ti” — all of which hit the Billboard Hot Latin Songs chart.
“When I was 18, this was empty,” she said, referring to the packed Kaseya Center. “I’m grateful that you are all here supporting me now that I’m an old lady,” she joked, this time wearing black boots and a metallic silver fringe top.
Throughout the concert, Pausini — who was The Latin Record Academy’s 2023 Person of the Year — performed other hits, including “Seen,” which nabbed the 2021 Golden Globe for best original song for Io Sì, “En Cambio No,” “Viveme” and “Amores Extraños.”
The biggest surprise of the night, however, was when Luis Fonsi joined the artist on stage for a powerful duet version of “Inolvidable,” which they completely improvised before Pausini wrapped her show with “Se Fue,” the 1994 bop that ultimately put her on the map.
“I invite you into my life through the songs I’ve written to tell you who I really am,” she said. “We are accustomed to judging each other on social media without knowing the truth. It’s me tonight with my reality.”
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Considering that Conan O’Brien made a name for himself by subverting TV comedy tropes in the ‘90s, people were ready for something weird when the comedian kicked off the eighth annual Love Rocks NYC benefit concert at Manhattan’s Beacon Theatre on Thursday (March 7). But it’s safe to say few people expected him to grab a guitar and deliver a full rock band performance of Elvis Presley’s final Hot 100 No. 1, “Suspicious Minds” – and honestly, he killed it. He hammed it up on the bridge, but the ginger giant delivered a mostly straight-faced take on the song and proved he’s got a solid set of pipes. You might not turn a red chair for him on The Voice, but he’s good enough to be a ringer at a karaoke bar (plus, it’s fun to see that orange pompadour undulating as he headbangs).
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That was one of the many unexpected delights at Love Rocks NYC, a fundraising show for the New York City nonprofit God’s Love We Deliver, which hand delivers 10,000 medically tailored meals to New Yorkers living with HIV/AIDS, cancer and other serious illnesses every weekday. It’s an inarguably fantastic cause, and everyone involved – rock royalty, comedy legends and rising talents – brought their A-game to the Beacon Theatre.
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Eagles’ Don Felder played “Hotel California” on his signature double-neck guitar; Dave Grohl rocked out “Everlong”; Hozier belted “Take Me to Church”; Nile Rodgers brought the “Good Times”; and the Black Keys trotted out “Lonely Boy.”
Even so, most of the standout moments came courtesy of artists banding together for unexpected covers. For instance, who knew that Prince’s “Let’s Go Crazy” needed a trombone solo? But when Trombone Shorty, Joss Stone and Ivan Neville teamed up to cover the late, great Purple One, it brought a fresh New Orleans flavor to the Minneapolis sound. Speaking of Stone, the British soul singer had jaws on the floor with a fervent cover of Tina Turner’s “What’s Love Got to Do With It,” which had Tracy Morgan dancing side stage, hands in the air. Aside from Morgan and O’Brien, Martin Short, Bill Murray and Jim Gaffigan kept the night moving between sets, managing to make “donate now!” exhortations funnier than they should be. (Short’s quip that it’s a “rule of show business” to never ask Nick Cannon what he’s doing on Father’s Day was a chef’s-kiss moment.)
“Love Rocks is its own thing. We designed this concert to feel like a real rock n’ roll concert. While we do a text-to-give and message the charity throughout the show, we never wanted this to feel like a benefit or a gala. We do the majority of the fundraising prior to the show, so that when people come to the concert it is all about the music and entertainment,” Love Rocks NYC co-executive producer Greg Williamson tells Billboard. “And for the artists it is a very special experience where they get to see their friends and have a reunion with so many fellow artists that they love and respect. It’s a true lovefest and Love really does rock.”
It was a testament to the quality of the lineup (not to mention the flawless house band led by Will Lee) that the four-hour affair flew by. Bettye LaVette brought soul and attitude to a cover of Bob Dylan’s “Things Have Changed”; Tom Morello steered a sing-along to Woody Guthrie’s “This Land Is Your Land,” complete with the oft-excised verse about hungry people waiting for relief; The Struts’ Luke Spiller led a crowd-pleasing take on Queen’s “Bohemian Rhapsody”; and Allison Russell and Hozier traded vocals on a version of Stevie Wonder’s “Living for the City” that was so good one hopes they record a studio version.
The evening closed with an all-star jam to David Bowie’s “Let’s Dance,” led by the Chic frontman who co-produced the Hot 100 No. 1 for the Thin White Duke – with Grohl on the drums, no less. “Is it possible that the entire evening was a favorite moment?” asks Love Rocks NYC co-executive producer Nicole Rechter. “Love Rocks 2024 was riveting from the opening act with Conan to the finale with Dave Grohl on drums. The night never let up with extraordinary performances from all the artists and comedians.”
Just like God’s Love We Deliver feeds thousands of New Yorkers in need every day, the audience at the 2024 Love Rocks NYC show left the Beacon Theatre well fed – and ready for the next one.
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