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When Jamie Lee Curtis stopped by the Today show on Tuesday morning (March 7), she took a moment to advocate for early-bird concerts.
The topic came up when the Oscar nominee and noted early riser explained that she was planning to skip an Academy Awards dinner later this week due to it starting at 7:30 p.m. “What time would the dinner have had to have been for you to actually say yes?” anchor Savannah Guthrie asked, to which she confidently replied, “5.”
Eventually, the conversation turned to Curtis’ complaint about the late starting time for concerts and other live music events. “Why are there no matinees? I’m curious,” she said. “I would love to go see Coldplay. I would love it. The problem is, I’m not going to see Coldplay if they start their show at 9 and there’s an opening act. I want to hear Coldplay at 1 p.m.”
Of course, while most of the live-music circuit operates on a nighttime schedule, daytime concerts aren’t entirely unheard of. For example, after announcing their 25th-anniversary reunion tour across the U.K. last month, S Club 7 added a matinee show at London’s O2 arena on Oct. 28 when their back-to-back Friday and Saturday night shows at the famous venue sold out due to demand.
As for Curtis’ favorite band, Coldplay served as the musical guest on Saturday Night Live last month alongside host Pedro Pascal. During the episode, Chris Martin & co. performed “The Astronaut” and a choir-backed rendition of their 2005 song “Fix You,” though it’s safe to say Curtis was probably in bed by the time they took to the stage after midnight ET at Studio 8H.
A planned concert by Roger Waters in Frankfurt, Germany has been canceled after the city council called the former Pink Floyd singer/bassist “one of the world’s most well-known antisemites.” Waters was scheduled to perform at the city’s Festhalle on May 28, on the spot of what was a Jewish detention camp during WWII, where 3,000 Jewish men were held on Kristallnacht (“Night of the Broken Glass”) in Nov. 1938 before being sent to their deaths.
“The background to the cancellation is the persistent anti-Israel behavior of the former Pink Floyd frontman, who is considered one of the most widely spread antisemites in the world,” the council said in a statement according to the Jewish Telegraphic Agency. “He repeatedly called for a cultural boycott of Israel and drew comparisons to the apartheid regime in South Africa and put pressure on artists to cancel events in Israel.”
The JTA reported that the city of Frankfurt made reference to the historic significance of the concert hall — which it partly owns — and said it was cancelling the show over Waters’ support of the controversial BDS movement (Boycott, Divestment, Sanctions). BDS is a Palestinian-led movement that calls for a boycott of Israel to force the nation’s government to change its policies toward Palestinians.
The JFA also noted that past Waters concerts have featured a flying pig balloon emblazoned with a Star of David (as well as a number of other corporate logos and symbols) and that he’s compared the actions of the Israeli government to that of South Africa under apartheid and Nazi Germany and questioned Israel’s right to exist.
At press time a spokesperson for Waters had not returned Billboard‘s request for comment; additionally, at press time the concert was still listed on Waters’ official site. Waters’ This Is Not a Drill tour is still slated to play a number of other gigs in Germany, including Hamburg (May 7), Cologne (May 9), Berlin (May 17) and Munich (May 21).
While Waters does not appear to have issued an official statement on the cancellation, he did retweet messages of support from an author and editor at the Palestine Chronicle who denied that the singer is an antisemite and an editor at the Delhi, India-based Marxist publishing house Leftword Books, who defended Waters’ stance on Israel. “Love you my brother,” Waters tweeted at Vijay Prashad, adding, “shoulder to shoulder. F–k em’!”
In Sept., Waters canceled planned shows in Krakow, Poland amid outrage over his stance on Russia’s unprovoked, yearlong war in Ukraine, which he has said was the fault of Ukraine and NATO. An official with the Tauron Arena in Krakow, where Waters was scheduled to perform two concerts in April, said they would no longer take place; the shows have been scrubbed from Water’s site. “Roger Waters’ manager decided to withdraw … without giving any reason,” Lukasz Pytko from Tauron Arena Krakow said in comments carried by Polish media outlets.
“My photo the Jordan logo of this rap s—,” raps Nas on 2021’s “YKTV” (shortened to say “You Know the Vibes”), from his Grammy-nominated King’s Disease sequel. Of course, that “photo” is none other than his bunker-buster debut Illmatic, which propelled hip-hop into the future upon its arrival in 1994. Off sheer impact alone, that album certainly makes a strong case for being the definitive emblem for the genre. But for now, on a blustery cold Friday night (Feb. 24) in New York City, the vibes were unquestionably certain for another pivotal occasion: Nas’ first headlining show at Madison Square Garden.
Never mind how long of a journey it’s been to get to this point — the timing for this night was perfect. Nas is hot off the heels of releasing King’s Disease III, the threequel to his Grammy-winning series with super producer Hit-Boy, the quarterback to his wide receiver, all as hip-hop celebrates its 50th anniversary. That said, Friday’s show was as much a victory for Nas as it was for hip-hop. It was a proud occasion for the sea of generations-spanning fans, from those who remember the first time they heard “Live at the Barbecue” to those who recently tapped in with his recent work. Overall, the Garden couldn’t have been a more perfect venue to host this celebration.
“Live in Madison Square now, we on fire,” a visibly elated Nas hailed, while fire bolted around him during his fiery performance of “I’m on Fire.”
And on fire he was, launching into standout-after-standout throughout his 34-song set. Sticking to the night’s “King’s Disease Trilogy” bill, the Queens rap icon pulled out gems across the trinity-spanning gem, from storytelling favorites like “Blue Benz” and “Car 85” to party-flavored cuts like “Spicy” and “Get Light.” By the time the latter blared through the arena, MSG had practically turned into a park jam as fans throughout the sold-out arena swayed, bopped, and two-stepped from row to row. Like his output over the last two years suggests, Esco refused to let up on the momentum throughout the night. Between the King’s Disease cuts, he also made room for a few records off his 2021 project, Magic, sprinkling in cult favorites like “Speechless” and “Wave Gods” to much fanfare.
The fact that Nas was performing these relatively fresh cuts to a fully-invested audience inside a sold-out Madison Square Garden was truly a moment to behold — something, even he, at times, seemed to be amazed by, sometimes even taking a brief moment to relish the vibe. At one point, he stopped to recollect and then turned the spotlight onto the other half of his winning formula: Hit-Boy.
“I love this brother for bringing the art out of me again,” Nas acclaimed before tapping the producer to join him onstage for the floor-quaking “Michael & Quincy.” Not a soul remained seated, especially as more surprises trickled in.
After performing “Reminisce,” a song that samples a certain Queen of Hip-Hop Soul, Nas brought out — you guessed it — Mary J. Blige, who sent the excitement levels through the roof as she performed “You Remind Me.” After running through King’s Disease, he hopped through hits from the rest of his catalog, including Illmatic. You always have to return to Illmatic. This time dressed in an all-orange jumpsuit with a matching skully, wheat construction Timberland boots, and his signature diamond-covered “QB” chain, he dispatched “N.Y. State of Mind.” Subsequently after, he brought out AZ for “Life’s a Bitch,” and one of “my motherf—ing heroes,” Slick Rick, for “Hey Young World.” Embracing the magnitude and momentous occasion of the night, he kept his foot on the gas, running through a medley of tracks — “The Message,” Street Dreams,” “If I Ruled The World,” “Hate Me Now,” “Made You Look” and “One Mic.”
One of the crowning moments occurred while performing “Memory Lane (Sittin’ In Da Park).” He did away with the instrumental for the second verse and delivered a masterclass in mic control, performing the tongue-twisting verse a capella with absolute clarity and supreme breath control. As he took a bow while being showered in the crowd’s adulation, one thing was crystal clear: Nas is still that good.
For the encore, preceded by Nas admitting, “I don’t want to leave yet,” he shifted the energy back to the party spirit that hung high throughout the night. As hands waved and cheers clamored from all corners of the arena, he spun through more hits, including “Hot Boyz (Remix),” “Oochie Wally” and “Owe Me,” before sealing the night with an emotional reminder: “We did it!”
SZA‘s five-year absence certainly made fans’ hearts grow fonder on record, as last December’s SOS album enjoys a nine-week (and counting) residency at No. 1 on the Billboard 200. And that’s translating to the live stage, too.
The just-launched SOS North American Tour from Billboard‘s Woman of the Year rolled into Detroit’s Little Caesars Arena on Friday night (Feb. 24) for its third show, a honed and sleek spectacle before a packed house of about 15,000 ecstatic SZA heads who hadn’t seen the star in more than four years. It’s a step up from the theaters the singer (real name: Solana Imani Rowe) was playing last time out, but she came armed with the music and visuals to validate what’s rapidly become a genre-straddling iconic status during the interim.
Best of all, SZA’s new show managed to sidestep the pitfalls that undermine so many other pop diva expositions. She deftly worked a whopping 31 songs — from her two studio albums, with some choice covers and obscure tracks — into the 90-minute set, but they never felt rushed or shoehorned. The costume changes (six total) were nimbly executed without lengthy speed-bump interludes.
The conceptual focus was strong, and SZA and company — three musicians tucked on the stage sides, four dancers and plenty of pre-recorded augmentation (included guest singers) — recreated the tunes with a smooth and convincing precision, rooted primarily in the chill ambience that’s SZA’s stock-in-trade.
The net result was a fat-free concert that maintained momentum and kept the surprises from start to finish. Taking off from the SOS album cover, the show opened with “PSA,” one of 17 of the new set’s tracks on the setlist, as a phalanx of video screens rose to reveal SZA sitting on a diving board above the stage, with an ocean of water projected behind her before she “dove” (via projection) and emerged on floor level with a sinewy “Seek & Destroy.” The singer then took the crowd through a journey, starting with a seaside pier setting for “Notice Me,” “Love Galore,” a short rendition of Erykah Badu‘s “Bag Lady” that segued into “Blind” and more.
After a quick break that included live footage of SZA making a costume change while singing “Smoking on My Ex Pack,” the stage transformed into a full-size fishing trawler that gave the dancers multiple levels to perform their routines. SZA made her way through “All the Stars” (her Kendrick Lamar collaboration from Black Panther: The Album) “Prom” and “Garden (Say It Like Dat)” before seas got rough, with hi-def visual effects, during forceful performances of “F2F” (with guitarist Ari O’ Neal rocking on deck), “Drew Barrymore” and “Doves in the Wind.” A throbbing “Low” then took the Good Ship SZA down to Davey Jones’ Locker with SZA performing an impressive split and full back-bend while O’Neal soloed.
SZA later emerged in outfit number three, singing acoustic renditions of “Supermodel,” Lizzo‘s “Special” and “Nobody Gets me” while riding a life raft above the audience, towards a lighthouse inflated just behind the soundboard. “I’m really, really grateful to be here with y’all to sing these songs about a breakup,” she said in a rare moment of dialogue with the crowd.
“Gone Girl” took her back to the stage, where the SZA crew played a few songs — Doja Cat’s “Kiss Me More,” “Love Language” and a particularly soulful “Snooze” — on the ocean “floor,” in front of a giant anchor and images of jellyfish, sharks and other sea creatures streaming by. An assertive “Kill Bill,” meanwhile, was accompanied by silhouetted images of the dancers, swords ‘n’ all, fighting behind the screens.
Rather than close with a bang, SZA finished smooth but with power, particularly on “I Hate U” before a vibey “The Weekend” closed the main show. “Good Days,” with SZA back on the diving board where she started, above now-calm waters, served as the lone encore. She did not have much to say during the night, but the songs and the staging said everything and delivered a message that she’s truly made a next-level step in her career.
The SOS North American Tour visits Toronto on Saturday (Feb. 25) and has 15 more dates slated, wrapping with a pair of shows on March 22-23 at the Kia Forum in Inglewood, Calif.
See SZA’s Detroit setlist below.
“PSA”“Seek & Destroy”“Notice Me”“Love Galore”“Broken Clocks”“Forgiveless”“Used”“Bag Lady” (Erykah Badu cover)“Blind”“Shirt”“Smoking on My Ex Pack”“All the Stars”“Prom”“Garden (Say It Like Dat)”“F2F”“Drew Barrymore”“Doves in the Wind”“Low”“Open Arms”“Supermodel”/”Special”“Nobody Gets Me”“Gone Girl”“SOS”“Kiss Me More” (Doja Cat cover)“Love Language”“Kill Bill”“I Hate U”“The Weekend”
Encore:“Good Days”
Billboard is returning to SXSW in Austin, Texas, this year for three nights of star-studded concerts, plus an interactive content house featuring conversations with musicians and industry leaders.
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To kick off Billboard Presents The Stage at SXSW, rapper-singer Lil Yachty, presented by Doritos, will perform on March 16, with opening acts Lola Brooke and Armani White; Latin stars Feid and Eladio Carrión, presented by Samsung Galaxy, will perform on March 17; and electronic giants Kx5 (Kaskade x deadmau5), presented by Carnival, will perform on March 18.
Billboard Presents The Stage at SXSW will take place at Moody Amphitheater at Waterloo Park in Austin. Tickets go on sale at 11 a.m. CT/noon ET here on Friday (Feb. 17).
Several artists will also take part in conversations during a variety of events hosted at The Billboard House (800 Congress) on March 17. The one-day-only interactive content house will feature brand activations, photo moments, bites, cocktails and more. Entry is on a first come first serve basis, with a reserved amount of spaces available exclusively to SXSW Music and Platinum Badge holders and SXSW Music Festival wristband holders.
Billboard will also be donating a portion of ticket proceeds to Waterloo Greenway Conservancy, a nonprofit organization that aims to create an urban park system in partnership with the city of Austin. The organization’s first phase, Waterloo Park, opened in 2021 to provide downtown green space, community programming and performing arts and entertainment at the Moody Amphitheater.
In addition to the presenting sponsors, Billboard will be sharing Reels on its official Facebook page across the three-day experience, and fans will have the opportunity to create custom Facebook Reels with unique experiential activations throughout SXSW.
Billboard’s parent company PMC is the largest shareholder of SXSW and its brands are official media partners of SXSW.
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Kygo is bringing his Palm Tree Music Festival series to the Golden State on May 13. The one-day festival will be hosted at one of Southern California’s most famous surfing locales — Doheny State Beach in Dana Point — and will be headlined by Kygo and Ellie Goulding with additional performances by Tove Lo, The Midnight, The Knocks, Two Feet and Forester.
Curated by Kygo and Manager Myles Shear and produced by Live Nation, which has long hosted the Ohana festival on the same site, the Palm Tree Music Festival Dana Point is an expansion of the Norwegian DJ and producer’s live event brand at exotic locales around the world. Later this month, Kygo will join Jack White to headline a Palm Tree festival in Aspen, and in March, he’ll headline Palm Tree Festival Bali. Kygo will also headline three Palm Tree festivals throughout Australia between March 10 and 12 with Tiesto.
The inaugural California festival “will blend one-of-a-kind, luxurious experiences with unmatched summer nostalgia to bring fans from around the world together in celebration of a tropical lifestyle and incredible musical talent,” according to a press release.
Dana Point will be the collective’s first festival hosted on an actual beach. It will feature an exclusive VIP lounge and “Palm Tree Beach Club,” where guests can take in beachside views from shaded cabanas, hammocks and beyond in some of the festival’s most premium spaces.
“We are thrilled to bring the Palm Tree Music Festival experience beachside at Dana Point,” Kygo said in a statement. “The tropical lifestyle isn’t just our brand, it’s a way of life, and we couldn’t be more excited to finally hit the sand with our community to start the summer season with good vibes and great music.”
“Since our inception, the goal of Palm Tree Music Festival has been to create incredible experiences that bring together our close friends and community through music and a never-ending summer state of mind,” Shear added. “We’re proud to bring this experience to Dana Point in partnership with Live Nation and to share the tropical lifestyle with a new audience.”
Founded in 2016 by Kygo and Shear, Palm Tree Crew first came to life when the pair began gifting palm tree necklaces to their inner circle as a symbol of community. Today, Palm Tree Crew is a diversified holding company that owns and operates a consumer brand, a global live events business and a multi-product investment platform, all within one unified ecosystem that embodies the care-free vibe of an endless summer.
Ticket prices begin at $169.50 for General Admission. VIP Packages and Table/Bottle Service will be available as well. Presale begins Feb. 8 at 10:00 AM PST and runs until Feb 9 at 10:00 PM PST. General on sale begins Friday, Feb 10 at 10:00 AM PST at www.palmtreemusicfestival.com.
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The Weeknd will be coming to HBO Max sooner than you think.
While his original series The Idol is set to premiere on the streaming platform in 2023, the superstar announced Thursday (Feb. 2) that his “Live at SoFi Stadium” concert special will arrive Feb. 25.
The Ethiopian-Canadian performer posted the concert special’s poster on his socials, which featured his masked persona clutching a microphone in one hand and raising his other against the blood orange backdrop.
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He originally scheduled two back-to-back dates at the Inglewood venue for his After Hours Til Dawn Tour in September, but The Weeknd canceled his second show in the beginning of his set after he lost his voice. The “Sacrifice” singer then rescheduled the shortened show to November and added a second date during Thanksgiving weekend.
The Weeknd’s last music TV special, The Weeknd x The Dawn FM Experience, arrived on Amazon Prime Video in February 2022, which served as a theatrical expansion of his last studio album Dawn FM that topped charts across the globe. Dawn FM follows his critically acclaimed fourth LP After Hours, which debuted and remained at No. 1 on the Billboard 200 for four consecutive weeks.
His upcoming series The Idol, which The Weeknd is starring in and co-writing with Euphoria creator Sam Levinson, will follow a female pop singer who sparks a romance with an enigmatic LA club owner who doubles as a leader of a secret cult. Starring Lily-Rose Depp, the show also features Troye Sivan, BLACKPINK‘s Jennie, Mike Dean and more.
See The Weeknd’s announcement below.
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Jim Jones’ voice will be heard no matter the setting. He recently met NYC Mayor Eric Adams and made sure to speak up on behalf of his community.
As spotted on HipHopDX, Capo was slotted to perform with his Diplomats group at Drake’s show at the world famous Apollo theater Sunday, Jan. 22. While he was hanging out in the dressing room, he got the chance to meet Eric Adams, current Mayor of New York City. The Lobby Boy took the opportunity to express his concerns with the current state of the city; specifically the Harlem area.
“I’m not th [sic] most politically correct by [sic] I know politics as usual I chose to think of my community Harlem there r so many things we need here in our city of Harlem Nyc and who else is better to express those concerns to And I know these concerns won’t b fix over night but every step forward is a step closer” he wrote on an Instagram post.
The two seemed to make a genuine connection as the politician looked to be engaged in the conversation. Later on they exchanged their contact information. Jim made it clear that the impromptu chat left an impression on him.
“This my first time meetin any mayor from ny and he’s a black mayor which I’m a very proud to see someone who looks like me in a position of power and is takin th [sic] steps to help turn th [sic] city round from experience and political position.”
You can see footage of Jones and Adams talking below.
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Do you believe in miracles? One South American Mariah Carey superfan does now after the singer noticed her tweet and upgraded the woman to the front row for Tuesday night’s (Dec. 13) “Merry Christmas to All” gig at Madison Square Garden.
“Today I’m traveling from my country, which is 8.598km (5.342,55miles) away from NY, just to see my idol @MariahCarey,” wrote a fan from Uruguay named Mai on Monday, whose Twitter handle (@uruguayanlamb) made it clear that she’s a charter member of the Lambily. “I remember when I started saving for this day 5 years ago, wishing and hoping for this day. Words can’t describe my happiness rn, love u forever Mimi!”
Christmas Countess Carey noticed the long-haul love and responded in the perfect way: by giving Mai the ultimate upgrade. “I am so happy you’re going to be here!!!,” Carey responded along with a snowflake and Christmas tree emoji. “How would you like to sit in the front row for tonight’s concert??”
Mai reacted in exactly the way you might expect, responding, “OMG YESSSS YESS PLEASE,” followed by four crying eyes emoji and a trio of praying hands. “I can’t believe it I LOVE UUUUU.” As it was sinking in, Mai kept counting her blessings. “I though I was dead for a minute and then when I realized that I was alive I started crying, tears of pure joy and happiness!!!! It was the most amazing night of my life,” she said. “Thank youuuuu for being so kind.”
Mai then chronicled her great New York winter adventure, tweeting out pics from her walk around town, a shot of her holding MC’s The Christmas Princess children’s book while waiting for showtime and another of her MC-appropriate nails, and, of course, footage of the blessed event.
But it got way, way better than that. Mai tweeted that Carey dedicated a song to her during the show, which, of course, slayed her. “THE @MariahCarey just dedicated me a song. whaaat I’m dreaming, I was at the front row at her right, when I tell you the floor shaked while she sang Fly like a bird, Lord only knows!!!!!” she wrote. “HER power!!! Thank you Mimi for giving me the most amazing experience of my life.”
She later apologized to fellow Lambs for not filming much of the show, explaining that it was her first MC gig, so she wanted to really take it in (though she promised her boyfriend did take some video she will share later). In the end it was truly a night to remember.
“WHAAAAT Mimi making my wish come true, not only acknowledging my existence but inviting me to her show???” Mai wrote after the show. “When I told you several times before she is the most devoted artist to her fans I was being serious!!! I’m soooo happy rn.”
Check out the sweet back-and-forth and snaps from Mai’s adventure below.
I am so happy you’re going to be here!!! ❄️🎄 How would you like to sit in the front row for tonight’s concert?? 🎁🎁🎁 Xoxo M ❤️❤️❤️ https://t.co/HBOHNJt1Wc— Mariah Carey (@MariahCarey) December 13, 2022
About to have the time of my life thanks to @MariahCarey , I love you forever and ever♥️🥹Thankfully I brought The Christmas Princess with me to read on the airplane, which btw is AMAZING🥹I’m so happy lambs!!!!!!!!! I’ll never forget this day🥹🥹🥹 #l4l pic.twitter.com/funNNAyQKP— Mai🎄✨ (@uruguayanlamb) December 14, 2022
THE @MariahCarey just dedicated me a song🥹🥹🥹 whaaat I’m dreaming, I was at the front row at her right, when I tell you the floor shaked while she sang Fly like a bird, Lord only knows!!!!! HER power!!!Thank you Mimi for giving me the most amazing experience of my life♥️ #l4l pic.twitter.com/ttIfQC3BBX— Mai🎄✨ (@uruguayanlamb) December 14, 2022
WHAAAAT Mimi making my wish come true, not only acknowledging my existence but inviting me to her show??? When I told you several times before she is the most devoted artist to her fans I was being serious!!! I’m soooo happy rn♥️♥️♥️♥️ #l4l https://t.co/Tt9XeNcQ89— Mai🎄✨ (@uruguayanlamb) December 13, 2022
After NCT DREAM hit a career milestone with two nights in South Korea’s largest concert venue, the K-pop boy band is sharing the experience with fans worldwide through their first-ever movie.
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NCT DREAM THE MOVIE : In a DREAM will be released worldwide this November. The feature film will spotlight the group on stage and backstage at their Olympic Stadium show in Seoul from September earlier this year. Fans will also get to see the preparations that went into the concert and interviews with all seven members of NCT DREAM. According to a press release, NCT DREAM members Mark, Renjun, Jeno, Haechan, Jaemin, Chenle and Jisung will “share candid stories and their thoughts and feelings” and “a look at the future the members envision away from the stage.”
The new flick celebrates NCT DREAM’s THE DREAM SHOW2 : In a DREAM concert that played in Seoul, as well as multiple cities in Japan, after the release Glitch Mode album, which hit No. 50 on the Billboard 200 in April to become the group’s first entry on the chart.
In A DREAM will be released in CGV theater chains with ScreenX as well as 4DX and 4DX Screen formats, which offer multi-sensory effects for viewers. Distribution for the movie comes from Trafalgar Releasing (who have pushed fan-focused movie experiences for artists like BTS, Coldplay and Twenty One Pilots) and CJ 4DPLEX Inc. (the tech company behind 4DX, ScreenX and 4DX Screen theaters). ScreenX offers a 270-degree field of view perspective in movie theaters by expanding screens to the side walls, while 4DX provides moviegoers with special effects like vibrations, wind, scents and more to enhance on-screen visuals. Trafalgar reports over 344 ScreenX auditoriums including 4DX Screen around the world in 38 countries.
“We are pleased to continue our relationship with CJ 4DPLEX Inc. and to partner for the first time with SM Entertainment to bring NCT DREAM’s first movie to cinemas worldwide,” said Marc Allenby, CEO of Trafalgar Releasing. “NCTzens all around the globe will be thrilled with the epic live concert performances and exciting behind-the-scenes footage that is meant to be experienced larger-than-life on the big screen.”
NCT DREAM’s debut on the silver screen makes them the latest K-pop act to deliver fans a concert-documentary hybrid film, last seen from the likes of SEVENTEEN, who brought their Power of Love : The Movie film to cinemas in April.
Forthcoming premiere dates and ticketing information for the November screenings will be available here.