concert
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Dave Grohl loves a long con. And on Saturday night at the Outside Lands Festival in San Francisco he squared the circle on a joke he’s been telling for much of he Foo Fighters‘ current tour. For months at Foos shows, Grohl has been asking if anyone in the audience knows the lyrics to Michael Bublé‘s bouncy pop ditty “Haven’t Met You Yet” from the crooner’s 2009 Crazy Love album.
Aside from loving an inescapable pop hook, the gag is also a nod to the eclectic resume of drummer Josh Freese, a well-traveled studio and live player who, as luck would have it, did a stint playing for Bublé. And if it even has to be said, yes, Freese played the drums on the studio version of “Haven’t Met You Yet.”
Praising Freese’s lengthy resumé, Grohl had keyboardist Rami Jaffee cue up the springy piano intro to the song. “The last couple shows — I always look out [into the crowd] — someone’s like ‘I know the Bublé song,’ ‘I’ll come up and sing,’ ‘I know the f— Bublé song,’” Grohl said to the audience at the festival in a video of the moment.
“And every time someone f— says they know the song, they don’t know the f— song. Do you know the f— song? Who knows the f— song?,” the excitable Foos leader asked the crowd. Then, spotting a superfan in the crowd with an “I love Bublé” sign, Grohl called him up to the stage. “This motherf–er better know the song! Do you know the song? Because people say they know it but they don’t!”
Spoiler alert: it was the Bubes himself, who smoothly dropped right into the first verse as he took the stage in all-black for the perfectly executed gag with his old pal Freese backing him up. After crooning through the chorus (with some help from the crowd) Grohl admitted, “Okay, this guy’s pretty good. This guy’s pretty good,” before jumping in and asking if he could sing the hook.
Second spoiler alert: Grohl did not sing the word “met” in the chorus, substituting a more graphic lyric.
“Oh my God, it’s Michael Bublé!” Grohl said in shock surprise, explaining that every time they did it on tour people would claim to know the lyrics, but never actually did. “This bad-ass motherf—er, and I’m not even kidding, flew in today from Argentina to f–ing sing that song to you guys,” Grohl said. “‘Cause there’s no such thing as taking a joke too far.”
In a backstage bit posted by Bublé, the ultra-smooth singer announces that he’s finally been asked to join the Foos, to which Dave Grohl says, “f–k you Bublé!”
Watch the videos below.
“If you remember anything from tonight, remember this one thing: I ain’t s— without you,” proclaimed Lil Wayne at the Hip Hop 50 Live concert on Friday (Aug. 11). As tens of thousands of fans descended upon Yankee Stadium in the Bronx, New York, to celebrate the 50th anniversary of one of the most important and influential art forms in the world, Wayne’s message was proven correct.
Hip Hop 50 Live, which featured headliners Run-D.M.C. in their final show, was a celebration of the genre’s roots and evolution as much as it was a celebration of the fans and community that have kept pushing the culture forward for 50 years and counting. Featuring a crowd as diverse as New York City itself, the concert placed a heavy emphasis on honoring the genre’s pillars such as The Sugarhill Gang and Melle Mel. From undisputed icons like Roxanne Shante to new-school innovators like A Boogie wit da Hoodie, Friday night’s concert was the physical embodiment of the cross-generational impact of hip-hop.
Assembling a lineup that effectively conveys the cultural, regional, sexual, and generational diversity of a genre as multilayered as hip-hop is no easy task. While the show was notably lacking in contemporary stars, the concert’s lineup was more than capable of captivating the massive stadium. Performances included sets from Nas, Lil Wayne, Ice Cube, Wiz Khalifa, Ghostface Killah, Common, Lupe Fiasco, Cam’Ron, T.I., Lil’ Kim, Trina, Remy Ma, Fat Joe, Slick Rick, EPMD, Snoop Dogg and more.
Hip Hop 50 Live specifically commemorated a legendary party at 1520 Sedgwick Avenue hosted by Cindy Campbell and DJed by DJ Kool Herc — a party that birthed hip-hop. As such, the celebration took things all the way back to the beginning. The Sugarhill Gang delighted the audience with a rousing rendition of “Rapper’s Delight,” which is widely regarded as the first commercially released hip-hop song, and rap pioneer Grandmaster Caz rocked the house with performances of “It’s Us,” among other Cold Crush Brothers selections.
Of course, hip-hop is about more than just the rappers. DJs also got their due at Friday’s concert, with legendary DJs like Marley Marl and Mannie Fresh keeping the energy flowing with sets that frequently highlighted the sub-genres and sounds of hip-hop not present on the official bill.
As the night transitioned into lengthier sets, both Lil Wayne and T.I. reminded attendees that both have an endless stream of hits across eras and genres. T.I. held it down for the South and 20 years of Trap Muzik with a set that included such hits as “Swagga Like Us,” “Whatever You Like,” and “Live Your Life.” Lil Wayne, who masterfully tore through countless anthems, pulled out hits like “A Milli,” “Uproar,” “I’m Goin’ In,” and a cruel tease of “Back That Azz Up,” that left the crowd hanging.
Hip Hop 50 Live was co-produced by Mass Appeal, Live Nation, and the New York Yankees. Emmy Award-winner BASSic Black Entertainment CEO Adam Blackstone and producer and keyboardist Omar Edwards served as the concert’s creative music directors.
Here are the 8 best moments of Hip Hop 50 Live:
Doug E. Fresh Transforms Into ‘Human Beat Box’
Image Credit: Danny Vasquez/Mass Appeal
On Wednesday night, The Weeknd announced the “final feature” of his career during his Warsaw tour stop. The Canadian-Ethiopian superstar born Abel Tesfaye performed his verse from “Another One of Me” at Poland’s PGE Narodowy. “This next song I’m about to perform is an unreleased record. I haven’t dropped it yet. It’s called ‘Another One […]
The Boss paid tribute to the leader of The Band on Wednesday night (Aug. 9) at the kick-off of the E Street Band’s North American stadium/arena tour at Wrigley Field in Chicago. Just hours after the world learned that legendary singer/songwriter/composer Robbie Robertson of The Band had passed away at age 80 following a long illness, Bruce Springsteen dedicated a song to his fellow hard core troubadour.
“To my good friend Robbie Robertson,” Springsteen said before the band kicked into the emotional ballad “I’ll See You In My Dreams” from the E Street Band’s 2020 album Letter to You according to the Asbury Park Press. The sentimental track is an a tribute to a lost loved one in which Springsteen takes solace in a dream world reunion as he surrounds himself with the departed’s books and records.
“The road is long and seeming without end/ The days go on, I remember you my friend/ And though you’re gone and my heart’s been emptied it seems/ I’ll see you in my dreams,” Springsteen sings before hitting the hope-filled chorus on the song that closed out the 26-song, three-hour setlist for Wednesday night’s show. “I’ll see you in my dreams/ When all our summers have come to an end/ I’ll see you in my dreams/ We’ll meet and live and laugh again/ I’ll see you in my dreams,” Springsteen manifests on the chorus.
Earlier in the day, E Street Band guitarist “Little” Steven Van Zandt called Robertson “good friend and a genius. The Band’s music shocked the excess out of the Renaissance and were an essential part of the final back-to-the-roots trend of ‘60s. He was an underrated brilliant guitar player adding greatly to Bob Dylan’s best tour & best album,” he wrote on Twitter.
The APP noted that, like Springsteen, 73, Toronto native Robertson worked the boards on the New Jersey shore in the mid-1960s, working at clubs such as the former Tony Marts in Somers Point, NJ with The Band.
Robertson had just wrapped work on Martin Scorsese’s upcoming film Killers of the Flower Moon, the 14th collaboration with the man the legendary director called “one of my closest friends, a constant in my life and work.” He was one of the dozens of musicians, friends and admirers who paid tribute to Robertson, whose career spanned more than 65 years as a band member, solo star, actor and film composer.
From his beginnings as a teenage guitarist in Little Caesar and the Consuls to his stint in Ronnie Hawkins and the Hawks in the early 1960s, a fruitful run with Bob Dylan in the mid-to-late 1960s and then the formation of Americana progenitors The Band, Robertson was a beloved, deeply soulful and thoughtful artist who former President Bill Clinton referred to as a “brilliant songwriter, guitarist and composer whose gifts changed music forever.”
Check out fan footage of the performance below.
Lollapalooza glided to a close on Sunday night (Aug. 6) on the wings of two very different California vibes. While the Red Hot Chili Peppers helped shut down the T-Mobile stage at the South end of the mud bog previously known as Grant Park, Lana Del Rey did the honors about a mile up the road on the Bud Light stage, drawing a huge crowd of superfans who’d been waiting all day for their beloved queen of disaster.
Del Rey brought a bit of old Hollywood glamour to what was an otherwise not-at-all glamorous, soggy, cloudy day — the second one of the four-day weekend in Chicago — one that reduced so many cute outfits and carefully curated looks to muddy messes as fans tromped through giant puddles.
In the wind-up to her commanding, mesmerizing 90-minute set, the day featured some fun lead-ins, including Afrojack getting the crowd absolutely mental with a taste of the remix of LDR’s “Summertime Sadness” on the Perry’s EDM stage. Just moments earlier, Joey Bada$$ made his fans equally bonkers by inviting hometown hero Chance the Rapper out for a surprise cameo run through Chance’s “No Problem and the live debut of their collab “Highs & the Lows.”
In another tip to Chi-town hip-hop royalty, both A Boogie Wit Da Hoodie and Lil Yachty shouted out late Chicago MC Juice WRLD during their sets, with the latter wowing the far-as-the-eye-could-see crowd with a rocking performance that leaned hard into the indie guitar vibes of his Let’s Start Here album.
An hour before LDR cast her soothing spell, Rina Sawayama lit up the Bud Light stage with a decidedly more high-energy vibe, literally cracking a whip during “XS” as she playfully teased her back-up dancers with a variety of S&M gear while rocking a red latex bondage outfit. And in a kind of foreshadowing of LDR’s headlining set, Rina took time out during her show to get her hair done on stage, change shoes and have a sip of Bud Light — she was, after all, on the Bud Light stage. She also slipped in a quip to the audience that seemed to allude to the beer brand’s Dylan Mulvaney flap, reminding them that “trans rights is not just for pride month.”
All of that, however, was just a simple appetizer for the tens of thousands who camped out to see Lana, who took the stage dressed as the world’s loneliest bride, complete with a white wedding mini-dress with a colossal train. While her set was low on the pyrotechnics that marked some of the other headliners over the weekend — from Karol G’s history-making appearance, to the 1975’s cheeky, antics-filled show, Billie Eilish’s eye-popping spectacle and Kendrick Lamar’s intense, stripped-down set — what it lacked in flames it more than made up for in smoldering elegance.
Check out the six best moments from LDR’s set below.
Wedding Bell Blues
Surely you didn’t think The 1975 singer Matty Healy wouldn’t address the band’s recent controversial set in Malaysia during their first gig back since that international incident? After all, it was Healy’s broadside against the country’s anti-LGBTQ laws — not to mention an onstage same-sex kiss with bassist Ross MacDonald — that got the band’s set cut short and led to the cancelation of the Good Vibes festival and Healy’s claim that his group is now banned from Kuala Lumpur.
Well, Healy took the matter head-on, kind of, during a typically raucous, unpredictable headlining slot at Lollapalooza in Chicago on Friday night (Aug. 4). Playing on the Bud Light Stage at the same time as Kendrick Lamar top-lined at the other end of the park, the band lit into the intro to “It’s Not Living If It’s Not With You,” during which Healy said, “You want my travel tip? Don’t go to…”
But he never got to finish his thought, because as the band often does during this wind-up, they cut Healy off before he could say something else that would get them into hot water.
At another point in the set that included runs through “Chocolate,” “Oh Caroline,” “Somebody Else” and “Love It If We Made It,” Healy again seemed to allude to his headline-making talents, joking, “What would we do without a little bit of drama, right?” before swigging from his ever-present flask.
The set had some other predictably unpredictable moments as well, as when during “Robbers,” Healy stole a moment to hop down off the stage to go hug one of his musical heroes after spotting him in the photo pit. Appearing gobsmacked by the sight, Healy scrambled down to give a surprised-looking Blink-182 singer-guitarist Tom DeLonge a giant hug. Even as he continued to sing the song — cradling both his mic and a cigarette in his right hand — Healy paused for a moment to tell Tom, “I love you so much, I love you so so much.”
DeLonge had also been in the same area a few hours earlier during 30 Seconds to Mars’ high-energy, death-defying set, during which singer and rock climber Jared Leto did a tethered free-fall from the top of the stage to gasps from the crowd.
After the song was over, Healy shared with the huge crowd how excited he was to meet one of his rock icons. “The person who inspired me to talk about my d–k as much as I do and I thank him for that forever,” he joked about DeLonge in a nod to Blink’s proud history of juvenile lyricism.
Lollapalooza soldiers on Saturday night (Aug. 5) with sets from Morgan Wade, Alex G, Pusha T, Odesza and Tomorrow X Together. The massive four-day fest winds down on Sunday night (Aug. 6) with music from Joey Bada$$, Alvvays, Lil Yachty, Red Hot Chili Peppers and Lana Del Rey.
At long last, Taylor Swift has arrived in Los Angeles for the final stop of her U.S. tour — or so fans thought.
Earlier on Thursday, August 3 — hours before the superstar would take the stage at SoFi Stadium — she announced a second leg of North American dates for 2024. The new dates include stops in Miami, New Orleans, Indianapolis and Toronto. “Turns out it’s NOT the end of an era,” Swift wrote on X (formerly known as Twitter).
And as she made perfectly clear on the first of her six-night run in L.A., slowing down is simply not in the cards. Neither is performing the same show night after night, as evidenced by the addition of two surprise songs to each set list, which Swift says is a fun way to challenge herself to dig deep into her extensive catalog — while also keeping fans on their toes, creating a sort of “gotta catch ’em all” energy.
But on Thursday, there was an even greater buzz radiating throughout the packed stadium as 70,000 fans poured in, many of whom were eagerly discussing rumors that Selena Gomez may make an appearance or that the next Taylor’s Version could be announced on this very night.
That’s the thing about the Eras Tour: it’s safe to expect the unexpected.
As it turns out, neither rumor was true. And yet, Swift’s opening night was nothing short of magical and filled with firsts, like having never performed at SoFi before or selecting a surprise song that she has never played live. And thankfully, it was all captured by a cameraman following her every move on stage, filming for something, as Swift managed to kick her power and poise into an even higher gear.
The night also included stellar opening sets from Gracie Abrams, who will join Swift on her 2024 dates, and HAIM. Of the sister trio, Swift said: “Not only are these three individuals my besties, but they’re my favorite band,” also noting it was a hometown show for the rockers.
“We have a lot to catch up on, musically speaking,” Swift said later on. “I haven’t toured in five years before the Eras Tour; This is the last city on the U.S. leg and we knew we wanted to end someplace special.”
And that is was. Below are the best moments from Swift’s opening night in L.A.
HAIM’s Not-So-Surprise Guest Appearance
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