concert
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It’s a sweet gesture familiar to any fan who regularly attends concerts: a star hands their microphone to an enthusiastic audience member who is visibly psyched to show off their knowledge of the artist’s songs by crooning a few lines. And, if they’re lucky, that fan might just surprise them by actually killing the vocal. […]
The sweltering summer concert season sent more than two dozen people to the med tent on Saturday at Snoop Dogg‘s show at the Cynthia Woods Mitchell Pavilion outside of Houston. According to USA Today, in addition to the 35 people who showed signs of “heat-related illness” who were examined at the venue, another dozen-plus were […]
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If you are attending a Drake concert please act accordingly. Drizzy checked a fan for throwing his book at him.
As spotted in People, the Toronto, Canada native recently performed at the San Francisco date of his It’s All A Blur tour. During a brief intermission an attendee felt the need to toss their copy of Titles Ruin Everything, A Stream of Consciousness by Kenza Samir and Aubrey Graham at the “Way 2 Sexy” MC. The ticket holder seemed to throw the printed work with some force as it nearly hit Champagne Papi in the head.
Thankfully he caught the book mid air and avoided the embarrassing moment. “You lucky I’m quick,” he told the fan. “I would have had to beat your ass if that hit me in the face”. While he made it clear he didn’t take too kindly to the fan throwing the book Drake has been literally showered with gifts during this concert series. Throughout the Blur tour women of all ages and sizes have been throwing their bras at Aubrey. So much so he expressed disappointment at his Montreal, Canada when the ladies did not throw any undergarments at all.
“I would just like to say, before I go onto this next song, this is the first stage where I don’t have no bras, and I’m deeply disappointed,” he told the crowd. “But don’t start throwing shoes and phones and sh*t. If you got a bra, though, just let me know that I still got it ’cause I feel like I might be having a bad show or something.”
You can see Drake catch the book below.
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The Jonas Brothers had a busy week in Boston during their two-night stand at the TD Garden on Tuesday and Wednesday. On their first night they celebrated Joe Jonas‘ 34th birthday and youngest bro Nick suffered an unforced error when he fell into a trap door on the stage and quickly popped back up. Joe […]
08/17/2023
The 1975’s Matty Healy and Ross MacDonald were far from the first artists to protest anti-LGBTQ laws through public displays during a concert.
08/17/2023
Travis Scott‘s super-sized roll-out of his Utopia album continued on Tuesday (Aug. 15) with the free YouTube posting of his 75-minute Circus Maximus film, as well as four Utopia music videos.
The trippy film — which played in select theaters on the album’s July 28th release date — opens with a scene in which Scott dreams he is being enveloped by a gigantic sea creature before setting off on a quest across a desolate landscape that brings him to a lavish mansion where he meets up with producer Rick Rubin.
Seen through a keyhole, their interaction initially finds Rubin asking probing questions (“is the house half empty, or completely empty?,” “how are the kids?,” “are you still crying?,” “how about the drugs, are they still working, or are you just tired of them?”) as an exasperated Scott tries to gather his thoughts.
What unfolds over the next hour-plus is a head-spinning film — written by Scot and co-directed by the rapper, Andrew Dosunmu and Kahlil Joseph — that incorporates all 19 tracks from the feature-filled album in a series of colorful vignettes. It bounces from Scott rapping “Hyaena” in an African village, to the MC participating in a Catalan-style human tower build in “Sirens,” all intercut with bits of the Rubin interview.
Elsewhere, there is a futuristic taxi chase set to the Beyoncé-assisted “Delresto (Echoes),” a strobing underground dance party for “Modern Jam” and some fresh footage cued to “Hyaena” and a remix of “Jam” in which Scott stands in front of a massive wall of speakers in Rome’s Circus Maximus, which bleeds into an extended run of footage from the recent album release show in the ancient venue that drew 60,000 fans and a surprise Kanye West cameo.
The break-out videos for “Sirens,” “Modern Jam,” “Hyaena” and “Delresto (Echoes)” are all versions of the clips that appear in the Maximus movie. Utopia has ruled the Billboard 200 albums chart for two weeks in a row, earning 147,000 equivalent album units in the U.S. for the week ending Aug. 10, down 70%, according to Luminate, from its debut the week before with 496,000 units earned.
Check out the Scott videos below.
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Corridos tumbados star Junior H is looking to set another milestone in his already prolific career: conquering the legendary Foro Sol stadium in Mexico City. Mexican promoter Ocesa announced on Monday (Aug 14) that the singer will perform at the storied venue on Nov. 23.
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The 23-year-old singer will arrive at the emblematic venue after having packing the Plaza de Toros México for two consecutive nights last May, drawing more than 80,000 people, according to organizers. Junior H is following in the footsteps of his genre colleague and July’s Billboard cover star Peso Pluma, who will perform at the Foro Sol 12 days earlier.
Junior H’s concert in the Mexican capital was announced after he kicked off his Sad Boyz 2023 U.S. arena tour on Friday at the Crypto.com Arena in Los Angeles, where he gathered around 13,000 people, according to his publicists.
Ocesa announced that a presale for Citibanamex cardholders will be held on August 22nd starting at 11:00 a.m. (Mexico City time); the general sale will begin one day later at the same time through Ticketmaster Mexico, and at the Palacio de los Deportes box office in Mexico City.
Prior to his concert at the Foro Sol, Junior H (whose real name is Antonio Herrera Pérez) will headline the Coordenada Festival on October 14 in Guadalajara, Jalisco, where he will share the bill with Mexican band Panteón Rococó and Queens Of The Stone Age.
In just four years, the self-proclaimed Sad Boy has solidified his position as one of the top exponents of corrido tumbado, a subgenre born after the release of Natanael Cano’s Corridos Tumbados album in 2019, with whom he has collaborated early in his career. He has also performed alongside other successful Mexican acts like Peso Pluma, Edén Muñoz, Gabito Ballesteros and Alemán.
Clocking in at more than 2 million plays in just a few weeks when it released in 2019, his song “No He Cambiado,” from his album Mi Vida en un Cigarro, became a phenomenon on digital platforms. Since then, he has placed 18 songs on Billboard’s Hot Latin Songs chart, four of which reached the top 10, and earlier this year he made inroads on the overall Billboard Hot 100 chart with the hit “Fin de semana” alongside Oscar Maydon.
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His latest track is “El Patrocinador” with Grupo Firme, whose video has more than 5.8 million views since its release 10 days ago.
Check out Ocesa’s announcement of the Junior H concert at the Foro Sol below:
Beyoncé showed some love for Lizzo during her Renaissance gig in Atlanta on Monday night (Aug. 14). After previously appearing to leave the “About Damn Time” singer out of the lyrics to the “Break My Soul (The Queens Remix)” earlier on the tour after Lizzo was hit with a lawsuit from three former dancers accusing her of creating a hostile environment and sexual harassment, Bey slotted Lizzo back in and added a shout out during the last of three gigs at Mercedes-Benz Stadium.
“Lizzo. I love you, Lizzo!” Beyoncé shouted during the performance of the song that finds her ticking off a list of legendary female artists including Bessie Smith, her sister Solange, Erykah Badu, Janet Jackson, Lauryn Hill and many others.
Just a week after being hit with the lawsuit from the former dancers — which also included allegations that they were pressured to touch nude dancers during a live sex show — the lawyer representing the three dancers said last week that “we have received at least six inquiries from other people with similar stories since we filed the complaint.”
The original complaint covering alleged harassment that allegedly took place between 2021-2023, was filed on behalf of dancers Arianna Davis, Crystal Williams and Noelle Rodriguez. It accused Lizzo (born Melissa Jefferson) and her Big Grrrl Big Touring Inc. of a wide range of legal wrongdoing, including racial and religious discrimination. They also included allegations that the captain of Lizzo’s dance team, Shirlene Quigley, forced her religious beliefs on the plaintiffs and took repeated actions that made them uncomfortable, including commenting on their virginity and simulating oral sex on a banana in front of them.
Lizzo denied the initial allegations in a statement, in which she wrote that they are “false” and “sensationalized stories,” adding, “I am not the villain that people and the media have portrayed me to be these last few days. I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not.”
She said that the allegations that she and her company created a hostile work environment were “unbelievable as they sound and too outrageous to not be addressed.” Beyoncé had pointedly left Lizzo’s name out of the live performance of the “Break My Soul” remix during an Aug. 1 show in Massachusetts, repeating Badu’s name four times instead; she reportedly slotted the singer’s call-out back into the song during a show in Maryland on Aug. 7. Bey’s mother, Tina Knowles, said the apparent Lizzo leave out was not done on purpose, pointing out that the singer also left out former Destiny’s Child member Kelly Rowland’s name that night, while fans have noted that not every name in the remix makes it into every performance.
Lizzo has kept a low profile since the lawsuit was filed and one of the only shows she had on her upcoming roster, a headlining slot at this year’s Made in America festival in Philly (Sept. 2-3), was pulled last week when organizers unexpectedly cancelled the event — which was also slated to feature SZA as a headliner — due to “severe circumstances outside of production control.”
Check out the Lizzo moment below.
New York City was popping over the weekend with #HipHop50 concerts and parties celebrating the NYC-spawned art form that began at DIY parties in housing projects and has grown into the most popular genre of music in America.
While Friday (Aug. 11) night’s Yankee Stadium concert featuring A-listers and neglected genre pioneers understandably got the most shine, ITSALLBLACKMUSIC’s 5X5 Block Party series ensured that each borough’s role in hip-hop’s evolution was honored, too. On Saturday (Aug. 12) at 1520 Sedgwick Avenue in the Bronx, luminaries from Public Enemy to KRS-One to Talib Kweli made damn sure the birthplace of hip-hop was rocking for the genre’s 50th anniversary.
Chuck D was listed on flyers as one of the Bronx concert’s headliners, but with Flavor Flav joining him on stage, Public Enemy was in full effect outside the residential building that hosted a storied breakbeat-heavy set in a rec room by DJ Kool Herc on Aug. 11, 1973. (That party, put on by Herc and his sister Cindy Campbell, is one of many key events in the genre’s genesis, but for purposes of the global #HipHop50 celebrations, their party at 1520 Sedgwick is the reason Aug. 11 is celebrated as birthday of hip-hop.)
Unapologetic as always, Chuck D said Public Enemy was offered a spot at the all-star Yankee Stadium concert but turned it down when KRS-One asked the group to make sure the Bronx birthplace got its dues on the anniversary. “F—k Yankee Stadium,” Chuck D concluded.
In between classic cuts like “Bring the Noise,” “911 Is a Joke” and “Fight the Power” (which still pack a wallop thanks to Chuck and Flav’s runaway-train energy), Chuck D demonstrated to the audience — a cross-generational swath of current residents, former locals trading tales of the not-necessarily-so-good-old-days and younger fans who needed Google Maps just to find the spot — that PE remains as politically outspoken as ever.
Chuck asked people to take out their phones, then reminded everyone that phones can be used to track your location and store data about you. He also shouted out imprisoned hip-hop pioneer Kidd Creole of Grandmaster Flash & the Furious Five (not to be confused with the lead singer of Kid Creole and the Coconuts, another Bronx legend) and claimed the retired rapper, whose real name is Nathaniel Glover, was “railroaded” by the system.
“Free Kidd Creole,” Chuck said, adding that “someone needs to talk to [NYC Mayor] Eric Adams” about the situation.
In April 2022, Glover was found guilty of manslaughter and sentenced to 16 years in prison for stabbing a homeless man, who later died in a hospital, in 2017. Glover’s attorney argued the stabbing was in self-defense, alleging Glover felt threatened after the man approached him around midnight in midtown Manhattan.
Just one night after Hip Hop 50 Live rocked Yankee Stadium, Jonas Brothers took over the iconic New York City venue on Saturday (Aug. 12) for the opening night of their massive “Five Albums. One Night. The World Tour” trek.
The band’s latest world tour, which currently boasts a whopping 94 shows, features a setlist comprised of every song from each of their previous four studio albums — 2007’s Jonas Brothers, 2008’s A Little Bit Longer, 2009’s Lines, Vines and Trying Times and 2019’s Happiness Begins — as well as selections from 2023’s The Album, standalone singles such as “What a Man Gotta Do” and “Leave Before You Love Me,” and solo tracks like Nick Jonas’ “Jealous” and Joe Jonas’ (by way of DNCE) “Cake by the Ocean.” As Nick Jonas told People, “It’s our most ambitious show we’ve ever put on, in the sense that building out five albums in one night was a challenge that I don’t think we fully understood after we’d already put it on sale.” He continued, “It’s amazing to just go back and look at the road that brought us to this moment now.”
As it has often been for the past decade-and-a-half, it was a family affair. Nick Jonas’ wife, Citadel star Priyanka Chopra Jonas, attended the tour’s opening night show, and she brought along their 18-month-old daughter, Malti Marie Chopra Jonas, to soundcheck. “From soundcheck to the stage with my girls. Yankees night one was beyond words,” Nick captioned a photo of him and his daughter sitting behind a drum kit. Joe Jonas’ wife, Emmy-nominated actress Sophie Turner, was also in attendance, standing alongside Chopra Jonas as the two took in the show together.
The celebrity appearances didn’t stop with the immediate Jonas Family. During the band’s second night at Yankee Stadium, Jimmy Fallon surprised fans with a sing-along to The Killers’ “Mr. Brightside.” “Huge thanks to @jonasbrothers for giving me the surprise guest spot on ‘The Tour’ tour. And thank you to @yankeestadium for turning it into the world’s biggest karaoke party. This is one of those nights I will never forget,” Fallon posted on X (formerly known as Twitter) on Sunday night (Aug. 13).
In addition to Fallon, Grammy-winning gospel music superstar Kirk Franklin and Grammy-nominated producer and songwriter Jon Bellion joined Jonas Brothers for the first nights of The Tour. Both Franklin and Bellion appeared for a rendition of “Walls,” the lead single from The Album, which peaked at No. 3 on the Billboard 200 back in May. Jonas Brothers even brought out their former security guard Robert “Big Rob” Feggans to rap his fan-favorite verse on “Burnin’ Up” (No. 5), one of the band’s several Hot 100 top ten hits to appear on the setlist. Jonas Brothers’ other top ten hits on The Tour setlist include 2008’s “Tonight” (No. 8) and 2019’s “Sucker” (No. 1).
Following their two sold-out Yankee Stadium shows, Jonas Brothers have announced a fifth hometown show at Prudential Center in New Jersey. Check out some videos of their performances below.