Coliseo de Puerto Rico
Bad Bunny delivers a spectacular show on any stage, but there’s nothing like seeing the megastar at home in Puerto Rico, performing for his day-ones. After wrapping up his Most Wanted Tour in the U.S., Benito brought the show to el Coliseo de Puerto Rico in San Juan. All three shows, including last Sunday’s (June 9) finale, sold out.
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Benito gifted locals an extra-special event, packed with guest appearances and hometown-specific elements not offered elsewhere.
Most tellingly, he opened with a video montage created specifically for this weekend’s shows. In it, he reflects on the excitement of the earlier tour dates, but makes clear that performing at home is like nothing else. Nobody will better appreciate his work than his fellow Puerto Ricans on the archipelago, he says in the clip, before concluding: If you’ve seen Bad Bunny perform, but you haven’t seen him in Puerto Rico, then you haven’t really seen him at all.
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On Friday’s, Saturday’s and last night’s shows, a youthful, classical orchestra directed by Colombian musician Carlitos López was both the opening act and a live band. The orchestra was also a major feature of the U.S. dates; this weekend, however, the first number was different. The orchestra opened with “La Borinqueña,” Puerto Rico’s official anthem. The crowd came to attention quickly, shifting from anticipatory pre-show bustle into a beautiful choir.
Centered around his latest release, 2023’s Nadie Sabe Lo Que Va a Pasar Mañana album, the U.S. dates featured two stages at opposite ends and a moving runway that descends from above. The Coliseo setup was the same — and considering the overwhelming number of cargo trailers outside the venue, it’s safe to assume Bad Bunny had the exact setup shipped in.
When the video went black, the orchestra began three Western-inspired overtures, setting a somber, solitary tone, before moving into “Nadie Sabe.” The orchestral opening and subsequent accompaniment was pretty ingenious in the satisfying cohesion it brought; the soundtrack of a companionless cowboy pairs well with the loneliness of fame, which Bad Bunny explores in the track’s lyrics.
When Bad Bunny rose, surrounded by fog, from a hidden opening in one of the stages, the crowd roared mightily. He maintained a stoic demeanor befitting the song, though — then hunched over his gleaming, silver mic at the end as fans chanted “Benito, Benito!”
The coliseum rattled as “Monaco” rolled in, then out — and Bad Bunny took a long moment to look around the giant space. He didn’t smile, yet he looked content. He nodded as if in acknowledgment of the love beaming at him from every direction.
Then came the guest appearances: Joining first for “Fina” was Young Miko, who bounced around the stage between dancers with a big black bow adorning her long blonde hair. Then came Mora for “Hibiki,” and later Yovngchimi for “Mercedes Carota” and Bryant Myers for “Seda.” Benito slowed the show there, stopping for a lights-off pep talk for fans, essentially about being yourself fully, regardless of the hate or admiration you receive.
Moving to the opposite stage, Luar La L hopped on for “Telefono Nuevo.” Shortly after, two lucha libre wrestlers appeared on the opposite stage. It was an awesomely bizarre method of distraction — meanwhile, Eladio Carrión was joining Bad Bunny on the runway to run through a slew of their collaborations.
Another stretch of Most Wanted feels like a piano bar, with only a pianist accompanying Benito as he runs through hits from his growing discography. He got extra playful with the element last night, though, playing a sort of guess-the-song game with fans. The pianist would play a few notes, he’d sing, then stop — did fans know the song? Of course, they always did. He apparently improvised plenty, as eventually the pianist stopped playing and it was only Bad Bunny singing a few bars — before, again, checking to see if fans knew the song. The game seemed to delight him. Here, he smiled plenty.
Again, special to these Puerto Rico dates, the mystery pianist’s identity was finally revealed. She’d been masked at every show since the start of Most Wanted, but removed the covering at the end of the set here, as Benito introduced her to the crowd as Tiffany Román.
Later, De La Ghetto rolled in for “Acho PR.” Then Arcángel hopped in for several cuts — the crowd went wild. Bomba players also joined onstage, with cabezudos wearing the mask also worn by Bad Bunny in the album visuals, as well as by the orchestra player and pianist.
There’s some practical rationale to the overabundance of guest stars in Puerto Rico, of course. It’s logistically easier for these artists to appear in concert alongside Bad Bunny when he’s playing where everyone’s based. Still, it’s a treat concertgoers simply can’t get anywhere but else but here.
In total, the Puerto Rico shows were each about an hour longer than the U.S. shows. Call it preferential treatment, and you’d be right — but that doesn’t mean it’s wrong. His hometown fans are the reason Bad Bunny is who is today, and they’re forever his foundation. They deserve the best, and it’s beautiful that Bad Bunny never forgets it.
In 2005, Ednita Nazario sang for the first time at Coliseo de Puerto Rico. Beyond selling 15,000 tickets, the moment was memorable because Coliseo had only opened its doors the year before and Nazario –perhaps Puerto Rico’s most beloved female singer — had been instrumental in lobbying for its construction. That night, she became the first woman to sing at the venue, affectionately known as “El Choli.”
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Today, nearly 20 years later, Nazario holds the record as the woman with most shows at the fabled venue. After her sold-out performances of her “La Reina” (The Queen) shows on Saturday (May 13) and Sunday (May 14), she’ll also become the artist with most sold-out shows after Wisin & Yandel.
Billboard spoke with Nazario about what it means to return to Coliseo and what has happened there throughout her 21 shows.
How do you feel?
“I’m almost speechless, super excited and I can’t believe it. Who could imagine 21 shows was possible? It feels like the first time. It’s one of the things that’s most struck me about my job. The longer I do it, the nerves, the adrenaline, the fast-beating heart, the butterflies in my stomach, they’re a constant.”
What is your most requested song?
“The one that always has to be there, that they’ll request even if I’ve sung for three hours, is ‘Quiero que me hagas el amor (I want you to make love to me).’ It’s an iconic song in my repertoire that I’ll never be able to remove from my rundown. I tried it once and was very sorry. It’s the most expected song. Always.”
The song you most enjoy singing?
“That one. Without a doubt. It’s like an escape valve. It’s a license for free expression, passion, emotion, that takes me on my own trip. I love it, I lie down, I give it my all, I let go. And it’s such a beautiful moment because I see the faces of the audience, and they also go on their own trip, because it’s a very personal, very intimate song.”
I read once that chefs always include their favorite dishes in the menu, sometimes surreptitiously. Think lobster at a steakhouse. Which of your songs is like that?
“I always do that, even in my albums. There are songs I include because, independent of whether they fit or not, they are the lobsters in my steakhouse. In my shows, there’s several song s that are cathartic. Obviously, the show overall is meant to serve the audience, and give them what they want. But in this one, I added a couple of lobsters. There’s one moment that has a message that needs to be there. And the other is a super fun song called ‘Cansada de estar cansada (Tired of Being Tired).’ It’s a really fun rock ‘n’ roll I wrote several years ago, but is still relevant today.”
Tell me about your first Coliseo?
“It was the ‘Apasionada’ show in 2005 and I was so nervous because it was my first time there. Coliseo is very personal to me because I was part of a group of people who lobbied for its construction. At the time, Puerto Rico didn’t have a venue like that, and I lobbied hard with businessmen and other people to have it built. It was definitely a historic moment, as a woman, as a Puerto Rican artist. Selling out that venue three consecutive nights is something I don’t take for granted.”
Concierto de Ednita Nazario “Apasionada” En El Coliseo De Puerto Rico .
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Memorable moments?
“When the bed comes down from the ceiling during ‘Quiero que me hagas el amor.’ That’s an iconic moment. So much so that we have a memorabilia exhibit at the entrance of this show, and the original bed is there. Another moment was when Ricky Martin showed up as a surprise guest. Or the first time I invited reggaetón artist, which wasn’t done at the time. I brought Héctor el Father and Ivy Queen in an amazing duet. Also, the time I had Luis Angel, the father of my daughter, and she also came onstage. He wrote some of my most iconic songs, and sang them with me. Those are unforgettable moments.”
Worst moment?
“There was a show where I had to fly over the audience while sitting on a swing. And for some reason, the swing started to spin around. It got tangled high above and formed a sort of braid. So I was spinning around like a crazy person over people’s heads, and I wasn’t tied to anything. I was terrified. But I think the adrenaline helped me and I just kept on singing.”
After so many shows, what will be different this time?
“We’re doing a kind of recap of iconic moments of those past 19 shows. And we’ve chosen specific songs from each of those shows, although obviously, I’ll include new material. The concept of ‘La Reina’ comes from having been called ‘The Queen of El Choli.’ But i gave it a twist, because I think we carry our kingdoms within. All human beings are monarchs of their own castles, and that castle is what you carry inside: Your mind and your spirit. And we can all reign over our own lives while we’re here. So, it will be like a reunion of monarchs where we all are kings and Queens. We built a central runway that takes me to the middle of the audience so I can see them up close. And obviously, the songs are those that have really resonated with them. And, yes, we’ll have special surprises.”
How will you celebrate?
“After the first show, I’ll go to sleep. After the second one, we have an after party with the team and my daughter will also be there. She flew in this week. I also told everyone on staff to bring their moms, because we’ll be working Mother’s Day. It will be a special night.”
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