State Champ Radio Coachella
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Taylor Swift and Travis Kelce made a surprise appearance at Coachella 2024. The pop superstar and Kansas City Chiefs tight end showed their support for some of the singer’s musical collaborators at the popular Indio, Calif., musical festival on Saturday night (April 13). Swift and Kelce were spotted backstage at the Mojave tent to watch […]
One year after his onetime Odd Future collaborator Frank Ocean headlined the Coachella main stage on weekend one (to general bafflement from the public), Tyler, the Creator took a crack at the festival’s Saturday headlining slot with a fierce, visually arresting performance of some of his best-loved tracks. Throughout the rapper’s roughly 80-minute performance, he […]
When No Doubt broke through with “Just a Girl” almost 30 years ago, it was instantly clear that frontwoman Gwen Stefani wasn’t “just” anything. And at a main-stage reunion Saturday night (April 13) at Coachella, Stefani proved that the band’s debut hit — and the band itself — remains as vital as ever in its […]
Under the blazing desert sun, chants of “Mexico” echoed through the Coachella Valley. Santa Fe Klan emerged, his accordion in hand, as a massive silver inflatable “SFK” loomed behind him. His Coachella debut on Saturday (April 13) at 4:45 p.m. PT was a memorable moment.
Kicking off with the infectious rhythm of “Cuidando El Territorio,” the rapper wasted no time amping the crowd’s energy. “¡Y arriba México, cabrones!” he shouted, igniting a wave of Mexican pride that swept through the audience at the Coachella main stage.
Sporting an oversized black jersey emblazoned with the numbers “473,” the area code of his native Santa Fe, Guanajuato, the wordsmith delivered a riveting showcase. From the gritty bars of “Cypher” to the heartfelt melodies of “Mi Vicio,” and the poetic prowess of “Luna y Mar,” he effortlessly blended rap, cumbia, and Mexican symbolism.
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Accompanied by a crew of dancers clad in bulletproof vests, army cargo pants and bandanas, and a full band consisting of a drummer, bassist, guitarist and DJ, the Mexican star’s presence was undeniable. As he picked up his accordion, the crowd erupted into a frenzy, ready to dance to the infectious cumbia sonidera of “Soledad.” “Vamos a bailar cumbia,” he asserted.
But his performance was more than just music — it was a celebration of Mexican culture, the barrio life and resilience. “Con la bandera arriba, ¡que se sienta México!” he exclaimed, expressing gratitude to his fans and honoring his heritage.
Guest appearances added to the spectacle, with poet/rapper Nanpa Básico from Colombia joining SFK on stage for a soulful rap rendition of “Te Iré A Buscar.” Later, “Tornillo” took the spotlight, delivering a powerful performance of “Un Día Todo Se Termina (Remix)” alongside the star of the show.
Midway through his set, the artist took off his shirt to demonstrate his fully tattooed body with stunning portraits of Mexican idols like Chalino Sánchez and Pedro Infante.
As his set drew to a close, the Guanajuato native paid tribute to his late comrade Lefty SM with a heartfelt rendition of “Por Mi Bandera,” from their joint 2020 album Necesidad. Mexican flags waved proudly, decorating the desert as Santa Fe Klan’s growing legacy echoed through the Coachella Valley.
The day before, on Day 1 of the festival, Santa Fe Klan surprised fans during Peso Pluma’s set with an electrifying rendition of “NO SON KLLE,” cementing his status as a force to be reckoned with.
A small earthquake near Coachella on Saturday (April 13) shook the Southern California desert, where the famous music festival is being held this weekend. No damage or injuries were reported. Explore Explore See latest videos, charts and news See latest videos, charts and news The quake, with a preliminary magnitude of 3.8, hit at 9:08 a.m. local […]
04/13/2024
Plus, highlights from Justice, Chlöe, Deftones, Sabrina Carpenter, Peggy Gou & more Friday performers.
04/13/2024
Not only did Lana Del Rey start her Coachella headlining set early, but her entry was epic.
On Friday, April 12, at 11:16 p.m. the festival main stage screens showed an aerial view of Del Rey and her entourage rapidly approaching. As she neared, it became clear her crew was not rolling up on the expected golf carts that often shuttle stars around the Indio, Calif. fest, but rather motorcycles. And as a snippet of her never-to-be-officially-released song “Jealous Girl” played – with the lyric “Baby, I’m a gangster too” on loop – Del Rey’s motorcade took a lap through the crowd as she smiled and waved to the thousands of fans gathered for this very moment.
“What’s up, Coachella,” she asked casually, after making her way to center stage and offering a small smile before performing “Without You” into a fusion of Sublime’s “Doin’ Time” with “Summertime Sadness.” “I’m so happy to be here,” she added with another faint, and even briefer, smile. But keep in mind, this is Lana Del Rey – sad girl pop president and eternally committed to the bit, whether she’s headlining Coachella or not.
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As such, her demeanor matched the elaborate set design that looked much like a dilapidated version of the Gatsby Mansion long after it had thrown its last party. Making it, of course, the perfect imaginary scene for Del Rey to host a late-night shindig of her own complete with a swing band and roaring 20s-inspired backup dancers.
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Early into the set, Del Rey noted that she last played Coachella “exactly 10 years ago to the day” (during which she debuted single “West Coast”), before softly speak-singing, “We’re still doing it.” Yet, it’s not the fact that she is still here a decade in that’s impressive, but more so that she is still entirely and unapologetically herself after so many years – or at least, that the persona of Lana Del Rey is still so intact. In fact, across her nine studio albums, Del Rey has seemingly become even more herself, taking bigger experimental swings and offering longer, more eyebrow-raising track titles along the way.
And tonight, her headlining set seemed to be a quiet celebration of such, during which Del Rey sauntered across the stage performing career-spanning hits that, in a festival setting like Coachella, felt almost like underground gems that she was carefully unearthing. Even the expected “headliner stunts” were delivered with a delicate touch: She performed “Ride” while slowly spinning from within a circular, leaf-covered swing; delivered a gorgeous a cappella rendition of “The Grants” alongside her trio of backup singers; and, most notably of all, sang “Hope Is a Dangerous Thing for a Woman Like Me to Have – but I Have It” via hologram accompanied by collaborator and close friend Jack Antonoff on piano, who co-produced the track. (Earlier in the night, she was joined by Jon Batiste on piano for an extended version of “Candy Necklace.”)
The hologram – though a bit morbid, especially considering the lyric, “Hello, it’s the most famous woman you know on the iPad/Calling from beyond the grave” – perfectly punctuated the spirit of the set. As evidenced by her closing song selection of “Young and Beautiful” (which was prominently used in The Great Gatsby), it became increasingly clear that Del Rey had come to make a statement.
As she sings on “Young and Beautiful: “I’ve seen the world, done it all, had my cake now. I’ve seen the world, lit it up as my stage now.” All the while, the song’s primary question loomed: “Will you still love me when I’m no longer young and beautiful?”
Earlier in the night, Billie Eilish delivered an affirmative answer.
Following online rumors that the superstar would be making a guest appearance during Del Rey’s set (an artist Eilish has long been a fan of), she appeared toward its end atop the arched trellis to duet on “Ocean Eyes” and “Video Games” with Del Rey. After the two were done, they sat a moment longer, seeming genuinely stunned by one another’s presence. “Get the f–k out of my face,” laughed Eilish, speaking to her hero.
“Yep, that’s the voice of your generation, the voice of our generation,” replied Del Rey. “I”m so f—ing grateful she’s standing next to me right now.” To which Eilish replied: “This is the reason for half you b—-es existence, including mine.”
That simple sentence cut to the core of the evening. Sure, the set was spotty at parts – with moments of darkness and silence in between many songs and a handful of issues with mic volume, all of which Del Rey audibly called out. And yes, Del Rey’s soft-spoken tendencies on and off stage may have not made her the most obvious headlining act to kick-off Coachella. But it’s her impact that remains undeniable.
But don’t take my word for it, take it from “the voice of our generation.” The artist who we may not have had it not been for an artist like Lana Del Rey doing what she has and will always do best: being Lana Del Rey.
As she delivered the final note of “Young and Beautiful,” the band picked up steam and her dancers reappeared with champagne bottles in hand as fireworks exploded into the night sky – all the makings of a signature Gatsby blowout. And as Del Rey rode off on motorcycle, just as she came in, the party on stage continued long after she was gone. And that’s the point.
Her undeniable impact is also unforgettable – and exactly what makes Lana Del Rey the icon she is. And one well worth the celebration.
Bizarrap transported his “Bzrp Music Sessions” from his distinct blue-hued recording studio to the desert at the 2024 Coachella Valley Music and Arts Festival on Friday (April 12), where his special guest Shakira could not hold back from sharing major news.
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Just before 8 p.m. PT on the Sahara Stage, the Argentine hitmaker arrived wearing his signature black baseball cap, large, dark sunglasses, and blue track jacket, while he was surrounded by his equipment.
His set kicked off with one of the songs that made him a viral sensation during the pandemic in 2020: “Nathy Peluso: Bzrp Music Sessions, Vol. 36.” It followed with back-to-back upbeat tracks: “L-Gante: Bzrp Music Sessions, Vol. 38,” “Ptazeta: Bzrp Music Sessions, Vol. 45,” “Eladio Carrion: Bzrp Music Sessions, Vol. 40,” “Morad: Bzrp Music Sessions, Vol. 47,” Milo J: Bzrp Music Sessions, Vol. 57” and “Villano Antillano: Bzrp Music Sessions, Vol. 51,” to name a few.
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A man of few words, focusing all his energy on his DJ controller, Biza hyped up the crowd with his fist pumps and jumps. “Let’s go, Coachella!” he would scream here and there.
Most notably during his one-hour set were the vibrant and futuristic visuals and incredible light show that would change with every track and beat and seemingly took over the entire desert.
At 8:13 p.m. — just after performing his Residente-assisted “BZRP Music Sessions #49” and “Mamichula” in collaboration with Trueno and Nicki Nicole — Shakira arrived onstage for a surprise performance. On the screen: “La Loba Se Viene.”
Shakira, looking flawless and graceful as always, performed “La Fuerte,” her second collaborative effort with Biza, part of her latest studio album Las Mujeres Ya No Lloran.
“Good night, Coachella! This is amazing,” she told the crowd. “Thank you, Bizarrap for inviting me. Truthfully, it’s amazing being here with this audience, with you, my colleague, my friend.”
Dressed in a sunset ombre cutout dress, Shak then announced major news: “I have to share something today. Biza, I’m going on tour. I’m going on tour, finally…starting here, this November, this year, this city. I can’t wait. Couldn’t ask for more,” she said, as the screens displayed “Las Mujeres Ya No Lloran World Tour” in white text.
Shortly after, Shak and Bizarrap celebrated with their megahit “Shakira: Bzrp Music Sessions, Vol. 53.” The track peaked at No. 9 on the Billboard Hot 100 and landed at No. 2 on both the Billboard Global 200 and the Billboard Global Excl. U.S. It also ruled the Hot Latin Songs chart, scoring Shakira her 12th leader on the tally.
Biza then continued pumping up the crowd with his bangers, including his collaborations with Peso Pluma, Natanael Cano, Snow Tha Product, and Young Miko, to name a few. “Let’s f—ing go Coachella!” he chanted.
Young Miko made her grand debut at the 2024 Coachella Valley Music and Arts Festival, where she brought her blazing Puerto Rican flow to the desert on Friday (April 12).
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At 4:45 p.m. Pacific Time—just as a packed crowd chanted “Miko, Miko”—the breakthrough singer and rapper opened the fest with a thumping performance of “Lisa,” followed by a chill version of “Tempo,” her track with Marshmello. Accompanied by a live band and her Boricuan swag, Miko was casually dressed in baggy denim shorts, a tie-dye muscle tee, white sneakers, and metallic sunglasses, as she graced the stage from side to side.
“Coachella, it’s so exciting to be here, puñeta!” the artist exclaimed. “We’re going to have a great time. I’m here with a group of talented people. It’s my first time here with you, let’s f—-ing get it!”
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On the stage, a large white heart and a boombox that displayed cool visuals—simple but cool. The real star of the night, however, was Miko’s effortless vocals that transitioned from sugary singing vocals to sensual rap bars.
Her “corillo” of musicians didn’t stay behind.
In songs such as “Wiggy,” “tres tristes tragos,” and “curita,” the band delivered head-swaying jam sessions backed by deep bass beats, hard-hitting drums, and electric guitar riffs.
During her set, Miko—who had no special guests on day one—also performed some of the biggest reggaeton titles that made her a household name: the Bad Bunny-assisted “Fina;” “ID” with Jowell y Randy; “Chulo” in collab with Bad Gyal and Tokischa; and her Bizarrap session “Young Miko: Bzrp Music Sessions, Vol. 58.”
“Coachella, I can’t thank you enough for having me here. What a beautiful vibe under the sun with all of you. We’re having a great time. This is good heat. From PR to the world, I’m Young Miko,” she said ahead of wrapping up her electrifying set with her Feid-assisted “Classy 101,” which earned her first Billboard Hot 100 entry last summer.
For Coachella attendees, even driving to the festival is fun. Leading up to Palm Springs, Calif., drivers can enjoy a line of creative billboards promoting various products, songs and festival performances along the freeway.
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Emilee Moore, however, wanted to take it a step further following the release of her unifying new track, “Hanging On,” which perfectly captures how tough moving on is after a heartbreak. “I wanted to do the most epic, grand thing for this song, and Coachella was just around the corner,” she tells Billboard. “I thought, billboards are so related to Coachella, and that would be a perfect place to perform. Not only are we catching people who love music, but we also might reach some people who are escaping their heartbreak for the weekend and going to a festival to not think about an ex.”
For the singer-songwriter, there’s nothing better than a sign from the universe — so why not show other heartbroken music lovers a literal sign? “When I was going through my worst experience with heartbreak, I was always looking for a sign and I would find meaning in literally everything I could because I just wanted to feel less alone and feel understood,” she says. “I really just wanted to make a literal sign where it’s like, ‘This is your sign. You’re not alone in those feelings.’”
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The billboard also features a personal connection between Moore and her devoted fan base. Leading up to the project, she asked her fans to send her objects that keep them fittingly “hanging on” to a past relationship, and she received everything from love letters and jewelry to t-shirts and small trinkets. “There’s so much history to these objects,” she gushes, getting visibly emotional. “I have chills even thinking of it.”
Moore then teamed up with an engineer to create a heart on the billboard comprised of photos of the fan-sent objects. “It just allowed me to have a further connection with them,” she says of the billboard and her fans. “It felt so powerful and impactful.”
However, the billboard is just the tip of the iceberg when it comes to Moore’s “connection” with her fanbase. Many of them have been following her since the beginning of her career, and her Instagram comments section is full of personal stories and a feeling of safety in the singer’s music. How did she grow so close with her fans so quickly? “Vulnerability,” she says, “I always try to be as open as possible and I really try to express things that people are afraid to talk about so that I can validate those feelings for people. Then, they’re willing to open up to you and they’re willing to connect with you on a deeper level.”
She continues, “I guess the biggest thing for me is anytime I’m trying to think of what I want to do for a release or on my social platform, I take it back to my younger, heartbroken self and I think about what I needed in those moments and I try to create that on my page. If you look on my Instagram, for example, you’ll see a lot of movie scenes, you’ll see heartbreak quotes and those are not random, but they’re very specific to my experience and heartbreak and when I would see those growing up, I would feel less alone.”
As for advice for her fans if they’re “Hanging On” to heartbreak, Moore says to take the time to heal. “Let yourself feel, and not push away the feelings because they’re too painful,” she shares. “Let it hit you and you let it wash over you like a wave in those moments and then you can start to heal little by little. There’s no rush. It’s not a race. You don’t have to move on at the same pace your friends are or other people in your life. It’s you and your heart and only you can heal in the right timing.”
