CMA Awards
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Post Malone and Chris Stapleton will each perform twice on the 58th annual CMA Awards, which are set for Wednesday, Nov. 20. Post will perform “Yours,” the closing track from his album F-1 Trillion. Stapleton will perform “What Am I Gonna Do,” the opening track from his album Higher. The two stars will also team to perform “California Sober,” a track from F-1 Trillion on which they collaborated.
Shaboozey, a first-time nominee this year with two nods, will perform a medley of his breakthrough smash “A Bar Song (Tipsy),” which is in its 16th week at No. 1 on the Billboard Hot 100, and his new single “Highway.” Both songs are featured on his album Where I’ve Been, Isn’t Where I’m Going.
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Performing together for the first time, Thomas Rhett and Teddy Swims will offer a mash-up of Rhett’s “Somethin’ ’Bout a Woman,” from his new album About a Woman, and Swims’ “Lose Control,” a recent No. 1 hit on the Hot 100. The two Georgia natives also had a hand in co-writing Rhett’s “Angels (Don’t Always Have Wings),” a No. 1 hit on Country Airplay in 2023. Before that, they teamed on Swims’ pre-fame 2020 song “Broke.”
Dierks Bentley will be joined by Molly Tuttle, Sierra Hull and Bronwyn Keith-Hynes for a performance of Tom Petty’s 1976 classic “American Girl.” Bentley performed the rock classic on this year’s Petty Country: A Country Music Celebration of Tom Petty.
Luke Bryan and Lainey Wilson, who are co-hosting the show with Peyton Manning, will each perform on the show. Bryan will perform “Love You, Miss You, Mean It,” which reached No. 2 on Country Airplay last month, becoming his 36th top 10 hit on that chart. Wilson will perform her current single “4x4xU,” which is currently up to No. 23 on that chart. The songs are featured on their albums Mind of a Country Boy and Whirlwind, respectively.
Ashley McBryde is also set to perform on the show, though her song selection has not yet been named. Additional performers and presenters will be announced in the weeks ahead.
Country Music’s Biggest Night is set to air live from Bridgestone Arena in Nashville on Wednesday Nov. 20 (8-11 p.m. ET). It will air on ABC and be available for streaming the next day on Hulu.
The 58th annual CMA Awards is a production of the Country Music Association. Robert Deaton is the executive producer, Alan Carter is the director and Jon Macks is the head writer. Tickets are on-sale now at Ticketmaster.
By the time surging newcomer Zach Top released his debut country album, Cold Beer & Country Music, in April, the 27-year-old singer-songwriter was already seeing a groundswell of support from fans and his fellow artists. With his unabashed devotion to traditional country sounds on songs like “Bad Luck” and “There’s The Sun,” matched with his unmistakably country drawl, the singer-songwriter from Sunnyside, Wash., has drawn comparisons to such ’90s country luminaries as Alan Jackson, Doug Stone and one of his musical heroes, Keith Whitley.
Top, who is signed with label Leo33 and managed and published by Major Bob Music, has been on tour with reigning CMA entertainer of the year Lainey Wilson since May. He was a guest at Dierks Bentley’s early September headlining show at Nashville’s Bridgestone Arena and most recently teamed with bluegrass luminary Billy Strings to release a trio of collaborations for Apple Music.
As Top’s “Sounds Like the Radio” continues to grow on Billboard‘s Country Airplay chart, reaching a new No. 16 high on the Nov. 9-dated list, another track from Cold Beer & Country Music has also grown into a chart hit: “I Never Lie.” After the slow grooving, sarcastic song became his first entry on the Billboard Hot 100 in September (it has since reached a No. 68 high), his team pushed “I Never Lie” to country radio. It debuted on Country Airplay in late October, giving Top two songs simultaneously on the ranking — a feat more typically reserved for arena- and stadium-headlining stars in the genre.
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He’s up for new artist of the year at the CMA Awards later this month, and his rising career has led to additional dates to his 2025 Cold Beer & Country Music Tour, which launches Jan. 16 in Nebraska, with openers Jake Worthington and Cole Goodwin.
Billboard caught up with Top to discuss “I Never Lie” reaching new chart heights, as well as his thoughts on his upcoming CMA Award nomination for new artist of the year and who he thinks will take home the entertainer of the year honor.
“I Never Lie” was included on your debut studio album, Cold Beer & Country Music. How did the song come together?
I wrote it with Carson Chamberlain and Tim Nichols. I have one of my more clever rhymes on there, with the “Angel” and “April” rhyme in the first verse [“You still look like an angel/I heard you’re doin’ fine, got promoted back in April”]. We cut it pretty old-school with the band, and I sang and tracked the vocals as they were playing. They never hear the song until the day we record it. I’ll have an acoustic recording of it on my phone, and they hear it once or twice, and that’s it. It’s two or three takes and we play it like we feel it. We might overdub a thing or two or add some fills, but it’s all played live, nothing computerized about it. Carson produced it and [engineer] Matt [Rovey] mixed it up.
What has been your reaction to it connecting with fans on this level?
It may be the countriest song on the record. It sticks out and there’s nothing but steel guitar on there — you haven’t heard a song like that, sonically, in a long time. I think people have had an appetite for my kind of country for a little while, and we’re getting a dose of it. Songs like “Sounds Like the Radio” and “Cold Beer & Country Music,” you would expect those to be hits because they are up-tempo. This song goes in the face of what’s out there right now.
When did you first realize the song was a hit?
We had been playing it in live shows, so people already knew it. Around April 5, we had our album release show, and over the last four months, it has really taken off. Our fans know every word of every song on the album — they are not just waiting to hear one song. It gives me chills every night when we play that first riff [of “I Never Lie”]. They don’t need to hear no words, they know it from that first note.
“I Never Lie” debuted on Country Airplay in late October, giving you two current hits on the Billboard chart, including the top 20 hit “Sounds Like The Radio.” How does that feel?
I’m excited, because you don’t see that a lot with an artist as new as me. I’m proud to have the success so far and not be just a one-hit wonder.
You’ve also gained traction on TikTok with “I Never Lie.” What is your approach to social media?
I don’t get on social media much. There is a girl named Cheyenne in my band who has TikTok and she’ll tell me about videos that have “I Never Lie” or other songs in them. I was never very into social media — it was just a tool to get music out there. Early this year, I turned it all over [to my team]. I don’t have the apps on my phone, and I don’t think I have the logins. It can suck you in, scrolling through, and I think it’s probably healthy for me to stay off it.
You are nominated for new artist of the year at the CMA Awards on Nov. 20. What do you remember about finding out about your nomination?
It’s funny because I got a couple of texts that said, “Congratulations,” and I was like, “It’s not my birthday. What’s going on?” They sent me screenshots and filled me in. There are a bunch of big artists on that list, and I’m proud to be in this group.
Who do you think will win entertainer of the year at the CMA Awards?
I think Lainey [Wilson] would be a good pick. She puts on a hell of a show and is a great entertainer. And [Chris] Stapleton, I saw his show at [Nashville’s] Nissan Stadium, and I had not seen his show before and it’s pretty old-school with the band up there. He sings and captivates people with his voice and music, so he gets my vote, too.
A version of this story appears in the Oct. 26, 2024, issue of Billboard.
Among Texas born-and-raised entertainer Cody Johnson’s five nominations at the upcoming CMA Awards is an album of the year nomination for his 2023 Warner Music Nashville/CoJo Music project Leather, which spurred the No. 1 Billboard Country Airplay hit “The Painter” and the top five hit “Dirt Cheap.”
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Just a year removed from that album’s release, Johnson is already building on that work with the Leather Deluxe Edition, featuring 13 more songs, out today (Friday, Nov. 1).
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With Leather, Johnson aimed to create a work that represented his creative vision at that moment — a project worthy of an album of the year nomination — whereas the additional songs as part of the deluxe album offer Johnson a broader palette for exploration, musically and sonically, fusing elements of rock, ‘90s country, bluegrass and even blues.
“I wanted to have fun with Deluxe,” Johnson tells Billboard. “If you were to listen to one through 12 [on Leather] and then one through 13 [the deluxe version], it should all go together and it should make you feel like we put out two different things, but it should be something that’s kind of cohesive as one big piece.”
Even before partnering with one of Nashville’s powerhouse major labels in 2019, Johnson had already independently issued a half a dozen projects on his own CoJo label. He broke through to mainstream country radio success with 2018’s top 5 Country Airplay hit “On My Way to You,” rang the bell with his first Country Airplay No. 1 hit “’Til You Can’t” in 2021 and expanded on those laurels with Leather.
Along the way, pairing those releases and hits with steady-handed touring and his hard-charging, energetic stage show has aided in building Johnson’s reputation as one of traditional country music’s tip-of-the-spear torchbearers.
He’s also fast gaining prominence as a go-to artist for any songwriter with their sights set on potential awards recognition. The Johnson-recorded “’Til You Can’t” earned a Grammy for best country song. Two other Johnson-recorded songs, “Dirt Cheap” (written by Josh Phillips) and “The Painter” (written by Benjy Davis, Kat Higgins and Ryan Larkins) are contenders for CMA song of the year (the honor goes to the writers).
On his deluxe album, Johnson contributed writing to a trio of songs, “The Mustang,” “Georgia Peaches” and “Country Boy Singin’ the Blues,” but as with his previous albums, he largely turned to Nashville’s top-flight songwriters. Whether he is a writer on a particular song or not, he delivers each with his straightforward candor.
Another standout on Leather Deluxe Edition is the cinematic “The Fall,” which lays out an arc of triumphs over setbacks, heartbreaks, and failures.
“You can visualize a movie in your head when you listen to it and everybody’s story is a little bit different…that’s kind of the story of my life,” Johnson says, quoting a few of the song’s lyrics. “’The ride was worth the fall. The fall was worth the smiles. The smiles are worth the tears. The tears are worth the miles.’ [Durango Artist Management’s] Scott Gunter played me the demo and I just had tears in my eyes. It made me sit down and listen, just visualizing things I’ve been through, the climb and the fall and getting back up again and persevering. It’s a very well-written song.”
“I’m Gonna Love You,” an eight-year-old song, had previously been pitched to Carrie Underwood, before it made its way to Johnson, who asked Underwood to collaborate on the song with him.
“I had no idea that she had even heard the song,” Johnson says, adding, “When I sent it over to them, she was like, ‘Well this is the second time this song has made its way into my life.’ I think it’s a God thing. I think we were meant to sing that song together and the timing was right. And it could almost be a pop crossover, it has that feel to it, but we’re singing it like a gospel song.”
Both Johnson and Oklahoma native Underwood possess powerful voices, but he says their work together laying down the lead vocals and harmonies was easy: “A lot of times when you get big singers in the same studio, it can turn into a ‘who outsang who’ thing, but this was not the case. And I have a lot of respect for her as a person and as a vocalist.”
His prolific release of songs over the past year does present the task of continually updating his setlist, especially as he will launch his Leather Deluxe Tour in 2025, which will includes shows in Australia and New Zealand.
“There are a few songs that have similar values,” he says. “To me, ‘People in the Back’ from Leather is a huge live song, the rock moment. ‘How Do You Sleep at Night’ from the deluxe edition has a lot of that same value. There will be sections of the set that I will move stuff in and move stuff out. Because my set list is very strategically organized as far as the feeling of the crowd. But then again, with songs like [2011’s] ‘Diamond in My Pocket,’ it’s hard not to play that song.”
Another fan favorite that occasionally makes it into Johnson’s setlist is a cover version of The Chicks’ “Travelin’ Soldier” — but while fans have regularly asked for him to release a recorded version of the song, Johnson says, “I kind of think just let it live in the moment. If you try to overthink it, sometimes it might not turn out the way you want. I think there’s a live version out there. Until people just absolutely beat my door down and say ‘You gotta put this on there.’ There’s a cover I have in mind for my next album and it’s probably something nobody’s going to expect, but that will be another moment. We may never do that one live and just kind of keep people guessing.”
Just how to work in the Underwood duet into Johnson’s solo headlining sets presents somewhat of a challenge for an artist who has fashioned a career dedicated to giving fans authentic musicianship.
“My band and I don’t run tracks. We don’t have a single track onstage,” Johnson says. “But I think this is a track that if we run a video wall [featuring Underwood] and have her voice there, I think that’s an obvious track. It’s one thing if you’re listening to a band, you hear fiddle and there’s no fiddle — that’s just a track, man, and we ain’t never doing that. But if you obviously know that Carrie Underwood is not there [at the show] … I think that that might be the one that we can pull it off and say, ‘Look, come on. Y’all knew she wasn’t here. We’re just doing this so we can play the song for you, and it’s going to sound really weird if I sing it by myself.’”
In 2021, the Shaun Silva-directed documentary Dear Rodeo: The Cody Johnson Story spotlighted his journey from professional bull rider and corrections officer to arena-headlining, country music hitmaker. More recently, Johnson has been in talks with Yellowstone creator/director Taylor Sheridan about upcoming projects. Though there is nothing official in the works at the moment, Johnson says he is interested in prospects as an actor.
“I think I could play the villain just as well as I could play the hero,” he says. “I love movies and cinema, and hunting for little Easter eggs in the movie. I think it doesn’t matter what kind of part I get, I’ll try my best in that role.”
For now, Johnson is focused on two of his first loves: music and roping. A few weeks ago, Johnson launched the inaugural CoJo Open Team Roping event in Belton, Texas.
“This will be an annual thing,” Johnson says. “I think it was a huge success, and it was important for me to have something like that in the western world to not only give back to charities, but to give back to the rodeo and a cowboy, western way of life for these guys that live the same life I do. I just happen to play music on the weekends and be on camera and go across the world doing all that stuff. But at my core, that’s who I am, is a cowboy.”
Whether onstage or in the riding arena, the father of two is mindful of the message of ambition, resilience, and a dogged work ethic he’s sending to the next generation.
“I think it’s also important for kids to see me on stage and on TV, but then watch me go out there and battle it out in the arena. Sometimes you win, sometimes you lose, but [it’s about being able] to keep the same head on your shoulders and say, ‘Look, if we were roping tomorrow, I’d be back tomorrow competing.’”
Now, that’s how to get your day off to a good start, with a phone call from Brothers Osborne, the reigning CMA Award winners for vocal duo of the year, informing you that you are a 2024 CMA Broadcast Award winner. That’s just what happened on Wednesday (Oct. 9) for six teams of broadcast personalities and four radio stations.
Any full-time, on-air broadcast personalities and radio stations in the U.S. and Canada were eligible to submit entries. The entries were judged by a panel of broadcast professionals, representing all market sizes and regions.
The categories are established by market size based on population as ranked by Nielsen. Entries for broadcast personality of the year are judged on aircheck, ratings, community involvement and biographical and impact information. Candidates for radio station of the year are judged on aircheck, ratings, community involvement and leadership and impact information.
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CMA Broadcast Awards winners are not eligible to enter the same award category in consecutive years; therefore, those who received trophies in 2023 were not eligible in 2024.
The 58th Annual CMA Awards — co-hosted by Luke Bryan, Peyton Manning and the reigning CMA entertainer of the year, Lainey Wilson — will air live from Bridgestone Arena in Nashville on Wednesday, Nov. 20, at 8 p.m. ET on ABC. Brothers Osborne is nominated for vocal duo of the year for the 10th consecutive year.
Here’s the full list of 2024 CMA Broadcast Awards nominees, with winners marked.
Weekly national
“American Country Countdown” (Kix Brooks) – Cumulus/Westwood One
“Country Gold with Terri Clark” (Terri Clark) – Westwood One
WINNER: “Crook & Chase Countdown” (Lorianne Crook and Charlie Chase) – Jim Owens Entertainment
“Highway Hot 30 with Buzz Brainard” (Buzz Brainard) – SiriusXM
“Honky Tonkin’ with Tracy Lawrence” (Tracy Lawrence and Patrick Thomas) – Silverfish Media
Daily national
WINNER: “The Bobby Bones Show” (Bobby Bones, Amy Brown, “Lunchbox” Dan Chappell, Eddie Garcia, Morgan Huelsman, “SZN Raymundo” Ray Slater, “Mike D” Rodriguez, Abby Anderson, “Kick Off Kevin” O’Connell, and Stephen “Scuba Steve” Spradlin) – iHeartMedia
“Michael J On Air” (Michael J. Stuehler) – iHeartMedia
“Nights with Elaina” (Elaina Smith) – Westwood One / Cumulus Media
“PickleJar Up All Night with Patrick Thomas” (Patrick Thomas) – PickleJar / Cumulus Media
“Steve Harmon Show” (Steve Harmon) – Westwood One / Cumulus Media
Major market
“The Andie Summers Show” (Andie Summers, Jeff Kurkjian, Donnie Black, and Shannon Boyle) – WXTU, Philadelphia, Pa.
“Chris Carr & Company” (Chris Carr, Kia Becht, and Sam Sansevere) – KEEY, Minneapolis-St. Paul, Minn.
WINNER: “Frito & Katy” (Tucker “Frito” Young and Katy Dempsey) – KCYY, San Antonio, Texas
“The Morning Wolfpack with Matt McAllister” (Matt McAllister, Gabe Mercer, and “Captain Ron” Koons) – KKWF, Seattle, Wash.
“The Most Fun Afternoons With Scotty Kay” (Scotty Kay) – WUSN, Chicago, Ill.
Large market
“Dale Carter Morning Show” (Dale Carter) – KFKF, Kansas City, Mo.
“Heather Froglear” (Heather Froglear) – KFRG, Riverside-San Bernardino, Calif.
WINNER: “Jesse & Anna” (Jesse Tack and Anna Marie) – WUBE, Cincinnati, Ohio
“Mike & Amanda” (Mike Wheless and Amanda Daughtry) – WQDR, Raleigh-Durham, N.C.
“On-Air with Anthony” (Anthony Donatelli) – KFRG, Riverside-San Bernardino, Calif.
Medium market
“Brent Michaels” (Brent Michaels) – KUZZ, Bakersfield, Calif.
“Joey & Nancy” (Joey Tack, Nancy Barger, and Karly Duggan) – WIVK, Knoxville, Tenn.
“New Country Mornings with Nancy and Woody” (Nancy Wilson and Aaron “Woody” Woods) – WHKO, Dayton, Ohio
“Scott and Sarah in the Morning” (Scott Wynn and Sarah Kay) – WQMX, Akron, Ohio
WINNER: “Steve & Gina In The Morning” (Steve Lundy and Gina Melton) – KXKT, Omaha-Council Bluffs, Neb.-Iowa
Small market
“Dan Austin Show” (Dan Austin) – WQHK, Fort Wayne, Ind.
“Dave and Jenn” (Dave Roberts and Jenn Seay) – WTCR, Huntington-Ashland, W. Va.
WINNER: “The Eddie Foxx Show” (Eddie Foxx and Amanda Foxx) – WKSF, Asheville, N.C.
“Hilley & Hart” (Kevin Hilley and Erin Hart) – KATI, Columbia, Mo.
“Officer Don & DeAnn” (“Officer Don” Evans and DeAnn Stephens) – WBUL, Lexington-Fayette, Ky.
Major market
KCYY – San Antonio, Texas
KKBQ – Houston, Texas
KYGO – Denver, Colo.
WXTU – Philadelphia, Pa.
WINNER: WYCD – Detroit, Mich.
Large market
WIRK – West Palm Beach-Boca Raton, Fla.
WMIL – Milwaukee-Racine, Wis.
WINNER: WQDR – Raleigh-Durham, N.C.
WSIX – Nashville, Tenn.
WWKA – Orlando, Fla.
Medium market
KXKT – Omaha-Council Bluffs, Neb.-Iowa
WBEE – Rochester, N.Y.
WIVK – Knoxville, Tenn.
WLFP – Memphis, Tenn.
WINNER: WUSY – Chattanooga, Tenn.
Small market
WCOW – La Crosse, Wis.
WKML – Fayetteville, N.C.
WKXC – Augusta, Ga.
WXFL – Florence-Muscle Shoals, Ala.
WINNER: WYCT – Pensacola, Fla.
Two-time CMA Awards entertainer of the year winner Luke Bryan, NFL luminary Peyton Manning and reigning CMA Awards entertainer of the year Lainey Wilson are set to co-host the 58th annual CMA Awards.
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Bryan is a four-time CMA Awards host this year, while NFL legend Manning is a three-time CMA Awards host and they will be joined by first-time host Wilson on the live broadcast from Nashville’s Bridgestone Arena on Nov. 20 on ABC; the show will be available the next day on Hulu.
Bryan, a two-time CMA Awards entertainer of the year winner who just released his new album Mind of a Country Boy, previously told Billboard that, “just a lover of the genre and the people, the artists and the night” are what keeps him coming back as a CMA Awards host. “To be asked to host the CMAs for the first time was a dream come true, and something I never thought I’d be able to achieve. Going from a kid watching the CMAs at home with my family to being a host is pretty surreal. I walk out on that stage right before we deliver the monologue and it’s always a pinch myself moment and I’m always just honored to represent country music the best way I can.”
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“I could not be more excited to host the CMA Awards this year with Luke and Peyton,” Wilson said in a press release. “It’s such an incredible honor and something I’ve always dreamed of doing. We’re planning a really great show for y’all, so make sure to watch on November 20!”
“I am honored to be back hosting the CMA Awards again this year,” Manning added. “The past two years have been a lot of fun, and I know Lainey is going to bring a special flare. Hopefully she can help me keep Luke in line! Either way, I’m excited for an incredible night of celebration and country music.”
Bryan told Billboard of Wilson joining as a co-host, “Peyton and I have had a great run, and obviously Lainey is as hot as a firecracker in the world of country music, and we’ll be excited to watch her hosting abilities unfold in front of our eyes, and really love her as a person and am just excited to work with her on stuff and be there. So I know she’s running around busy as can be, so we’re glad to have her for a few days. And I know Peyton’s excited about it, too.”
Wilson is the reigning CMA Awards entertainer of the year, and is in the running to win the same category this year.
When she co-hosts the awards show, Wilson will become the first person to host or co-host the CMA Awards in the same year that he or she was nominated for entertainer of the year since Carrie Underwood, who co-hosted and was nominated for the top award in both 2016 and 2019.
Sonny James, who co-hosted the first CMA Awards in 1967, was an entertainer of the year nominee that year. In the intervening years, 10 other stars have also doubled up in this way: Kenny Rogers (1979), Barbara Mandrell (1980-82), Willie Nelson (1983 and 1986), Randy Travis (1990), Reba McEntire (1991-92), Vince Gill (1992-98), Brooks & Dunn (2004 and 2006), Brad Paisley (2008-12), Underwood and Wilson.
Leading this year’s CMA Awards nominees are Morgan Wallen (with seven nominations), followed by Cody Johnson and Chris Stapleton with five nominations each. Wilson and Post Malone have four nomination apiece, while Louis Bell, Luke Combs, Charlie Handsome, Hoskins, Jelly Roll, Megan Moroney and Kacey Musgraves have three nominations each.
Performers and presenters for the CMA Awards will be announced in the coming weeks.
Watch Bryan, Manning and Wilson in a promotional clip for the CMA Awards below:
As the countdown continues to the 58th annual CMA Awards, set to air live from Nashville’s Bridgestone Arena on Nov. 20, country music fans will be anxious to see who takes home the evening’s top prize — entertainer of the year. This year, the nominees are Luke Combs, Jelly Roll, Chris Stapleton, Morgan Wallen and Lainey Wilson.
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Luke Bryan, a two-time CMA entertainer of the year winner himself, is offering his thoughts to Billboard on who could potentially take home this year’s EOY accolade.
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“I look back at when I won CMA entertainer of the year and in my opinion, that’s always been about who has sold the most tickets and has been kind of the most impressive thing out there in the touring world,” Bryan says.
Each of the nominees has been selling out headlining shows in venues ranging from amphitheaters and arenas to stadiums: Wallen on his One Night at a Time Tour, Combs on his Growin’ Up and Gettin’ Old Tour, Stapleton with his All-American Road Show Tour, Jelly Roll with his Beautifully Broken Tour and Wilson with her Country’s Cool Again Tour.
“When I look at what Morgan Wallen’s doing out there, selling out multiple [stadiums], and I know Luke Combs is doing that too, and obviously, they’re just both great entertainers,” Bryan says. “I don’t know who to sit there and put my endorsement on, but I have just been in awe watching Morgan Wallen go from being on some of my stadium tours and hanging on the bus with me, to watching him just really put up Garth Brooks-like stadium shows, has been pretty incredible. So, I think certainly it’d be something really, really great if Morgan might get him one or two, or three or four the next couple of years. But I think they’re all worthy of it. Lainey won last year, and that’ll probably put her in the front-runner spot, too, but it is a hot seat kind of thing. They all got my vote.”
Wallen, who scored his third CMA entertainer of the year nomination this year, leads this year’s overall CMA nominees with seven nods. Meanwhile, Stapleton earned his eighth nomination in the entertainer of the year category (he has yet to win the prize), while Combs earned his fifth nomination in the category (he has previously won twice), Wilson picked up her second EOY nomination (she is the reigning CMA EOY winner) and Jelly Roll nabbed his first nomination in the category this year.
Bryan is gearing up for the release of his new album, Mind of a Country Boy, on Friday (Sept. 27). The 14-song album features his current single, “Love You, Miss You, Mean It,” which currently resides at No. 8 on Billboard‘s Country Airplay chart.
On the red carpet at Wednesday evening’s (Sept. 11) VMA Awards, “A Bar Song (Tipsy)” hitmaker Shaboozey opened up about the Country Music Association’s recent reveal of this year’s slate of the 2024 CMA Awards nominations, which included no nods for Beyoncé‘s country-inspired Cowboy Carter.
Shaboozey himself is up for two CMA Awards accolades, including single of the year (for “A Bar Song (Tipsy)”) and new artist of the year. The smash hit is currently in its ninth week atop the all-genre Billboard Hot 100 chart.
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Prior to releasing “A Bar Song (Tipsy),” Shaboozey was featured on two tracks on Cowboy Carter: “Spaghettii” and “Sweet Honey Buckiin’.”
Her project spent four weeks at the pinnacle Billboard‘s Top Country Albums chart, while, back in February, Beyoncé’s “Texas Hold ‘Em” made her the first Black woman to top Billboard‘s Hot Country Songs. However, when this year’s slate of CMA Awards nominations were revealed, Beyonce earned zero nominations for her.
Shaboozey weighed in on the red carpet during the VMA Awards, telling E! News, “It’s definitely unfortunate, if that’s something that she was looking to receive and that’s something that she worked for, it really sucks, ’cause I know as an artist, you put a lot of time and a lot of work, and a lot of things, and a lot of energy into music, you know? But you know awards aren’t really, you know, they’re not everything, as long as you’re connecting with people and genuinely making music that’s impacting people, that’s all that matters, you know?”
He added, “I say she changed my life and changed the lives of other artists as well, and to me, if I can do that for another artist, or another person in general, I’d be at peace.”
The 58th annual CMA Awards is slated to take place at Nashville’s Bridgestone Arena on Nov. 20 and will air on ABC, and next day on Hulu.
Leading the CMA Awards nominees this year are Morgan Wallen with seven nominations, while Cody Johnson and Chris Stapleton each earned five nominations.
Watch Shaboozey’s interview with E! News below:
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When Beyoncé was not among the artists nominated for a CMA Award on Monday (Sept. 9), despite being the first Black woman to top Billboard’s Top Country Albums with Cowboy Carter and Hot Country Songs chart with “Texas Hold ‘Em,” it immediately raised questions about country music’s ongoing troubled relationship with Black artists, the CMA Awards’ nominating process and whether or not Beyoncé’s team had even submitted her music, given her complicated history with the country community and the CMA Awards.
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Let’s answer the last question first: It turns out they didn’t need to submit.
Unlike many other awards shows, labels, artists and their teams do not submit entries for the CMA Awards. Instead, the roughly 6,600 voting members each receive a write-in ballot to list their choices. Each member can make one nomination per award category. Therefore, Beyoncé’s label or team did not need to submit her to be eligible. The exception is the single of the year category, which is a pre-populated drop-down list of all qualifying top 10 singles from the country charts noted in the criteria. The write-in ballots are tabulated and the top 20 vote recipients in each category end up on the second ballot, with the exception of entertainer of the year, which consists of the Top 15 vote recipients.
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Additionally, all second-ballot candidates are reviewed by CMA, record label representatives, and the CMA Awards & Recognition committee to ensure that all they meet the criteria for each award. The award criteria is based on release dates, chart activity, and consumption peaks that occurred during the eligibility period (July 1, 2023-June 30, 2024). The second ballot is sent to the CMA voters, and each member can vote for up to 5 candidates in each category. CMA does not reveal the write-in ballot nominations or confirm whether any specific artist or work appeared on the second ballot.
Though Billboard has not yet viewed a full second-round ballot, Billboard viewed a screen shot for the second ballot for song of the year that does not include “Texas Hold ‘Em.”
Beyoncé’s exclusion “doesn’t surprise me,” says one Nashville executive, who wished to remain anonymous. “There was really only one single from the album that did anything. She really didn’t embrace the genre, unlike what Post Malone has done with his album.” “Texas Hold ‘Em” peaked at No. 33 on Billboard’s Country Airplay chart.
Post Malone received four nominations for “I Had Some Help,” his duet with Morgan Wallen, that was a four-week No. 1 on Billboard‘s Country Airplay chart and is featured on his Top 200 and Top Country Albums chart-topping album, F-1 Trillion. Post Malone infiltrated the local music scene, spending months in Nashville working with top songwriters, recording the album in Nashville and popping up at many venues to play live.
However, another Nashville executive, who also asked to remain anonymous, said they were “shocked” that Beyoncé’s work received no nominations, “given the credit to new Black creators and Linda Martell.” Cowboy Carter, in addition to Dolly Parton and Willie Nelson, featured Martell, the first Black woman to play the Grand Ole Opry in 1969, and a number of rising Black artists, including Brittney Spencer, Tanner Adell, Reyna Reynolds, Tiera Kennedy, Willie Jones and Shaboozey.
Shaboozey, who received two nominations for new artist of the year and single of the year for “A Bar Song (Tipsy),” took to Instagram and X to express his thanks for being nominated, but also thanked Beyoncé, posting “Thank you @Beyonce for opening a door for us, starting a conversation, and giving us one of the most innovative country albums of all time!”
Country artist Rissi Palmer, who also hosts Apple Music’s “Color Me Country” radio show, said what many others expressed on social media when she posted on X, “Well… these noms set a really interesting precedent. The message is extremely loud.” She later posted, “I think that a larger conversation should be had about the fact that no other Black woman or woman of color could even qualify for certain CMA awards, and why that is.” The single of the year category is the only category that requires reaching a certain chart position in order to be eligible. Earlier this year, the CMA Awards eliminated the requirement for song of the year.
In June, three months after the March 29 release of Cowboy Carter, Beyoncé provided a lengthy statement to The Hollywood Reporter about the project and its reception. “When you are breaking down barriers, not everyone is ready and open for a shift. But when I see Shaboozey tearing the charts up and all the beautiful female country singers flying to new heights, inspiring the world, that is exactly what motivates me,” she said. ““I’m honored to introduce so many people to the roots of so many genres. I’m so thrilled that my fans trusted me. The music industry gatekeepers are not happy about the idea of bending genres, especially coming from a Black artist and definitely not a woman.”
In 2016, Beyoncé’s performance of “Daddy Issues” at the CMA Awards with The Chicks (then still the Dixie Chicks), a number of commenters on social media supported the appearance, while others made unwelcoming comments.
In March, shortly before Cowboy Carter’s release, Beyoncé posted on Instagram that the album was “born out of an experience that I had years ago where I did not feel welcomed… and it was very clear that I wasn’t,” she said, although she did not specifically cite the CMA Awards appearance. “But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive.”
Beyoncé’s representative did not respond to a request for comment and the CMA declined to comment.
As Shaboozey celebrated his first two CMA Awards nominations on Monday (Sept. 9), he took a moment to recognize an artist who didn’t score any nods at the country awards show: Beyoncé. The country newcomer shared his excitement on social media over scoring two nods at the Nov. 20 show — new artist of the […]
The final nominees for the 58th annual CMA Awards were revealed Monday morning (Sept. 9), and this year’s nominations highlighted both established hitmakers, touring kingpins and those who have made initial surges in the genre over the past year, including Post Malone, The Red Clay Strays, Shaboozey and Zach Top.
Morgan Wallen leads this year’s nominees with seven nominations, followed by Cody Johnson and Chris Stapleton (five nominations each), while Post Malone and Lainey Wilson garnered four nominations apiece. Earning a trio of nominations each are Louis Bell, Luke Combs, Charlie Handsome, Hoskins, Jelly Roll, Megan Moroney and Kacey Musgraves.
This year, vying for the coveted entertainer of the year trophy are Luke Combs, Jelly Roll, Stapleton, Wallen and reigning CMA entertainer of the year winner Wilson. Those nominated for album of the year are Musgraves (Deeper Well), Combs (Fathers & Sons), Stapleton (Higher), Johnson (Leather) and Jelly Roll (Whitsitt Chapel).
The eligibility period for the 2024 show is eligibility period is July 1, 2023-June 30, 2024. According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” The finalists were determined by eligible voting CMA members comprised of professionals within the country music industry
“The 58th Annual CMA Awards,” broadcasts live from Nashville’s Bridgestone Arena Wednesday, Nov. 20 (8:00 – 11:00 PM/EST) on ABC and next day on Hulu.
Below, we look at some of the largest snubs and surprises from Monday’s nominations.
Snub: Beyonce