State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

State Champ Radio Mix

8:00 pm 12:00 am

Current show

State Champ Radio Mix

8:00 pm 12:00 am


CMA Awards

Page: 3

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Trending on Billboard

The 59th annual CMA Awards is almost here. Hosted by Lainey Wilson, the ceremony is set for Wednesday (Nov. 19) and will broadcast live on ABC. With a jam-packed lineup of performances, including Keith Urban, Shaboozey, Miranda Lambert and Chris Stapleton, this is one night country fans don’t want to miss.

Explore

See latest videos, charts and news

Don’t have cable? We’ve put together a guide on how you can stream the 2025 CMA Awards online for free. Keep scrolling to see who’s performing, who’s nominated, and the best streaming services to use to watch the event live, including DirecTV.

How to Watch the CMA Awards Online for Free

Because the CMA Awards is airing on ABC, there are multiple ways to watch and stream the show live and on-demand – and for free in most cases. If you don’t have access to cable, streaming is the best choice. Fans can stream the award show on DirecTV, Sling TV, Fubo and Hulu + Live TV.

DirecTV

Join DirecTV with a five-day free trial to enjoy your favorite sports and other entertainment. The streaming service’s signature packages feature more than 90 channels: ABC, TNT, ESPN, NBA TV, ESPN2, FS1, SEC, MLB Network, TLC, CBS, USA, Bravo, E!, BET, MTV and more.

A subscription to DirecTV — which comes with ABC — gets you access to live TV, local and cable channels, starting at $49.99 for the first month of service ($89.99 per month afterwards). The service even offers a five-day free trial to watch for free, if you sign up now.

Fubo

FuboTV offers a seven-day free trial when you sign up for one of its plans. You’ll gain access to more than 200 live TV channels — including ABC — so you can watch the 2025 CMA Awards for free. After your free trial is over you’ll be charged the subscription price based on the plan you choose or you can cancel at anytime.

Sling TV

Sling TV is offering new half off off their first month with any of its three packages. You can choose from: the Orange, Blue or Orange + Blue. Rather than choose between the two, you can combine the two with the Orange + Blue package, which will give you access to more than 50 channels, DVR storage and the ability to stream on up to three devices.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including ABC). The streaming platform starts at $64.99 per month for the first three months of service ($82.99 per month afterwards).

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, in addition to exclusive content on ESPN for even more sports coverage.

Who’s Nominated?

This year marks the first time that three female solo artists have shared the lead for nominations at the CMA awards. Ella Langley, Megan Moroney and Lainey Wilson are the top nominees with six nods each. They are followed by Zach Top with five nods; Riley Green and Cody Johnson with four nods each; and Kristian Bush, Carson Chamberlain, Luke Combs, Charlie Handsome, Chris Stapleton and Morgan Wallen with three nods each. For the full list of nominees, click here.

Who’s Performing?

Here are the performers that have been announced (so far) for the 2025 CMA Awards.

Keith Urban 

Little Big Town

Kelsea Ballerini

BigXthaPlug

Brandi Carlile

Kenny Chesney

Luke Combs

Riley Green

Miranda Lambert

Ella Langley

Patty Loveless

Megan Moroney

Old Dominion

The Red Clay Strays

Shaboozey

Chris Stapleton

Zach Top

Tucker Wetmore 

Lainey Wilson 

Stephen Wilson Jr.

Trending on Billboard

Will it be ladies’ night at the 59th Country Music Association Awards on Wednesday (Nov. 19): For the first time, three women solo artists — Ella Langley, Megan Moroney and Lainey Wilson — share the lead with six nominations each. 

Explore

See latest videos, charts and news

Wilson will also host the show, which will air live from Nashville’s Bridgestone Arena on ABC starting at 8 p.m. ET, making her only the third woman to solo host, following Dolly Parton and Reba McEntire.

The men then follow with strong showings for Zach Top landing five nominations and Riley Green and Cody Johnson with four each. 

Morgan Wallen, who received three nominations, will look to repeat as entertainer of the year.

He’s not the only one looking to keep their winning streaks going: Wilson has a three-year run as female vocalist of the year, while Chris Stapleton has won male vocalist four years straight. Old Dominion has taken home the vocal group of the year seven years in a row. 

The eligibility period for nominated releases runs July 1, 2024 to June 30, 2025, with the song, album or video having to be released within that period or reach national prominence.

The evening will also include performances from BigXThaPlug with Luke Combs, Stapleton with Miranda Lambert and Shaboozey with Stephen Wilson Jr., as well as Kelsea Ballerini, Brandi Carlile, Kenny Chesney, Green, Langley, Little Big Town, Patty Loveless, Moroney, Old Dominion, The Red Clay Strays, Top, Keith Urban, Tucker Wetmore and Lainey Wilson

Here are Billboard’s predictions on who will emerge victorious in select categories, from Melinda Newman (executive editor, West Coast and Nashville) and Jessica Nicholson (associate editor, Nashville).

ENTERTAINER OF THE YEAR

Luke CombsCody JohnsonChris StapletonMorgan WallenLainey Wilson

Newman: Cody Johnson, who lands his first nomination, takes Jelly Roll’s spot this year, with the other four nominees repeating from last year. Wilson, reigning champ Wallen and Combs have all captured the evening’s biggest award before, while Stapleton is looking for his first win here with his ninth nomination. All five artists had great years with sold-out tours, but Wilson was the one who spread her wings the most, completing her first international tour (to be fair, Wallen and Combs both toured internationally in 2024 and will again in 2026), and she’s hosting the show, which feels perfect to have her emerge from backstage to win. Wallen is the genre’s biggest star right now, but his unwillingness to show up at the awards last year may have unfairly left a bad taste in voters’ mouths. 

Will win: Lainey Wilson

Nicholson: Wilson, reigning CMA entertainer of the year Wallen and Luke Combs are all previous winners in the category and are vying for the title again this year. Meanwhile, Stapleton has proven himself to be one of country music’s steadiest headlining touring draws, while Cody Johnson’s hitmaking, hard-touring ways have earned him a spot in the category this year. This marks Wilson’s first year as a solo host of the CMA Awards, while she’s also embarked on her Whirlwind World Tour this year, in addition to building on her reputation as a multi-media star. Look for Lainey to reclaim her entertainer of the year title this year.

Will win: Lainey Wilson

ALBUM OF THE YEAR

Award goes to artist, producer(s) and mix engineer(s)

Am I Okay? – Megan Moroney (Producer: Kristian Bush; Mix Engineer: Justin Niebank)Cold Beer & Country Music – Zach Top (Producer: Carson Chamberlain ;Mix Engineer: Matt Rovey)F-1 Trillion – Post Malone (Producers: Louis Bell, Charlie Handsome, Hoskins; Mix Engineer: Ryan Gore)I’m The Problem – Morgan Wallen (Producers: Jacob Durrett, Charlie Handsome, Joey Moi; Mix Engineers: Charlie Handsome, Joey Moi)Whirlwind – Lainey Wilson (Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce)

Newman: Newcomers Moroney and Top are taking the genre by storm, with Moroney also bringing a raft of young girls into the country tent, similar to how Taylor Swift did nearly 20 (!!) years ago… just go to one of her concerts and you’ll see. Top is leading a neo-traditionalist movement that has endearing him to the industry who likes his pure country stance, similar to last year’s winner, Cody Johnson (with his Leather album). Even though it came out too late to be eligible last year, it feels like Post Malone’s  F-1 Trillion’s time has come and gone. Wallen clearly had the most commercially successfully album and Wilson continues to do excellent work, but it feels like Top’s year.

Will win: Cold Beer and Country Music

Nicholson: Megan Moroney’s Am I Okay? has propelled her career to new heights thanks to hits like the title track and “No Caller ID.” Meanwhile, Whirlwind saw Wilson drop new hits including the romantic “4x4xU” and “Somewhere Over Laredo,” and Wallen’s I’m The Problem spent 12 nonconsecutive weeks atop the all-genre Billboard 200. Post Malone’s collaborative-heavy F-1 Trillion also proved a favorite with country fans, while Zac Top’s Cold Beer & Country Music declared the talented country newcomer has arrived in a major way. However, Wilson previously won in this category for her album Bell Bottom Country, and her music has surged even more in depth and popularity since then, so look for Wilson to take home the win here.

Will win: Whirlwind

SONG OF THE YEAR

Award goes to songwriter(s)

“4x4xU” (Songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson)“Am I Okay?” (Songwriters: Jessie Jo Dillon, Luke Laird, Megan Moroney)“I Never Lie” (Songwriters: Carson Chamberlain, Tim Nichols, Zach Top)“Texas” (Songwriters: Johnny Clawson, Josh Dorr, Lalo Guzman, Kyle Sturrock)“you look like you love me” (Songwriters: Riley Green, Ella Langley, Aaron Raitiere)

Newman: Each one of these songs feels like it took the artist, whether established superstar or newbie or somewhere in between, to a new level, becoming an important part of their identity.  “Texas,” the only entry not co-written by the performing artist, gave Blake Shelton one of his biggest hits in five years (and his first on new label home, BBR/BMG Nashville), while “Am I Okay” and “I Never Lie” helped solidify Moroney and Top as artists who look like they’ll be here a while. Wilson just keeps getting stronger and stronger with the creative “4X4XU,” while Green and Langley have already shown that “you look like you love me” is a career song for them. But again, Top should have the inside track here.

Will win: “I Never Lie”

Nicholson: The song of the year category places more weight on top-shelf songcraft rather than commercial success, and each of these songs has become a signature hit for the artist that recorded it (or, for four out of five of this year’s nominees, also co-wrote it). Country fans were treated to the dreaminess of “4x4xU,” the bewildered romance of “Am I Okay?,” the flirty “You Look Like You Love Me,” and the slow-burn yearning of “Texas.” But Zach Top’s neo-traditional “I Never Lie,” with its sing-along charm and sly hook, has taken the Washington native to new career heights and will be a tough competitor in this category.

Will win: “I Never Lie”

SINGLE OF THE YEAR 

Award goes to artist(s), producer(s) and mix engineer(s)

“4x4xU” – Lainey Wilson (Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce)“Ain’t No Love in Oklahoma” – Luke Combs (Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineer: Chip Matthews)“Am I Okay?” – Megan Moroney (Producer: Kristian Bush; Mix Engineer: Justin Niebank)“I Never Lie” – Zach Top (Producer: Carson Chamberlain; Mix Engineer: Matt Rovey)“you look like you love me” – Ella Langley & Riley Green (Producer: Will Bundy; Mix Engineer: Jim Cooley)

Newman: There’s not a lot of difference between this category and song of the year, other than “Texas” is replaced by “Ain’t No Love in Oklahoma,” Combs’ tune from Twisters. Each song resonated with listeners, with all at least reaching the top five on Billboard’s Country Airplay chart, but there are some notable omissions, including Jelly Roll’s emotional “Liar” and Morgan Wallen’s “I’m the Problem.” Of this batch, Top’s delivery on “I Never Lie,” combined with the neo-traditionalist production, was the best-sounding song of the batch.

Will win: “I Never Lie”

Nicholson: Each of the songs nominated here made an indelible impact on the Billboard charts this year, but the double-shot charisma of Langley and Green, plus the song’s old-school charm and flirty talking verses, was inescapable over the past year. Look for “You Look Like You Love Me” to take the win here.

Will win: “You Look Like You Love Me”

FEMALE VOCALIST OF THE YEAR

Kelsea BalleriniMiranda LambertElla LangleyMegan MoroneyLainey Wilson

Newman: With her eighth nomination, inconceivably Ballerini is still looking for her first win here — while Wilson has created her own mini-dynasty, winning the past three years. The OG is Lambert, with seven wins, and she returns to the category after not being nominated last year. Langley and Moroney are the newcomers who are blazing paths with their big voices. It feels almost impossible to choose, and it may be a little too early for Langley and Moroney (though Wilson won both best new artist and this category in 2022). Still, feels like Wilson has the momentum behind her. 

Will win: Lainey Wilson

Nicholson: Lainey Wilson has emerged as the winner in this category for the past three consecutive years, and with another entertainer of the year nomination and her role as host this year, she is a strong contender to maintain her winning streak. But she also has stiff competition, thanks to Megan Moroney, whose Am I Okay? album and accompanying singles have further propelled her career. Ella Langley has lobbed hits at the charts including “Weren’t For The Wind” and “You Look Like You Love Me,” while Kelsea Ballerini had one of her biggest years to date, hitting new chart milestones and launching her successful headlining arena tour. Miranda Lambert also keeps cementing her status as a legendary artist, thanks to touring and her album Postcards From Texas. Still, this category will likely see the multi-talented Wilson continue her winning ways.

Will win: Lainey Wilson

MALE VOCALIST OF THE YEAR

Luke CombsCody JohnsonChris StapletonZach TopMorgan Wallen

Newman: Stapleton has won eight of the last 10 years, with a brief punctuation when Combs took home the award twice. All are repeat nominees from last year, except Top, who replaces Jelly Roll. Stapleton hasn’t put out a full new album since 2023, but he just feels unbeatable… and with that voice, who is going to say he isn’t deserving? Zach Top has come on so strong, it wouldn’t be surprising it voters to decide it’s time to anoint a new king. But it still feels like Stapleton has a lock on this category.

Will win: Chris Stapleton

Nicholson: While Stapleton is the perennial favorite in this category, he has plenty of competition this year from fellow stadium tour headliners Luke Combs and Morgan Wallen, while Cody Johnson has proven himself to be a steady hitmaker and concert headliner, and neo-traditional artist Zach Top’s star continues to surge. But Stapleton has had a stranglehold on this category for good reason, so look for him to continue his reign.

Will win: Chris Stapleton

VOCAL GROUP OF THE YEAR

Lady ALittle Big TownOld DominionRascal FlattsThe Red Clay Strays

Newman: This category repeats from last year other than Rascal Flatts, who takes Zac Brown Band’s spot, returning for the first time since 2020. Acts tend to start winning in this category and just keep winning: Old Dominion has won the past seven years, Little Big Town for the six consecutive years before that, Lady A for three years in a row before that and Rascal Flatts for six years before that. Old Dominion has a good chance to prevail again — and is more than deserving — but the Red Clay Strays are bringing an exciting energy and new audience into the genre. Time to pass the torch, even if for just one year. 

Will win: The Red Clay Strays 

Nicholson: Old Dominion, who released its latest project Barbara this year, is looking to pick up an eighth consecutive win in this category, and is up against other previous category winners Little Big Town, Lady A and Rascal Flatts. The Red Clay Strays pick up their second nomination in the category, thanks to impactful songs like “Drowning,” as well as treks both as openers on The Rolling Stones’ Hackney Diamonds Tour and as headliners at some pretty big venues. The Red Clay Strays are carving their own path and steadily gaining fans with their electrifying performances, while Old Dominion has also stayed consistent in touring and recording, while showcasing an ever-deeping songcraft.

Will win: Old Dominion

VOCAL DUO OF THE YEAR

Brooks & DunnBrothers OsborneDan + ShayMaddie & TaeThe War and Treaty

Newman: This category has been among the most static, with the same contenders for the third year in a row. Brooks & Dunn are the reigning champs, winning last year for the first time since 2006 and breaking Brothers Osbornes’ three-year streak. Maddie & Tae are looking for their first win with their 11th nomination. Dan + Shay are gearing up for a second act — but this is a contest between Brooks & Dunn, who continue to enjoy their revival more than 30 years into their career, and Brothers Osborne.

Will win: Brooks & Dunn 

Nicholson: Last year, Brooks & Dunn made a major comeback in this category, after winning their 15th vocal duo of the accolade and first trophy in the category since 2006. In late 2024, they also issued their Reboot II project, teaming again with many of their country music colleagues to record versions of B&D classics. Brothers Osborne is a longtime favorite in this category with six total wins, while Dan + Shay previously won this category twice. Maddie & Tae have earned their 11th nomination in the category, while The War and Treaty have picked up three total nominations in the category. Look for Brooks & Dunn to reclaim their winner status in this category again this year.

Will win: Brooks & Dunn

NEW ARTIST OF THE YEAR

Ella LangleyShaboozeyZach TopTucker WetmoreStephen Wilson Jr.

Newman: One of this year’s most competitive categories features five acts, all of whom have had breakthrough years. The CMA Awards allow artists to be nominated up to two times in this category and Shaboozey and Top return after losing to Megan Moroney last year. Though he hasn’t had the radio success that the other four nominees have, Stephen Wilson Jr. continues to increase his critical acclaim and has a deeply passionate fan base within the voting body. Langley is the only previous CMA Awards winner, having snagged the musical event trophy last year for “You Look Like You Love Me” with Riley Green. It’s almost impossible to choose between Langley, Shaboozey and Top, all of whom are leaving their marks already on country music. 

Will win: Zach Top

Nicholson: Each of the artists in this category had incredible years, including the first-timers in this category, Langley, Wetmore and Wilson Jr. Langley followed her Country Airplay chart-topper, the Riley Green collab “You Look Like You Love Me,” with the top five hit “Weren’t For The Wind,” embarked on a headlining tour, as well as opening some shows on Morgan Wallen’s stadium tour. Shaboozey headlined his Great American Roadshow Tour, and followed his Billboard Hot 100 chart-topping hit “A Bar Song (Tipsy)” with another Country Airplay chart-topper, “Good News.”

Meanwhile, Top followed his breakthrough album with his sophomore set Ain’t In It For My Health, and continued headlining his own shows, in addition to opening for Dierks Bentley’s Broken Branches Tour and earned a top 10 Country Airplay hit with “I Never Lie.” Wetmore issued his debut album What Not To, which included his Country Airplay top 5 hit “Wind Up Missin’ You.” Wilson Jr. continued building his fanbase and issued the critically acclaimed album søn of dad, while releasing collabs with Shaboozey and Noah Cyrus. Still, as one of the evening’s overall top nominees, look for Langley to pull off the win here.

Will win: Ella Langley

MUSICAL EVENT OF THE YEAR Award goes to Artists and Producer(s)

“Don’t Mind If I Do” – Riley Green (featuring Ella Langley) (Producers: Scott Borchetta, Jimmy Harnen, Dann Huff)“Hard Fought Hallelujah” – Brandon Lake with Jelly Roll (Producer: Micah Nichols)“I’m Gonna Love You” – Cody Johnson (with Carrie Underwood) (Producer: Trent Willmon)“Pour Me A Drink” – Post Malone (feat. Blake Shelton) (Producers: Louis Bell, Charlie Handsome)“You Had To Be There” – Megan Moroney (feat. Kenny Chesney) (Producer: Kristian Bush)

Newman: Green and Langley won this award last year for “You Look Like You Love Me,” and they face stiff competition again for their follow up, “Don’t Mind If I Do.”  All five songs are strong, and feature partnerships that feel like great, natural fits, as opposed to sounding Frankensteined together for commercial effect.  For example, Moroney and Chesney’s ode to her rise sounds organic given her time opening for him, while Jelly Roll and Brandon Lake take Lake’s song to a new level, given Jelly Roll’s public struggles. Not a clear leader here, but a slight edge goes to Jelly Roll and Lake — especially given how, oddly, this is the only award that Jelly Roll is up for this year. 

Will win: “”Hard Fought Hallelujah”

Nicholson: Riley Green and Ella Langley took this category last year with their hit collab “You Look Like You Love Me,” and their latest collab again showcases their musical chemistry. They also have tough competition, as the Jelly Roll/Brandon Lake collaboration “Hard Fought Hallelujah” found success on both the Hot Country Songs and Hot Christian Songs charts, while “I’m Gonna Love You,” “Pour Me a Drink” and “You Had to Be There” also each found country chart success. Still, the multi-genre juggernaut duet between the charismatic Jelly Roll and top CCM artist Brandon Lake is likely to take the lead here.

Will win: “Hard Fought Hallelujah”

Trending on Billboard

When the country music industry comes together for the 59th annual Country Music Association (CMA) Awards on Nov. 19, the event could be considered a convention of the unconventional.

The ballot is stacked with artists and projects that are quirky and/or test the genre’s boundaries. New artist of the year nominee Shaboozey shifted over the last year from an R&B-flavored outlier to a major country artist. New artist contender Stephen Wilson Jr. packs a rough-cut blues-rock sound. Americana import The War and Treaty is a vocal duo finalist. Post Malone‘s F-1 Trillion is an album of the year option by a pop artist. Jelly Roll‘s musical event entry with Brandon Lake, “Hard Fought Hallelujah,” relies on a dramatic gospel performance. Vocal group finalists The Red Clay Strays paint an alternative country shade on the format. And six-time nominee Ella Langley, who was signed in New York and employs out-of-the-country-box marketing, broke out with “you look like you love me,” a Riley Green-assisted recitation that casts the female protagonist as sexually aggressive, which is uncharacteristic for country.

Related

“For Ella to come out and say, ‘Hey, it’s been a while,’ and take it from there, [she] just puts it out there,” Big Machine Label Group president/CEO Scott Borchetta says. “It’s amazing.”

Even some of country’s primary artists are using final-five videos to bring unconventionality to the format. Lainey Wilson‘s”Somewhere Over Laredo” employs computer imaging to drop the singer out of an airplane without a parachute and land her in the middle of a desert where the scenery rolls and folds beneath her. And Chris Stapleton‘s “Think I’m in Love With You” clip finds an eccentric character — comparable, perhaps, to Seinfeld’s Cosmo Kramer — dancing weirdly through his neighborhood unnoticed in a plot with deeper lessons about the afterlife.

All of these artists and nominated projects challenge country’s norms in different ways, each of them operating as a satellite hovering around the genre’s core. Since each of them tugs against the center from a different point in its orbit, country is operating — for the moment, at least — with an enviable sonic balance.

“Country has always been one of those formats where there’s a sound, there’s a look,” says Johnny Chiang, SiriusXM/Pandora vp of music programming, country. “But yet, over the past three or four years, and still today, I can’t think of a radio format that’s more diverse in sound than country.”

Historically, the genre has adhered closely to a central identity, guided to a degree by the traditionally minded segment of its customer base. A strong preservationist wing tended to guard against country losing its basic identity, and that part of the audience had some representation among the format’s creative class. 

Related

But country has increasingly appealed to a younger demographic — particularly since the streaming business has matured — and that faction of its consumers grew up with a wider range of music. That’s reflected in the breadth of the country music those listeners are willing to engage. The variety of acts and projects on the awards ballot shows that diversity.

“It’s not necessarily that the CMA, as an organization, is rewarding them,” suggests BBR Music Group/BMG Nashville executive vp of recorded music JoJamie Hahr. “The consumers are telling us who the superstars are, and everybody who votes for the CMAs are listening.”

Those listeners don’t generally see country music in the same way that previous generations might have viewed it. Cheating, heartache and drinking were once perceived as the genre’s primary topics. Breakups are still key and so is drinking, though it’s as much a symbol of partying as a means of drowning sorrow. Those changes have made it easier to connect with audience segments that likely would have ignored country in the past.

“It’s rebellious, a little bit edgy,” Borchetta says of current country. “There’s not a lot of super-successful young rock bands right now, and I think country’s benefiting from that because these guys are out touring like rock bands did back in the day.”

The current wave of country artists is also better equipped to interact with the industry’s infrastructure. Its creators are increasingly educated through music business programs at Nashville’s Belmont University or Murfreesboro’s Middle Tennessee State University, where they’re trained to think more strategically about their careers. And since they’ve usually released an EP or two and built a following on social media before they sign with a major label, they also have a handle on what makes them unique.

The executives have likewise attended the music-business programs in large numbers, and they’re more prone to appreciate inventive marketing and branding strategies. There’s still pressure to conform to existing career templates, but artists and their teams are generally more focused on forging unique paths than in some previous eras.

Megan Moroney, whose voice benefits from an identifiable catch and smoky tone, rode her uniqueness to a female vocalist nomination. And while she met with pressure to smooth out her sound, producer Kristian Bush, who came to prominence as one-half of Sugarland, helped her resist.

“They were trying to get me to make Megan’s vocal cleaner,” he recalls. “And I was like, ‘No, man, this is what’s cool. This is her fingerprint.’ I’m an artist. I can tell you exactly what this is, right? This is what makes you [unique]. So don’t take it away from them. Turn it up. That’s kind of the way I treat my production stuff, which is, ‘Let’s find out what’s cool about you, and let’s just make that really loud.’ “

While the unconventional efforts might widen the country universe, the genre’s core is still significant. Nominees such as Green, Lainey Wilson, Cody Johnson and Zach Top become even more important in establishing a home base that holds all the satellite sounds together.

“I texted [Leo 33 label head] Katie Dean on my way home [on Nov. 12] because I heard a new Zach Top on [SiriusXM’s] The Highway,” Hahr notes. “I’m so thankful that a Zach Top exists, because the song was so cool. What he has done paving the way in the format, to bring back that ’90s country sound, I think it just makes our format maybe the most unique because we’re welcoming all sorts of sounds and, really, a combination of formats.”

Related

That provides some perspective, perhaps, regarding fans’ fervor surrounding Morgan Wallen. He moves freely between country’s center and its more expansive sounds, essentially representing the format’s elasticity.

“Morgan Wallen is country’s representative in today’s music and how today’s consumer, especially younger consumers, are blurring the genre lines,” Chiang suggests. “They love Morgan. One song sounds country, the next one is hip-hop, and he has collabs and so on. They love that, too, and they don’t punish him. They don’t say, ‘Well, you’re not supposed to sound like this.’ We have a whole generation of consumers that don’t think that way.”

Thus, the range of the CMA ballot adheres to a belief in risk and unconventionality that has long been heralded in country’s C-suites, though not always observed. Borchetta, for one, is following this batch of norm-busting nominees with other singular acts, such as bluesy Preston Cooper and the shape-shifting Jack Wharff Band.

“This format always does best,” Borchetta says, “when the net is the widest.” 

Trending on Billboard

Little Big Town, Keith Urban, Billy Ray Cyrus, Lauren Daigle, Steve Martin and Alison Brown are all set to take part in the 2025 CMA Awards.

Urban and Little BIg Town are recent additions to the performers lineup, with Little Big Town having recently released a surprise original holiday song, “The Innkeeper.”

Also taking part in the evening is Cody Johnson, who is up for several trophies this year, among them entertainer of the year, while others who will appear during the evening include CMA Country Christmas co-hosts Daigle and Jordan Davis. Beyond musicians, others set to make appearances include comedian Leanne Morgan, actress/model/philanthropist Elizabeth Hurley, and Landman star Billy Bob Thornton.

Explore

See latest videos, charts and news

The ceremony is set for Wednesday (Nov. 19) and will be hosted by Lainey Wilson, broadcasting live from Nashville’s Bridgestone Arena in Nashville on ABC, with next-day viewing also being available on Hulu.

Leading up to this year’s CMA Awards, Ella Langley, Megan Moroney and Lainey Wilson tie for the most nominations, with six nominations apiece. Zach Top follows with five nominations, while Johnson and Riley Green have four nominations apiece. Vying for this year’s entertainer of the year honor are Johnson, Wilson, Luke Combs, Chris Stapleton and Morgan Wallen.

The CMAs also released information on CMA Awards Backstage Live, hosted by country artist Lauren Alaina and HaleyyBaylee, which will broadcast live on CMA’s TikTok channel and will take viewers behind the scenes at Bridgestone Arena during the CMA Awards.

Here are the performers and presenters that have been announced for the 2025 CMA Awards. Additional names will be added as they are announced.

Performers

Keith Urban 

Little Big Town

Kelsea Ballerini

BigXthaPlug

Brandi Carlile

Kenny Chesney

Luke Combs

Riley Green

Miranda Lambert

Ella Langley

Patty Loveless

Megan Moroney

Old Dominion

The Red Clay Strays

Shaboozey

Chris Stapleton

Zach Top

Tucker Wetmore 

Lainey Wilson 

Stephen Wilson Jr.

Presenters

Lady A

Alison Brown

Jessica Capshaw

Billy Ray Cyrus

Lauren Daigle

Jordan Davis

Elizabeth Hurley

Cody Johnson

Bert Kreischer

Brandon Lake

Ella Langley

Steve Martin

Leanne Morgan

NE-YO

Chris O’Donnell

Kimberly Perry

LeAnn Rimes

Alan Ritchson

Lara Spencer

Billy Bob Thornton

Grace Van Patten

Gretchen Wilson

Bailey Zimmerman

Trending on Billboard

Kelsea Ballerini, Brandi Carlile, Kenny Chesney, Riley Green, Miranda Lambert, Patty Loveless, Old Dominion, The Red Clay Strays, and Chris Stapleton have joined the list of performers for the 59th annual CMA Awards. Hosted by Lainey Wilson, the show is set to broadcast live from Bridgestone Arena in Nashville on Wednesday (Nov. 19) from 8:00-11:00 p.m. ET on ABC and will be available the next day on Hulu.

All of the newly-booked performers are established country stars except for Carlile, whose music incorporates Americana, alternative country, pop and folk rock. Ballerini is set to debut her new song, “I Sit in Parks.” Green will perform his hit “Worst Way,” which topped Billboard’s Country Airplay chart. The Red Clay Strays will perform their song “People Hatin’.”

Stapleton, reigning CMA male vocalist of the year and three-time nominee this year, will perform “Bad as I Used To Be” from F1: The Movie. Also, Lambert will join Stapleton for a performance of their duet “A Song to Sing.” Old Dominion — who are vying for their eighth consecutive win as CMA vocal group of the year — will perform a medley of their hits “Break Up With Him,” “Memory Lane,” “One Man Band,” “Hotel Key” and “Snapback.”

Four-time CMA entertainer of the year winner Chesney will mark his 2025 induction into the Country Music Hall of Fame with a performance. The Lambert/Stapleton collaborative performance is one of at least three collabs set for the show, which previously announced a BigXthaPlug/Luke Combs performance and another by Shaboozey/Stephen Wilson Jr.

Other performers already announced are Ella Langley, Megan Moroney, Zach Top, Tucker Wetmore and host Wilson. Presenters for the 59th Annual CMA Awards will be announced soon. Tickets are on-sale now here.

The 59th Annual CMA Awards is a production of the Country Music Association. Robert Deaton serves as executive producer, Alan Carter is director, and Jon Macks is head writer.

Trending on Billboard

Country Music Hall of Famer Vince Gill will add to his already considerable collection of accolades, when he is honored with the 2025 CMA Willie Nelson lifetime achievement award during the 59th annual CMA Awards, slated for Nov. 19 in Nashville and airing on ABC. This year’s CMA Awards, hosted by Lainey Wilson, will be held at Bridgestone Arena in downtown Nashville, and will broadcast on ABC beginning at 8 p.m. ET. The awards show will also stream the following day on Hulu.

Explore

See latest videos, charts and news

The CMA Willie Nelson lifetime achievement award is given to “an iconic artist who has attained the highest degree of recognition in country music,” a release from the CMA states, adding, “The award recognizes those who have achieved both national and international prominence and stature through concert performances, humanitarian efforts, philanthropy, streaming numbers, record sales, and public representation at the highest level,” as well as artists who have “positively impacted and contributed to the growth of the genre over the course of many years.”

Previous recipients of the CMA Willie Nelson lifetime achievement award include Johnny Cash (2015), Alan Jackson (2022), Kris Kristofferson (2019), Loretta Lynn (2021), Nelson (2012), Charley Pride (2020) and George Strait (2024).

Recently, Gill signed a lifetime record deal with his longtime label home, Nashville’s MCA Records, and issued the EP 50 Years From Home: I Gave You Everything I Had, which released Oct. 17.

To date, Gill has won 18 CMA Awards, including four wins for song of the year, for his hits “When I Call Your Name,” “Look at Us,” “I Still Believe in You” and “Go Rest High on That Mountain.” He also shares the record for the most times hosting the CMA Awards, which he hosted from 1992 to 2003. He has previously won other CMA honors, including the CMA’s Irving Waugh award of excellence in 2014, as well as the CMA foundation humanitarian award in 2017, and is a four-time CMA triple play award honoree.

Gill was inducted into the Country Music Hall of Fame in 2007 and honored with a star on the Hollywood Walk of Fame in 2012. He has also won 22 Grammy Awards. In addition to his accomplishments as a solo artist, Gill has been part of several groups, including Pure Prairie League, The Cherry Bombs and The Time Jumpers. He was also invited to join the Eagles on tour in 2017, and continues contributing his talents to the legendary group.

“Vince embodies the very best of what Country Music stands for,” Sarah Trahern, CMA chief executive officer, said in a statement. “He’s a true trailblazer, one who gives back to the community, honors the roots of our genre, and even now, continues to share his talent with fans across the globe. As a Country Music Hall of Fame member, 18-time CMA Award winner, and former 12-time CMA Awards host, he remains a vibrant force in our industry, and we’re honored to celebrate an artist whose influence is so deeply woven into the fabric of our format.”

This year’s Country Music Assn. Awards will be held Nov. 19, keeping the 59th edition of the show in the same late November slot it occupied last year.
The CMA Awards ceremony was moved two weeks back from its usual early November time frame in 2024 to distance itself from the general election. The move also avoids any potential conflict with the World Series, in case the baseball series goes to game seven as it did in 2016 for the CMA Awards’ 50th anniversary. “Even a number of our board members who are Cubs fans went to the game and skipped the awards that year,” CMA CEO Sarah Trahern says.

Last year, “when we tested being out of that early window because of the election, we felt good,” Trahern says. “The ratings were strong. Also, ABC used to have another award show in that space where they no longer have it. So, getting through all of the end-of-the-season shows that tend to finale in November gave us a little bit of a window right before Thanksgiving. It was a good tune-in window, so we’re going to try it again.”  The move also gives the show two extra weeks after the final nominations are announced for set up and pre-production. The show will air on ABC and Disney + Nov. 19 and then on Hulu starting the day after.

Trending on Billboard

The move could become permanent, Trahern says, “if the window continues to do well for us. Every year, ABC might make up their mind based on other competitive programming situations, but I think we’re feeling pretty good about that third week.”

The CMA has also examined its voting procedures and made significant changes this year to reflect the broadening reach of country music.

“One of the things that we’ve really spent the last year on culminated in some membership category changes to impact this year’s voting,” Trahern says. “It has to do with broadening the reach of some of the categories and being able to make folks [at] the coastal labels eligible to vote because more people are actually in the country music space.”

Though the changes weren’t implemented until this year, Tiffany Kerns, CMA senior vp of industry relations and philanthropy, stresses that discussions on how to incorporate New York and Los Angeles executives working in the country music space began a few years ago as artists like Zach Bryan, Warren Zeiders, Koe Wetzel and Megan Moroney began to emerge.

“We always have to look at not only the artists, but the teams that are behind those artists and what is preventing them from being engaged with us, because it is more than just voting,” Kerns says. “We need them to understand, especially if [they’re] not familiar with how we interact or what our voting process is.”

As the CMA had those conversations with coastal companies, they realized that many of the executives weren’t eligible to vote. It wasn’t because they didn’t meet the professional voting criteria of working full time in music and earning their income primarily from the country music industry, it was because there wasn’t room on their company’s voting roster. To maintain the integrity of the voting process and to avoid bloc voting, the number of voting members any company can have, whether it’s a label, management company or booking agency, is limited.

But Kerns says the need to expand was crucial, as long as it was done in the right way. “We need to make sure that we are not just thinking of preserving what we have but being inclusive and thinking about what we don’t. We have to be forward thinking. We have to be the membership organization that is helping drive the future of country music,” she says. “[We had] conversations with the label heads to make sure that they were on board with us, but we also wrestled with it a bit too. We want to make sure, again, that we’re upholding that integrity piece, [and] making sure when our current members see the changes, they’re not concerned.”

That meant reassuring the current members that the criteria to be an individual voter had not changed, only that the number of voters any label could have on its roster expanded. Previously, an eligible voter on a coastal label had to be included on its Nashville-based counterpart’s voting roster and often spaces were already filled. Now, coastal labels that work directly with country artists can have their own voting roster that is proportionate to the number of country artists it works with.

Kerns says that around 70% of CMA’s 6,468 voting members live in Tennessee, with the remainder largely coming from Texas, California and New York. “Texas was a really good model for how we needed to approach the coastals, because they have also operated really siloed from Nashville as well,” she says.

Kerns and her team also “got under the tent with all sorts of different businesses” to make sure they had appropriate representations on committees and voting, Trahern says, calling it the biggest membership realignment in at least 20 years. “The industry has changed so much so we want to make sure that not just for voting purposes, but for everything else we offer our members that we are reflecting the way the country music industry shows up today.”

The expansion for the coastal voters will not significantly alter the overall number of voters, Kerns says. “I don’t anticipate it having a big impact this year. There will definitely be a few 100, but the coastals are not going to provide 1000s of members,” she says. “If you think about a coastal [company] adding three to four, you’re not going to see this giant impact. We didn’t do it as a tactic to recruit or have a certain number of members. It was more about who is not able to participate right now that needs to be and then making sure that we are evolving to support that.”

As a way of further supporting and recruiting members, the CMA launched the Member Ambassador Program in April. The program empowers a selected number of CMA members to help recruit new members and answer questions any potential new members may have.

“There is going to be no better way to educate and inform potential members and or current members than by their peers,” Kerns says. “I think for us, we wanted to identify individuals that are eager, ready, comfortable and confident to essentially be extensions of the CMA staff.”

Sarah Trahern, CEO of the Country Music Association, sent a letter to all members on Thursday (May 1) in which she urged them to vote “with intention, with passion and with a deep appreciation for the artistry and craftsmanship that define excellence in Country Music.”
Trahern wrote, in part: “Your vote is more than just a ballot. It is your voice, your expertise, and your influence in defining the legacy of this genre. With the 2025 awards season upon us, we encourage you to engage thoughtfully in this process. … Because the CMA Awards don’t just happen for the industry—they happen because of it.”

The letter was sent concurrent with the CMA releasing its full schedule of key dates for the 2025 CMA Awards, CMA Broadcast Awards, CMA Touring Awards, CMA International Awards, and CMA Industry Honors.

Trending on Billboard

Trahern’s letter echoes one that Harvey Mason jr., CEO of the Recording Academy, sent to all voting members last July in which he stated: “you owe it to your peers to vote intentionally, deliberately, with pride and with purpose.”

Mason dramatized his point with a telling anecdote. “Last Grammy season, I heard a Grammy voter say they hadn’t taken a specific artist seriously since a performance they saw more than 10 years ago. I was shocked and disturbed by that. There is no place in our organization for such bias, grudge-holding, or careless voting. It’s about the current year and the quality of the work, period!

“There should be no other rationale for voting. If you are taking into account an artist’s older work, or their reputation, or race, or gender, what label they are on, who their manager is, how many friends participated in the project, or anything else like that, you’re not doing your job. I know most of you already do but please, just listen to the music, and evaluate it! You are the reason the Grammy Award is so special.”

Trahern, who was on Billboard‘s 2025 Women in Music list, wasn’t quite as emphatic and specific in her message (see her full letter below), but both leaders made the same point: Your vote matters. Take this seriously.

Here are the key dates, eligibility requirements, and voting processes across CMA’s annual awards cycle, followed by Trahern’s letter, in full.

2025 CMA Awards

Eligibility Period: July 1, 2024 – June 30, 2025

Voting Process: All CMA professional voting members may vote in three rounds. As of today, 6,468 professional members are eligible to vote.

Nomination Ballot: Voters write in any artist or project they think deserves a nomination. If it fits the criteria for that category, it counts.

Second Ballot: The top 20 vote-getters from the first round move forward (only the top 15 for entertainer of the year). Members may vote for up to five candidates in each category.

Final Ballot: The top five from the second round become the official nominees—and CMA members vote one last time to choose the winners. Members may vote for one nominee in each category.

Musician of the Year: Voting in all rounds remains limited to eligible voters in the following membership categories: musician, artist, composer, and producer/engineer/studio.

Song of the Year: New this year, only eligible voters in the following membership categories may vote in the nomination and second ballots: composer, artist, musician, producer/engineer/studio, and publisher/PRO. All eligible voters may vote in the final ballot.

All three rounds of voting will be conducted online by Election Services Corp. (ESC).  All balloting is tabulated by the professional services organization, Deloitte.

Nomination Ballot: Emailed to eligible CMA members on Monday, July 7; Closes Wednesday, July 16 at 6:00 p.m. CT

Second Ballot: Emailed on Tuesday, Aug. 5; Closes Monday, Aug. 18 at 6:00 p.m. CT; Final nominees in each of the 12 categories will be announced later this summer.

Final Ballot: Emailed on Wednesday, Oct. 1; Closes Wednesday, Oct. 29 at 6:00 p.m. CT

Membership Deadline & Information: To vote in all three rounds, prospective CMA members must apply for membership by Sunday, June 1 at CMAmember.com. Only CMA professional voting members have voting privileges. The professional voting tier is offered to industry professionals who primarily work within country music.

2025 CMA Broadcast Awards

Eligibility Period: Performances and events between June 1, 2024 – May 31, 2025

Submission Process: Apply now online at broadcast.CMAawards.com. Guidelines and entry instructions are available on the site. CMA membership is not required to submit.

Eligible Categories: broadcast personality of the year and radio station of the year in four market sizes: major market, large market, medium market and small market

National broadcast personality of the year in two formats: daily and weekly

Syndicated, short-form, hub voice-tracking, digital service providers, and satellite personalities with live-stream broadcasts are eligible to apply for national broadcast personality of the year.

Submission Period: Open Thursday, May 1 through Monday, June 30 at 5:00 p.m. CT

Judging Process & Information: Entries will be reviewed and evaluated online by a panel of radio and industry professionals.; CMA Broadcast Awards winners will be notified in early October and recognized at the 59th Annual CMA Awards ceremony. All balloting is tabulated by the professional services organization, Deloitte.

2025 CMA Touring Awards

Eligibility Period: Oct. 1, 2024 – Sept. 30, 2025

Nomination Ballot: A nomination ballot will be sent to current CMA professional voting members in the following member categories: affiliated, artist, composer, entertainment services, musician, personal manager, record company, talent agent, advertising/marketing/communications, venue, talent buyer/promoter and touring personnel. Each member is eligible to submit one nomination for each award category.

Second Ballot: Any candidate that meets the eligibility criteria and receives a minimum of three nominations will be placed on the second ballot. Eligible CMA members may vote for up to five candidates in each category for which they choose to vote.

Selection of Final Nominees: The Top 20 vote recipients from the second ballot will be presented to a CMA Touring Awards task force to develop a slate of at least five but no more than eight potential nominees for each of the CMA Touring Awards categories.

Final Ballot: The final ballot consisting of the approved nominees is sent to eligible CMA members for voting. Each member may vote for one nominee in each category they choose to vote.

All balloting is tabulated by the professional services organization, Deloitte.

Nomination Ballot: Opens Monday, July 21. Closes Friday, Aug. 1 at 5:00 p.m. CT

Second Ballot: Opens Tuesday, Aug. 26; Closes Wednesday, Sept. 10 at 5:00 p.m. CT

Final Ballot: Opens Monday, Dec. 1; Closes Tuesday, Dec. 16 at 5:00 p.m. CT

2025 CMA International Awards

Nomination Process & Information: All CMA professional voting members may submit nominations. A CMA International Awards task force reviews the nominations and makes winner recommendations to the CMA board of directors, which approves the recipients.

There are six CMA International Award categories—Jo Walker Meador International Award, Rob Potts International Live Music Advancement Award, Wesley Rose International Media Achievement Award, International Country Broadcaster Award, International Artist Achievement Award, and Jeff Walker Global Country Artist Award.

Nomination Ballot: Open now through Saturday, May 31. Nominate now at https://CMAmember.lnk.to/IntlNomsPR.

2025 CMA Industry Honors

Nomination Process & Information: All CMA members may submit nominations for the following CMA Industry Honors —CMA Foundation Humanitarian Award, Irving Waugh Award of Excellence, Joe Talbot Award, CMA Touring Lifetime Achievement Award, Willie Nelson Lifetime Achievement Award, CMA Songwriter Advocate Award, and Studio Recording Icon Award.

Final recipients are selected and approved by the CMA board of directors.

Nomination Ballot: Open now through Sunday, Aug. 10. Nominate now at https://CMAmember.lnk.to/industryhonorsnomPR.

Here’s Trahern’s letter to voting members, in full:

Dear CMA Member,

At the Country Music Association, our awards and honors are more than just a moment of recognition—they are a reflection of the dedication, talent, and passion that fuel our genre. They give us the chance to celebrate one another and spotlight the very best of Country Music on a global stage. Every nomination, every win, and every honor become part of the story we’re writing together, a chapter forever etched in the history of Country Music. And at the heart of it all is you.

As a trade association, CMA exists to serve and support the people who make this industry thrive—those working day in and day out to create, promote, and elevate Country Music. The CMA Awards and our other honors are not decided by a panel of outsiders, but by those who know Country Music best: our members. Your vote is more than just a ballot. It is your voice, your expertise, and your influence in defining the legacy of this genre.

With the 2025 awards season upon us, we encourage you to engage thoughtfully in this process. Take the time to reflect on the music and achievements that have moved our industry forward. Vote with intention, with passion, and with a deep appreciation for the artistry and craftsmanship that define excellence in Country Music. Because the CMA Awards don’t just happen for the industry—they happen because of it.

The official 2025 CMA ballot schedule is now available, outlining key dates for voting, submissions, and nominations. In addition to the CMA Awards, we recognize excellence across all aspects of our business, from the CMA Broadcast Awards and the CMA International Awards to the CMA Touring Awards and various Industry Honors. Each of these programs is a cornerstone of CMA’s commitment to honoring the people and moments that propel Country Music to new heights.

We encourage all industry professionals who are shaping our genre to take advantage of this opportunity and make their voices heard. If you know someone who is not yet a CMA member, please invite them to apply by Sunday, June 1, to qualify for full voting eligibility in the 2025 CMA Awards cycle.

As we look ahead to another year of recognizing excellence, we remain grateful for your ongoing commitment to our format and this community. Thank you for being part of this important tradition.

Sarah Trahern

Chief Executive Officer

Country Music Association

If Morgan Wallen watched the 2024 CMA Awards on TV last week, for most of the show, he probably felt he’d made the right decision to stay away from the proceedings at Bridgestone Arena in Nashville. He lost six awards in a row, including male vocalist, single and song of the year. The night was shaping up to be a replay of the 2022 CMA Awards, where he went 0-2 or the 2023 show, where he went 0-3. Voters, it seemed, were reluctant to honor an artist who had been caught on video using a racial slur.

Then Jeff Bridges came onstage to present the evening’s final award. This time, Wallen won. Bridges mispronounced Wallen’s last name, but that clumsy move didn’t change the fact that Wallen had just won the biggest award in country music – and he wasn’t there to accept it.

Suddenly, Wallen’s decision to stay away looked very different. He had just been received an award that has gone to many of the greatest country stars of the past six decades – and he wasn’t there to accept it. If he had shown up, he could have thanked his fans and the country music community for their loyalty and for giving him a second chance. Instead, all we remember from that moment is an actor’s botched pronunciation of his last name.

Several previous CMA entertainer of the year winners were also no-shows. Eddy Arnold wasn’t present when he became the inaugural winner at the 1967 show, nor was John Denver in 1975 or Garth Brooks in 1997 or 1998. (A CMA official notes: “Good reminder that CMA does not know winners in advance.”)

This happens at all awards shows, where a top winner isn’t there in person to accept. It happened fairly often in the early years of the Grammy telecast, which launched in 1971. At the 1973 telecast, the only “Big Four” recipient who was on hand to accept was Ringo Starr, a featured artist on album of the year winner The Concert for Bangla Desh. No-shows happen much less often than they used to, especially at top-level shows like the Oscars and the Grammys. The coinage of the term EGOT in 1984 makes winning at these shows even more consequential than it used to be.

Three years ago, most thought the late Chadwick Boseman would win best actor at the Oscars for Ma Rainey’s Black Bottom. The producers of the Oscar telecast even positioned that award last in the show – after best picture – thinking they would end the show with a powerhouse emotional moment. But the award instead went to previous winner Anthony Hopkins for The Father, who wasn’t even there to accept. Hopkins was the first best actor winner not to be there to accept since Paul Newman in 1987.

It’s a similar story in the best actress category at the Oscars. The last best actress winner who wasn’t on hand to win in person was Katharine Hepburn in 1982.

Here are 20 times a big winner at an awards show was a no-show. This being Billboard, naturally we focus on music.

John Barry, 1967 Oscars

Cody Johnson‘s producer Trent Willmon is clarifying remarks he made about Shaboozey during the 2024 CMA Awards.
On Saturday (Nov. 23), Willmon took to social media to address the backlash he faced after appearing to throw shade at the “A Bar Song (Tipsy)” hitmaker during Johnson’s album of the year acceptance speech for Leather.

“Ok… what I meant to express in my overly-shocked and excited state was that I am very proud of @codyjohnson,” Willmon wrote on Instagram. “He has worked his BOOTY off the last 15 years putting out and performing great music and it’s not an overnight success. I was so proud he’s finally getting recognized!”

The producer added, “And shout out to Shaboozey for your response to my fumble and having a great sense of humor, congrats on that 17-Week #1 Song!”

Trending on Billboard

During his CMA Awards speech, Willmon had told the Nashville audience, “It takes an army of people to make a great record, but I gotta tell ya, this is for this cowboy who’s been kicking shaboozey for a lot of years, y’all.”

Following the comment, many country music fans took to social media, expressing confusion and anger over the remark, which some interpreted as disrespecting Shaboozey. However, it was unclear whether Willmon’s comment was an intentional dig at the artist or simply an awkward attempt at humor that fell flat.

Shaboozey — who was nominated for new artist of the year and single of the year for “A Bar Song (Tipsy)” at this year’s CMAs — didn’t seem upset by Willmon’s comment. After the show, he posted a photo on X (formerly Twitter) with the caption, “Ain’t nobody kicking me!”

Though Shaboozey didn’t win any CMA trophies, he has multiple opportunities for recognition ahead. He’s up for five Grammy Awards in 2025, including nominations for “A Bar Song (Tipsy)” in categories such as best country song, best country solo performance, and song of the year. Additionally, he’s nominated for best new Artist, while his collaboration with Beyoncé and Linda Martell, “Spaghettii,” from the album Cowboy Carter, is up for best melodic rap performance.

Shaboozey’s hit song “A Bar Song (Tipsy)” has also dominated the Billboard Hot 100 chart, spending 18 nonconsecutive weeks at No. 1 and is just one week away from setting a new record.

See Willmon’s full post about the Shaboozey comments on Instagram here.