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“This has been the biggest labor of love,” Pentatonix’s Kirstin Maldonado says of the group’s latest seasonal album, Christmas in the City. “We’re all just really proud of it.”

The project, which the quintet began planning in January, was inspired by the magic of the holidays in New York and features a bevy of original songs as well as a host of Christmas classics.

On the latest episode of the Billboard Pop Shop Podcast (listen below), Pentatonix’s Maldonado and Matt Sallee join the show to chat about their new album (which marked the act’s 11th top 10 on Billboard’s Top Holiday Albums chart), all things holiday music, and their current tour.

The concept of Christmas In the City was initially sparked by a holiday ornament that Pentatonix’s Scott Hoying spotted at a festive holiday market in New York, says Sallee. That led the group to put together the title track, and soon, the rest of the collection snowballed from there. (And, while the album’s genesis may be owed to the Big Apple, Sallee notes the group is “trying to bring joy” to “every city” with the album and the tour.)

“We really wanted to make this album feel like it was a classic Christmas album paying homage to the ‘40s and the ‘50s and it can live in those classic playlists,” says Sallee, “so that’s a big reason why we used different instrumentation [and] sonics.” Certainly the “classic” vibe is aided by how the album not only showcases Pentatonix’s soaring harmonies, but also boasts dozens of musicians playing live instruments.

Further, more than half of Christmas in the City consists of newly written tunes, with all five of Pentatonix’s members (Mitch Grassi, Hoying, Maldonado, Kevin Olusola and Sallee) writing material on the effort. There are also some familiar favorites present, including “Holly Jolly Christmas,” “Silver Bells” and a new take on “I’ve Got My Love to Keep Me Warm,” with the late, great Frank Sinatra (who died in 1998).

“They blessed us with his voice,” says Maldonado of the Frank Sinatra Estate, who let Pentatonix use a previously unreleased vocal take of Sinatra singing the Irving Berlin-penned standard. “This arrangement is perfectly what we wanted to achieve within this album too… I feel so proud of it. I love it so much.”

“I’ve Got My Love to Keep Me Warm” also serves as the album’s first radio-promoted single, and the track jumps 12-9 on Billboard’s Adult Contemporary airplay chart dated Dec. 6. It marks the eighth top 10 for Pentatonix and the 21st for Sinatra (and his first since 1980).

JoJo also joins Pentatonix on the album on one of the set’s new originals, “Snowing in Paris.” “She sounds so amazing” on the track, says Maldonado. “She’s so talented and so kind. We love her.” Sallee adds, “She’s so insanely talented and gifted as a vocalist. It’s one of those, like, whoa, speechless moments when you hear her singing on the track. It’s just so good.”

And it wouldn’t be Christmastime without a holiday tour from Pentatonix, as the group has mounted a seasonal trek yearly since 2017 (save for 2020, owed to the COVID-19 pandemic). This year’s tour, aptly titled the Christmas in the City Tour, launched on Nov. 8 and is slated to wrap on Dec. 22 in Fort Worth, Texas. The group will then mount a U.K. and European tour next year that is scheduled to start April 7 in Budapest and continue on through May 3 in Stockholm.

As Pentatonix has become a staple of the holiday touring season, Sallee says he can “recognize faces” of fans who have come to the show year after year. “We’re blessed to be able to be families’ traditions each year. … It’s just such a special, humbling gift that we’re something that could bring a family…together and listen to our music and come to a concert and just have a good time together.”

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Also on the podcast, we’ve got chart news on how there’s a brand-new No. 1 album on the Billboard 200 thanks to Stray Kids’ DO IT; how the Wicked: For Good soundtrack casts a spell on the charts; and how a legendary rock band returns to the Billboard 200 top 10 for the first time in over 10 years. Plus, hosts Katie and Keith chat about the Macy’s Thanksgiving Day Parade, how holiday music is starting to take over the top of the Billboard Hot 100, and much more.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

Trending on Billboard Christina Aguilera counts down a few of her favorite things in the latest teaser video for the singer’s upcoming international holiday spectacular. “‘My Favorite Things‘ — the first single from my upcoming Christmas special, recorded live from the Eiffel Tower — arrives tomorrow,” Xtina wrote on Monday (Nov. 24) of the first […]

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Michael Bublé’s evergreen Christmas album returns to No. 1 on Billboard’s Top Holiday Albums chart (dated Nov. 22), rising 2-1. The set, which was released in 2011, has notched a total of 61 weeks atop the list.

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Also on the chart, new projects from Brad Paisley, Trisha Yearwood and Herb Alpert all debut.

The Top Holiday Albums chart ranks the 50 most popular seasonal albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sales, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The Top Holiday Albums chart will continue to be published on a weekly basis through early January of 2026, when it will jingle away until the next holiday season. (The chart generally returns to Billboard’s weekly chart menu every October.)

Paisley’s Snow Globe Town debuts on the list at No. 15, marking his second charting project on the tally. He previously visited the chart with the 2006 release Brad Paisley Christmas, which peaked at No. 2 in January 2007. Snow Globe Town includes eight newly-penned songs and a selection of classic holiday favorites like “The Christmas Song (Chestnuts Roasting On an Open Fire)” and “Jingle Bell Rock.”

Snow Globe Town also enters at No. 15 on Top Album Sales, No. 14 on Top Current Album Sales and No. 49 on Top Country Albums.

Yearwood’s new Christmastime bows at No. 36 on Top Holiday Albums, and the project includes new takes on classics like “My Favorite Things,” “Pure Imagination” and “Santa Claus Is Coming to Town.” The album also boasts a new original track, “Merry Christmas, Valentine,” co-written and performed by Yearwood and Garth Brooks.

Christmastime also starts at No. 50 on the Top Current Albums chart.

Rounding out the debuts on Top Holiday Albums is Alpert’s Christmas Time Is Here, entering at No. 44. The project, which marks Alpert’s third holiday set, also bows at No. 4 on Contemporary Jazz Albums and No. 18 on the overall Jazz Albums chart. Christmas Time Is Here includes the legendary trumpeter, composer and record label executive’s takes on “All I Want for Christmas Is You,” “Santa Baby” and “Winter Wonderland.”

Alpert’s first seasonal project, 1968’s Christmas Album, reached No. 1 on Billboard’s then-titled Christmas LP’s chart, while his second holiday set, 2017’s The Christmas Wish, reached No. 5 on Top Holiday Albums in 2017.

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Gwen Stefani is in a joyous holiday mood, but she definitely has some notes for old St. Nick. The solo star and No Doubt frontwoman dropped a new Christmas classic on Wednesday (Nov. 5) morning, “Shake the Snow Globe,” as part of Amazon Music’s new clutch of holiday exclusives from artists including Marc Anthony, Mariah the Scientist, Vanessa Mai and others.

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“Oh this season’s got me thinking ’bout Mrs. Claus/ Why does Kris get the credit?/ Can we take a second and give her a round of applause?,” Stefani sings over the bouncy, horn-spike arrangement of the original song that is part of Amazon MGM’s upcoming star-studded holiday film Oh. What Fun. The movie, directed by Michael Showalter (The Big Sick, The Idea of You) stars Michelle Pfeiffer, Dennis Leary and Chloë Grace Moretz and will debut on Dec. 3.

Gwen Stefani

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“This is the first time I’ve ever been asked to write a song for a specific moment in a film,” Stefani said in a statement. “It made me nervous, excited, and inspired to take on the challenge of creating a Christmas song that feels up tempo, nostalgic and reflects the sentiment of the movie, Oh.What.Fun.” The singer also previewed the snow-flaked, technicolor video for “Shake the Snow Globe” on her Instagram on Wednesday morning, writing, “the Holidays are so magical and i wanted this video to capture the sparkle + joy of the szn.”

In addition to Stefani’s ray of sunshine track, other artists contributing to the Amazon Music holiday celebration include Anthony, with a cover of José Feliciano’s Christmas classic “Feliz Navidad/ I Wanna Wish You a Merry Christmas,” Mariah the Scientist’s take on Eartha Kitt’s “Santa Baby” and Mai’s new original, “Christmas in the Room.”

Other Amazon Music Originals holiday songs from the international lineup of artists include: composer/pianist Kris Bowers’ new composition “Someplace Like Here,” France’s Amir covering F.R. David’s “Words,” Canadian singer Jamie Fine taking on Justin Bieber’s “Mistletoe,” Australian indie act Spacey Jane covering the Eagles’ “Please Come Home For Christmas,” Italian singer Marco Mengoni’s first English-language release, the original “Coming Home,” a medley of carols from Las Migas titled “Navidad con Las Migas (Medley)” and Canadian singer-songwriter Eli Rose’s dance-y cover of Beau Dommage’s “23 Décembre.”

“The holidays are about cherishing traditions while making space for new ones, and that’s exactly what we’re doing with our Amazon Music Original holiday songs and programming throughout our service,” said Amazon Music’s U.S. head of music Stephen Brower in a statement. “We’re privileged to work with both legendary and emerging artists to create fresh holiday music that resonates with fans and becomes part of their seasonal traditions. The incredible success of our Original holiday tracks shows how contemporary holiday music can bridge the gap between nostalgia and discovery, creating new classics that families will enjoy for years to come.” 

Past Amazon Music Originals holiday hits include Taylor Swift’s “Christmas Tree Farm (Old Timey Version), as well as Katy Perry’s “Cozy Little Christmas” and Carrie Underwood’s “Favorite Time of Year.”

Amazon Music is also launching limited edition vinyl and merch collections from artists around the world to celebrate the holidays, including Mariah Carey’s new Christmastime Holiday Collection with cozy apparel, holiday décor and kitchen accessories, Mai’s collection of T-shirts, sweaters and custom-designed phone cases and Mengoni’s exclusive limited-edition vinyl of “Coming Home,” which will be available beginning on Nov. 14.

Trending on Billboard Billboard’s Top Holiday Albums chart returns for the 2025 season, with familiar favorites among the top 10 of the Nov. 1-dated list, including Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack, Michael Bublé’s Christmas and Mariah Carey’s Merry Christmas (at Nos. 2, 3 and 5, respectively). Leading the tally is the Christmas-meets-Halloween […]

Mariah Carey has won a federal court ruling dismissing a copyright lawsuit over her perennial holiday classic “All I Want for Christmas is You” – a decision that cited an expert who said the songs mostly just shared “Christmas song clichés.”
In a ruling issued Wednesday, Judge Mónica Ramírez Almadani rejected allegations from songwriter Vince Vance that Carey and others had stolen key elements of her Christmas blockbuster from his 1989 song of the same name.

Ruling that Vance had failed to show that the songs were similar enough to violate copyright law, the judge cited analysis by a musicologist who said the two tracks were “very different songs” that shared only “commonplace Christmas song clichés” that had been used in many earlier tracks.

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“Plaintiffs have not met their burden of showing that [the songs by] Carey and Vance are substantially similar under the extrinsic test,” Ramírez Almadani wrote, using the legal term for how courts assess such allegations.

The judge not only tossed out Vance’s case, but also ruled that he and his lawyers should be punished for filing “frivolous” arguments. Calling it “egregious” conduct that aimed to “cause unnecessary delay and needlessly increase the costs of litigation,” the judge ordered that Vance and his lawyers to repay the legal bills Carey incurred defending those arguments.

Vance (real name Andy Stone) first sued Carey in 2022, claiming “All I Want” infringed the copyrights to a 1989 song of the exact same name recorded by his Vince Vance and the Valiants. Vance claimed that the earlier track received “extensive airplay” during the 1993 holiday season — a year before Carey released her now-better-known hit.

“Carey has … palmed off these works with her incredulous origin story, as if those works were her own,” Vance wrote in his latest complaint. “Her hubris knowing no bounds, even her co-credited songwriter doesn’t believe the story she has spun.”

Vance’s allegations were a big deal because Carey’s song is big business. The 1994 blockbuster, which became even more popular after it was featured in the 2003 holiday rom-com Love Actually, has re-taken the top spot on the Hot 100 for six straight years and earned a whopping $8.5 million in global revenue in 2022.

Carey’s attorneys asked the judge to end the case last year, arguing that the two songs shared only generic similarities that are firmly in the public domain – including basic Christmas terminology and a simple message that’s been used in “legions of Christmas songs.”

“The claimed similarities are an unprotectable jumble of elements: a title and hook phrase used by many earlier Christmas songs, other commonplace words, phrases, and Christmas tropes like ‘Santa Claus’ and ‘mistletoe,’ and a few unprotectable pitches and chords randomly scattered throughout these completely different songs,” Carey’s attorneys wrote at the time.

In Wednesday’s ruling, Ramírez Almadani granted that motion by endorsing two reports from musicologists hired by Carey’s lawyers that strongly rejected Vance’s allegations. In one report, New York University professor Lawrence Ferrara testified that he had found “at least 19 songs” that incorporated the same lyrical idea as “All I Want” that had been released prior to Vance’s track.

“[Vance] and [Carey] in their entirety are very different songs and the only element of similarity is the use of a common lyrical idea and Christmas song clichés that were in common use prior to [Vance],” Ferrara wrote in the report that the judge cited.

Vance’s attorneys submitted their own expert reports supporting his allegations, but the judge rejected them as evidence – saying that one was “not based on sufficient facts or data” and was “not the product of reliable principles and methods” as required by existing legal precedents.

Neither side immediately returned requests for comment.

Wham!’s “Last Christmas” has become a holiday standard over its 40 years in release — not just because of the extraordinary success of the original 1984 recording by the pop duo (George Michael and Andrew Ridgeley), but also because of its numerous covers by the likes of Sabrina Carpenter and Chappell Roan, Kelly Clarkson, Ariana Grande and Taylor Swift, among others.

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What’s it been like for Ridgeley to see the song have so many new interpretations by such artists through the years?

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“It’s testament to the brilliance of the song,” he tells the Billboard Pop Shop Podcast (listen to his interview below), “to its appeal as a Christmas record, its appeal as a pop song, its attraction to the younger generation and those that recognize what a really good Christmas song it is.”

“Someone told me there’s over 400 ‘Last Christmas’ covers,” Ridgeley says. “I can’t verify that, but I wouldn’t be too surprised. It’s extremely flattering and I think George (who wrote, produced, and solely performed “Last Christmas”) would have been really really pleased that so many people recognize — so many of his peers, so many of contemporary musicians of this era and in between — recognize it as a definitive kind of Christmas record.”

“Last Christmas” has become a fixture on the Billboard Hot 100 chart during the holiday season and recently reached a new peak of No. 3. Ridgeley says it has been “extremely satisfying” to see the tune climb the Hot 100, and adds that Michael (who died in 2017) “would have been utterly delighted… and it would have meant a great deal to him.”

In Ridgeley’s chat with the Pop Shop, he also discusses the continued popularity of Wham!’s overall catalog of music and how it’s “surprised” him a “wee bit” that their music has grown in popularity over the decades with new fans. He says it’s all owed to the “enduring vibrancy and youthful nature of Wham!’s music and Wham! that (the catalog) continues to draw in new cohorts.”

Also in the Pop Shop interview, Ridgeley talks about the new documentary Wham!: Last Christmas Unwrapped, the possibility of a boxed set with unreleased Wham! material, and if the public will ever hear Michael’s original demo recording of “Last Christmas.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

Hit songs come and go — artists last. What lasts even longer, though, are Christmas songs, which stream every year — and generate revenue accordingly.
The biggest example is Mariah Carey’s “All I Want for Christmas Is You,” which reemerges on the Billboard Hot 100 toward the end of every year — it has hit No. 1 annually since 2019 — heralded by a Carey video announcement that “It’s Tiiiiime.” How popular is it? It is the No. 16 biggest song of all time by U.S. consumption, a weighted measure of digital sales and streaming used by Luminate for about a decade. It is also the No. 42 song of all time in U.S. on-demand audio streaming.

The steadiness of the song’s popularity suggests that there’s a chance it could be the biggest hit of the 21st century, although it’s obviously impossible to know, or even figure out how such things might be measured in the future. There is a precedent, though. Bing Crosby’s 1942 recording of “White Christmas” is said to be the best-selling single of all time, with 50 million copies worldwide, according to the Guinness Book of World Records. Is “All I Want for Christmas” emerging as a next-century successor of sorts?

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It’s possible. Most hits get big fast, stay big for a while, and remain big-ish for years, sometimes with a boost from an artist’s subsequent releases. Holiday hits get big every year and disappear like Frosty the Snowman, only to come back the following fall, as predictable as the holiday season itself. Carey released “All I Want for Christmas” as a radio single from her 1994 album Merry Christmas, but it didn’t hit the top 10 of the Hot 100 until December 2017. By then, the charts reflected rising streaming listenership, as well as radio play and decreasing sales. Streaming fueled the song’s rise to No. 1 in 2019 (for three weeks), then in 2020 (for two weeks), 2021 (three weeks), 2023 (two weeks) and now 2024 (three weeks as of the chart dated Dec. 28). It has now spent 17 weeks at No. 1 on the Hot 100 in total — the most of any song except Shaboozey’s “A Bar Song (Tipsy)” and Lil Nas X’s “Old Town Road” (featuring Billy Ray Cyrus), each of which occupied the top spot for 19 weeks. Unlike those songs, though, “All I Want for Christmas” may continue to hit No. 1 on the Hot 100 for years to come. 

The list of songs with the most on-demand streams skews toward songs from a few years ago, since they have had a few more years to generate streams, and toward music that appeals to younger listeners, who were early adopters of Spotify and other services. Of the top 100, most of the songs came out after 2010, and almost all of them after 2000. The only older songs that have been streamed more than Carey’s are Fleetwood Mac’s “Dreams” (No. 27) and Journey’s “Don’t Stop Believin’” (No. 31), according to Luminate; the only other older songs in the top 100 are the Eagles’ “Hotel California,” Queen’s “Bohemian Rhapsody,” and, at 95, Brenda Lee’s “Rockin’ Around the Christmas Tree.”

Like most holiday hits, “All I Want for Christmas” does well worldwide — especially in English-speaking markets like the U.K. and Canada, where this year it hit No. 1 on the Billboard Canadian Hot 100. It’s also popular beyond the Anglosphere: This year the song topped the German Top 100 Single Chart, as well as the Austrian chart and the Swiss chart, and its popularity is growing elsewhere. (At a time when Anglo-American recordings are losing market share to local-language music in most European markets, English Christmas songs still do well. For the chart week of Dec. 20-26, for example, nine of the top 10 singles on the Official German Charts were English-language Christmas songs.) “All I Want” is No. 48 on the songs with the most on-demand streams internationally, according to Luminate.

One reason for the song’s success is how much Carey leans into the song’s seasonal success. She is far more popular than any of the other acts with big Christmas songs: She has had 19 No. 1 Hot 100 hits, second only to The Beatles, with 20, and she has hit No. 1 in a record 20 different years. Some artists with that kind of career would blanch at the idea of being identified with holiday music, but Carey embraced it — to the point that she applied for a trademark on the title “Queen of Christmas,” albeit unsuccessfully. In addition to her annual video announcement of the season, now something of an event in itself, she does an annual Christmas tour, which this year included 18 arena shows. In 2023, “All I Want for Christmas” accounted for 23% of her streams, according to Luminate.

It’s impossible to predict whether the song will become the most popular of the century — or even how Billboard might measure such things by then. “All I Want for Christmas” certainly isn’t going anywhere: Its on-demand streams grew 15% and 8.3% in 2022 and 2023, respectively, according to Luminate, compared to overall on-demand streaming growth of 12.1% and 12.7%. But it’s also not gaining ground on the current on-demand streaming champion, Post Malone and Swae Lee’s “Sunflower,” which had 333.12 million on-demand streams in the U.S in 2023, compared to 249 million for “All I Want for Christmas.”

Then again, holiday songs are nothing if not evergreen. For the past few years, the top four songs on Billboard’s Holiday 100 chart have been Carey’s, “Rockin’ Around the Christmas Tree,” “Jingle Bell Rock” and “Last Christmas.” Carey’s is by far the newest of the four. The second-biggest holiday hit, “Rockin’ Around the Christmas Tree,” which hit No. 1 on the Hot 100 for three weeks last holiday season, was recorded in 1958 — 66 years ago. If “All I Want for Christmas” has the same kind of run, it could still be No. 1 in 2060 — whatever kind of listening that might include 35 years from now.

Wham!’s 40-year-old hit “Last Christmas” continues to find new fans, and new chart accolades, as the evergreen tune reached a new peak recently on the Billboard Hot 100 chart, rising to No. 3 on the Dec. 14-dated tally. The Billboard Pop Shop Podcast recently caught up with one-half of the English pop duo Wham! – […]

12/19/2024

While decades-old classics tend to dominate the holidays, here are 25 relatively new seasonal songs that have connected with listeners.

12/19/2024