Chart Beat
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Bad Bunny’s Debí Tirar Más Fotos develops a third straight week at No. 1 on the Billboard 200 albums chart (dated Feb. 8), earning 117,000 equivalent album units in the U.S. in the week ending Jan. 30 (down 22%), according to Luminate.
Also in the top 10 of the latest Billboard 200, new albums from Teddy Swims, Kane Brown and Central Cee all debut.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Feb. 8, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Feb. 4). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Of the 117,000 equivalent album units earned by Debí Tirar Más Fotos in the week ending Jan. 30, SEA units comprise 114,000 (down 22%; equaling 156.18 million on-demand official streams of the set’s songs; it’s No. 1 for a fourth week on Top Streaming Albums), album sales comprise 2,500 (down 45%; falling 11-48 on Top Album Sales) and TEA units comprise 500 (down 31%).
SZA’s former leader SOS is a non-mover at No. 2 on the Billboard 200 (87,000 equivalent album units; down 2%) and Kendrick Lamar’s chart-topping GNX rises 4-3 (60,000; up 1%).
Teddy Swims scores his highest-charting album and first top 10, as I’ve Tried Everything But Therapy (Part 2) debuts at No. 4. The set earned 50,000 equivalent album units, with album sales comprising 26,000 (it debuts at No. 1 on Top Album Sales), SEA units comprising 23,000 (equaling 30.38 million on-demand official streams of the set’s songs; it debuts at No. 17 on Top Streaming Albums) and TEA units totaling 1,000.
The album’s launch of 50,000 marks Swims’ biggest week yet by units earned, while his sales bow of 26,000 is also his best sales week ever. Plus, his streaming start (30.38 million) marks his best streaming week for an album.
The LP is the follow-up to the singer-songwriter’s I’ve Tried Everything But Therapy (Part 1), which spawned 2024’s year-end No. 1 on the Billboard Hot 100, “Lose Control.” That set topped out at No. 17 but has spent 69 weeks on the list (it slips 21-25 on the latest chart).
The new album was preceded by a pair of charting hits on the weekly Hot 100: “Bad Dreams” and “Are You Even Real” (the latter with Giveon).
The first-week sales of the new album were bolstered by its availability across eight vinyl variants (including a signed edition) and two CD variants (including a signed edition).
Morgan Wallen’s former leader One Thing at a Time climbs 8-5 on the latest Billboard 200 (41,000 equivalent album units; up 9%) while Sabrina Carpenter’s chart-topping Short n’ Sweet stays at No. 6 (just over 40,000; down 7%).
Kane Brown achieves his fifth top 10-charting album on the Billboard 200, as The High Road rides in at No. 7 with 40,000 equivalent album units earned. Of that sum, SEA units comprise 20,000 (equaling 26.76 million on-demand official streams of the set’s songs; it debuts at No. 21 on Top Streaming Albums), album sales comprise 19,000 (it debuts at No. 2 on Top Album Sales) and TEA units comprise 1,000.
The High Road was preceded by four entries on the Hot Country Songs chart: “I Can Feel It,” “Miles On It” (with Marshmello), “Backseat Driver” and “Gorgeous.”
The album’s first-week sales were aided by its availability across nine vinyl variants (including a signed edition), four CD variants (including a signed edition), and three digital download variants (a standard version, plus two with alternative cover art).
Gracie Abrams’ The Secret of Us falls 5-8 on the latest Billboard 200, with 37,000 equivalent album units earned (down 28%).
Rapper Central Cee scores his first top 10, with his first charting album, as Can’t Rush Greatness bows at No. 9 with nearly 37,000 equivalent album units earned. SEA units comprise 27,000 of that sum (equaling 36.91 million on-demand official streams of the set’s songs; it debuts at No. 14 on Top Streaming Albums), album sales comprise 10,000 (debuting at No. 5 on Top Album Sales) and TEA units comprise a negligible sum.
The album was preceded by two charting hits on both Hot Rap Songs and the all-genre Hot 100. On the former, “BAND4BAND” (with Lil Baby) hit No. 4, while “GBP” (featuring 21 Savage) has reached No. 16. On the Hot 100, the tracks hit Nos. 17 and 92, respectively, through the most recently published chart, dated Feb. 1.
Central Cee, who hails from London, scored his first U.S. chart hit with “Doja,” reaching No. 36 on Hot R&B/Hip-Hop Songs in 2022. He’s charted a total of seven hits on that ranking, including collabs with Drake, J. Cole and Ice Spice.
Can’t Rush Greatness debuted at No. 1 on the U.K. Official Albums Chart (his second leader there). Central Cee has notched eight top 10-charting hits on the U.K. Official Singles Chart, including the No. 1 “Sprinter” (with Dave). He also recently nabbed three BRIT Award nominations, including artist of the year.
Closing out the latest top 10 on the Billboard 200 is Billie Eilish’s Hit Me Hard and Soft, slipping 9-10 with 36,000 equivalent album units earned (down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
In his autobiography Q, Quincy Jones wrote, “Numbers 2, 6, and 11 are my least-favorite chart positions.” It doesn’t take a Jones-like genius to determine why. Each song that peaks at those ranks, despite a clear vote of public favor, can come with a sliver of disappointment as a song’s creators and performers just miss […]
Inaugural leader, biggest song of 2024 and now the final No. 1 of the year: Shaboozey’s “A Bar Song (Tipsy)” takes the top spot of the TouchTunes Frontline Chart for the fourth quarter of 2024.
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The TouchTunes Frontline and Catalog charts for the fourth quarter of the year track the most played music on TouchTunes jukeboxes from Oct. 1 to Dec. 31, 2024, with the Frontline ranking inclusive of music released in the last 18 months, followed by the Catalog tally for any music that was released more than 18 months ago. TouchTunes has jukeboxes in over 60,000 locations worldwide. TouchTunes data is not factored into other Billboard charts.
Since the TouchTunes Frontline and Catalog charts’ existence (beginning with the second quarter of 2024), “A Bar Song” has been No. 1 on the Frontline ranking, as well as the top song on TouchTunes across its entire playable catalog.
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Its reign coincides with the song’s standing as the top-played tune on TouchTunes jukeboxes for 2024, the first song since Chris Stapleton’s “Tennessee Whiskey” to be the platform’s most-played song in a year that was considered a frontline (18 months old or less) release at the time.
“A Bar Song” also sports 19 weeks at No. 1 on the Billboard Hot 100 between July and November 2024, tying Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the lengthiest rule in chart history. It appears at No. 4 on the latest survey, dated Feb. 1.
The aforementioned “Tennessee Whiskey” retains its hold on the TouchTunes Catalog Chart, and it’s also the second-most-played song on the platform overall. Like “A Bar Song,” “Tennessee Whiskey” has reigned on its respective chart for all three quarters since both rankings were launched.
It does, however, have somewhat of a challenger in Teddy Swims’ “Lose Control,” which graduates to the Catalog list after previously being part of Frontline. It enters Catalog at No. 2 after appearing at No. 3 on the third-quarter Frontline tally.
Toby Keith’s “I Love This Bar,” Garth Brooks’ “Friends in Low Places” and Brooks & Dunn’s “Neon Moon” round out Catalog’s top five, giving “Lose Control” the distinction of the ranking’s first non-country song.
That said, the Frontline Chart’s top five is all country, with Post Malone’s “I Had Some Help,” featuring Morgan Wallen, holding its No. 2 rank, followed by Ella Langley’s “You Look Like You Love Me” (featuring Riley Green), Wallen’s “Cowgirls” (featuring ERNEST) and Zach Top’s “I Never Lie.”
Of those, Langley and Top are debuts, marking the top new entries of the quarter. “Cowgirls,” meanwhile, reaches a new peak, lifting 5-4.
Kendrick Lamar’s “Not Like Us” represents the highest-ranking non-country song on Frontline, dropping three spots to No. 7.
With the holiday season falling within the fourth quarter, the Catalog Chart also sees a seasonal classic in Mariah Carey’s “All I Want for Christmas Is You,” which enters the tally at No. 19.
And once again, it’s Wallen who boasts the most appearances across both rankings, with six songs – as a lead act or featured – on the Frontline ranking and one on Catalog. Jelly Roll follows with four total (two on each).
See both 25-position charts below.
TouchTunes Frontline Chart
1. “A Bar Song (Tipsy),” Shaboozey (=)2. “I Had Some Help,” Post Malone feat. Morgan Wallen (=)3. “You Look Like You Love Me,” Ella Langley feat. Riley Green (debut)4. “Cowgirls,” Morgan Wallen feat. ERNEST (+1)5. “I Never Lie,” Zach Top (debut)6. “Lies Lies Lies,” Morgan Wallen (+5)7. “Not Like Us,” Kendrick Lamar (-3)8. “Pink Pony Club,” Chappell Roan (+9)9. “Beautiful Things,” Benson Boone (=)10. “Too Sweet,” Hozier (-3)11. “I Am Not Okay,” Jelly Roll (+8)12. “Last Night,” Morgan Wallen (-6)13. “Ain’t No Love in Oklahoma,” Luke Combs (+3)14. “White Horse,” Chris Stapleton (+1)15. “Love Somebody,” Morgan Wallen (debut)16. “Whiskey Whiskey,” Moneybagg Yo feat. Morgan Wallen (-4)17. “The Door,” Teddy Swims (debut)18. “Espresso,” Sabrina Carpenter (debut)19. “Pour Me a Drink,” Post Malone feat. Blake Shelton (-1)20. “Get It Sexyy,” Sexyy Redd (debut)21. “Hot To Go!,” Chappell Roan (debut)22. “Miles On It,” Marshmello with Kane Brown (debut)23. “Million Dollar Baby,” Tommy Richman (-10)24. “You Proof,” Morgan Wallen (=)25. “Wild Ones,” Jessie Murph with Jelly Roll (-2)
TouchTunes Catalog Chart
1. “Tennessee Whiskey,” Chris Stapleton (=)2. “Lose Control,” Teddy Swims (debut, previously No. 3 on Frontline)3. “I Love This Bar,” Toby Keith (-1)4. “Friends in Low Places,” Toby Keith (-1)5. “Neon Moon,” Brooks & Dunn (-1)6. “Son of a Sinner,” Jelly Roll (-1)7. “I Think I’ll Just Stay Here and Drink,” Merle Haggard (+5)8. “Fat Bottomed Girls,” Queen (-2)9. “Copperhead Road,” Steve Earle (=)10. “Drinkin’ Problem,” Midland (-3)11. “Don’t Stop Believin’,” Journey (-1)12. “Save Me,” Jelly Roll with Lainey Wilson (debut, previously No. 10 on Frontline)13. “Rockstar,” Nickelback (+1)14. “Whiskey Glasses,” Morgan Wallen (-6)15. “Family Tradition,” Hank Williams Jr. (=)16. “Simple Man,” Lynyrd Skynyrd (-3)17. “Something in the Orange,” Zach Bryan (-6)18. “Higher,” Creed (+4)19. “All I Want for Christmas Is You,” Mariah Carey (debut)20. “Fast Car,” Luke Combs (debut, previously No. 8 on Frontline)21. “The Joker,” The Steve Miller Band (-5)22. “Thunderstruck,” AC/DC (-3)23. “Sweet Child o’ Mine,” Guns N’ Roses (=)24. “In the Air Tonight,” Phil Collins (re-entry)25. “Brown Eyed Girl,” Van Morrison (-5)
Central Cee has secured this week’s No. 1 on the U.K.’s Official Albums Chart with his debut LP Can’t Rush Greatness (Jan. 31). The west London rapper outsold the rest of the top five combined to reach the summit; this album gives him his second chart-topper following 2023’s mixtape 23. There’s been a flurry of […]
Lola Young has bagged a second week at No. 1 on the U.K. Singles Chart with her breakout hit “Messy” (Jan. 31). The song first hit the top spot last week after dethroning Gracie Abrams’ “That’s So True,” which reigned for eight non-consecutive weeks. The London-based musician’s star continues to rise with the song hitting […]
Cody Johnson and Carrie Underwood’s “I’m Gonna Love You” climbs three spots to No. 9 on Billboard’s Country Airplay chart (dated Feb. 8). It gained by 11% to 17.3 million audience impressions Jan. 24-30, according to Luminate.
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The team-up was authored by Kelly Archer, Travis Denning and Chris Stevens. It’s from the deluxe version, released in November, of Johnson’s 2023 album Leather. The set reached No. 5 on Top Country Albums, becoming his fifth top five title.
Johnson, from Sebastopol, Texas, adds his fifth Country Airplay top 10. His latest follows “Dirt Cheap,” which reached No. 5 last September; “The Painter” (No. 1 for one week, March 2024); “Human” (No. 8, June 2023); and “‘Til You Can’t” (No. 1, two weeks, March-April 2022).
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Underwood earns her 31st Country Airplay top 10 and first since “Ghost Story,” which peaked at No. 6 in October 2022. In between, she banked two top 20 hits: “Out of That Truck” (No. 18, April 2024) and “Hate My Heart” (No. 20, May 2023). She notched her 16th and most recent No. 1 with “If I Didn’t Love You,” with Jason Aldean, for three weeks in October-November 2021.
Underwood boasts the second-most Country Airplay top 10s among women dating to the chart’s 1990 launch. Reba McEntire leads the category with 37.
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Dylan Scott scores his seventh Country Airplay top 10, and his fifth in succession, as “This Town’s Been Too Good to Us,” which he co-wrote, lifts 11-10 (17 million, up 9%).
Meanwhile, Scott claims concurrent top 10s for the first time, as “Boys Back Home,” with Dylan Marlowe, ranks at No. 6 after reaching No. 2. Scott’s active top 10 streak is rounded out by “Can’t Have Mine,” which led for a week in December 2023, becoming his third No. 1; “New Truck” (No. 1, one week, August 2022); and “Nobody” (No. 2, June 2021).
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Meanwhile, Morgan Wallen’s “Love Somebody” rules Country Airplay for a second week (35.4 million, up 5%). Of his 16 chart-toppers, his newest marks his eighth to lead for multiple weeks.
Teddy Swims has officially taken over the ARIA Albums Chart, landing at No. 1 with I’ve Tried Everything But Therapy (Part 2).
The Atlanta-born singer, whose mix of R&B, country, and soul has earned him a devoted fanbase, continues his upward trajectory following the success of I’ve Tried Everything But Therapy (Part 1) last year. Swims’ breakout hit “Lose Control” became a global phenomenon, reaching No. 1 on the Billboard Hot 100.
Melbourne band Slowly Slowly continues their steady rise, scoring their third Top 10 album as Forgiving Spree debuts at No. 8. It follows Race Car Blues (No. 7 in 2020) and Daisy Chain (No. 5 in 2022), showing their continued momentum in the Australian rock scene. They also made a splash on the Vinyl Albums Chart, landing at No. 2.
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UK rapper Central Cee makes a strong entrance at No. 2 with his debut studio album, Can’t Rush Greatness.
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It’s his highest-charting release in Australia, surpassing his 2022 mixtape 23, which peaked at No. 6. Central Cee has already had massive success on the ARIA Singles Chart, spending seven weeks at No. 1 in 2023 with “Sprinter,” his collaboration with Dave.
Luke Combs is proving his staying power as his Australian tour boosts This One’s For You to a new career peak at No. 6. The 2017 album had previously topped out at No. 7 in both 2019 and 2022, but with country music’s popularity growing, Combs’ influence in Australia only continues to expand. Kane Brown, who performed at the ARIA Awards last year, also makes his mark this week, debuting at No. 41 with The High Road.
On the ARIA Singles Chart, English singer Lola Young claims her first solo No. 1 with “Messy,” jumping up from No. 3 last week. The track, which has gained serious traction on TikTok, has also gone to No. 1 in the UK, marking a breakout moment for the rising star.
Tate McRae makes her presence felt with “Sports Car,” debuting at No. 10. The track, co-written with Julia Michaels and produced by Ryan Tedder, is the third single from her upcoming album So Close To What. This marks McRae’s ninth Top 50 single, with her biggest chart success to date being “Greedy,” which peaked at No. 2 in 2023.
For the full ARIA Charts, visit ARIA.com.au.
Supa King’s “Tell On Me” becomes the first song to reign on the TikTok Billboard Top 50 chart for more than two weeks in a row in 2025, spending its second week at No. 1 on the Feb. 1-dated ranking.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Jan. 20-26. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
The latest TikTok Billboard Top 50 includes seven full days of data; the app was unavailable in the U.S. for multiple hours between Jan. 18 and 19.
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“Tell On Me” is the first song to string together consecutive weeks at No. 1 on the chart since Yeah Yeah Yeahs’ “Maps” ruled for seven weeks in a row between October and November 2024. It’s also the first song to rack up at least two weeks at No. 1 within the calendar year; M.I.A.’s “Paper Planes” spent its second frame at No. 1 on the Jan. 11-dated tally after first reigning in December 2024.
Released in 2016, Supa King’s “Tell On Me,” featured on that year’s SKBP, Vol. 1, has achieved TikTok virality thanks to a trend where creators lip synch to the song’s chorus while performing often gravity-defying stunts and poses, many times in a bathroom.
Its appearance on the chart marks “Tell On Me” and Supa King’s first on a Billboard ranking, and concurrently, the tune jumps 35% to 968,000 official U.S. streams in the week ending Jan. 23, according to Luminate.
While “Tell On Me” remains on top of the TikTok Billboard Top 50, the rest of the top five contains upward movement of some kind. It’s led by Sage the Gemini’s “Gas Pedal,” featuring Iamsu!, which lifts 3-2 in its third week on the chart. The 2013 track, which peaked at No. 29 on the Billboard Hot 100 that September, is driven on TikTok by a dance trend, spurring a 29% gain in streams to 1.7 million in the Billboard chart tracking week ending Jan. 23.
Gelo’s “Tweaker” re-enters the TikTok Billboard Top 50 at No. 3, a new peak. The rap project of basketball player LiAngelo Ball has enjoyed a No. 29 peak so far on the Hot 100, coming on the survey dated Jan. 18. The viral tune has been used in a variety of ways on the platform, including highlighting the “I might swerve, bend that corner, whoa” lyric to show people (or people in vehicles) taking turns or corners, sometimes in dangerous manners.
Lil Wayne’s “She Will,” which features Drake, follows at No. 4 as the TikTok Billboard Top 50’s top debut of the week. It’s boosted by a dance trend, usually with the dancer or dancers shown up against a wall, and it’s led to a 15% boost in streams for the song (which was released in 2011 as part of Tha Carter IV and peaked at No. 3 on the Hot 100) to 4.1 million.
Rounding out the TikTok Billboard Top 50’s top five: SZA’s “30 for 30,” with Kendrick Lamar, which lifts 7-5 for a new peak in its fourth week on the ranking. Lamar’s “But if it’s f–k me then f–k you/ And that’s the way I like it” lyric remains the focus here, whether it’s from lip synchs, dances or captions where the user utilizes Lamar’s verse to respond to some type of prompt.
Two more songs hit the top 10 of the chart for the first time after debuting on the Jan. 25 tally: Fetty Wap’s “Jimmy Choo” and Saga Faye’s “Who Are You?” at Nos. 9 and 10, respectively. “Jimmy Choo” benefits from virtually the same trend as “Tell On Me” mentioned before, with creators filming physically challenging contortions and poses in a bathroom mirror. “Who Are You?,” meanwhile, features a trend where users show the progression of their selves throughout their lives, set to the “Thought that I knew, now I don’t have a clue/ Who are you?” lyric.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
The 1990s brought a host of new names to the Billboard 200, as acts in pop, rock, R&B/hip-hop, country and dance made their marks with attention-getting albums. Still, not all artists lead the list on their first try, as they continue to build a following – making an initial No. 1 that much sweeter. In […]
Vince Guaraldi’s soundtrack to the 1975 animated TV special Be My Valentine, Charlie Brown, debuts across an array of Billboard album charts (dated Feb. 1), including top 10 arrivals on Jazz Albums, Traditional Jazz Albums and Indie Store Album Sales. It also takes a bow on the Kid Albums and Top Album Sales charts.
This is the first time the complete soundtrack to the special has been released, as only select tracks from the program have been released previously.
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Be My Valentine, Charlie Brown marked the 13th animated Peanuts special, and premiered on CBS-TV on Jan. 28, 1975. It garnered an Emmy Award nomination for outstanding children’s special.
The soundtrack was issued nearly 50 years to the day after the program’s debut – as the album arrived on Jan. 17, 2025. The 30-track album was released via streaming services, as well as to purchase as a digital download, CD and across three vinyl variants (a standard black vinyl, plus a red-colored edition and pink-colored edition).
Be My Valentine, Charlie Brown enters at No. 7 on Traditional Jazz Albums, No. 9 on the overall Jazz Albums ranking, No. 9 on Indie Store Album Sales, No. 18 on Kid Albums and No. 48 on Top Album Sales. The set earned a little over 2,000 equivalent album units in the U.S. in the week ending Jan. 23, according to Luminate, with nearly all of that sum driven by traditional album sales.
Be My Valentine, Charlie Brown is the latest in a series of from-the-vaults Peanuts soundtrack releases Lee Mendelson Film Productions, the company that produced more than 50 Peanuts animated specials. In recent years, the studio has released Guaraldi’s companion albums to You’re Not Elected, Charlie Brown; It Was a Short Summer, Charlie Brown and A Charlie Brown Thanksgiving.
The first Peanuts animated special, 1965’s A Charlie Brown Christmas, launched the evergreen soundtrack album of the same name from Vince Guaraldi Trio. That set has spent more than 100 nonconsecutive weeks at No. 1 on the Kid Albums chart and has visited the top 40 of the all-genre Billboard 200 in every holiday season for the last 10 years.