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Chart Beat

Page: 87

Sabrina Carpenter claims her first No. 1 on Billboard’s Adult Pop Airplay chart as “Espresso” rises to the top spot. The song, released on Island Records and promoted to radio by Republic, rules the Aug. 17-dated chart with a 4% gain in plays Aug. 2-8. (The list ranks songs by weekly plays on 80 adult […]

Luke Bryan hits the top 10 on Billboard’s Country Airplay chart for the 36th time as “Love You, Miss You, Mean It” rises a spot to No. 10 on the Aug. 17-dated survey. It increased by 6% to 16.5 million in audience Aug. 2-8, according to Luminate. Explore See latest videos, charts and news See […]

Ray LaMontagne reaches No. 1 on Billboard’s Adult Alternative Airplay chart for a third time as “Step Into Your Power” ascends to the top of the Aug. 17-dated tally. Explore Explore See latest videos, charts and news See latest videos, charts and news The singer-songwriter last ruled with “Strong Enough” for seven weeks beginning in […]

Tones And I makes it two in a row as Beautifully Ordinary opens at No. 1 on Australia’s albums chart.The five-times ARIA Award winner opens at the top of the ARIA Chart, published Friday, Aug. 9, with Beautifully Ordinary, her sophomore album.

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Beautifully Ordinary is Tones’ second album, and the followup to Welcome To The Madhouse, which also debut at No. 1 in 2021. The one-time busker’s debut EP The Kids Are Coming peaked at No. 3 in 2019. Though it didn’t climb the chart mountain, The Kids Are Coming did house “Dance Monkey,” Tones’ breakthrough hit which reigned over the charts in more than 30 countries, including a record, 24-week stint atop the ARIA Chart.

Tones owns the second consecutive ARIA No. 1 by an Australian act, following Lime Cordiale’s drought-breaking leader last week with Enough Of The Sweet Talk.

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“Well, when it rains, it pours,” notes ARIA CEO Annabelle Herd. “Tones has given us two Australian No. 1s two weeks in a row. A huge congratulations to Tones and her team on this incredible achievement. We’re absolutely thrilled for you and all of your accomplishments across an outstanding career so far.”

Also new to the top tier of the national chart is the collaborative project of Bernard Fanning (former frontman of Powderfinger) and Paul Dempsey (Something For Kate). Fanning Dempsey National Park’s The Deluge arrives at No. 3.

Prior to disbanding in the 2010, Powderfinger landed six ARIA No. 1 albums, all consecutive, while Something For Kate bagged two leaders, according to ARIA. Also, two of Fanning’s four solo albums have led the chart (Tea & Sympathy and Departures) while two of Dempsey’s three solo albums have peaked at No. 5.

Ye, the artist formerly known as Kanye West, and Ty Dolla $ign earn a top 10 debut with Vultures 2, which swoops in at No. 4.

Aussie punk rockers Dune Rats drop in at No. 29 with their fifth album, If It Sucks, Turn It Up. It’s the followup to 2022’s Real Rare Whale, which peaked at No. 6.

It’s winter in Australia, though Charli XCX’s Brat summer is sweeping through the ARIA Charts. Following the release of a remix featuring Billie Eilish, Brat album track “Guess” debuts at No. 1 on the singles tally, for her first solo leader.

“Guess” is Charli’s fifth top 10 hit in Australia, after “I Love It” (with Icona Pop) in 2012 and “Fancy” (with Iggy Azalea), “Bloom Clap” and “Break The Rules” in 2014. Charli also takes a bite out of the chart with “Apple” at No. 18, and “360” moves 27-24.

Everyone’s Getting Involved, the star-studded tribute album celebrating Talking Heads’ Stop Making Sense concert film, debuts atop Billboard’s Compilation Albums chart (dated Aug. 10) thanks to the set’s arrival on CD and vinyl. The effort boasts acts such as Miley Cyrus, Lorde and Paramore covering songs performed by Talking Heads in its celebrated 1984 film […]

Australian duo Royel Otis earns its first entry on the Billboard Hot 100 chart (dated Aug. 10) thanks to its viral cover of The Cranberries’ classic single “Linger.” Explore Explore See latest videos, charts and news See latest videos, charts and news Released May 31 as part of a live session for SiriusXM’s Alt Nation, […]

Maluma solidifies his status as a winner on Billboard’s Regional Mexican Airplay chart thanks to “Por Qué Será,” his first partnership with Grupo Frontera, as the song jumps from No. 3 to rule the Aug. 10-dated survey.

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“Por Qué Será” was released May 9 as the fourth single from Grupo Frontera’s album Jugando a Que No Pasa Nada, its second studio album, which earned the Texas group a first top 10 debut (among two top 10s overall) on both Top Latin Albums and Regional Mexican Albums in May, at No. 10 and at No. 6, respectively.

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On Regional Mexican Airplay, “Por Qué Será” lifts from No. 3 in its eighth week after a 23% gain in audience impressions, to 7.4 million, in the tracking week of July 26-Aug. 1, according to Luminate. The move sends Becky G and Oscar Maydon’s “Mercedes” to No. 4, with 4.9 million impressions, which translates to a 23% decline from the prior week.

With the new champ Frontera captures its 10th No. 1 on Regional Mexican Airplay, and ties with Grupo Firme for the ninth-most among groups since the chart launched in 1994. The song follows and equal winner, “(Entre Paréntesis),” with Shakira, which earned the pop icon her first leader on a regional Mexican tally (May 18-dated list).

The ranchera “Por Qué Será,” meanwhile, gifts Maluma his third champ. The Colombian singer topped the tally twice before, through “Cada Quien,” with Grupo Firme, for two weeks in charge in 2022, and with Carin León on “Según Quién” in Dec. 2023.

“Por Qué Será” joins one other song from its parent album Jugando a Que No Pasa Nada, that reached the summit on Regional Mexican Airplay: “Ya Pedo Quién Sabe,” with Christian Nodal, topped the radio ranking for one week in May.

Further, “Por Qué Será” also gains terrain on the overall Latin Airplay chart, pushing 5-2.

The list includes a broad range of artists, from hard rock and metal to contemporary Christian music and K-pop.

Ghost’s soundtrack to its film Rite Here Rite Now makes a splash across multiple Billboard album charts (dated Aug. 10), as the live concert set makes top 10 bows on Top Album Sales (No. 2), Top Hard Rock Albums (No. 1), Vinyl Albums (No. 1), Indie Store Album Sales (No. 1), Soundtracks (No. 2), Independent Albums (No. 3), Top Rock Albums (No. 5) and Top Rock & Alternative Albums (No. 6). It also arrives at No. 21 on the overall Billboard 200 – the band’s sixth top 40-charting set on the tally.

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The live set, recorded over two nights at the Kia Forum in Inglewood, Calif., in 2023, includes one studio-recorded track: “The Future Is a Foreign Land.”

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Rite Here Rite Now arrives with 27,000 equivalent album units earned in the U.S. in the week ending Aug. 1, according to Luminate, with 26,000 of that sum in traditional album sales – supported by its availability across 10 vinyl variants (whose combined sales totaled a little over 16,000). It’s the sixth top 10-charting set for the rock band on the Top Album Sales chart.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Top Rock & Alternative Albums, Top Rock Albums, Top Hard Rock Albums and Soundtracks rank, respectively, the week’s most popular rock and alternative, rock, hard rock, and soundtrack albums by equivalent album units. Vinyl Album tallies the week’s top-selling vinyl releases. Indie Store Album Sales measures the top-selling titles at independent and small chain record stores. Independent Albums ranks the most popular independently released albums of the week, by units.

As for the rest of the top 10 on the Top Album Sales chart… Stray Kids’ ATE holds at No. 1 for a second week (48,000 sold; down 79%), Grateful Dead’s latest live archival set Dave’s Picks, Volume 51: Scranton Catholic Youth Center, Scranton PA (4/13/71) debuts at No. 3 (21,000), ENHYPEN’s Romance: Untold falls 3-4 (15,000; down 42%), Ice Spice’s debut set Y2K! enters at No. 5 (12,000), Taylor Swift’s The Tortured Poets Department climbs 12-6 (nearly 12,000; up 34%), The Red Clay Strays’ Made by These Moments debuts at No. 7 (11,000), Forrest Frank’s debut album Child of God enters at No. 8 (10,000), the Deadpool & Wolverine soundtrack starts at No. 9 (nearly 10,000) and Jimin’s MUSE falls 2-10 in its second week (nearly 10,000; down 87%).

Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.

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This week: a big new remix and bigger new video help a bonus Brat cut become the era’s biggest song yet, while a 2010 pop classic gets a bump from an unexpected fan and the Minions‘ esteemed musical representative strikes again.

Charli XCX’s ‘Guess’ Aiming for Big Hot 100 Bow After Streaming Boom

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Among the many tidings of Brat Summer has been the return of Charli XCX as a fixture on the Billboard Hot 100, a full decade after she helped engineer top 10 hits like Iggy Azalea’s “Fancy,” Icona Pop’s “I Love It” and her own “Boom Clap.” Brat hits like “360” (No. 44) and “Apple” (No. 66) have been climbing the chart after achieving varying states of virality, while the Lorde-assisted remix of “Girl, So Confusing” powered the song to No. 63 upon its June release.

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Those tracks have yet to crack the chart’s top 40 – but “Guess,” which is featured on the deluxe edition of Brat, almost certainly will next week. That’s largely thanks to Billie Eilish hopping on the track for the bonus cut’s remix — capturing the attention of the Internet with lyrics like “Charli likes boys, but she knows I’d hit it,” as well as for Eilish joining Charli on a mountain of underwear in the new version’s official music video (10,000 pairs of which were donated to the charity I Support The Girls following the video shoot).

Following the release of the song and video last Thursday (Aug. 1), streams for “Guess” exploded: in its first four full days of tracking (Aug. 2-5), the song scored 12.27 million official on-demand U.S. streams, according to Luminate, after earning just 651,000 streams during the same period the previous week (July 26-29) prior to the remix release. Meanwhile, Eilish’s “Guess” appearance is pumping up the other Brat songs around it, with the album (minus “Guess”) up 12% in streams over that same period (from 23.3 million streams to 26.2 million). Don’t be shocked if “Guess” crashes the top 20 of the Hot 100 next week — and if Brat stays strong in the top 10 of the Billboard 200. – JASON LIPSHUTZ

Kodak Black Brings Back “Bulletproof” With La Roux Singalong Clips

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Not many folks would’ve guessed Florida rapper Kodak Black as the artist to spark a revival of U.K. electro-poppers La Roux’s surprise 2010 crossover smash “Bulletproof.” But perhaps that’s why it created such newfound interest in the now decade-and-a-half-old pop classic, as footage of Kodak (who’d previously showed his love for the song and its video on an IG live) singing and beating his bare chest along to the cathartic chorus (while standing on his car and brushing his teeth) went viral across social media. Videographer Don James’ clip of the singalong, posted on July 21, attracted 2.6 million likes on TikTok, with countless fans complimenting the aura of the genre-crossing artist. 

Many of those fans have seemed unable to get the song out of their head since, as evidenced by its ballooning streaming numbers in the past couple weeks. After “Bulletproof” amassed just under 700,000 official on-demand U.S. streams for the tracking week ending July 18, that number spiked 147% to 1.7 million for the next week, according to Luminate – and another 101% for the period after that, with the song racking up nearly 3.5 million spins for the week ending Aug. 1. Now that the Kodak Black Bump is a real thing, maybe other turn-of-the-’10s alt-pop favorites will look to enlist his help – Kate Nash, perhaps? Neon Trees? – ANDREW UNTERBERGER

Pharrell Eyes Another ‘Despicable Me’ Hit With ‘Double Life’ 

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Pharrell Williams has been a dependable hitmaker for decades – and a fixture of the Minions-verse since his “Happy” (from Despicable Me 2) became one of the biggest pop hits of the 2010s. Both runs continue for Pharrell with “Double Life,” his breakout hit from the Despicable Me 4 soundtrack. 

Originally released on June 14 – about a month before the film hit theaters — “Double Life” earned some early traction due to some listeners interpreting the track as a lowkey diss to Drake (who threw shots at Skateboard P with his verse on Travis Scott’s “Meltdown” last summer). During the week of the film’s release (July 5-11), “Double Life” rose a staggering 141% in streams versus the week prior (June 28-July 4), logging 2.57 million official on-demand U.S. streams, according to Luminate. 

A few micro trends helped the song continue to increase in streams week after week, including a dance trend courtesy of Dossan Bell & Oliver Hincy, and another small trend built on its “I know you heard the rumors/ You must get over to it right away” lyric. During the week of July 26-Aug 1, the song earned its biggest streaming boost since the film’s release, jumping nearly 40% to 5.2 million official on-demand streams. That boost was due in large part to yet another trend built around the song’s lyrics: In essence, users playfully pretend to be living a double life by sharing a screenshot that appears to confirm them running both their personal TikTok account and that of a celebrity or brand, like Kamala HQ or Mr. Clean. As the photo set transitions from either a stock image of a question mark or a selfie of the user into the accounts that they “run,” Pharrell croons, “Who will you be tonight? That’s the question.” 

On TikTok, the official “Double Life” sounds boast a combined 486,000 clips, while two additional unofficial sounds built around the “that’s the question” snippet soundtrack a further 282,7000 clips. And on Tuesday (Aug. 7), shortly before announcing Minnesota Governor Tim Walz as her running mate, Vice President Kamala Harris’ official campaign TikTok (@kamalahq) posted a teaser of her announcement using the “that’s the question” trend – with the clip scoring a whopping 2.2 million views. – KYLE DENIS