Chart Beat
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The Red Hot Chili Peppers wrapped their multi-year, multi-continent tour with the biggest business of their multi-decade career. According to figures reported to Billboard Boxscore, the Unlimited Love Tour sold 3.4 million tickets over 86 shows.
Among rock tours, it finishes as the third best-selling trek this decade, only behind Coldplay’s Music of the Spheres World Tour and Elton John’s Farewell Yellow Brick Road Tour.
Though not eligible for Boxscore reporting, the Red Hot Chili Peppers closed out this touring cycle with a performance tonight (Aug. 11) at the LA28 handover celebration at the Closing Ceremony of 2024 Olympics, where Paris passes the torch to the Chili Peppers’ hometown of Los Angeles for the 2028 Olympic and Paralympic Games. Boxscore totals only include grosses for ticketed headline shows, whereas the Olympics performance is part of a larger televised event.
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The Unlimited Love Tour supported its namesake album, which was released in April 2022, as well as Return of the Dream Canteen, which followed in October of that year. Both sets led the Top Rock Albums chart, and the former crowned the all-genre Billboard 200.
The Unlimited Love Tour kicked off on June 4, 2022 with a performance at Estadio de La Cartuja in Sevilla, Spain. That show launched a 12-show leg in Europe that sold 659,000 tickets. Next was 19 shows in the U.S. and Canada, adding 807,000 tickets. That remains the highest-grossing and best-selling leg of the tour.
What followed was a parade of shows in Asia, Latin America, and Oceania, plus returns to Europe and North America before closing on July 30 in Maryland Heights, Mo. While the first stateside run claimed top honors for cumulative gross and attendance, the Chili Peppers’ string of eight shows in Australia and New Zealand (January-February 2023) boasted the best per-show ticket sales, averaging 47,326. Those dates were helped by the presence of Post Malone, joining while on his Twelve Carat Tour.
As for individual engagements, the biggest was a double-header at England’s London Stadium on June 25-26, 2022. Those two combined for 142,000 tickets sold. Among one-night-stands, it’s the Nov. 10, 2023 concert at Estadio do Morumbi in Sao Paulo, where the band played to 71,000 fans.
These final figures represent an entirely new peak in the Chili Peppers’ career. Though the band had dabbled with stadium shows before, this was its first full tour in the top-capacity venues. The tour’s 3.4 million attendance total is about 3.5x the group’s previous best, when the By the Way World Tour sold 979,000 in 2002-03. On average, the tour paced 39,761 tickets per show, up from 14,291 on the 1995-96 One Hot Minute Tour.
Dating back to a 1985 Halloween show at New York’s The Ritz, the Red Hot Chili Peppers have sold 8.6 million tickets over 498 reported shows.
Taylor Swift’s The Tortured Poets Department clocks a 14th week at No. 1 on the Billboard 200 chart (dated Aug. 17), with 142,000 equivalent album units earned in the U.S. in the week ending Aug. 8 (up 98%) according to Luminate.
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The last album to spend at least 14 weeks at No. 1 was Morgan Wallen’s One Thing at a Time, which logged 19 total nonconsecutive weeks at No. 1 between March 2023 and this March. The last album by a woman to spend at least 14 total weeks at No. 1 was Adele’s 21, which earned 24 nonconsecutive weeks on top in 2011-12.
Also in the top 10 of the new Billboard 200, Ye (formerly Kanye West) and Ty Dolla $ign’s Vultures 2 debuts at No. 2 with 107,000 equivalent album units, marking the 13th Ye album to reach the top two (his entirety of charting releases), while Ty Dolla $ign ups his tally of top 10s to three.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 18, 2024-dated chart will be posted in full on Billboard‘s website on Aug. 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of The Tortured Poets Department’s 142,000 units earned in the week ending Aug. 8, album sales comprise 84,000 (up 606%), SEA units comprise 57,500 (equaling 75.43 million on-demand official streams of the set’s widely available deluxe edition’s 31 songs) and TEA units comprise 500. Poets is No. 2 on the Top Streaming Albums chart (behind Wallen’s One Thing at a Time) and No. 1 on the Top Album Sales chart.
Poets’ album sales in the latest tracking week were bolstered by a number of drivers. The set was released in five new digital album variants via Swift’s official webstore for a limited time, each containing the standard album’s 16 songs, along with one exclusive bonus track for $4.99 each (one album contained a “first draft phone memo” version of “My Boy Only Breaks His Favorite Toys,” while the other four contained one live track each from recent stops during her The Eras Tour). In addition, for a limited time, the store restocked three previously available digital album variants with exclusive bonus cuts, and a signed CD edition. Her store also staged a brief sale pricing promotion, whereby 16 previously available physical variants of the album were all discounted by 13% (as 13 is Swift’s favorite number).
With Poets — Swift’s longest-leading album on the Billboard 200 — she adds her 83rd career week at No. 1 on the Billboard 200, extending her record among soloists. (Elvis Presley has the second-most among soloists, with 67.) The total encompasses her 14 No. 1 albums. (She’s tied with Jay-Z for the most No. 1s among soloists.)
At No. 2 on the new Billboard 200, Ye and Ty Dolla $ign’s Vultures 2 swoops in with 107,000 equivalent album units earned. The album was released on Saturday (Aug. 3). It’s the long-awaited sequel to the chart-topping Vultures 1, which opened atop the Feb. 24-dated chart with 148,000 units. Of the new album’s first-week figure, album sales comprise 60,500 in album sales, SEA units comprise 46,000 (equaling 50.44 million on-demand official streams of the standard set’s songs) and TEA units comprise 500 units. Vultures 2 also bows at No. 6 on the Top Streaming Albums chart and No. 2 on the Top Album Sales chart.
The opening sales of Vultures 2 were aided by its availability across a widely available standard explicit edition, and a late-in-the-week-released clean edition (on Aug. 8). Ye’s official webstore also issued five additional explicit digital album variants on Wednesday (Aug. 7) and Thursday (Aug. 8), each containing the standard album’s 16 tracks, along with one exclusive studio bonus track per album. All digital albums on Ye’s webstore sold for $5 each. The Vultures 2 album, both clean and explicit, was also discounted to $4.99 in the iTunes Store in the tracking week.
Vultures 2 was originally slated for release on March 8.
Chappell Roan’s The Rise and Fall of a Midwest Princess climbs to a new high, as it rises from its prior No. 4 best to No. 3 with 64,000 equivalent album units earned (up 20%). The album’s ascent comes after Roan’s rousing reception at Lollapalooza on Aug. 1.
Wallen’s chart-topping One Thing at a Time dips 2-4 with 63,000 equivalent album units (down 2%), while Billie Eilish’s Hit Me Hard and Soft is steady at No. 5 with 57,000 units (up 8%).
Charli XCX’s Brat bolts 9-6 with 56,000 equivalent album units earned (up 39%), following the release of the album’s “Guess” remix with Eilish on Aug. 1.
Zach Bryan’s The Great American Bar Scene falls 3-7 (51,000 equivalent album units; down 16%), Wallen’s former leader Dangerous: The Double Album rises 11-8 (just over 37,000; down less than 1%), Noah Kahan’s Stick Season lifts 10-9 (a little more than 37,000; down 5%) and the Twisters: The Album soundtrack drops 8-10 (37,000; down 16%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Finally! We’re well into August and it took up until this week for a British act to reach No. 1 on the Official U.K. Singles Chart in 2024.
Charli XCX achieves the feat as her remix of “Guess,” featuring Billie Eilish, debuts at No. 1. It’s the first song by a British artist to top the Official U.K. Singles Chart since Wham!’s 1984 holiday perennial “Last Christmas” wrapped up a four-week run at No. 1 over the 2023 holidays. Since then, the No. 1 spot on the U.K. chart was held by seven American acts and one Irish act (Hozier, who led for two weeks with “Too Sweet”).
Sabrina Carpenter has held the top spot on the Official U.K. Singles Chart for a total of 12 weeks (so far) in 2024 – seven for “Espresso” and five for “Please Please Please.” The other hits by American acts that have topped the U.K. chart so far in 2024 are Noah Kahan’s “Stick Season” (seven weeks), Beyoncé’s “Texas Hold ’Em” (five weeks), Benson Boone’s “Beautiful Things” (two weeks), Taylor Swift feat. Post Malone’s “Fortnight” (one week) and Eminem‘s “Houdini” (two weeks).
“Guess” becomes Charli’s second No. 1 in the U.K. — and her first as a lead artist. She first topped the chart in 2013 as the featured artist on Icona Pop’s “I Love It.”
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“Guess” is the third U.K. chart-topper for Eilish, which is two more than she has had in her home country. (“Bad Guy” remains her only No. 1 on the Billboard Hot 100 to date.) Moreover, “Guess” is Eilish’s first U.K. No. 1 that wasn’t from a film. Her two previous U.K. No. 1s are “No Time to Die” (2020) and “What Was I Made For?” (2023), her Oscar-winning songs from the James Bond film of the same name and Barbie, respectively.
“Guess” first appeared on the deluxe edition of Charli XCX’s album Brat, dubbed Brat and It’s the Same but There’s Three More Songs So It’s Not.
“Guess” has yet to appear on the Billboard Hot 100, but, writing in the weekly Trending Up column, Jason Lipshutz suggests that that will soon change: “Don’t be shocked if ‘Guess’ crashes the top 20 of the Hot 100 next week.”
Chappell Roan’s first full-length album, The Rise and Fall of a Midwest Princess, reaches No. 1 on the Official U.K. Albums Chart in its 17th week. That’s higher than the album has climbed on the Billboard 200, where it inches up to No. 4 this week, its highest ranking to date.
Roan is the ninth American artist to reach No. 1 on the Official U.K. Albums chart in 2024, following Green Day, Kahan, Ariana Grande, Beyoncé, Swift, Eilish, Gracie Abrams and Eminem.
Sabrina Carpenter claims her first No. 1 on Billboard’s Adult Pop Airplay chart as “Espresso” rises to the top spot. The song, released on Island Records and promoted to radio by Republic, rules the Aug. 17-dated chart with a 4% gain in plays Aug. 2-8. (The list ranks songs by weekly plays on 80 adult […]
Luke Bryan hits the top 10 on Billboard’s Country Airplay chart for the 36th time as “Love You, Miss You, Mean It” rises a spot to No. 10 on the Aug. 17-dated survey. It increased by 6% to 16.5 million in audience Aug. 2-8, according to Luminate. Explore See latest videos, charts and news See […]
Ray LaMontagne reaches No. 1 on Billboard’s Adult Alternative Airplay chart for a third time as “Step Into Your Power” ascends to the top of the Aug. 17-dated tally. Explore Explore See latest videos, charts and news See latest videos, charts and news The singer-songwriter last ruled with “Strong Enough” for seven weeks beginning in […]
Tones And I makes it two in a row as Beautifully Ordinary opens at No. 1 on Australia’s albums chart.The five-times ARIA Award winner opens at the top of the ARIA Chart, published Friday, Aug. 9, with Beautifully Ordinary, her sophomore album.
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Beautifully Ordinary is Tones’ second album, and the followup to Welcome To The Madhouse, which also debut at No. 1 in 2021. The one-time busker’s debut EP The Kids Are Coming peaked at No. 3 in 2019. Though it didn’t climb the chart mountain, The Kids Are Coming did house “Dance Monkey,” Tones’ breakthrough hit which reigned over the charts in more than 30 countries, including a record, 24-week stint atop the ARIA Chart.
Tones owns the second consecutive ARIA No. 1 by an Australian act, following Lime Cordiale’s drought-breaking leader last week with Enough Of The Sweet Talk.
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“Well, when it rains, it pours,” notes ARIA CEO Annabelle Herd. “Tones has given us two Australian No. 1s two weeks in a row. A huge congratulations to Tones and her team on this incredible achievement. We’re absolutely thrilled for you and all of your accomplishments across an outstanding career so far.”
Also new to the top tier of the national chart is the collaborative project of Bernard Fanning (former frontman of Powderfinger) and Paul Dempsey (Something For Kate). Fanning Dempsey National Park’s The Deluge arrives at No. 3.
Prior to disbanding in the 2010, Powderfinger landed six ARIA No. 1 albums, all consecutive, while Something For Kate bagged two leaders, according to ARIA. Also, two of Fanning’s four solo albums have led the chart (Tea & Sympathy and Departures) while two of Dempsey’s three solo albums have peaked at No. 5.
Ye, the artist formerly known as Kanye West, and Ty Dolla $ign earn a top 10 debut with Vultures 2, which swoops in at No. 4.
Aussie punk rockers Dune Rats drop in at No. 29 with their fifth album, If It Sucks, Turn It Up. It’s the followup to 2022’s Real Rare Whale, which peaked at No. 6.
It’s winter in Australia, though Charli XCX’s Brat summer is sweeping through the ARIA Charts. Following the release of a remix featuring Billie Eilish, Brat album track “Guess” debuts at No. 1 on the singles tally, for her first solo leader.
“Guess” is Charli’s fifth top 10 hit in Australia, after “I Love It” (with Icona Pop) in 2012 and “Fancy” (with Iggy Azalea), “Bloom Clap” and “Break The Rules” in 2014. Charli also takes a bite out of the chart with “Apple” at No. 18, and “360” moves 27-24.
Everyone’s Getting Involved, the star-studded tribute album celebrating Talking Heads’ Stop Making Sense concert film, debuts atop Billboard’s Compilation Albums chart (dated Aug. 10) thanks to the set’s arrival on CD and vinyl. The effort boasts acts such as Miley Cyrus, Lorde and Paramore covering songs performed by Talking Heads in its celebrated 1984 film […]
Australian duo Royel Otis earns its first entry on the Billboard Hot 100 chart (dated Aug. 10) thanks to its viral cover of The Cranberries’ classic single “Linger.” Explore Explore See latest videos, charts and news See latest videos, charts and news Released May 31 as part of a live session for SiriusXM’s Alt Nation, […]
Maluma solidifies his status as a winner on Billboard’s Regional Mexican Airplay chart thanks to “Por Qué Será,” his first partnership with Grupo Frontera, as the song jumps from No. 3 to rule the Aug. 10-dated survey.
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“Por Qué Será” was released May 9 as the fourth single from Grupo Frontera’s album Jugando a Que No Pasa Nada, its second studio album, which earned the Texas group a first top 10 debut (among two top 10s overall) on both Top Latin Albums and Regional Mexican Albums in May, at No. 10 and at No. 6, respectively.
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On Regional Mexican Airplay, “Por Qué Será” lifts from No. 3 in its eighth week after a 23% gain in audience impressions, to 7.4 million, in the tracking week of July 26-Aug. 1, according to Luminate. The move sends Becky G and Oscar Maydon’s “Mercedes” to No. 4, with 4.9 million impressions, which translates to a 23% decline from the prior week.
With the new champ Frontera captures its 10th No. 1 on Regional Mexican Airplay, and ties with Grupo Firme for the ninth-most among groups since the chart launched in 1994. The song follows and equal winner, “(Entre Paréntesis),” with Shakira, which earned the pop icon her first leader on a regional Mexican tally (May 18-dated list).
The ranchera “Por Qué Será,” meanwhile, gifts Maluma his third champ. The Colombian singer topped the tally twice before, through “Cada Quien,” with Grupo Firme, for two weeks in charge in 2022, and with Carin León on “Según Quién” in Dec. 2023.
“Por Qué Será” joins one other song from its parent album Jugando a Que No Pasa Nada, that reached the summit on Regional Mexican Airplay: “Ya Pedo Quién Sabe,” with Christian Nodal, topped the radio ranking for one week in May.
Further, “Por Qué Será” also gains terrain on the overall Latin Airplay chart, pushing 5-2.