Chart Beat
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Cody Carnes and Bejamin William Hastings’ “Take You at Your Word” ascends a spot to No. 1 on Billboard’s Christian Airplay chart dated Nov. 9. During the Oct. 25-31 tracking week, the duet increased by 5% to 6.2 million audience impressions, according to Luminate. Carnes and Hastings co-authored the track with Aodhan King, while Austin […]
Joss Favela crosses off a career milestone as he achieves his first No. 1 on any Billboard chart as “Con Todo Respetillo,” with Luis R. Conriquez, jumps 3-1 to crown the Nov. 9-dated Regional Mexican Airplay chart.
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“Con Todo Respetillo” ascends to the summit thanks to gains in audience impressions for the tracking week of Oct. 25-31. The single, released on Sony Music Latin/Azteca, generated 7.1 million impressions in the U.S., up 37% from the week prior, according to Luminate. It also takes the Greatest Gainer honors, awarded weekly to the song with the most airplay among the chart’s 40 titles.
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Although “Con Todo Respetillo” secures Favela’s breakthrough to the No. 1 spot on any Billboard chart, the Sinaloan previously registered six other top 10s on Regional Mexican Airplay, reaching as high as No. 2 through “Me Hubiera Dicho” in June 2018.
Conriquez, meanwhile, returns for his third No. 1 with “Respetillo.” The corridos-bélicos singer last achieved his two other No. 1s two years ago, as “JGL,” with La Adictiva,” and “Ya Hiciste Mal,” with Jessie Uribe, both ruled for one week in 2022.
Four other male team-ups have achieved a No. 1 on Regional Mexican Airplay in 2024: Christian Nodal and Peso Pluma through “La Intención” (April 6), Oscar Ortiz and Edgardo Nuñez with “First Love” (April 27), Alejandro Fernandez and Alfredo Olivas with “Cobijas Ajenas” (June 8), and Leonardo Aguilar and Pepe Aguilar through “Bandido de Amores” (July 6).
Despite their different achievements on Regional Mexican Airplay, Favela and Conriquez, both score their third top 10 on the overall Latin Airplay tally, where “Respetillo” soars 12-4 with the Greatest Gainer honors of the week.
“Con Todo Respetillo” is the only single that previewed Favela’s Mis Compas, Vol. 1 EP, released May 10 via Sony Music Latin. The album has not visited a Billboard chart yet.
By the time surging newcomer Zach Top released his debut country album, Cold Beer & Country Music, in April, the 27-year-old singer-songwriter was already seeing a groundswell of support from fans and his fellow artists. With his unabashed devotion to traditional country sounds on songs like “Bad Luck” and “There’s The Sun,” matched with his unmistakably country drawl, the singer-songwriter from Sunnyside, Wash., has drawn comparisons to such ’90s country luminaries as Alan Jackson, Doug Stone and one of his musical heroes, Keith Whitley.
Top, who is signed with label Leo33 and managed and published by Major Bob Music, has been on tour with reigning CMA entertainer of the year Lainey Wilson since May. He was a guest at Dierks Bentley’s early September headlining show at Nashville’s Bridgestone Arena and most recently teamed with bluegrass luminary Billy Strings to release a trio of collaborations for Apple Music.
As Top’s “Sounds Like the Radio” continues to grow on Billboard‘s Country Airplay chart, reaching a new No. 16 high on the Nov. 9-dated list, another track from Cold Beer & Country Music has also grown into a chart hit: “I Never Lie.” After the slow grooving, sarcastic song became his first entry on the Billboard Hot 100 in September (it has since reached a No. 68 high), his team pushed “I Never Lie” to country radio. It debuted on Country Airplay in late October, giving Top two songs simultaneously on the ranking — a feat more typically reserved for arena- and stadium-headlining stars in the genre.
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He’s up for new artist of the year at the CMA Awards later this month, and his rising career has led to additional dates to his 2025 Cold Beer & Country Music Tour, which launches Jan. 16 in Nebraska, with openers Jake Worthington and Cole Goodwin.
Billboard caught up with Top to discuss “I Never Lie” reaching new chart heights, as well as his thoughts on his upcoming CMA Award nomination for new artist of the year and who he thinks will take home the entertainer of the year honor.
“I Never Lie” was included on your debut studio album, Cold Beer & Country Music. How did the song come together?
I wrote it with Carson Chamberlain and Tim Nichols. I have one of my more clever rhymes on there, with the “Angel” and “April” rhyme in the first verse [“You still look like an angel/I heard you’re doin’ fine, got promoted back in April”]. We cut it pretty old-school with the band, and I sang and tracked the vocals as they were playing. They never hear the song until the day we record it. I’ll have an acoustic recording of it on my phone, and they hear it once or twice, and that’s it. It’s two or three takes and we play it like we feel it. We might overdub a thing or two or add some fills, but it’s all played live, nothing computerized about it. Carson produced it and [engineer] Matt [Rovey] mixed it up.
What has been your reaction to it connecting with fans on this level?
It may be the countriest song on the record. It sticks out and there’s nothing but steel guitar on there — you haven’t heard a song like that, sonically, in a long time. I think people have had an appetite for my kind of country for a little while, and we’re getting a dose of it. Songs like “Sounds Like the Radio” and “Cold Beer & Country Music,” you would expect those to be hits because they are up-tempo. This song goes in the face of what’s out there right now.
When did you first realize the song was a hit?
We had been playing it in live shows, so people already knew it. Around April 5, we had our album release show, and over the last four months, it has really taken off. Our fans know every word of every song on the album — they are not just waiting to hear one song. It gives me chills every night when we play that first riff [of “I Never Lie”]. They don’t need to hear no words, they know it from that first note.
“I Never Lie” debuted on Country Airplay in late October, giving you two current hits on the Billboard chart, including the top 20 hit “Sounds Like The Radio.” How does that feel?
I’m excited, because you don’t see that a lot with an artist as new as me. I’m proud to have the success so far and not be just a one-hit wonder.
You’ve also gained traction on TikTok with “I Never Lie.” What is your approach to social media?
I don’t get on social media much. There is a girl named Cheyenne in my band who has TikTok and she’ll tell me about videos that have “I Never Lie” or other songs in them. I was never very into social media — it was just a tool to get music out there. Early this year, I turned it all over [to my team]. I don’t have the apps on my phone, and I don’t think I have the logins. It can suck you in, scrolling through, and I think it’s probably healthy for me to stay off it.
You are nominated for new artist of the year at the CMA Awards on Nov. 20. What do you remember about finding out about your nomination?
It’s funny because I got a couple of texts that said, “Congratulations,” and I was like, “It’s not my birthday. What’s going on?” They sent me screenshots and filled me in. There are a bunch of big artists on that list, and I’m proud to be in this group.
Who do you think will win entertainer of the year at the CMA Awards?
I think Lainey [Wilson] would be a good pick. She puts on a hell of a show and is a great entertainer. And [Chris] Stapleton, I saw his show at [Nashville’s] Nissan Stadium, and I had not seen his show before and it’s pretty old-school with the band up there. He sings and captivates people with his voice and music, so he gets my vote, too.
A version of this story appears in the Oct. 26, 2024, issue of Billboard.
Kelsea Ballerini achieves her first No. 1 on Billboard’s Top Country Albums chart as Patterns blasts in atop the Nov. 9-dated list.
Released Oct. 25, the set earned 54,000 equivalent album units in the U.S. – a new weekly best for Ballerini – with 35,000 in album sales through Oct. 31, according to Luminate.
On the all-genre Billboard 200, the album arrives at No. 4, marking Ballerini’s second top 10 and highest rank, surpassing the No. 7 peak for Unapologetically in November 2017.
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First-week sales for Patterns were encouraged by the set’s availability across eight vinyl variants (including one signed edition). Her vinyl sales totaled 12,000 for the week – Ballerini’s best week ever on vinyl. Plus, two CDs were available (including one signed edition). On Oct. 28, a digital version was released on her website with two bonus cuts. Additionally, the album was sale-priced for $4.99 in the iTunes Store.
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Ballerini, from Knoxville, Tenn., co-wrote all 15 songs on Patterns. The LP’s first single, “Cowboys Cry Too,” with Noah Kahan, jumps 47-24 on the streaming-, airplay- and sales-based Hot Country Songs chart. The song, which debuted at its No. 16 high in July, drew 4.9 million official U.S. streams, up 69%, in the tracking week. On Country Airplay, it ranks at No. 43 (2.5 million in audience, up 3%); it began at its No. 27 best in July.
Patterns marks Ballerini’s eighth Top Country Albums entry. It follows Rolling Up the Welcome Mat, which opened at No. 21 in February 2023 before reaching No. 11 the next month. Her charted titles before that are Subject to Change, which started at its No. 3 high in October 2022; Ballerini (No. 9, September 2020); Kelsea (No. 2, April 2020); Unapologetically (No. 3, November 2017); The First Time (No. 4, June 2015); and Kelsea Ballerini (No. 40, March 2015).
Rosé makes it two records in as many weeks in Australia, where “APT.” retains top spot on the national singles chart.
Earlier, the New Zealand-born, Australia-raised BLACKPINK star ended Sabrina Carpenter’s reign on the ARIA Singles Chart, as “APT.” (via Atlantic/Warner), her collaboration with Bruno Mars, debuted at No. 1.
With that feat, Rosé (born Roseanne Park) became the first solo female K-pop star to top the tally, and just the second solo artist from South Korea to climb the chart ladder after PSY’s “Gangnam Style” spent six weeks on top back in 2012.
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“APT.” enters a second week at the summit of the ARIA Chart, marking the first time that a Korean solo artist or group has spent more than a week in the top spot since “Gangnam Style.” She’s the first solo female Korean artist to do so.
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Born in Auckland, and raised in Melbourne, Rosé relocated to South Korea aged 15, when the world of K-pop came calling. At her father’s suggestion, she auditioned for South Korean music company YG Entertainment. It was a shrewd move. The rest is music history.
Comprising Rosé, Jisoo, Jennie and Lisa, BLACKPINK is a record-smashing machine – here and everywhere. In 2022, BLACKPINK set the mark for the highest-debuting single by a K-pop group in ARIA Chart History when “Pink Venom” hit No. 1, beating the No. 2 start for BTS’ 2020 hit “Dynamite.”
BLACKPINK’s two studio albums, The Album (from 2020) and Born Pink (2022), both debuted and peaked at No. 2 on the Australian albums survey. In support of Born Pink, the pop group last year embarked on an east coast arena tour of Australia.
A reference to the Korean drinking game aparteu, or apartment in English, “APT.” is the first single from Rosé’s debut album Rosie, which is scheduled to drop on Dec. 6.
The cut bowed at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, and opened at No. 4 on the Official U.K. Singles Chart, establishing a new record in the process.
It’s Ovy On The Drums’ winning week as the Colombian celebrates his first No. 1 as an artist on any Billboard ranking, as “Mírame,” with Blessd, advances 2-1 on the Latin Rhythm Airplay chart (dated Nov. 9). As a songwriter and producer, he’s banked 12 rulers on the list.
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“Mírame,” released on Cigol/Globalatino/Warner Latina, jumps to No. 1 on Latin Rhythm Airplay with 7.6 million audience impressions, earned in the U.S. during the 25-31 tracking week. That’s a 6% gain from the week prior across monitored Latin rhythm radio stations according to Luminate.
With “Mírame” at No. 1, Blessd collects his third No. 1on Latin Rhythm Airplay, and second in 2024 through a Colombian pair-up, following “Si Sabe Ferxxo,” with Feid, which ruled for one week in June.
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Two other Colombian team-ups –by two artists in a lead role– have landed at the summit on Latin Rhythm Airplay in the 2020s decade, both through Shakira collabs: while “Copa Vacía,” with Manuel Turizo, reigned for one week, “TQG,” with Karol G, dominated for seven weeks, both in 2023.
Before Ovy on The Drums’ secured his fist champ this week as an artist, he managed 12 No. 1s as songwriter and producer (mostly through Karol G songs) spanning his eight-year Billboard chart career. Among those, Becky G and Karol G’s “Mamiii” earned him his longest-leading No. 1 track on Latin Rhythm Airplay, dominating for 10 weeks in 2022.
Elsewhere, “Mírame” holds at its No. 3 high on the overall Latin Airplay chart, Ovy’s highest-charting entry and first top 10 there. Plus, in addition to its radio haul, the song rebounds to No. 15 (from No. 18) on the multi-metric Hot Latin Songs chart with a 4% boost in streams, after it generated 2.3 million official U.S. clicks during the tracking week. The latter blends airplay, streams and digital sales.
All charts (dated Nov. 9, 2024) will update on Billboard.com tomorrow, Nov. 5). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Tyler, The Creator earns new career milestones on Billboard’s charts, thanks to his latest album, Chromakopia.
The set debuts at No. 1 on the Billboard 200 (dated Nov. 9) with 299,500 equivalent album units earned in the U.S. in the Oct. 25-31 tracking week, according to Luminate – Tyler, The Creator’s biggest week ever in terms of units. Notably, the set was released on an off-cycle Monday (Oct. 28); thus, its first-week sum is from only four days of activity. (Most albums are released on Fridays, giving them a full seven days of activity in their opening chart weeks.)
The LP sold 66,000 on vinyl, the third-biggest debut week for a rap album on vinyl since Luminate began tracking sales in 1991.
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Further, all 14 songs from Chromakopia chart on the latest Billboard Hot 100, led by the set’s opening track, “St. Chroma,” featuring Daniel Caesar, at No. 7, and “Noid” (released ahead of the album on Oct. 21), which jumps 43-10. The tracks mark his first two career Hot 100 top 10s.
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Here’s a recap of every song from the album on the latest Hot 100 (all of which are debuts except “Noid”):
Rank, TitleNo. 7, “St. Chroma,” feat. Daniel CaesarNo. 10, “Noid” (up from No. 43)No. 14, “Sticky,” feat. GloRilla, Sexyy Red & Lil WayneNo. 15, “Darling, I,” feat. Teezo TouchdownNo. 16, “Rah Tah Tah”No. 32, “Thought I Was Dead,” feat. ScHoolboy Q & SantigoldNo. 33, “Hey Jane”No. 40, “Judge Judy”No. 42, “Take Your Mask Off,” feat. Daniel Caesar & LaToiya WilliamsNo. 45, “Like Him,” feat. Lola YoungNo. 46, “I Killed You”No. 53, “Tomorrow”No. 56, “Balloon,” feat. DoechiiNo. 65, “I Hope You Find Your Way Home”
Prior to this week, Tyler, The Creator had charted 33 Hot 100 hits, reaching as high as No. 13 with “Earfquake” in 2019. His new total of 46 career entries dates to September 2011, when he first charted as a featured act on The Game’s “Martians vs Goblins,” also featuring Lil Wayne. The song spent one week on the chart at No. 100. He returned in July 2017 with “Who Dat Boy” (No. 87 peak).
Thanks to their featured appearances on the songs listed above, Santigold, LaToiya Williams and Lola Young all earn their first career entries on the Hot 100.
Meanwhile, Lil Wayne tallies his 187th career Hot 100 hit, and first of 2024, thanks to his feature on “Sticky.” He has now charted at least one song on the Hot 100 in every year since 2004 – 21 consecutive years and counting, the longest active streak among all acts. The next-longest active runs are by Jason Aldean and Chris Brown (20 years each), Taylor Swift (19), Luke Bryan (18) and Mariah Carey (17) – all five acts have all charted in 2024, thus continuing their respective streaks.
Quincy Jones was a trailblazing producer, songwriter and composer – and those are just three of the many hats he donned in his seven decades in the business. Jones left his stamp on the Billboard charts with an impressive discography of his own performing work and as an integral collaborator with iconic singers such as […]
ROSÉ and Bruno Mars’ “APT.” rents a second week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. A week earlier, the song debuted as each artist’s second leader on each chart.
Notably, the collaboration by BLACKPINK member ROSÉ and Mars becomes the first song since the worldwide surveys began in September 2020 to have tallied at least 200 million streams globally in multiple weeks.
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Elsewhere, aespa’s “Whiplash” bounds to the top 10 of both the Global 200 and Global Excl. U.S.; Tyler, the Creator’s “St. Chroma,” featuring Daniel Caesar, debuts in the Global 200’s top 10; and JIN’s “I’ll Be There” arrives in the top tier on Global Excl. U.S.
The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.,” released Oct. 18, tops the Global 200 for a second week with 207.5 million streams (down 8% week-over-week), as well as 17,000 sold (down 40%), worldwide Oct. 25-31. The song claims the sixth-biggest streaming week since the Global 200 began – and becomes the first title since the chart began to have logged at least 200 million streams globally in multiple weeks.
Below is a look at all six weeks in which songs have topped 200 million streams worldwide; one belongs to BLACKPINK and now two to the group’s ROSÉ:
289.2 million, “Butter,” BTS, Global 200 dated June 5, 2021
224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2, 2024
217.1 million, “Seven,” Jung Kook feat. Latto, July 29, 2023
217.1 million, “Flowers,” Miley Cyrus, Feb. 4, 2023
212.1 million, “Pink Venom,” BLACKPINK, Sept. 3, 2022
207.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 9, 2024
“APT.” introduces ROSÉ’s solo studio album, rosie, due Dec. 6.
Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 126 million streams (up 4%) worldwide Oct. 25-31 (aided by three new mixes and sale-pricing) and has tallied over 100 million streams globally in each of the last nine weeks, the most in a row since The Kid LAROI and Justin Bieber’s “Stay” also linked nine triple-digit weeks in August-October 2021.
The Global 200’s top five is stationary, rounded out by Billie Eilish’s “Birds of a Feather” at No. 3, following three weeks at No. 1 beginning in August; Oscar Maydon and Fuerza Regida’s “Tu Boda” at its No. 4 high; and Sabrina Carpenter’s “Espresso” at No. 5, after three nonconsecutive weeks at No. 1 beginning in June.
aespa’s “Whiplash” flies 30-8 on the Global 200 following its first full week of tracking (after it was released Oct. 21), led by 46.1 million streams worldwide Oct. 25-31. The South Korean pop group achieves its first top 10 on the chart.
Tyler, the Creator also collects his first Global 200 top 10, as “St. Chroma,” featuring Daniel Caesar, debuts at No. 10 with 42 million global streams. Notably, the song was released Oct. 28 and amassed its streaming sum from just four days during the tracking week. It’s from his new album, Chromakopia, which debuts at No. 1 on the U.S.-based Billboard 200. Caesar adds his second Global 200 top 10, after Justin Bieber’s “Peaches,” on which he and Giveon are featured, led for two weeks in 2021.
“APT.” concurrently rules Global Excl. U.S. for a second week, with 187 million streams (down 6%) and 12,000 sold (down 40%) outside the U.S. Oct. 25-31.
As on the Global 200, “Die With a Smile” ranks at No. 2 on Global Excl. U.S. following eight weeks at No. 1.
Eilish’s “Birds of a Feather” keeps at No. 3 on Global Excl. U.S., after three weeks at No. 1 beginning in August, and Oscar Maydon and Fuerza Regida’s “Tu Boda” rises 5-4 for a new high.
aespa’s “Whiplash” vaults 18-5 on Global Excl. U.S. with 43.3 million streams outside the U.S. The act earns its first top five hit on the chart and its second top 10, after “Supernova” hit No. 6 in June.
Plus, JIN’s “I’ll Be There” launches at No. 10 on Global Excl. U.S. with 34.9 million streams and 28,000 sold outside the U.S. from its Oct. 25 release through Oct. 31. The BTS member posts his second solo top 10, after “The Astronaut” rocketed to No. 6 in 2022.
Below is a recap, with songs ranked by peak position, of BTS members’ 18 Global Excl. U.S. top 10s outside the group; Jung Kook boasts seven solo top 10s, including three No. 1s; Jimin has tallied five top 10s, including one leader; V has earned four top 10s; and JIN has now logged two. BTS totals 11 top 10s as a group, including seven No. 1s.
“Standing Next to You,” Jung Kook, No. 1 (two weeks), November 2023
“3D,” Jung Kook & Jack Harlow, No. 1 (one week), October 2023
“Seven,” Jung Kook feat. Latto, No. 1 (nine weeks), July 2023
“Who,” Jimin, No. 1 (one week, to date), August 2024
“Like Crazy,” Jimin, No. 2, April 2023
“Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022
“That That,” PSY feat. SUGA, No. 2, May 2022
“FRI(END)S,” V, No. 4, March 2024
“Slow Dancing,” V, No. 4, September 2023
“Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 4, December 2022
“Love Me Again,” V, No. 6, August 2023
“The Astronaut,” JIN, No. 6, November 2022
“Smeraldo Garden Marching Band,” Jimin & Loco, No. 7, July 2024
“Rainy Days,” V, No. 8, August 2023
“Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
“Stay Alive,” Jung Kook, No. 8, February 2022
“Vibe,” TAEYANG feat. Jimin, No. 9, January 2023
“I’ll Be There,” JIN, No. 10 (to date), November 2024
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 9, 2024) will update on Billboard.com Tuesday, Nov. 5. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” rebounds a spot for a 16th week at No. 1 on the Billboard Hot 100, matching the longest reign of the 2020s. The song, which became the singer-songwriter’s first leader in July, matches the domination of Morgan Wallen’s “Last Night” – like “A Bar Song (Tipsy),” a country-pop crossover smash – in 2023.
Over the Hot 100’s entire 66-year history, “A Bar Song (Tipsy)” is now tied for the second-longest command, among just five hits to have led for at least 16 weeks. Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, ruled for a record 19 weeks in 2019.
“A Bar Song (Tipsy)” additionally extends the longest No. 1 run this year – 20 weeks – on the multimetric Hot Country Songs chart. It’s one of only nine titles to reach the milestone since the survey became the genre’s all-encompassing songs chart in 1958.
Elsewhere in the Hot 100’s top 10, Lady Gaga and Bruno Mars’ “Die With a Smile” rises 4-2 for a new high, aided by three new versions and sale-pricing during the tracking week.
Plus, Tyler, the Creator notches his first two Hot 100 top 10s: “St. Chroma,” featuring Daniel Caesar – the week’s most-streamed song – debuts at No. 7 and “Noid” soars 43-10. Both are from his new album, Chromakopia, which launches at No. 1 on the Billboard 200 chart.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 9, 2024) will update on Billboard.com Tuesday, Nov. 5). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Tipsy’ Airplay, Streams & Sales