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Teddy Swims’ soulful smash “Lose Control” is the No. 1 hit on Billboard’s year-end 2024 Hot 100 Songs chart. Meanwhile, Taylor Swift reigns atop the year’s Hot 100 Artists recap, marking her first career No. 1 finish in the category. Plus, three titles claim crowns on Billboard’s year-end charts reflecting the three metrics that contribute […]
Vinyl releases from Noah Kahan, Billie Eilish, Olivia Rodrigo, MF Doom and The Beatles were among the top-sellers from Record Store Day (RSD) Black Friday 2024 in the U.S., according to data tracking firm Luminate.
The indie record store celebration, which took place on the day after Thanksgiving (Nov. 29) is a partner holiday to the main Record Store Day blowout that traditionally happens annually in April. Both occasions spur the release of many unique and limited-edition music releases, largely vinyl pressings, that are only available at participating independent record stores. More than 150 titles were slated to be released for RSD Black Friday 2024 festivities.
Kahan has the top-selling RSD Black Friday 2024 title, with his tiger eye brown-colored vinyl of Town Hall (Stick Season Collaborations). (See the full list of the top 25-selling RSD Black Friday 2024 albums, below.) The rest of the top five is filled out by Billie Eilish’s Hit Me Hard and Soft (Isolated Vocals), Olivia Rodrigo’s GUTS (spilled) (on red and purple-colored double vinyl), MF Doom’s Operation: Doomsday 25 th Anniversary (on metallic silver with purple, and metallic silver with green-colored double-vinyl) and The SpongeBob SquarePants Movie – Music From the Movie and More… (on clear with yellow and pink splatter-colored vinyl).
The top-selling RSD Black Friday 2024 single was The Beatles’ “I Want To Hold Your Hand” / “I Saw Her Standing There” (on 7-inch vinyl). (Scroll down for the top 10-selling singles.) Other big-selling singles included titles from Pearl Jam and Stevie Nicks.
Top-Selling Record Store Day Black Friday 2024 Exclusive Albums at Independent Record Stores in the U.S.
Rank, Artist, Title1. Noah Kahan, Town Hall (Stick Season Collaborations) (tiger eye brown-colored vinyl)2. Billie Eilish, Hit Me Hard and Soft (Isolated Vocals) (vinyl)3. Olivia Rodrigo, GUTS (spilled) (red and purple-colored double vinyl)4. MF Doom, Operation: Doomsday 25th Anniversary (metallic silver with purple, and metallic silver with green-colored double-vinyl)5. Soundtrack, The SpongeBob SquarePants Movie – Music From the Movie and More… (clear with yellow and pink splatter-colored vinyl)6. U2, How to Re-Assemble an Atomic Bomb (black and red-colored vinyl)7. Kacey Musgraves, Deeper Into the Well (green-colored vinyl)8. Van Halen, Live In Dallas 1981 (red-colored double vinyl)9. Ramones, Greatest Hits (red-colored vinyl)10. Grateful Dead, Veterans Memorial Coliseum, New Haven, CT 5/5/77 (four vinyl LP set)11. The Doors, Live In Detroit (four vinyl LP set)12. The Allman Brothers Band, Manley Field House, Syracuse NY April 7, 1972 (orange, blue and splattered-colored triple vinyl)13 (TIE). Rage Against the Machine, Democratic National Convention 2000 (window pane clear-colored 180-gram vinyl)13 (TIE). Various Artists, Jazz Dispensary: The Golden Hour (golden wave swirl-colored vinyl)15. The Rolling Stones, Get Yer Ya-Ya’s Out (candy cane swirl-colored vinyl)16. Jimi Hendrix, Songs for Groovy Children: The Fillmore East Concerts (blue and violet swirl-colored vinyl)17. Jerry Garcia, Electric On the Eel: August 29th, 1987 (orange sunshine-colored vinyl)18. Modest Mouse, Baron Von Bullshit Rides Again (vinyl)19. Joni Mitchell, Hejira Demos (180-gram black vinyl)20. Helmet, Betty (baby blue-colored double vinyl)21. Teddy Swims, I’ve Tried Everything But Therapy (Part 1.5) (baby blue-colored vinyl)22 (TIE). Yes, Fragile Outtakes (vinyl)22 (TIE). The Byrds / Buffalo Springfield, Live at the Monterey International Pop Festival (opaque orchid and opaque sky blue-colored double vinyl)22 (TIE). Morphine, B-Sides and Otherwise (lemonade yellow and black marble-colored vinyl)22 (TIE). Stone Temple Pilots, Purple Rarities (purple-colored vinyl)22 (TIE). Tegan and Sara, So Jealous (milky-clear translucent-colored double vinyl)22 (TIE). Thievery Corporation, The Richest Man in Babylon (red and white-colored double vinyl)Source: Luminate, for the week ending Dec. 5, 2024
Top-Selling Record Store Day Black Friday 2024 Exclusive Singles at Independent Record Stores in U.S.Rank, Artist, Title1. The Beatles, I Want To Hold Your Hand / I Saw Her Standing There (7-inch vinyl)2. Pearl Jam, Waiting for Stevie (Live) / Wreckage (Live) (12-inch 45-RPM vinyl)3. Stevie Nicks, The Lighthouse (white-colored 7-inch vinyl)4. Bluey, Rug Island / Bluey Theme Tune (picture-disc 7-inch vinyl)5. The Beatles, All My Loving (3-inch vinyl)6. Echo & The Bunnymen, The Killing Moon (12-inch vinyl)7. Jane’s Addiction, Imminent Redemption (12-inch vinyl)8. Steve Martin, King Tut (picture-disc 12-inch vinyl)9. Sam Cooke, A Change Is Gonna Come / Shake (white iridescent-colored 7-inch vinyl)10. Jungle, Back On 74 (12-inch vinyl)Source: Luminate, for the week ending Dec. 5, 2024
A week after Karol G’s “Si Antes Te Hubiera Conocido” broke the record as the longest-leading song in 2024 on the Billboard Argentina Hot 100 with 12 weeks in charge, the song adds a 13th consecutive week at the summit on the chart dated Dec. 14. The merengue-based tune also enters a tie with “Otro Trago” by the all-star team comprised of Sech, Darell, Nicky Jam, Ozuna and Anuel AA for the fourth-longest domination overall, both with 13 weeks at No. 1 since the tally launched in 2018.
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Both songs trail three others that have ruled for 15 weeks or more, including Karol G’s own “Tusa” with Nicki Minaj, which continues to hold the record for the most weeks at No. 1 (25 weeks atop) on the six-year-old ranking. Here is the winners recap:
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Weeks at No. 1, Title, Artist, Peak Date
25, “Tusa”, Karol G & Nicki Minaj, Jan. 11, 202016, “Entre Nosotros”, Tiago PZK, LIT Killah, Nicki Nicole & Maria Becerra, July 31, 202115, “La Bachata”, Manuel Turizo, Sept. 10, 202213, “Si Antes Te Hubiera Conocido”, Karol G, Sept. 2113, “Otro Trago”, Sech, Darell, Nicky Jam, Ozuna & Anuel AA, May 25, 201912, “Hawai”, Maluma & The Weeknd, Aug. 29, 202012, “Calma (Alicia Remix)”, Pedro Capo & Farruko, Jan. 12, 2019
While the top 10 remains almost the same as the week prior, a new song lands in the upper tier on the current ranking: Myke Tower’s “Degenere,” featuring Benny Blanco, surges to No. 10 after three weeks at No. 15 for its new peak. The jump earns Towers his ninth top 10, while record producer and songwriter Blanco claims his first top 10 on his second try.
The Hot Shot Debut of the week goes to Ecuadorians Jombriel, Alex Krack and Jøtta, who score their first entry on a Billboard chart as “Parte & Choke” debuts at No.33.
Chilean Standly’s “Págate” earns the Greatest Gainer award of the week with a 38-rank climb, from No. 74 to No. 36. Plus, one other song starts above the top 50: Lali’s “No Me Importa” at No. 43, for the Argentinians 23rd career entry.
Four other songs arrive this week below the top 50, starting with Blessd and Anuel AA’s “Deportivo” at No. 61.
Belgian singer-songwriter Stromae and French singer-songwriter Pomme team-up for their first entry on the Billboard Argentina Hot 100 chart with “Ma Meilleure Enemmie,” one of 22 songs on the soundtrack from the animated series Arcane League of Legends: Season Two which peaks at No. 24 on the overall Billboard 200 chart, jumps 3-2 on the Top Rock Albums list, and climbs 23-17 on the Top Streaming Albums survey.
Meanwhile, Argentinians Peipper, Doble P and Locura Mix add a career entry with “Si Las Gatas Se Atimonan” at No. 76.
Lastly, Miranda! and Ana Mena partner for their first collaborative entry as “Como Amigos” opens at No. 92.
Adding yet another honor to her Billboard chart résumé, Mariah Carey has now ranked at No. 1 on the Billboard Hot 100 in a record-extending, and milestone, 20 distinct years. As previously reported, Carey‘s 1994 anthem “All I Want for Christmas Is You” returns to No. 1 for a 15th total week atop the Hot […]
Sky Rompiendo secures his first entry, and top 10, on a Billboard albums chart with his Feid collaborative set, Los 9 de Ferxxo y Sky Rompiendo, which debuts at No. 6 on the Latin Rhythm Albums chart dated Dec. 14. Feid rounds up his fourth top 10 project. Explore See latest videos, charts and news […]
After two weeks away from No. 1 on the TikTok Billboard Top 50 chart, Yeah Yeah Yeahs’ “Maps” is atop the survey yet again, zooming 5-1 on the Dec. 14-dated tally.
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Dec. 2-8. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Maps,” released in 2003 as part of Yeah Yeah Yeahs’ debut album Fever to Tell, initially reigned on the TikTok Billboard Top 50 for seven weeks between the surveys dated Oct. 12 and Nov. 23. It fell to No. 10 on the Nov. 30 chart, but just when it seemed like its rule was over, it rebounded to No. 5 last week, followed by its latest coronation.
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In all, “Maps” now boasts eight weeks at No. 1, second most since the chart began in September 2023 behind the 10-week run of Tommy Richman’s “Million Dollar Baby” this year.
Despite the rebound, the trends driving “Maps” remain the same as they did upon its initial ascent. The song’s chief driver is a dance, often set to a sped-up version of the tune. A variety of different mixes of the song, including a Jersey club one, also exist, generally using the sped-up vocals. While the dance represents most of the high-performing uploads these days, creators have also used “Maps” to soundtrack a trend where they use a filter to remove their facial features and then have them cascade back down onto their face.
“Maps” reigns over a brand-new entry on the chart in the I’ll Take You There Choir’s version of “Like a Prayer,” recorded for the movie Deadpool & Wolverine. A choir version of Madonna’s three-week No. 1 on the Billboard Hot 100 from 1989, the sound has been used in a variety of edits (often to make a scene more dramatic), while a more recent trend tells a story while slowing zooming in on the face of Pepe from The Muppets.
Tyler, the Creator’s “Like Him,” featuring Lola Young, jumps to a new peak of No. 3 on the TikTok Billboard Top 50, while Mariah Carey’s “All I Want for Christmas Is You” breaks into the top five for the first time this holiday season, rising 7-4. “Like Him” initially bowed at No. 6 on the Nov. 9 ranking and experienced a previous best of No. 4 the following week. More recently, creators have also used the sound to recap their 2024s, while another cuts in dialogue from the Spider-Verse franchise.
Besides “Like a Prayer,” one other song debuts in the top 10: Malcolm Todd’s “Chest Pain,” which starts at No. 6. The newly released song (Dec. 4) was teased on TikTok for weeks prior to its official premiere, and many of the top-performing uploads feature creators showing off their loved ones. The song racked up 557,000 official U.S. streams in just two days (Dec. 4-5) of its first Billboard tracking week.
Ariana Grande’s “Sweetener” also hits the top 10 for the first time, leaping 15-10 in its second week on the tally. The title track from Grande’s 2018 album (No. 1 on the Billboard 200 for a week that September) has a dance-related trend attached, with two people trading off different moves. It helps drive “Sweetener” to a 74% gain in listens to 1.1 million streams.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Kendrick Lamar punches his ticket into a select club on Billboard’s Hot R&B/Hip-Hop Songs chart by replacing himself at No. 1. The rapper’s “TV Off,” featuring Lefty Gunplay, advances 2-1 to lead the list dated Dec. 14 and in the process, evicts Lamar’s “Squabble Up” from the summit to No. 3. Both songs are from Lamar’s new album, GNX, which posts a second week at No. 1 on the Top R&B/Hip-Hop Albums chart.
“TV Off” ascends to No. 1 on the multi-metric Hot R&B/Hip-Hop Songs thanks to a combination of 34.6 million official U.S. streams, 2,000 purchased digital downloads and 6.6 million in radio airplay audience in the tracking week of Nov. 29 – Dec. 5, according to Luminate. Although the song drops 26% in streams (from 46.9 million last week), it is the week’s most-streamed R&B/hip-hop title and climbs 2-1 to lead the R&B/Hip-Hop Streaming Songs chart. It repeats at No. 2 on R&B/Hip-Hop Digital Song Sales (behind “Squabble Up”) and is the week’s top debut, at No. 25, on R&B/Hip-Hop Airplay.
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While “Squabble Up” was the main GNX focus for the surprise album’s first week, “TV Off” emerged as a fan favorite, with Lamar’s extended shout of producer Mustard’s name becoming a viral meme. In addition to its Hot R&B/Hip-Hop Songs coronation, “TV Off” likewise takes the top spot from “Squabble Up” on Hot Rap Songs and slides 2-3 on the Billboard Hot 100. Despite the drop, it’s the highest non-holiday hit on the flagship chart, as Mariah Carey’s “All I Want for Christmas Is You” and Brenda Lee’s “Rockin’ Around the Christmas Tree” vault to Nos. 1 and 2, respectively.
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In all, “TV Off” is Lamar’s sixth No. 1 on Hot R&B/Hip-Hop Songs and notably, his first to not debut at the summit. Here’s a review of his chart-topping collection:
“HUMBLE.,” two weeks at No. 1, beginning May 22, 2017“Mona Lisa,” Lil Wayne featuring Kendrick Lamar, one, Oct. 13, 2018“Like That,” with Future and Metro Boomin, five, April 6, 2024“Not Like Us,” 21, May 1, 2024“Squabble Up,” one, Dec. 7, 2024“TV Off,” featuring Lefty Gunplay, one, Dec. 14, 2014
Featured artist Lefty Gunplay, meanwhile, lands his first No. 1 on Hot R&B/Hip-Hop Songs, a week after the premiere of “TV Off” gave the West Coast rapper his first Billboard chart appearances.
With “TV Off” succeeding “Squabble Up,” Lamar becomes the 17th artist to complete a self-replacement atop Hot R&B/Hip-Hop Songs. He enters the list just a month after Tyler, The Creator, whose Daniel Caesar-featured “St. Chroma” yielded to “Sticky,” featuring GloRilla, Sexyy Red and Lil Wayne.
Lamar nearly joined the club earlier this year, missing it only by a single week. After a five-week stint at the top, “Like That,” Lamar’s collaboration with Future and Metro Boomin, fell to Tommy Richman’s “Million Dollar Baby.” The singer’s breakout hit enjoyed one week in the lead before Lamar’s “Not Like Us” stormed onto the list, the start of a record-tying 21-week domination.
Coco Jones achieves her first No. 1 on Billboard’s Adult R&B Airplay chart as “Here We Go (Uh Oh)” crowns the list dated Dec. 14. The single advances from No. 2 after a 9% surge in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the week ending Dec. 5, according to Luminate.
“Here We Go (Uh Oh),” released and promoted through High Standardz/Def Jam/Republic, captures the top slot with the weekly Greatest Gainer honor, given to the song with the largest play increase among the chart’s 30 titles. With the rise, Jones topples fellow Def Jam labelmate Muni Long, whose “Ruined Me,” last week’s leader, slips to No. 2 after two weeks in charge.
Prior to “Here We Go,” Jones’ best showing on Adult R&B Airplay was the No. 2 finish for her breakthrough single, “ICU.” The track peaked in the runner-up spot for two weeks in September 2023, trailing October London’s “Back to Your Place.” In addition to the pair of hits, Jones also has placed a third track on the radio ranking: “Spend the Night,” a collaboration with BJ the Chicago Kid, reached No. 21 in January.
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The coronation also returns an R&B classic to the conversation, thanks to “Here We Go” sampling Lenny Williams’ “’Cause I Love You.” The scorching ballad, released in 1978, has been the backbone of several other hits, perhaps most known in Twista’s “Overnight Celebrity,” which reached No. 6 on the Billboard Hot 100 in 2004.
Elsewhere, “Here We Go” rises 12-11 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the single returns within two spots of its No. 9 peak after reaching 8.6 million in audience impressions for the week, a 2% gain. Before triumphing at the adult R&B format, “Here We Go” was a hit with mainstream audiences in recent months and climbing to No. 7 on the plays-based Mainstream R&B/Hip-Hop Airplay chart.
Airplay gains, in turn, help “Here We Go” breaks into the top five (6-5) on the multi-metric Hot R&B Songs chart, which blends radio audience with streaming and sales data for its standings. With its climb, it becomes Jones’ highest-charting hit there, surpassing the No. 6 result of “ICU.”
Wham!’s “Last Christmas” sleigh-rides from No. 18 to No. 3 on the Billboard Hot 100 (dated Dec. 14), as the 1984 classic by the British duo of Michael, who died in 2016, and Andrew Ridgeley hits a new high on the survey, surpassing its prior No. 4 peak.
The chestnut, written and produced by Michael (and serviced on Sony Music’s Columbia Records/Legacy Recordings), tallied 34.3 million official streams (up 57% week-over-week), 17.9 million in radio airplay audience (up 20%) and 2,000 sold (up 75%) in the United States Nov. 29-Dec. 5, according to Luminate.
‘I’m delighted that Wham!’s festive classic has reached its highest-ever chart placing in the U.S.A.,” Ridgeley tells Billboard via email. “It is a testament to the enduring appeal of one of George Michael’s songwriting masterstrokes that ‘Last Christmas’ seems to have become woven into the very fabric of Christmas. I’d like to thank Wham!’s U.S. fans, the American public at large, Sony Music, Netflix all the DSPs and media who continue to support Wham! and ‘Last Christmas.’ Thank you and Merry Christmas everyone!”
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“It seems barely credible that ‘Last Christmas’ was first released 40 years ago,” Michael’s estate shares in a statement. “It means so much to all of us that this quintessential Christmas song continues to resonate with so many people across the generations. Thank you to all Wham! fans across the United States who have made this incredible chart position possible. We should also thank Andrew Ridgeley for all he has done – it has been a privilege to work alongside him on all Wham! projects.
“We say this every time a new landmark is achieved, but we truly know just how proud and moved George would have been that his music continues to mean so much to so many people. Thank you all.”
To date, “Last Christmas” has drawn 3.66 billion in radio reach and 1.16 billion official on-demand streams and sold 1.1 million downloads in the U.S. The song reached No. 1 on the Official UK Singles chart in 2021 at last, while its pop culture impact has extended to the 2019 film of the same name.
Meanwhile, six of Wham!’s seven Hot 100 top 10s have now reached the top three, with the act having previously notched top-three placements in 1984-86 with “Wake Me Up Before You Go-Go,” “Careless Whisper” (each No. 1 for three weeks), “Everything She Wants” (No. 1, two weeks), “Freedom” and “I’m Your Man” (each No. 3). The pair’s other top 10, “The Edge of Heaven,” hit No. 10 in 1986.
Upon the 40th anniversary of “Last Christmas” this Yuletide season, four physical versions – on CD and on black, “snowflake white” and zoetrope 12-inch vinyl – were put up for pre-order Oct. 24, and are set for release Friday (Dec. 13).
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 albums chart dated Dec. 21, 2024, we look at Taylor Swift’s recently resumed reign on the chart, and whether the solo bow of a K-pop star can challenge it.
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Taylor Swift, The Tortured Poets Department (Republic): Since late August, Taylor Swift’s The Tortured Poets Department album has been stuck at 15 weeks at No. 1 – still the longest run of both Swift’s career and of any 2024 album. But now, its reign has resumed, thanks in large part to the physical release of the album’s 31-track Anthology edition – which had never been previously available for purchase besides in digital form – as a Target in-store exclusive on both CD and vinyl, with four additional bonus tracks (which had previously been released in other alternative versions of the album).
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The album sold 368,000 copies last tracking week (ending Dec. 5) – split nearly evenly between CD and vinyl purchases – and moved 405,000 units overall, according to Luminate. That was good not only for the biggest single-week number posted by an album since Poets itself moved 439,000 in its second week of release, but also a bigger number than any non-Swift artist has managed in 2024 outside of Beyoncé, whose Cowboy Carter debuted with 407,000 units in April.
That number probably won’t be as sizeable this week, but the drop off might not be as steep as some other albums that get big post-release bumps from physical drops. Swift also released Poets for order from Target.com shortly after the in-store release, with those copies impacting this current tracking week (and thus next week’s Billboard 200). So don’t be surprised if the album sells well into the six digits again this week – and perhaps gets Swift to a 17th week at No. 1 for Poets, moving it just two weeks shy of Morgan Wallen’s 2020s-best 19 weeks at No. 1 with 2023’s One Thing at a Time.
ROSÉ, Rosie (The Black Label/Atlantic): One of the year’s most-anticipated solo debuts comes from BLACKPINK breakout star ROSÉ, with her first official solo LP Rosie. The set obviously comes pre-blessed with a true breakout hit in the Bruno Mars collab “APT.,” which debuted at No. 8 on the Billboard Hot 100 – a higher peak than ROSÉ had previously reached, with or without her superstar group – and has also topped the Global 200 for seven weeks and counting.
Mars is the only featured artist on the album’s 12-song tracklist, but the writer and producer credits are littered with recognizable names: Amy Allen, Cirkuit, Rock City, Sarah Aarons, D’Mile, Omer Fedi, Emily Warren and Greg Kurstin all among them. Mars himself even shows up a second time, as a co-writer on “Number One Girl,” the album’s lead track and second single. Everything points to the album being a big priority for her Atlantic label, and a set likely to launch ROSÉ to true solo stardom.
A No. 1 bow on the Billboard 200 may be a tougher ask, however, with Swift’s blockbuster album still doing the kind of numbers it is. Nonetheless, ROSÉ is expected to stream well – helped in no small part by “APT.,” which is still in the top 20 of the Streaming Songs chart even following an avalanche of Christmas classics and new Kendrick Lamar songs taking over the listing – and sell in robust numbers, with more than 15 different physical variants of the album made available across CD and vinyl, all coming with collectibles, some of which are randomized. (There’s also a digital edition on her webstore with an exclusive live version of “Number One Girl.”)
Sabrina Carpenter, Fruitcake (Island): Have you watched A Nonsense Christmas With Sabrina Carpenter yet on Netflix? If so, and if you’re still in the (slightly naughty) festive spirit afterwards, you might do well to revisit Carpenter’s Fruitcake EP, released in late 2023 — which included a holiday-themed spin on her breakout hit “Nonsense” new originals like “Santa Doesn’t Know You Like I Do” and “Cindy Lou Who” and even a version of the Irving Berlin perennial “White Christmas” (cheekily stylized “White Xmas”).
And more good news for you there: Fruitcake was also finally given wide physical release on Friday, with the album being issued on CD, cassette and vinyl – with three different variants of the latter, including a Target exclusive. (Previously, the set was only available in one color of vinyl on her webstore.) The “Queen of Christmas” title may already be spoken for by the artist currently claiming the Hot 100’s top spot, but perhaps room can be made for a new Princess.
TWICE, STRATEGY (JYP Entertainment): Star K-pop nonet TWICE has already topped the Billboard 200 once this year with March’s With YOU-th – though it’ll be a tougher mountain to climb in this packed week for the group’s seven-track latest STRATEGY. Nonetheless, the set – which features a guest verse from U.S. rap superstar Megan Thee Stallion on its title-track opener — should sell very well, with help from 15 different physical variants of the album across CD and vinyl formats. There are also a number of digital album variants available with “voice memo” bonus tracks exclusive to the group’s webstore.