Chart Beat
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What will be the No. 1 song of the summer of 2024? With one week of tracking remaining, Post Malone’s “I Had Some Help,” featuring Morgan Wallen, maintains its lead for the coronation, per Billboard’s Songs of the Summer chart. The 20-position Songs of the Summer running tally tracks the most popular titles based on […]
Luis Fonsi is back at No. 1 on Billboard’s Latin Pop Airplay chart thanks to “Santa Marta,” his first collaboration with Carlos Vives, which climbs 3-1 to lead the Aug. 31-dated ranking. It’s the Puerto Rican’s 11th champ and Vives’ seventh.
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“It’s like an anniversary song,” Fonsi previously told Billboard of “Santa Marta,” which praises genuine love and empathy. The song — released May 17 as one of 12 songs on Fonsi’s 11th studio album, El Viaje, which earned the Puerto Rican his 15th entry on Latin Pop Albums in June — was written by Fonsi alongside Mauricio Rengifo and Andres Torres, also producers of the album.
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“Santa Marta” crowns Latin Pop Airplay after a 1% gain in audience impressions, to 3.3 million, earned in the U.S. in the tracking week of Aug. 9-15, according to Luminate.
As the song lands at the summit, Luis Fonsi manages his 11th No. 1 on Latin Pop Airplay and seventh through a collaboration. His first collaboration to hit No. 1 was “Despacito” with Daddy Yankee featuring Justin Bieber, which ruled the tally for 18 weeks in 2017. All of his No. 1s since have been collaborations. His first four leaders were all solo No. 1s, unaccompanied by any other artist, including his first No. 1, the five-week champ “Nada Es Para Siempre” in 2005.
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Vives, however, parked in the No. 1 slot for the first time in 1995 when “La Tierra Del Olvido” ruled for two weeks. The song, a core vallenato track, then made it to the pop radio ranking before it switched from a station-based tally to a genre-based survey. Since then, Vives has crowned Latin Pop Airplay six more times, his last through “Mujeres,” a collab with fellow country singer Juanes, for one week on top in December 2023.
“Santa Marta” places Luis Fonsi back at the lead on Latin Pop Airplay after almost three years, as the Puerto Rican last occupied the No. 1 spot with “Bésame,” with Myke Towers, in November 2021. He managed, though, three top 10s in between: “Vacaciones” with Manuel Turizo (No. 6 high in 2022), “Buenos Aires” (No. 10, September 2023) and “Pasa La Página “Panamá” (No. 6 high in January) The latter two (along with “Santa Marta”) are all from El Viaje.
Elsewhere, despite its 1% lift in audience impressions, “Santa Marta” dips to No. 32 on the overall Latin Airplay chart, after its No. 31 high (Aug. 31-dated list) during its nine-week run so far.
Gigi Perez is officially a Billboard Hot 100-charting artist, thanks to her breakthrough viral hit, “Sailor Song.” The track, which Perez self-released on July 26, debuts at No. 98 on the Aug. 31-dated chart from its streaming sum: 5.6 million official U.S. clicks (up 20%) Aug. 16-22, according to Luminate. It also rises 10-9 on […]
Sabrina Carpenter is having an incredible year, everywhere. In the U.K., the popstar is aiming to claim her third No. 1 single with “Taste,” the latest release from her album Short n’ Sweet.
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If “Taste” climbs to No. 1 on the Official U.K. Singles Chart, it will be the third consecutive chart-topping single from Short n’ Sweet, joining “Espresso” and “Please Please Please,” which together dominated the charts for 12 weeks earlier this year.
The leader on the midweek chart, “Taste” is a polished pop track that sees Carpenter addressing an ex-boyfriend and his new partner with unapologetic confidence, delivering lines like: “You’ll just have to taste me when he’s kissin’ you.” With this single, Carpenter effortlessly evolves her sound, bringing a bold edge to the pop style that has defined her success.
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Adding to the song’s impact is its music video, which dropped on the same day as the album’s release, Aug. 23.
Directed by Dave Meyers, the video is a wild tribute to classic horror flicks, particularly Death Becomes Her, and it stars none other than Jenna Ortega, known best for her titular role on the Netflix series Wednesday.
The video is a bloody adventure, as Carpenter and Ortega’s characters go head-to-head in a gory, over-the-top showdown that ends with a surprising twist: the two becoming friends after their shared love interest meets a gruesome end.
And it’s not just “Taste” making major moves across the pond—two other tracks from Short n’ Sweet are also climbing chart. “Please Please Please” is currently sitting at No. 5, and the disco-infused “Good Graces” is on track to break into the Top 10 at No. 10.
Lady Gaga and Bruno Mars are also aiming to hit a new peak with their track “Die With A Smile,” which is climbing to No. 6 in the midweek charts.
Meanwhile, Sonny Fodera, Jazzy, and D.O.D are inching closer to a Top 10 breakthrough with their collaborative single “Somedays,” projected to rise to No. 11. Teddy Swims is also on the rise, with his slow-burning hit “The Door” expected to enter the U.K. Top 20 for the first time at No. 18 this Friday
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Post Malone is back with another massive week on Billboard’s charts, thanks to his new album F-1 Trillion.
The set launches at No. 1 on the Billboard 200 (dated Aug. 31) with 250,000 equivalent album units earned in its opening week, according to Luminate. That’s the second-biggest week of 2024 for a country album, following the opening frame of Beyonce’s Cowboy Carter (407,000 units) in April. F-1 Trillion also becomes Post Malone’s first No. 1 on the Top Country Albums chart.
All 18 songs from F-1 Trillion’s standard edition chart on the Billboard Hot 100 – including all 15 collaborations – led by former six-week No. 1 “I Had Some Help” at No. 2. Here’s a recap (all of which are debuts except where noted):
Rank, Title:No. 2, “I Had Some Help,” feat. Morgan Wallen (holds at No. 2; spent six weeks at No. 1 in May-July)No. 13, “Pour Me a Drink,” feat. Blake Shelton (up from No. 30; peaked at No. 12 in July)No. 17, “Guy for That,” feat. Luke Combs (up from No. 36; returns to peak)No. 23, “Wrong Ones,” feat. Tim McGrawNo. 25, “Losers,” feat. Jelly RollNo. 34, “California Sober,” feat. Chris StapletonNo. 40, “What Don’t Belong to Me”No. 42, “Finer Things,” feat. Hank Williams Jr.No. 50, “Nosedive,” feat. Lainey WilsonNo. 54, “Yours”No. 56, “Have the Heart,” feat. Dolly PartonNo. 60, “Goes Without Saying,” feat. Brad PaisleyNo. 63, “Missin’ You Like This,” feat. Luke CombsNo. 65, “Hide My Gun,” feat. HARDYNo. 66, “Devil I’ve Been,” feat. ERNESTNo. 78, “Never Love You Again,” feat. Sierra FerrellNo. 83, “M-E-X-I-C-O,” feat. Billy StringsNo. 88, “Right About You”
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(The standard edition of F-1 Trillion was released on Aug. 16 and sports 18 songs. Later on Aug. 16, Post Malone released a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo tracks by the singer.)
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Post Malone also charts a 19th song on the latest Hot 100: Taylor Swift’s former two-week No. 1 “Fortnight,” on which he’s featured, ranks at No. 55. The haul marks a new weekly best, surpassing his 18 entries on May 12, 2018, when his album beerbongs & bentleys made its chart arrival.
With 15 debuts, Post Malone ups his career total to 95 career Hot 100 entries. Of those, 48 have reached the top 40, 13 have made the top 10 and six have hit No. 1. He first appeared on the chart dated Sept. 26, 2015, with his breakthrough hit “White Iverson.”
Multiple guests on F-1 Trillion make notable visits to the Hot 100. Thanks to his feature on “Finer Things,” Hank Williams Jr. tallies his fourth career entry on the chart, and first since “A Country Boy Can Survive (Y2K Version),” with Chad Brock and George Jones, in 2000. Before that, he had last charted in 1964 with “Long Gone Lonesome Blues” and “Endless Sleep.” “Finer Things,” at No. 42, is now the highest-charting song of his career.
With her role on “Have the Heart,” Dolly Parton adds her 22nd career Hot 100 hit and second this year, after “Tyrant,” with Beyoncé. Before that, she had last charted via her featured turn on Brad Paisley’s “When I Get Where I’m Going” in 2006. This marks the first calendar year that Parton has charted multiple songs since 1985, when she logged two duets with Kenny Rogers—“The Greatest Gift of All” and “Real Love.”
Plus, Billy Strings scores his first career Hot 100 entry thanks to his featured appearance on “M-E-X-I-C-O.” The 31-year-old bluegrass star has already forged a successful history on Billboard’s rankings, including seven career entries on the Bluegrass Albums chart:
Peak Position, Title, YearNo. 3, Turmoil & Tinfoil, 2017No. 1 (25 weeks), Home, 2019No. 10, An OurVinyl Sessions (EP), 2019No. 1 (9 weeks), Renewal, 2021No. 1 (16 weeks), Me / And / Dad, 2022No. 6, Meet Me at the Creek / Pyramid Country / Must Be Seven / Meet Me at the Creek (Live at Lawrence Joel Veterans Memorial Coliseum, Winston-Salem, NC 3/4/23), 2023No. 1 (5 weeks), Live, Vol. 1, 2024
He has spent 55 total weeks at No. 1 on the Bluegrass Albums chart in his career (encompassing the No. 1 runs of his four leaders). That’s the fifth-most since the list launched in 2002, after Alison Krauss (242), Steve Martin (83), Nickel Creek (82) and Old Crow Medicine Show (66).
Three of his albums have also reached the Billboard 200: Renewal (No. 82 peak), Me / And / Dad (No. 37) and Live, Vol. 1 (No. 58). He has also raked in six Grammy Award nominations, winning for best bluegrass album in 2021 for Home.
Billie Eilish’s “Birds of a Feather” nests atop both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a third week. Two weeks earlier, the song became her first leader on each list.
Plus, Lady Gaga and Bruno Mars bound in at No. 2 on each tally with “Die With a Smile” and LISA’s “New Woman,” featuring Rosalía, debuts at No. 6 on Global Excl. U.S.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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Eilish’s “Birds of a Feather” holds atop the Global 200 with 86.4 million streams (up 1%) and 10,000 sold (down 35%) worldwide Aug. 16-22. (A week earlier, its sales were boosted after she performed the song at the 2024 Summer Olympics Closing Ceremony on Aug. 11.)
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Lady Gaga and Bruno Mars’ “Die With a Smile” soars onto the Global 200 at No. 2 with 75.1 million streams and 31,000 sold worldwide following its release Aug. 16. The former adds his third top 10 since the chart began, while the latter lands her first.
Sabrina Carpenter’s “Espresso” slips 2-3 on the Global 200, following three nonconsecutive weeks at No. 1 beginning in June; Post Malone’s “I Had Some Help,” featuring Morgan Wallen, jumps 12-4, following a week at No. 1 upon its debut in May — as parent album F-1 Trillion debuts at No. 1 on the U.S.-based Billboard 200; and Shaboozey’s “A Bar Song (Tipsy)” tumbles to No. 5 from its No. 3 high.
“Birds of a Feather” concurrently leads Global Excl. U.S. with 64.1 million streams (up 2%) and 5,000 sold (down 30%) outside the U.S. Aug. 16-22.
“Die With a Smile” starts at No. 2 on Global Excl. U.S. with 48.2 million streams and 13,000 sold outside the U.S. It’s Bruno Mars’ second top 10 and Lady Gaga’s first on the chart.
Karol G’s “Si Antes Te Hubiera Conocido” retreats to No. 3 from its No. 2 Global Excl. U.S. best; Carpenter’s “Espresso” falls 3-4, following eight nonconsecutive weeks at No. 1 beginning in May; and Jimin’s “Who” backtracks 4-5 after logging two weeks at No. 1 earlier in August.
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Plus, LISA’s “New Woman,” featuring Rosalía, launches at No. 6 on Global Excl. U.S. with 54.5 million streams and 10,000 sold outside the U.S. Aug. 16-22, following its Aug. 15 release. LISA earns her fourth top 10 on the chart – the most among BLACKPINK members; Jennie boasts three, and Jisoo and Rosé have one each. Meanwhile, LISA matches the four top 10s that BLACKPINK has achieved as a group. Rosalía adds her fifth top 10 on the chart.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 31, 2024) will update on Billboard.com Tuesday, Aug. 27. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” adds a seventh nonconsecutive week at No. 1 on the Billboard Hot 100. The single, which became the singer-songwriter’s first leader on the list in July, claims outright 2024’s longest reign, surpassing the six nonconsecutive weeks on top for Post Malone’s “I Had Some Help” featuring Morgan Wallen. The latter, […]
Post Malone has once again claimed the top spot on the U.K. Official Albums Chart, securing his third U.K. No. 1 album with F-1 Trillion.
The New York-born, Texas-raised star artist’s sixth studio album follows in the footsteps of his previous chart-toppers, beerbongs & bentleys (2018) and Hollywood’s Bleeding (2019).
The standard edition of the F-1 Trillion album was released on Aug. 16 and has 18 songs, 15 of which are collaborations with country stars ranging from Dolly Parton and Hank Williams Jr., to Brad Paisley and Blake Shelton, to HARDY and Morgan Wallen.
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Later on Aug. 16, F-1 Trillion garnered a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo Post Malone tracks.
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F-1 Trillion not only leads the U.K. Official Albums Chart but also tops the Official Vinyl Albums Chart, making it the most purchased album on vinyl in the U.K. this week.
Meanwhile, The Script celebrates another milestone as their latest album Satellites debuts at No. 2 on the chart. This marks the Irish band’s eighth Top 5 album and their first release since the passing of their lead guitarist, Mark Sheehan, last year. Satellites also claims the top spot on the Official Record Store Chart, the best-selling physical album in independent record shops across the U.K.
Taylor Swift continues to dominate the charts, with The Tortured Poets Department rising to No. 3 this week. Additionally, Swift has six other albums occupying spots within the Top 40, including Lover (No. 10), folklore (No. 11), reputation (No. 12), 1989 (Taylor’s Version) (No. 13), Midnights (No. 14), and Red (Taylor’s Version) (No. 37), amid her return to London’s Wembley Stadium for her Eras Tour.
Further down the chart, Welsh rock band Scarlet Rebels secured their second Top 40 album with Where the Colours Meet debuting at No. 15.
Royal Blood’s self-titled debut album re-enters the Top 40 at No. 21, thanks to a special 10th Anniversary Edition release. Edinburgh’s Hamish Hawk achieves his first-ever Top 40 placement with A Firmer Hand landing at No. 22, while Nevada’s Falling In Reverse scores their first U.K. Top 40 album with Popular Monster at No. 29.
Finally, The Stranglers reached a significant milestone with their live album Fifty Years in Black – The Anniversary Tour 2024, debuting at No. 36, marking their 20th Top 40 album in the U.K.
Further down the chart, Welsh rock band Scarlet Rebels secure their second Top 40 album with Where the Colours Meet debuting at No. 15.
Royal Blood’s self-titled debut album re-enters the Top 40 at No. 21, thanks to a special 10th Anniversary Edition release. Hamish Hawk achieves his first-ever Top 40 placement with A Firmer Hand landing at No. 22, while Nevada’s Falling In Reverse scores their first U.K. Top 40 album with Popular Monster at No. 29.
Finally, The Stranglers reached a significant milestone with their live album Fifty Years in Black – The Anniversary Tour 2024, debuting at No. 36, marking their 20th Top 40 album in the U.K.
You can stream Post Malone’s latest album F-1 Trillion below.
Chase & Status and Stormzy continue their reign atop the U.K. Official Singles Chart for a second consecutive week with their collaboration “BACKBONE.”
The track, which pairs Chase & Status’s high-energy drum and bass production with Stormzy’s commanding lyrical delivery, remains the most-streamed song in the U.K. this week, boasting an impressive 5.5 million streams.
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Following the single’s debut at No. 1 in the U.K. last week, Chase & Status, comprised of Saul Milton and Will Kennard, said of the collaboration with Stormzy, “We knew that connecting with Stormzy was going to create something special, but we didn’t expect a KO reaction like this.”
“To see him running out at our show at The Milton Keynes Bowl in his best man’s suit, straight from a wedding and in front of 45,000 people, was insane!” they added. “One of the greatest British MCs to ever do it, spitting over DnB. And for it to go straight in at Number 1? It couldn’t get any better for us.”
This week’s highest new entry belongs to the powerhouse duo of Lady Gaga and Bruno Mars. Their track “Die with a Smile” debuts at No. 7, marking Gaga’s 15th and Mars’s 11th Top 10 singles in the U.K. The track fuses Gaga’s distinctive flair for dramatic pop with Mars’s smooth, R&B-infused vocals, creating a unique blend that has quickly propelled the track into the Top 10.
Meanwhile, BL3SS, CamrinWatsin, and bbyclose celebrate their first-ever Top 5 single as their summer dance hit “Kisses” climbs to a new peak at No. 5.
Belfast’s rising star Jordan Adetunji also continues his ascent, with his catchy track “KEHLANI” moving up to No. 8, marking another career milestone.
Elsewhere on the chart, Chappell Roan’s “HOT TO GO!” breaks into the Top 10, reaching No. 10 after 14 weeks on the chart, thanks in part to a surprise performance with Olivia Rodrigo in Los Angeles. Indian rapper Hanumankind and producer Kalmi make their mark on the U.K. charts as well, with their track “Big Dawgs” jumping six spots to land at No. 15.
In other notable movements, Sonny Fodera, Jazzy, and D.O.D’s “Somedays” continues to climb, now at No. 16, while Taylor Swift’s “I Can Do It With A Broken Heart” rises to No. 21 following the release of its Eras Tour-filmed music video.
Finally, Gigi Perez’s “Sailor Song” makes its first appearance in the Top 40, climbing to No. 35, and Gracie Abrams’ “I Love You, I’m Sorry” gains a new peak at No. 37.
Listen to “BACKBONE” by Chase & Status and Stormzy below.
Post Malone’s first country album, F-1 Trillion, rolls in at No. 1 on the Billboard 200 chart (dated Aug. 31) with 250,000 equivalent album units earned in the U.S. in the week ending Aug. 22, according to Luminate. It’s the sixth top 10, and third No. 1 for the artist. He last led the list with Hollywood’s Bleeding in 2019, which racked up five weeks atop the list. He first reigned with Beerbongs & Bentleys, for three weeks in 2018.
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The standard edition of the F-1 Trillion album was released on Aug. 16 and has 18 songs, 15 of which are collaborations with country stars ranging from Dolly Parton and Hank Williams Jr., to Brad Paisley and Blake Shelton, to HARDY and Morgan Wallen. Later on Aug. 16, F-1 Trillion garnered a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo Post Malone tracks.
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F-1 Trillion also leads the Top Country Albums — where it’s Post Malone’s first entry — and the Top Streaming Albums and Top Album Sales tallies.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 31, 2024-dated chart will be posted in full on Billboard‘s website on Aug. 27. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
F-1 Trillion debuts with 250,000 equivalent album units earned — the second-largest week for any country album in 2024. Only Beyoncé’s Cowboy Carter earned a bigger week this year among country sets, when it opened in April with 407,000 units.
Of F-1 Trillion’s first-week sum of 250,000 units, SEA units comprise 164,000 (equaling 212.86 million on-demand official streams of the deluxe album’s 27 songs), album sales comprise 80,000 and TEA units comprise 6,000. The album’s first-week sales were bolstered by its availability across four vinyl editions (a standard black vinyl and three color variants; which combined to sell 25,000 — Post Malone’s best week on vinyl), a cassette and a CD, in addition to explicit and clean digital download albums for the standard 18-song version and the 27-song “Long Bed” version.
F-1 Trillion was led by the crossover hit “I Had Some Help,” featuring country superstar Wallen. The single spent six weeks atop the all-genre Billboard Hot 100 chart, in May-July, reached No. 1 on the all-genre Streaming Songs chart, and topped both the Hot Country Songs and Country Airplay tallies. It also crowned the all-genre Radio Songs airplay ranking and hit No. 1 on both the Pop Airplay and Adult Pop Airplay charts. “Help” was followed by two further preview tracks from the album before the full-length set dropped: “Pour Me a Drink,” featuring Shelton, and “Guy for That,” featuring Luke Combs. Both reached the top 20 on the Hot 100 and the top 10 on Hot Country Songs.
Reflecting their latest sonic turns, Post Malone is the second artist, following Beyoncé, to lead the Top Country Albums chart in 2024 with a first entry after having reached No. 1 on other genre-specific album charts with earlier albums. Between 2017 and 2022, Post Malone claimed four No. 1s on Top R&B/Hip-Hop Albums (with Stoney, Beerbongs & Bentleys, Hollywood’s Bleeding and Twelve Carat Toothache), and also led the Top Rock & Alternative Albums chart in 2023 (with Austin). Earlier in 2024, Beyoncé made her first visit to Top Country Albums with Cowboy Carter, leading the list for four weeks in April-May. Beyoncé previously logged eight No. 1s on the Top R&B/Hip-Hop Albums chart as a soloist in 2003-22.
Post Malone leads an otherwise sleepy top 10 on the new Billboard 200, as F1-Trillion is the only debut in the region. Chappell Roan’s The Rise and Fall of a Midwest Princess holds at its No. 2 high for a second week, earning 72,000 equivalent album units (down 1%), while Taylor Swift’s The Tortured Poets Department falls to No. 3, after 15 nonconsecutive weeks at No. 1, with 62,000 (down 27%). Wallen’s chart-topping One Thing at a Time dips 3-4 with 60,000 (down 5%) and Billie Eilish’s Hit Me Hard and Soft descends 4-5 with 53,000 (down 8%).
Zach Bryan’s The Great American Bar Scene drops 5-6 with 44,000 equivalent album units earned (down 8%); Charli XCX’s Brat slips 6-7 with 41,000 (down 14%); Noah Kahan’s Stick Season falls 7-8 with 38,000 (down 2%); Wallen’s former No. 1 Dangerous: The Double Album descends 8-9 with 36,000 (down 5%); and Bryan’s self-titled leader is a non-mover at No. 10 with 33,000 (down less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.