Chart Beat
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Lady Gaga and Bruno Mars’ “Die With a Smile” adds an 18th week at No. 1 on the Billboard Global 200 chart. The song also scores a 15th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Die With a Smile” continues its Global 200 command with 83.9 million streams (down 8% week-over-week) and 6,000 sold (down 6%) worldwide April 18-24. At 18 weeks, the song moves to within one week of potentially tying the longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
18 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
Alex Warren’s “Ordinary” holds at its No. 2 Global 200 high; “APT.” is steady at No. 3; Billie Eilish’s “Birds of a Feather” keeps at No. 4, following three weeks at No. 1 last August; and Benson Boone’s “Beautiful Things” bumps 7-5, after it logged seven weeks on top in February-April 2024.
“Die With a Smile” tallies a 15th week at No. 1 on Global Excl. U.S., with 67.7 million streams (down 8%) and 3,000 sold (down 3%) outside the U.S. The song solely claims the second-longest rule in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
15 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
The rest of the Global Excl. U.S. remains in place from a week earlier: “APT.” at No. 2; “Ordinary” at its No. 3 best; JENNIE’s “like JENNIE” at No. 4, after hitting No. 3; and “Birds of a Feather” at No. 5, following three weeks at No. 1 last August.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 3, 2025) will update on Billboard.com Tuesday, April 29. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
04/28/2025
A select few hits have led the chart for at least 10 weeks.
04/28/2025
Kendrick Lamar and SZA’s “Luther” tops the Billboard Hot 100 songs chart for a milestone 10th total and consecutive week. The single, whose title honors late R&B great Luther Vandross, who is sampled on it, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song.
An elite 4% of all Hot 100 No. 1s (46 of 1,179, dating to the chart’s Aug. 4, 1958, start) have ruled for double-digit weeks. Of those, “Luther” is the first by a solo man and woman and no accompanying acts – surpassing the nine-week reign of Diana Ross and Lionel Richie’s “Endless Love” in 1981. (Among other 10-plus-week No. 1s by co-billed lead male and female acts, Puff Daddy and Faith Evans’ “I’ll Be Missing You” — featuring vocal group 112 — led for 11 weeks in 1997 and Mariah Carey and then-quartet Boyz II Men’s “One Sweet Day” dominated for 16 weeks in 1995-96.)
Plus, Alex Warren’s first Hot 100 top 10, “Ordinary,” hits a new high (5-3), and reaches No. 1 on the Streaming Songs chart, and Morgan Wallen and Post Malone’s “I Ain’t Coming Back” debuts at No. 8 on the Hot 100, becoming their 15th and 14th top 10, respectively. It’s the sixth top 10 from Wallen’s album I’m the Problem — all ahead of its May 16 release, as he extends his record for the most top 10s from an album prior to its arrival.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 3, 2025) will update on Billboard.com Tuesday, April 29. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Luther’ Airplay, Streams & Sales
Doechii lands her first top 10-charting album on the Billboard 200 as Alligator Bites Never Heal jumps 24-10 on the May 3-dated chart. The set shoots up the list following its wider availability on vinyl, as well as its first release on CD.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 3, 2025-dated chart will be posted in full on Billboard‘s website on April 29.
The 2025 Billboard Woman of the Year’s Grammy Award-winning Alligator Bites Never Heal climbs the Billboard 200 following a wider availability on vinyl and its first release on CD. The set earned 33,000 equivalent album units in the tracking week ending April 24 (up 43%) in the United States, according to Luminate. Of that figure, SEA units comprise 18,500 (down 3%, equaling 25.9 million on-demand official streams of the songs on the streaming edition of the set; it moves 28-27 on Top Streaming Albums), album sales comprise 14,000 (up 325% — the best sales week for both the album and the artist; it reenters at No. 1 on Top Album Sales, the set’s first week atop the list) and TEA units comprise 500 (down 12%).
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Vinyl purchases comprise just over 11,000 of the album’s sales for the week.
Alligator Bites Never Heal was released in 2024 as a 19-song album. It was reissued in March with one bonus track — the gone-viral breakout hit “Anxiety” — on “extended” digital download and streaming editions. The addition of “Anxiety” helped the album hit its previous high of No. 12 on the March 29 chart.
All physical versions of Alligator Bites Never Heal contain the original 19-song tracklist. Through April 17, the set was only available to purchase as a download and in two vinyl variants. On April 18, it garnered a wider availability on vinyl, including two new vinyl editions (both color variants) exclusively available via Target and Urban Oufitters, along with a widely available CD.
“Anxiety” reached the top 10 of the Billboard Hot 100 songs chart dated March 29 (rising 13-10), marking Doechii’s first top 10. The album yielded an earlier top 40-charting hit with “Denial Is a River” (hitting No. 21 in February).
SZA’s SOS scores a 13th nonconsecutive week at No. 1 on the Billboard 200 albums chart (dated May 3), as the set rises 3-1 with 52,000 equivalent album units earned in the United States in the week ending April 24 (down 1%), according to Luminate. The album continues to profit from its expansive deluxe reissue on Dec. 20, 2024 (dubbed SOS Deluxe: LANA), with 15 additional tracks, in addition to a Feb. 9 reissue with four more bonus cuts.
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SOS was originally released on Dec. 9, 2022, as a 23-track album and spent 10 weeks at No. 1 in late 2022 and early 2023. It then returned to No. 1 for two more weeks, following the LANA expansion — on the Jan. 4 and 11, 2025-dated charts, and now on the latest tally. All versions of the album, old and new, are combined for tracking and charting under the title SOS.
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With SOS earning 52,000 units in the latest tracking week, that marks the smallest weekly sum for a No. 1 album in over three years, since the April 23, 2022-dated chart, when Lil Durk’s 7220 returned to No. 1, for a second week at the top, with just a little more than 47,000 units.
For the first time in a little over two months, no albums debut in the top 10 on the Billboard 200. We last had a top 10 absent of a debut on the Feb. 22-dated list, when the highest arrival was outside the top 40 (Dream Theater’s Parasomnia at No. 41).
While there are no debuts in the top 10 on the latest chart, there is a title reaching the region for the first time, as Doechii’s Alligator Bites Never Heal flies 24-10 following its wider availability on vinyl, as well as its first release on CD.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 3, 2025-dated chart will be posted in full on Billboard‘s website on April 29. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of SOS’ 52,000 equivalent album units earned in the week ending April 24, SEA units comprise 49,500 (down 1%, equaling 68.29 million on-demand official streams of the set’s songs; it rises 2-1 on the Top Streaming Albums chart, for a third nonconsecutive week on top of the year-and-a-half old ranking), traditional album sales comprise 2,500 (down 5%) and TEA units comprise a negligible sum (up 2%).
With a 13th total week at No. 1 on the Billboard 200, SOS has the most weeks atop the chart for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Whitney Houston’s self-titled set tallied 14 weeks at No. 1 in 1986. (Honorable mention to the Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.)
The last R&B/hip-hop album with at least 13 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). The last R&B album with at least 13 weeks at No. 1 on the Billboard 200 was The Bodyguard, with its 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)
SZA launched her co-headlining Grand National Tour on April 19 in Minneapolis at U.S. Bank Stadium with Kendrick Lamar, who sees his chart-topping GNX hold steady at No. 2 on the Billboard 200 with nearly 51,000 equivalent album units earned (down 7%).
The titles at Nos. 3-9 are all former No. 1s. Morgan Wallen’s One Thing at a Time climbs 6-3 (48,000 equivalent album units earned, up 4%); Sabrina Carpenter’s Short n’ Sweet is steady at No. 4 (47,000; down 9%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is a non-mover at No. 5 (46,000; down 11%); Bad Bunny’s Debí Tirar Más Fotos falls 6-8 (39,000; down 7%); Playboi Carti’s MUSIC is stationary at No. 7 (38,000; down 15%); Lady Gaga’s MAYHEM is up 10-8 (37,000; down 6%); and Wallen’s Dangerous: The Double Album jumps 14-9 (34,500; up 6%).
Doechii earns her first top 10-charting effort on the Billboard 200 albums chart as the 2025 Billboard Woman of the Year’s Grammy Award-winning Alligator Bites Never Heal flies 24-10 following a wider availability on vinyl and its first release on CD. The set earned 33,000 equivalent album units in the tracking week (up 43%). Of that figure, SEA units comprise 18,500 (down 3%, equaling 25.9 million on-demand official streams of the songs on the streaming edition of the set, it moves 28-27 on Top Streaming Albums), album sales comprise 14,000 (up 325% — the best sales week for both the album and the artist; it reenters at No. 1 on Top Album Sales, the set’s first week atop the list) and TEA units comprise 500 (down 12%).
Alligator Bites Never Heal was released in 2024 as a 19-song album. It was reissued in March with one bonus track — the gone-viral breakout hit “Anxiety” — on “extended” digital download and streaming editions. All physical versions contain the original 19-song tracklist. Until April 18, the set was only available to purchase as a download and in two vinyl variants. On April 19, it garnered a wider availability on vinyl, including two new vinyl editions (both color variants) exclusively available via Target and Urban Oufitters, along with a widely available CD.
“Anxiety” reached the top 10 of the Billboard Hot 100 songs chart dated March 29 (rising 13-10), marking Doechii’s first top 10. The album yielded an earlier top 40-charting hit with “Denial Is a River” (hitting No. 21 in February).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Kane Brown nets his 14th top 10 on Billboard’s Country Airplay chart as “Backseat Driver” rides up to No. 10 on the survey dated May 3. The song increased by 7% to 16.4 million audience impressions April 18-24, according to Luminate. The single was written by Jacob Davis and Jordan Walker and produced by Dann […]
Alex Warren’s “Ordinary” landed a sixth week at No. 1 on the U.K. Singles Chart April 25, and becomes the longest running chart-topper since Sabrina Carpenter’s nine-week run with “Taste” in 2024. Last week, Warren broke the tie he held with Lola Young’s “Messy” for 2025’s longest running No. 1 in the U.K. “Messy” had […]
Taylor Swift has returned to the top of the U.K. Albums Chart April 25 with The Tortured Poets Department following a recent physical reissue. A new signed CD variant, released to commemorate the album’s first anniversary on April 19, propelled the album 23 places to the top spot. Upon release in April 2024 2024, The […]
Kendrick Lamar and SZA’s “Luther” lifts a spot to No. 1 on Billboard’s Pop Airplay chart dated May 3.
Lamar rules Pop Airplay for the third time — and first as a lead artist, following two No. 1s in featured roles, on Maroon 5’s “Don’t Wanna Know” for a week in 2017, and Taylor Swift’s “Bad Blood” (five weeks, 2015). SZA scores her fourth No. 1, after “Saturn” (two weeks, 2024) and “Kill Bill” (one, 2023) and as featured on Doja Cat’s “Kiss Me More” (one, 2021).
“Luther,” on pgLang/Interscope/ICLG, previously made history as the first song to hit No. 1 on both Rap Airplay (five weeks and counting) and Adult R&B Airplay (three weeks in March). It has also topped Radio Songs, R&B/Hip-Hop Airplay, Mainstream R&B/Hip-Hop Airplay and Rhythmic Airplay.
Notably, “Luther” joins 10 other songs that have led Mainstream R&B/Hip-Hop Airplay, Adult R&B Airplay, Rhythmic Airplay and Pop Airplay. (All are four individual-format charts. Radio Songs reflects all-format play; R&B/Hip-Hop Airplay blends mainstream R&B/hip-hop and adult R&B reach; and Rap Airplay counts activity on mainstream R&B/hip-hop and rhythmic stations.)
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Here’s a look at the elite mass-appeal hits that have topped Mainstream R&B/Hip-Hop Airplay, Adult R&B Airplay, Rhythmic Airplay and Pop Airplay (which have coexisted since 1993).
“Luther,” Kendrick Lamar & SZA, 2025
“Talk,” Khalid, 2019
“That’s What I Like,” Bruno Mars, 2017
“Earned It (Fifty Shades of Grey),” The Weeknd, 2015
“Happy,” Pharrell Williams, 2014
“Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
“No One,” Alicia Keys, 2007-08
“Be Without You,” Mary J. Blige, 2006
“We Belong Together,” Mariah Carey, 2005
“On Bended Knee,” Boyz II Men, 1994-95
“I’ll Make Love to You,” Boyz II Men, 1994
Meanwhile, “Luther” is the first rap hit to lead Pop Airplay since two back-to-back in February-March 2024: Jack Harlow’s “Lovin on Me” followed by Doja Cat’s “Agora Hills.” (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)
“Luther” is an ode to late R&B great Luther Vandross and samples his vocals. He charted one Pop Airplay entry as a credited artist: “Endless Love,” with Mariah Carey, hit No. 7 in 1994.
“Luther” has notched nine weeks at No. 1 on the Billboard Hot 100. It has drawn 896 million in radio audience and 582 million official streams and sold 50,000 downloads in the U.S. through April 17, according to Luminate. It’s from Lamar’s LP GNX, which has ruled the Billboard 200 albums chart for three weeks and spent its first 21 weeks on the chart in the top five.
All charts dated May 3 will update on Billboard.com Tuesday, April 29.
There’s a change at the top of Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), as Yeah Yeah Yeahs‘ “Spitting Off the Edge of the World” gives way to Chappell Roan’s “Casual” on the March 2025-dated list.
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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of March 2025. The ranking includes newly released films from the preceding three months.
“Casual,” from Roan’s 2023 album The Rise and Fall of a Midwest Princess, debuts at No. 1 after a synch in the Dan Berk- and Robert Olsen-directed Novocaine, which premiered on March 14 and stars Jack Quaid.
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A No. 59-peaking hit on the Billboard Hot 100 last August, “Casual” earned 16.9 million official on-demand U.S. streams in March 2025 en route to its Top Movie Songs coronation, according to Luminate.
Novocaine bookends the latest chart; it also boasts the No. 10 song via R.E.M.’s “Everybody Hurts,” which garnered 2.3 million streams and 1,000 downloads.
Yeah Yeah Yeahs’ Perfume Genius-featuring “Spitting Off the Edge of the World,” which crowned the February 2025 tally after being heard in The Gorge, drops to No. 2 in its second month. The 2022 track earned 3 million streams and 2,000 downloads in March, the latter enough to pop it onto Billboard’s Rock Digital Song Sales chart for three weeks, including a week at No. 1 (March 1).
Music from The Gorge and Captain America: Brave New World are the only holdovers from February, with the remainder of the chart representing films released in March. In addition to Novocaine’s aforementioned two appearances, The Electric State and Snow White also boast two entries, while Holland reaches with one.
See the full top 10 below.
Rank, Song, Artist, Film1. “Casual,” Chappell Roan, Novocaine2. “Spitting Off the Edge of the World,” Yeah Yeah Yeahs feat. Perfume Genius, The Gorge3. “Mary Jane’s Last Dance,” Tom Petty and the Heartbreakers, The Electric State4. “Waiting on a Wish,” Rachel Zegler, Snow White5. “Mother,” Danzig, The Electric State6. “Party Up,” DMX, Holland7. “Good Things Grow,” Snow White Ensemble, Snow White8. “i,” Kendrick Lamar, Captain America: Brave New World9. “Blitzkreig Bop,” Ramones, The Gorge10. “Everybody Hurts,” R.E.M., Novocaine