Chart Beat
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Chase Matthew is officially a Billboard Hot 100-charting artist thanks to his single “Love You Again.”
Released in December 2022, the song debuts at No. 91 on the Sept. 14-dated chart with 20.3 million all-format radio airplay audience impressions (up 12%) and 2.1 million official U.S. streams Aug. 30-Sept. 5, according to Luminate.
The track also rises 32-24 on Hot Country Songs for a new high. On Country Airplay, where it’s Matthew’s first entry, it returns to the top 10, jumping 12-9 for a new best in its 67th week on the chart.
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“Love You Again” appears on Matthew’s second studio album, Come Get Your Memory, which was released in June 2023 on Warner Music Nashville.
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Matthew first appeared on Billboard’s charts dated July 17, 2021, with “County Line,” released on Ryan Upchurch’s Holler Boy Records. The song, which he wrote after a breakup, went viral on TikTok, helping it to debut at its No. 29 peak on Hot Country Songs; it also hit No. 10 on Country Digital Song Sales that week.
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Matthew earned his second chart hit with “We Had It Good,” which reached No. 44 on Hot Country Songs in February 2022. The song is from his debut album Born for This, which reached No. 31 on Top Country Albums that month.
Following the success of Born for This, Matthew signed to Warner Nashville in October 2022. “Ryan Upchurch gave me an opportunity that put me on the map,” he said upon his signing. “Looking forward, we wanted to maintain how we work, but grow the team in order to build bigger. Warner Nashville understood our goals and provided the opportunity for a true partnership allowing me to maintain my creative control. I’m thrilled to be able to work with the Warner Nashville team and take this thing to a whole new level for the fans.”
Matthew was born in Sevierville, Tenn., and raised just outside Nashville in Ashland City. Before focusing on music, he was a full-time mechanic.
Billboard named Matthew its September Country Rookie of the Month, and he shared that he’s planning to drop his third album next year. “I’ve probably got 300 songs on my phone just begging to be released,” he said, adding that it’ll include some collaborations. “It’s going to be some really good songs and I’m being very selective on what’s going to end up on that project.”
Matthew is currently on his solo Born for This Tour. He has additional shows lined up supporting both Jason Aldean and Luke Bryan. Next year, he’ll join Keith Urban’s High and Alive World Tour.
Attention for Linkin Park’s catalog has soared following the release of the rockers’ comeback single “The Emptiness Machine” on Sept. 5.
On Sept. 6, the first full day for U.S. streams after “The Emptiness Machine” premiered at 6 p.m. ET on Sept. 5 and following a multi-song concert and livestream introducing new band members Emily Armstrong and Colin Brittain, Linkin Park’s catalog earned 11.8 million official on-demand U.S. streams, according to initial reports to Luminate.
That’s a 71% gain in streams over Sept. 5, which saw the band rack up 6.9 million streams. And it’s a 103% leap over Sept. 4, the day before the new song, livestream and album/tour announcement, when the band accrued 5.8 million streams.
Attention around Linkin Park’s catalog continued into the weekend, when the overall count was 10.1 million streams on Sept. 7, 14% down from Sept. 6. Its streaming sum on Sept. 6-7 was 21.8 million, nearly as much as the preceding four days (Sept. 2-5), during which period the band accumulated 22.8 million listens.
Of course, a not-insignificant chunk of those streams on Sept. 5-7 is from “The Emptiness Machine” itself; after a partial Sept. 5 of 680,000 official on-demand U.S. streams, the song received 2.8 million on Sept. 6, followed by 1.9 million on Sept. 7.
Removing “The Emptiness Machine” from the equation, the band’s pre-Armstrong and -Brittain catalog still sports meaningful movement: 9 million streams Sept. 6, up 46% from Sept. 5 (6.2 million) and 55% from Sept. 4 (5.8 million). On Sept. 7, its music earned 8.2 million streams, down 9% from Sept. 6, and its two-day count (17.2 million) nearly outpaced the preceding three days (Sept. 3-5, 17.5 million).
“Numb” is the most-streamed song of the group in the measured time frame. It received 858,000 official U.S. streams on Sept. 6, up 25% from Sept. 5 (689,000) and up 30% from Sept. 4 (662,000). On Sept. 7, it added another 851,000 streams. “Numb” is one of 12 No. 1s for Linkin Park on Billboard’s Alternative Airplay chart, reigning for 12 weeks beginning in late 2003. It also peaked at No. 11 on the Hot 100 in March 2004.
There’s interest in purchasing music from Linkin Park’s catalog past and present, too. On Sept. 5, digital song sales of the band’s output totaled 2,000 downloads, with 1,000 from “The Emptiness Machine.” On Sept. 6, that number swelled to 4,000 (2,000 from “The Emptiness Machine”), followed by another 4,000 on Sept. 7 (2,000 again from the new single).
As for digital album sales, the band sold 1,000 copies Sept. 5-7 across its entire catalog, a 791% leap from the previous three-day period (Sept. 2-4).
Myriad chart activity for Linkin Park will occur on the Sept. 21-dated Billboard rankings, which includes consumption from Sept. 6 to 12. That includes first-full-week numbers for “The Emptiness Machine,” which is challenging for strong starts on the Alternative Airplay and Mainstream Rock Airplay surveys after debuting at No. 24 on the Rock & Alternative Airplay list dated Sept. 14 after just one day of data, as previously reported. Its aforementioned stream and sales count was also enough for a No. 7 premiere on the multimetric Hot Hard Rock Songs tally.
From Zero, Linkin Park’s eighth studio album, is due Nov. 15, the six-piece’s first release since 2017’s One More Light. Singer Armstrong and drummer Brittain join the band after the 2017 death of co-frontman Chester Bennington as well as the departure of longtime drummer Rob Bourdon this year.
Sabrina Carpenter is on course to secure her third consecutive week at No. 1 on the U.K. Official Singles Chart with her sweet single “Taste.”
According to the latest midweek chart blast, Carpenter continues to dominate the chart landscape, but Linkin Park is proving to be a formidable contender with their new single “The Emptiness Machine,” which currently holds the No. 2 position.
Should it hold on, “The Emptiness Machine” would mark Linkin Park’s highest chart position in the U.K., surpassing their previous peak of No. 6 with the 2007 single ‘What I’ve Done.’
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The track marks the band’s first release in seven years and introduces new vocalist Emily Armstrong alongside original members Mike Shinoda, Brad Delson, Phoenix, and Joe Hahn.
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In a recent interview with Billboard, Armstrong reflected on her newly-appointed position as co-vocalist for Linkin Park, saying, “There is so much to this band — this is a very, very important band to this world. And the integrity of the band was really helpful in keeping me grounded.”
“There were so many of those moments where it was like, ‘Holy s–t,’ when you talk about the size of the shows, stuff like that. I’m on cloud nine, but then it hits you that there’s a lot of work to be done.”
Linkin Park’s strong midweek performance has garnered attention, but Carpenter’s grip on the charts remains strong.
In addition to “Taste” at No. 1, her singles “Espresso” and “Please Please Please” are also holding firm in the Top 5, sitting at No. 3 and No. 4, respectively.
Elsewhere in the chart, Lady Gaga and Bruno Mars’ ballad “Die With A Smile” has made notable progress, climbing into the Top 5 for the first time, now sitting at No. 5. Meanwhile, Sonny Fodera’s dance anthem “Somedays” has seen a rise to No. 9, marking its first entry into the Top 10.
Despite Linkin Park’s impressive debut, it seems increasingly likely that Carpenter could secure another week at the summit of the U.K. Official Singles Chart, continuing her reign as a chart-topping pop star.
Stay tuned when all is revealed on the U.K. Official Charts on Friday, Sept. 13.
Ex-Pink Floyd singer and guitarist David Gilmour is on track to claim the No. 1 spot on this week’s U.K. Official Albums Chart midweek update with his latest release, Luck and Strange.
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If the album maintains its lead, this would be Gilmour’s third solo chart-topper, following Rattle That Lock in 2015 and On an Island in 2006.
As a member of Pink Floyd, Gilmour has already secured six No. 1 albums in the U.K. His return to the top of the charts with Luck and Strange would mark his first solo No. 1 in nine years.
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Speaking to Billboard last month, Gilmour commented that his new album is “the best album I’ve made since Dark Side of the Moon, since 1973.”
“The album feels like a solid body of cohesive work,” Gilmour explained. “It’s the cohesiveness of the whole thing — the writing, the work, the thrill it still gives me to listen to it all the way through as an album. There’s a consistency of thought and of feeling that runs through it that excites me in a way that makes me make those comparisons.”
Meanwhile, Sabrina Carpenter’s Short n’ Sweet holds its ground at No. 2 on the chart blast, eyeing a second consecutive week in that position. The pop sensation’s latest release continues to draw attention, remaining a strong contender in the U.K. charts.
Indie favorite Rex Orange County is also making waves, with his new album The Alexander Technique currently sitting at No. 5. This marks his third Top 5 entry, following the success of Pony (2019) and WHO CARES? (2022).
Veteran new wave band The The is making a significant comeback with Ensoulment, their first album in 25 years.
The record is tracking to debut at No. 6, potentially becoming their highest-charting album since Dusk peaked at No. 2 in 1993. South London’s Fat Dog is set to make an impressive debut with WOOF, their first full-length release, currently positioned at No. 7.
Fred again.. is aiming for a Top 10 debut with ten days, which is tracking at No. 8, while Ultravox’s 40th-anniversary edition of Lament is also set to re-enter the charts at No. 11.
Linkin Park’s greatest hits collection Papercuts is climbing to No. 13, while their classic debut Hybrid Theory is seeing a resurgence, currently at No. 45 midweek.
Pepe Aguilar rockets to No. 1 on Billboard’s Regional Mexican Airplay chart (dated Sept. 14) with “Mira Quién Lo Dice,” as the song flies 18-1. That’s the biggest jump to the top in 2024, earning Greatest Gainer honors, awarded weekly to the song with the largest gain in audience.
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“Mira Quién Lo Dice” registered 5.8 million in audience impressions, up 104%, on U.S. monitored regional Mexican stations during the Aug. 30-Sept. 5 tracking week, according to Luminate. That audience swell arrives from Univision stations WOJO-FM (Chicago), KSCA-FM (Los Angeles) and KLNO-FM (Dallas) during the tracking period.
The new leader gives Aguilar his third champ on Regional Mexican Airplay spanning over 26 years of career entries, since the No. 2-peaking “Por Mujeres Como Tú,” earned him a first top 10 in 1998.
Prior to “Mira Quién Lo Dice,” two other songs landed at the summit. Earlier, a collab with his son Leonardo Aguilar on “Bandido de Amores” gave the San Antonio, Texas-born singer-songwriter his second No. 1 (chart dated July 6). And in 2021, “Tus Desprecios” with El Fantasma, secured Aguilar his first ruler.
Among Aguilar’s three champs, “Mira Quién” endured the longest wait to the top, a 12-week canter, four weeks longer than his previous slowest, “Bandido,” which wrapped an eight-week run to No. 1 in July.
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As “Mira Quién” rallies to the summit on Regional Mexican Airplay from No. 18, it scores the biggest jump to No. 1 in 2024, and the second-biggest this decade, trailing Maná and Eden Muñoz’s 18-rank climb to No. 1 last November.
In total, “Mira Quién” is the fourth of 407 champs on the 1994-launched Regional Mexican Airplay chart to jump from No. 18 or lower directly to No. 1. Here’s the recap:
Position Change, Song Title, Artist, Date Reach No. 128-1, “Poema De Amor,” Renan Almendarez Coello, Dec. 2, 200021-1, “Volé Muy Alto,” Los Huracanes del Norte, Nov. 24, 200719-1, “Amor Clandestino,” Maná & Eden Muñoz, Nov. 11, 202318-1, “Mira Quien Lo Dice,” Pepe Aguilar, Sept. 14, 2024
Beyond its Regional Mexican Airplay coronation, “Mira Quién” also vaults 31-4 on the overall Latin Airplay tally, for Aguilar’s 13th top 10 there.
The radio achievement follows Aguilar’s performance of “Mira Quién Lo Dice” on Jimmy Kimmel Live and The Kelly Clarkson show in July.
All charts (dated Sept. 14, 2024) will update on Billboard.com tomorrow, Sept. 10). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Lady Gaga and Bruno Mars’ “Die With a Smile” scores a second week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. Two weeks earlier, the duet debuted at the runner-up rank on each list.
Plus, Sabrina Carpenter claims three songs in the top 10 of both the Global 200 and Global Excl. U.S. for a second week — all from her new album, Short n’ Sweet, which posts a second week at No. 1 on the U.S.-based Billboard 200.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Die With a Smile” tops the Global 200 with 105.8 million streams, up 9% week-over-week, and 10,000 sold (down 13%) worldwide Aug. 30-Sept. 5. The ballad, released Aug. 16, is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.
Sabrina Carpenter tallies three songs in the Global 200’s top five for a second week: “Taste” holds at No. 2, where it debuted a week earlier; “Espresso” dips 3-4, following three nonconsecutive weeks at No. 1 beginning in June; and “Please Please Please” descends 4-5, after two weeks at No. 1 also starting in June.
Amid Carpenter’s songs in the Global 200’s top five, Billie Eilish’s “Birds of a Feather” rebounds 5-3, following three weeks at No. 1 beginning in August.
“Die With a Smile” concurrently leads Global Excl. U.S. with 79.2 million streams, up 18%, and 5,000 sold (down 7%) outside the U.S. Aug. 30-Sept. 5. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.
Eilish’s “Birds of a Feather” keeps at No. 2 after three weeks atop Global Excl. U.S. beginning in August.
Carpenter’s “Espresso” holds at No. 3 on Global Excl. U.S., following eight nonconsecutive weeks at No. 1 beginning in May, while her “Taste” repeats at No. 4 in its second week on the chart and “Please Please Please” falls 5-6, following a week at No. 1 in June.
Also in the Global Excl. U.S. top 10, Karol G’s “Si Antes Te Hubiera Conocido” pushes 6-5, after reaching No. 2.
Plus, Teddy Swims’ “Lose Control” lifts 12-10 on Global Excl. U.S. The song ranks in the top 10 for the first time in nearly four months. Still, it has placed in the top 20 each week since the first week of February; it peaked at No. 3 in March.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 14, 2024) will update on Billboard.com tomorrow, Sept. 10. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” hoists a ninth nonconsecutive week at No. 1 on the Billboard Hot 100, extending 2024’s longest rule. The hit became the singer-songwriter’s first leader on the chart in July.
“A Bar Song (Tipsy)” likewise furthers the longest domination this year on the multimetric Hot Country Songs chart, adding a 13th week at No. 1.
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Meanwhile, Sabrina Carpenter logs three songs in the Hot 100’s top five for a second consecutive week, as “Espresso” returns to its No. 3 best, from No. 4; “Please Please Please” dips 3-4, after it became her first No. 1 in June; and “Taste” falls 2-5 in its second week.
All three songs are from Carpenter’s new album, Short n’ Sweet, which scores a second week at No. 1 on the Billboard 200.
Notably, as Carpenter’s three songs mark her first three top five Hot 100 hits, she becomes only the second act – and first soloist – ever to chart three initial top five hits in the region simultaneously in multiple weeks. She joins only The Beatles, who first achieved such a triple over five weeks in 1964, with “I Want to Hold Your Hand,” “She Loves You” and “Please Please Me.” (No other act has charted three first top five hits in the region simultaneously for even one week.)
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 14, 2024) will update on Billboard.com Tuesday, Sept. 10. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Tipsy’ Top Shelf in Airplay, Sales
In every era of pop music, boy bands have elicited irrepressible shrieks from adoring fans. In the ’60s, it was the Beatles. In the ’70s, the Jackson 5. More recently, the likes of Backstreet Boys and *NSYNC, who then passed the boy band baton to One Direction and 5 Seconds of Summer.
In 1989, it was New Kids on the Block‘s turn to rule music like only boy bands can.
After Boston-based producer-songwriter Maurice Starr had formed New Edition, which reached No. 4 on the Billboard Hot 100 in 1985 with “Cool It Now,” he followed with New Kids on the Block – brothers Jonathan and Jordan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood. While their self-titled first LP didn’t hit the Billboard 200 upon its release, follow-up Hangin’ Tough filled the late-’80s boy band void, yielding five infectious Hot 100 top 10s, including the quintet’s first No. 1 in June 1989, “I’ll Be Loving You (Forever).” The ballad followed the No. 10-peaking “Please Don’t Go Girl” and the No. 3 hit “You Got It (The Right Stuff),” which built even more buzz.
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On Sept. 9, 1989, New Kids’ rise culminated in the set and its title track taking over atop the Billboard 200 and Hot 100, respectively. The set was a slow-burner that took 55 weeks to reach the Billboard 200 summit, completing one of the longest climbs to No. 1 in the chart’s history.
By years’ end, New Kids on the Block had charted at last on the Billboard 200, reaching No. 25, and generated its own top 10, the group’s No. 8 cover of the Delfonics’ “Didn’t I (Blow Your Mind).” The group even gleaned a top 10 from a third album, the holiday set Merry, Merry Christmas, when “This One’s for the Children” reached No. 7. In between, Hangin’ Tough‘s fifth single “Cover Girl” rose to No. 2.
(On their summer 1989 tour, New Kids on the Block – and former Billboard publisher Tommy Page, then in his teen-idol days [he passed in 2017] – set out as the opening acts for Tiffany. By the end of the tour, Tiffany and New Kids had swapped spots.)
The Kids’ blend of street (i.e., Wahlberg’s semi-rap on “Hangin’ Tough”) and sweet (Jordan Knight and McIntyre served as the voices of the band’s biggest ballads) helped make them a chart, touring and merchandise powerhouse, one that continued with 1990’s Step by Step. Like its predecessor, the album and its title song became respective Billboard 200 and Hot 100 No. 1s. Follow-up single “Tonight,” which playfully name-checks several of the act’s earlier hits, rose to No. 7.
Ultimately, the group earned the honor of Billboard‘s top artist of both 1989 and 1990.
As musical trends shifted from pure-pop to rap and grunge, New Kids on the Block released the No. 37-peaking Face the Music (billed as NKOTB) in 1994 before taking a hiatus. With enough time passed for nostalgia to help restore its image (along with a return to prominence for pop music), the band blew back in 2008 with the No. 2 hit album The Block (featuring a track with then-new act Lady Gaga), which yielded the quintet’s first top 40 Hot 100 hit since 1992, the No. 36-peaking “Summertime.” Its 2013 album 10 hit No. 6. In between, the act embraced its place in boy band lineage: In 2011, it released NKOTBSB, a collaborative set with Backstreet Boys, which hit No. 7. The acts’ partnership continued in the form of Nick & Knight, aka BSB’s Nick Carter and New Kid Jordan, in 2014.
Most recently, New Kids on the Block released the album Still Kids, which launched at No. 4 on the Top Album Sales chart in June. Lead single “Kids” has hit both the Adult Pop Airplay and Adult Contemporary charts, marking the group’s first appearance on the latter list in nearly 35 years.
“There’s a sense of not wanting to let each other down,” Wahlberg said when the group chatted with Billboard in New York in May. “There’s an urgency that I think you can sometimes hear in the voices, of wanting to deliver the best of a performance. I think that’s present in this record, even in the writing.”
Oasis’s iconic debut album Definitely Maybe has stormed back to the top of the U.K. Official Albums Chart, 30 years after its original release in 1994.
This is the first time in 14 years that Liam and Noel Gallagher, alongside the rest of Oasis, have topped the Official Albums Chart together.
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The album, which debuted at No. 1 three decades ago, returned to the summit thanks to the release of its 30th Anniversary Deluxe Edition. The new edition features previously unreleased material, including the Monnow Valley sessions, outtakes from the Sawmills recordings, and an alternate demo of “Sad Song.”
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The album saw a staggering 408% week-on-week uplift in sales, with over 50% of its total weekly sales coming from vinyl, cementing its place at No. 1 on both the Official Albums Chart and the Official Vinyl Albums Chart.
Alongside Definitely Maybe, two other Oasis albums entered the Top 5: Time Flies…1994-2009, their 2009 greatest hits compilation, climbed to No. 3, and their seminal 1995 album (What’s The Story) Morning Glory? reached No. 4.
The band’s remarkable chart performance aligns with the announcement of their much-anticipated Oasis Live ‘25 reunion tour, set for 2025, which will see them perform across major U.K. cities like Cardiff, Manchester, London, and Edinburgh.
Due to massive public demand, extra dates at Wembley Stadium have already been added.
Elsewhere on the chart, the previous week’s chart-topper, Sabrina Carpenter’s Short n’ Sweet, has moved down to No. 2 after an impressive run, and continues to perform well despite Oasis’s return to the top.
Meanwhile, Nick Cave & The Bad Seeds celebrate their seventh U.K. Top 10 album as their latest release, Wild God, enters the chart at No. 5. English rockers Wunderhorse also secured their first Top 10 album with Midas, landing at No. 6
This week’s chart also sees Vegas-formed Palaye Royale claiming the No. 38 spot with their latest release, Death or Glory.
Stream Oasis’s Definitely Maybe below.
Sabrina Carpenter continues her reign on the U.K. Singles Chart, as her infectious single “Taste” holds the No. 1 spot for a second consecutive week.
The track, which is part of her sixth album, Short n‘ Sweet, dominates as the U.K.’s most-streamed song of the week, racking up 8 million streams. Sabrina has now accumulated a total of 14 non-consecutive weeks at No. 1 in 2024, placing her as one of the year’s most successful chart-topping artists.
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Making chart history, Sabrina is now the first female artist to simultaneously hold the top three spots on the U.K. Singles Chart for two consecutive weeks.
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Alongside “Taste” at No. 1, her previous chart-toppers, “Please Please Please” and “Espresso,” remain at No. 2 and No. 3, respectively. The only other artist to accomplish this feat was Ed Sheeran, who held the top three positions for multiple weeks back in 2017 with hits such as “Shape of You” and “Galway Girl.”
The success of “Taste” has been further amplified by the recent release of the viral horror-themed music video, which features Wednesday actress Jenna Ortega.
Aside from Sabrina’s chart domination, there are other notable movements in this week’s U.K. Singles Chart.
Oasis’s 1995 single “Live Forever” climbs to a new peak at No. 8, marking a milestone for the band as it surpasses its original 1995 peak of No. 10.
Meanwhile, another Oasis classic, “Don’t Look Back In Anger,” returns to the Top 10 for the first time in 28 years, landing at No. 9, bolstered by the band’s recent reunion tour news.
This marks the first time the iconic Britpop group has had two singles in the Top 10 simultaneously. Other movements include Benson Boone’s “Slow It Down” rebounding to No. 19, and Gigi Perez’s viral hit “Sailor Song” jumping to No. 24.
Check out “Taste” by Sabrina Carpenter below.
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