Chart Beat

The Black Keys Top Adult Alternative Airplay Chart With ‘The Night Before’

The Black Keys’ “The Night Before” becomes their ninth No. 1 on Billboard’s Adult Alternative Airplay chart, lifting two spots to the top of the survey dated April 12.

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The duo earns its first leader since “Beautiful People (Stay High)” reigned for five weeks in early 2024. In between, “On the Game” reached No. 5 last July. The Black Keys first topped Adult Alternative Airplay in 2011 with “Lonely Boy,” a year after making their initial appearance with “Tighten Up” (No. 12 peak).

With nine No. 1s, The Black Keys move into sole possession of the fifth-most leaders since Adult Alternative Airplay was first published in January 1996.

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Most No. 1s, Adult Alternative Airplay:
14, U2
13, Coldplay
11, Dave Matthews Band (including two solo by Dave Matthews)
11, Jack Johnson
9, The Black Keys
8, Death Cab for Cutie
8, The Lumineers
8, John Mayer

Concurrently, “The Night Before” rises 7-5 on Alternative Airplay and is bubbling under Mainstream Rock Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it bullets at its No. 8 high with 3.1 million audience impressions (up 2%) in the week ending April 3, according to Luminate.

“The Night Before” is the lead single from No Rain, No Flowers, The Black Keys’ 13th studio album. Though it’s expected in 2025, the set doesn’t yet have a release date. It follows 2024’s Ohio Players, which debuted at No. 5 on the Top Alternative Albums chart in April 2024 and has earned 85,000 equivalent album units to date.

All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.

Disturbed Scores 13th Mainstream Rock Airplay No. 1 With ‘I Will Not Break’

Disturbed‘s “I Will Not Break” rises a rank to No. 1 on Billboard‘s Mainstream Rock Airplay chart dated April 12, giving the band its 13th ruler.

The David Draiman-fronted act moves into a three-way tie with Godsmack and Van Halen for the sixth-most leaders since the tally began in March 1981.

Disturbed first led Mainstream Rock Airplay in 2006 with its cover of Genesis‘ 1987 hit “Land of Confusion.” The rockers first appeared on the list with “Stupify” (No. 12 peak, 2000).

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Most No. 1s, Mainstream Rock Airplay:
20, Shinedown
18, Three Days Grace
15, Five Finger Death Punch
14, Foo Fighters
14, Metallica
13, Disturbed
13, Godsmack
13, Van Halen
12, Linkin Park
11, Papa Roach

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Concurrently, “I Will Not Break” bullets at its No. 4 best on the all-rock-format, audience-based Rock & Alternative Airplay chart, thanks to 3.7 million audience impressions (up 6%) in the week ending April 3, according to Luminate. The track is also bubbling under Alternative Airplay, where Disturbed last charted in 2016 with its No. 22-peaking cover of Simon and Garfunkel’s 1966 classic “The Sound of Silence.”

On the most recently published multimetric Hot Hard Rock Songs chart (dated April 5, reflecting data March 21-27), “I Will Not Break” placed at No. 5, following its debut at No. 1 on the March 8 ranking. In addition to its radio airplay, the song earned 1.2 million official U.S. streams.

“I Will Not Break” is currently a standalone single that follows Disturbed’s eighth studio album, Divisive. The LP debuted at No. 1 on the Top Hard Rock Albums chart in December 2022 and has earned 184,000 equivalent album units to date.

All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.

Cage the Elephant Ties Green Day & Linkin Park for Second-Most Alternative Airplay No. 1s

Cage the Elephant notches its 13th No. 1 on Billboard’s Alternative Airplay chart, tying for the second-most rulers in the tally’s history.

“Metaverse” is the band’s latest leader, jumping three spots to the top of the April 12-dated survey.

The Matt Shultz-led band moves into a tie with Green Day and Linkin Park. Red Hot Chili Peppers lead with 15 Alternative Airplay toppers, dating to the list’s September 1988 inception.

Most No. 1s, Alternative Airplay:
15, Red Hot Chili Peppers
13, Cage the Elephant
13, Green Day
13, Linkin Park
12, Foo Fighters
11, Twenty One Pilots
8, U2
8, Weezer
7, The Black Keys
7, Imagine Dragons

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“Metaverse” gives Cage the Elephant its fourth No. 1 in a row, the band’s longest streak, besting two other runs of three straight (in 2010-11 and 2015-16). The current stretch dates to 2021, also encompassing “Skin and Bones” that year and “Neon Pill” and “Rainbow” in 2024. The band first topped the chart in 2010 with “Back Against the Wall.”

Concurrently, “Metaverse” bullets at its No. 6 best on Adult Alternative Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it lifts 9-7 with 3.3 million audience impressions (up 8%) in the week ending April 3, according to Luminate.

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“Metaverse” is the third single from Neon Pill, Cage the Elephant’s sixth studio album. The set debuted at No. 7 on the Top Alternative Albums chart last June and has earned 89,000 equivalent album units to date.

All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.

Alex Warren’s ‘Ordinary’ Scores Third Week at No. 1 on U.K. Singles Chart

Alex Warren has continued his dominant streak at the summit of the U.K. Singles Chart for a third consecutive week with breakout hit “Ordinary” (Apr. 4).

The US singer-songwriter and influencer holds off competition from Chappell Roan, Doechii, and Ariana Grande to keep the spot following a third consecutive week of growth. Official Charts Company reports that over the past seven days “Ordinary” earned 71,000 chart units, with a combined 8.1 million streams across platforms, up from 7 million in the preceding week.

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The former Hype House star’s 2024 single “Carry You Home” is also experiencing success, moving one spot up to No. 9 to give him his second top 10 single. Earlier this week “Ordinary” hit a new peak on the Billboard Hot 100 at No. 20, up 15 places week-on-week.

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Speaking to Billboard in January, Warren discussed using challenging moments in his personal life, including the passing of both of his parents and his stint of homelessness, in his material. “I recently started doing this thing where I write about those [experiences], and I try to take control in a way,” he said. “For me, something really beautiful is taking something so sad and dark, and what most would view as something that ruined their life, and turn it into something that can help people.”

Chappell Roan’s “Pink Pony Club” holds steady at No. 2 having notched up two weeks at No. 1 back in March. Fresh off picking up the Woman of The Year prize at Billboard’s Women In Music event on Saturday (Mar. 29), Doechii’s “Anxiety” is a non-mover at No. 3 – her highest peak on the U.K. Singles Chart so far.

Bensoon Boone’s “Beautiful Things,” holds its position at No. 4, while Ariana Grande has the week’s highest new entry with “Twilight Zone” closing the week at No. 5. The song appears on the new deluxe edition of her 2024 LP Eternal Sunshine, and which spawned a pair of No. 2 singles in the U.K.: “Yes And?”, and “We Can’t Be Friends (Wait for Your Love)”.

LOCASH Leads Country Airplay Chart for First Time Since 2016 With ‘Hometown Home’

LOCASH leads Billboard’s Country Airplay chart (dated April 12) for the first time since 2016 as “Hometown Home” ascends a spot to No. 1. The song increased by 10% to 30.1 million audience impressions March 28-April 3, according to Luminate.

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The duo – Preston Brust and Chris Lucas – co-authored the song with Zach Abend and Andy Albert. It was produced by Jacob Rice.

In early 2024, LOCASH originated Galaxy Label Group in partnership with Studio2Bee Entertainment, founded by veteran Nashville music executives Skip Bishop and Butch Waugh.

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“Seeing ‘Hometown Home’ sitting at the top of the Billboard chart has been amazing in ways we couldn’t imagine,” Brust and Lucas tell Billboard in a joint statement. “It’s our first No. 1 since we went all in and bet on ourselves and launched our own record label. We get to appreciate this hit on so many levels: as writers, artists and as record label executives. This song is so special. It’s been epic watching it land on people’s hearts. It just feels different bringing this one ‘home.’ ”

LOCASH previously topped Country Airplay when “I Know Somebody” led for a week in October 2016. The tandem ends the longest break between No. 1s – eight years, six months and two weeks – since David Lee Murphy went more than 22 years between leaders in 1995-2018. Among duos or groups, LOCASH ends the longest gap between No. 1s since Alabama waited more than 17 years (1993-2011).

LOCASH has notched two additional Country Airplay top 10s among its 14 chart entries (including its first five under the billing LoCash Cowboys): “I Love This Life” reached No. 2 in January 2016 and “One Big Country Song” also hit No. 2 in August 2020.

Last June, “Hometown Home” became LOCASH’s first Country Airplay entry since “Beach Boys” dented the chart (No. 58 peak) in 2022. The latter is co-billed with actual Beach Boys Mike Love and Bruce Johnston.

Mumford & Sons Earn First U.K. No. 1 LP In Almost a Decade

Mumford & Sons has returned to the top of the U.K.’s Official Albums Chart for the first time in nearly a decade with the release of Rushmere (Apr. 4). 

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The folk group’s fifth studio album – their first since 2018’s Delta – has placed them back at No. 1, and follows two previous chart-toppers: 2012’s Babel and 2015’s Wilder Mind. Their huge 2009 debut, Sigh No More, peaked at No. 2, as did Delta. Each of the band’s LPs – minus Sigh No More – has topped the Billboard 200.

Rushmere is the first LP from the group since the departure of guitarist Winston Marshall who left the band in 2021, with Marcus Mumford, Ben Lovett and Ted Dwayne continuing as a trio. 

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The group’s upcoming arena shows sold out instantly upon ticket release last week, and will include two dates at London’s The O2, alongside dates in Manchester, Birmingham, Leeds, Newcastle, Cardiff, Glasgow and Sheffield in November and December.

Rock band The Darkness finish the week at No. 2 with eighth studio album Dreams on Toast, their highest spot for 22 years. Earlier this week, guitarist Dan Hawkins threw down the gauntlet in the chart battle with Mumford & Sons, saying to Classic Rock that he was “confident” that Dreams on Toast would go to No. 1, adding “We’re going to beat those c—s.” The flamboyant rockers’ 2003 debut Permission To Land remains their sole chart-topper in the U.K.

Following the release of a deluxe edition, Ariana Grande’s Eternal Sunshine returns to the top five, finishing the week at No. 3. The album first went to No. 1 upon its initial release in March 2024 and spawned two singles “Yes And?”, and “We Can’t Be Friends (Wait for Your Love)” which both hit No. 2 on the Official Singles Chart.

Sabrina Carpenter’s Short n’ Sweet finishes the week at No. 4 while indie hero Lucy Dacus’ Forever is a Feeling finishes at No. 5. In 2023, the debut album from Boygenius – comprised of Dacus, Phoebe Bridgers and Julien Baker – hit the top spot on the U.K. Albums Chart.

Chappell Roan’s ‘Pink Pony Club’ Rides to No. 1 on Pop Airplay Chart, Five Years After Its Release

Chappell Roan’s “Pink Pony Club” enters the winners circle on Billboard’s Pop Airplay chart, jumping three spots to the top of the April 12-dated ranking. She leads the list for a second time, after “Good Luck, Babe!” hit No. 1 for a week last September.

“Pink Pony Club,” on KRA/Amusement/Island Records and promoted to radio by Republic, gained by 7% in plays March 28-April 3. (The Pop Airplay chart ranks songs by weekly plays on 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.)

Notably, “Pink Pony Club” reigns (reins?) after it was first released five years and one day ago, on Atlantic Records, on April 3, 2020. It was subsequently reissued on Sept. 23, 2023, on the singer-songwriter’s debut album on Island, The Rise and Fall of a Midwest Princess. The song has additionally risen to No. 5 on the all-genre, multimetric Billboard Hot 100. It has drawn 479 million official on-demand streams and 382 million in radio audience and sold 120,000 downloads in the U.S. through March 27.

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Chappell Roan co-wrote “Pink Pony Club” with Daniel Nigro, who solely produced it. The former also co-penned her first Pop Airplay No. 1. Nigro adds his fourth leader as both a co-writer and co-producer. He previously topped the chart in those roles via “Good Luck, Babe!” and Olivia Rodrigo’s “Drivers License” and “Good 4 U” in 2021.

Chappell Roan is concurrently scaling Pop Airplay with newest single “The Giver.” The stand-alone release pushes 35-27 (up 68% in plays). It also rises 36-32 on Adult Pop Airplay (where “Pink Pony Club” trots 9-8) and is gaining under the Country Airplay chart.

All charts dated April 12 will update on Billboard.com Tuesday, April 8.

Grande Larceny: Ariana Steals Back the ARIA No. 1 Spot

Ariana Grande is back on top of the ARIA Albums Chart — and in spectacular fashion.

The pop star’s Eternal Sunshine rebounds from No. 79 to No. 1 following the release of a new deluxe version titled Eternal Sunshine Deluxe: Brighter Days Ahead. The 78-spot leap marks the biggest jump to No. 1 from within the top 100 since September 2020, when Music From The Home Front soared from No. 83 to the top.

Grande’s original version of Eternal Sunshine spent three weeks at No. 1 in March and April 2024, and this latest return secures her fifth career chart-topper in Australia. She previously hit No. 1 with My Everything (2014), Dangerous Woman (2016), Sweetener (2018), and Thank U, Next (2019).

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Sydney-based singer-songwriter Grentperez celebrates a major career milestone this week, as his debut album Backflips in a Restaurant enters the chart at No. 3. While Grentperez has released four EPs since 2021 and notched three top 40 hits in New Zealand, this marks his first Top 10 debut in his home country.

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Mumford & Sons return with Rushmere, their first new album in nearly seven years and their first without founding member Winston Marshall. The British folk-rock outfit enters at No. 7, adding to a solid run on the ARIA Albums Chart that includes previous peaks with Sigh No More (No. 1 in 2009), Babel (No. 2 in 2012), Wilder Mind (No. 1 in 2015), and Delta (No. 5 in 2018).

Elsewhere, The Darkness land at No. 45 with their eighth studio album, Dreams on Toast. The glam rockers previously charted three albums in the ARIA Top 20, including Permission to Land (No. 17 in 2003), Hot Cakes (No. 15 in 2012), and Pinewood Smile (No. 17 in 2017).

On the ARIA Singles Chart, Alex Warren holds steady at No. 1 for a second week with “Ordinary,” while Chappell Roan climbs to a new high at No. 4 with “Pink Pony Club” — matching the peak of her breakthrough hit “Good Luck, Babe!” from last year.

Grande’s rebound ties into a historical trend: while the 52-week gap between stints at No. 1 is notable, it falls short of the record held by Meatloaf’s Bat Out of Hell, which returned to No. 1 in January 2022 — more than 2,200 weeks after first topping the chart in 1978.

Leon Thomas’ ‘Mutt’ Roars Into Top 10 on Hot R&B/Hip-Hop Songs Chart

Leon Thomas checks off a chart milestone as his breakthrough single, “Mutt,” roars into the top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart (dated April 5), jumping 37-10. The song, a steady gainer in recent weeks, enjoys an added boost on the chart, which blends streaming, radio airplay and sales data, in the first chart week since its remix with Chris Brown dropped on March 21.

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For the tracking week of March 21 – 27, “Mutt,” released on EZMNY/Motown/ICLG, earned 12.6 million official U.S. streams, up 63% from 7.7 million in the previous week, according to Luminate. Thanks to the haul, the track re-enters the R&B/Hip-Hop Streaming Songs chart at No. 8, eclipsing its previous No. 17 best rank, from two weeks ago. Shifting to the sales market, “Mutt” pounces 11-5 on R&B/Hip-Hop Digital Song Sales for its first week at the summit, with 2,000 downloads in the tracking period, up 113%.

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All versions of the song are combined into one entry for data tracking and chart purposes. As the original version of “Mutt” generated more streaming and overall activity than the remix, Brown is not added as a featured artist to the song on streaming and “Hot” charts, but is added to the sales-specific charts, where the remix outperformed the original.

In the radio world, “Mutt” registered 12.4 million audience impressions across all formats for the week, up 28% from last week’s 9.7 million count. Three formats continue to provide most of its radio support: It pushes 8-7 on the Adult R&B Airplay chart following a 10% increase in plays for the tracking week compared with the week prior, jumps 18-15 on Mainstream R&B/Hip-Hop Airplay (up 18%) and holds at No. 38 for a second week on Rhythmic Airplay (though up 42%).



With across-the-board improvements, “Mutt” wins the week’s Streaming Gainer, Airplay Gainer and Sales Gainer awards on Hot R&B/Hip-Hop Songs for the largest increases in each metric. It’s the first song to score the triple play since Eminem’s “Houdini” took all three on the chart dated July 27, 2024.

Elsewhere, “Mutt” climbs 5-3 on the Hot R&B Songs chart and leaps 77-28 on the all-genre Billboard Hot 100, giving Thomas his top 40 visit on the latter list.

“Mutt” is the title track to Thomas’ second studio album, which was released in September 2024. Thanks to its namesake’s success, Mutt springs 25-10 on the Top R&B Albums chart and debuts at No. 33 on Top R&B/Hip-Hop Albums with 12,000 equivalent album units in the tracking week, its first time breaking the five-figure mark.

La T y La M’s ‘Amor De Vago,’ Feat. Malandro de América, Adds 12th Week Atop Billboard Argentina Hot 100

La T y La M extend their reign on the Billboard Argentina Hot 100 to a 12th consecutive week as “Amor De Vago,” featuring Malandro de América, holds steady at No. 1 on the chart dated April 4.

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With this milestone, the track ties with Maluma and The Weeknd’s “Hawái” for the fifth-longest reign of the decade. Above it are two Karol G hits: the record-breaking 25-week leader “Tusa” with Nicki Minaj (2020) and “Si Antes Te Hubiera Conocido” (2024–25). The latter ties at 16 weeks atop with Tiago PZK, Lit Killah, Nicki Nicole, and Maria Becerra’s “Entre Nosotros” (2021–22). Also ahead is Manuel Turizo’s “La Bachata,” which led for 15 weeks in 2022.

Cazzu takes the runner-up slot with her latest single, “Con Otra,” which starts at No. 2. In addition to being this week’s Hot Shot Debut, the song earns the Argentinian her highest entry among 18 career entries. Previously, “Animal,” with Maria Becerra, reached No. 5 high in 2021.

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Yami Safdie and Lasso’s “En Otra Vida” rebounds to the top 10, climbing 13-9, after the song peaked at No. 6 last December.

Emilia, TINI and Nicki Nicole add a new song to their extensive Billboard Argentina Hot 100 ledger with their first three-way collab “Blackout,” which arrives at No. 27.

Teddy Swims earns the Greatest Gainer honors of the week as “Lose Control” climbs 49 rankings, from No. 86 to No. 37. The singer-songwriter also adds a new song on the tally, “The Door” at No. 40.

Four other songs debut this week, starting with Q`Lokura and Los Herrera’s “Carita Triste” at No. 80, KHEA, DUKI and La Joaqui’s “Mi Señora” at No. 88, Elena Rose and Morat’s “Un Beso Menos” at No. 95, and Airbag’s “Cae El Sol” at No. 97.