State Champ Radio Chart Beat
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Netflix’s Cyberpunk: Edgerunners claims three positions, including the No. 1 spot, on Billboard’s Top TV Songs chart, powered by Tunefind, for September 2022.
Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2022.
“I Really Want to Stay At Your House” by Rosa Walton ranks at No. 1 after its inclusion in the debut series’ second episode, released alongside the rest of the premiere season on Sept. 13.
In September 2022, “House” earned 7.6 million on-demand official U.S. streams and 4,000 downloads, according to Luminate. The metrics helped the song, originally released as part of the Cyberpunk 2077: Radio, Vol. 2 soundtrack in 2020, to reach multiple Billboard charts, including a No. 16 peak so far on the multi-metric Hot Alternative Songs list dated Oct. 8 (it appears at No. 20 on the latest, Oct. 29-dated survey).
“House” is joined by fellow Cyberpunk songs “Who’s Ready for Tomorrow” by Rat Boy and IBDY at No. 6 (2.5 million streams, 1,000 downloads) and “Let You Down” by Dawid Podsiadlo at No. 9 (1.5 million streams, 1,000 downloads) on the 10-position chart.
An additional new series, Disney+’s She Hulk: Attorney at Law, also claims three positions on the list, paced by Megan Thee Stallion’s “Body,” from the third episode (Sept. 1), which appears at No. 2 (9.5 million streams, 2,000 downloads).
See the full top 10 below.
Rank, Song, Artist, Show (Network)
“I Really Want to Stay At Your House,” Rosa Walton, Cyberpunk: Edgerunners (Netflix)“Body,” Megan Thee Stallion, She-Hulk: Attorney at Law (Disney+)“Wildest Dreams,” Taylor Swift, Fate: The Winx Saga (Netflix)“Seize the Power,” Yonaka, She-Hulk: Attorney at Law (Disney+)“Home,” John Legend, Good Trouble (Freeform)“Who’s Ready for Tomorrow,” Rat Boy & IBDY, Cyberpunk: Edgerunners (Netflix)“ZOOM,” Jessi, She-Hulk: Attorney at Law (Disney+)“Nite and Day,” Al B. Sure, Monster: The Jeffrey Dahmer Story (Netflix)“Let You Down,” Dawid Podsiadlo, Cyberpunk: Edgerunners (Netflix)“Turtles All the Way Down,” Reservation Dogs (Hulu)
Manuel Turizo’s “La Bachata” notches a seventh week at No. 1 on the Billboard Argentina Hot 100 chart (dated Oct. 22). The song joins two other tracks that have topped the tally in 2022 for at least seven frames: Tiago pzk’s “Entre Nosotros,” with LIT Killa, Nicki Nicole and Maria Becerra (nine weeks) and Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (eight weeks).
While there’s slow movement in the chart’s upper region, two new top 10s emerge: Argentinian La Joaqui scores her first top 10 among five entries, as “Butakera,” with Alan Gómez and El Noba, lifts 17-9. Meanwhile, Argentinian reggae singer-songwriter Dread Mar-I (Mariano Javier Castro) and producer Big One (Daniel Ismael Real) earn their first top 10 thanks to “Perfecta,” their team-up with Rusherking, which climbs 34-10.
Elsewhere on the chart, Rauw Alejandro and Baby Rasta’s “Punto 40” claims the Hot Shot Debut of the week, at No. 57. Further, the Greatest Gainer of the week goes to Maluma’s “Junio,” which rallies 96-67.
The week’s other debut goes to Reik and Sech’s “5 Estrellas” which starts at No. 95. Lastly, two songs re-enter: Dua Lipa’s “Levitating” at No. 97, while BLACKPINK’s “Pink Venom” rebounds at No. 99.
As previously reported, Jerry Lee Lewis, the piano-pounding rock, country and pop culture icon, and the last surviving member of the inaugural (1986) class of the Rock and Roll Hall of Fame, has died, at age 87. His passing was announced Friday (Oct. 28).
Also a 2022 inductee into the Country Music Hall of Fame, Lewis is one of just 16 talents to have been inducted into both the Country and Rock and Roll Halls of Fame.
“No one wanted to follow Jerry Lee on stage,” Johnny Cash once said. “Not even Elvis.”
Born Sept. 19, 1935, in Louisiana, Lewis moved to Memphis, Tenn., in 1956 and made his Billboard chart debut in 1957. That June, “Whole Lot of Shakin’ Goin’ On” entered multiple surveys, reigning for two weeks beginning Sept. 9, 1957, on the C&W Best Sellers in Stores country chart. It also reached No. 3 on the all-genre Best Sellers in Stores and Top 100 charts.
Lewis followed with another signature classic, “Great Balls of Fire,” which also logged two weeks at No. 1 on C&W Best Sellers in Stores, starting Jan. 6, 1958. The song became his highest charting multi-genre hit, reaching No. 2 on Best Sellers in Stores and the Top 100.
Lewis landed one more all-format top 10, “Breathless,” which climbed to No. 7 on the Top 100 in 1958. Following the Aug. 4, 1958, inception of the Billboard Hot 100, Lewis charted 14 entries, led by the No. 30-peaking “What’d I Say” (billed as by Jerry Lee Lewis and His Pumping Piano) in 1961. He last appeared on the Hot 100 in June 1973.
On the Hot Country Songs chart, following his country crossover smashes “Shakin’ ” and “Fire,” Lewis led with “To Make Love Sweeter for You” (1969), “There Must Be More to Love Than This” (1970), “Would You Take Another Chance on Me” (1971) and “Chantilly Lace” (1972). From 1968 through 1981, Lewis notched 23 Hot Country Songs top 10s, from “Another Place Another Time” through “Thirty Nine and Holding,” while he continued to appear on the chart through 1989.
On the all-genre Billboard 200 albums chart, Lewis’ span of entries stretches over 50 years, from 1964 through 2014. He tallied three top 40 titles on the chart in his lifetime: The Session (No. 37, 1973), Last Man Standing: The Duets (No. 26, 2006) and Mean Old Man (No. 30, 2010).
Lewis also logged 17 top 10s on the Top Country Albums chart, most recently rising to No. 4 with Last Man Standing: The Duets in 2006.
Murda Beatz rules Billboard‘s Rap Producers chart (dated Oct. 29) for the first time, thanks to his production work on three hits by Lil Baby on the latest Hot Rap Songs ranking.
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Lil Baby’s “California Breeze,” which Murda Beatz (real name Shane Lindstrom) co-produced with Mars (born Marcel Korkutata), leads the trio of tracks at No. 1, followed by “From Now On,” featuring Future (co-produced with Tay Keith), at No. 16 and “Double Down” at No. 20 (co-produced with Awavy, aka Adrian Nielsen). All three cuts appear on Lil Baby’s LP It’s Only Me, new at No. 1 on the Billboard 200 with 216,000 equivalent album units, according to Luminate.
“California Breeze” earns Murda Beatz his second No. 1 as a producer on Hot Rap Songs, after Drake’s 2018 smash “Nice for What” (co-produced with Blaq N Mild).
Murda Beatz has been one of hip-hop’s go-to producers since 2016. He has produced 25 tracks that have charted on Hot Rap Songs, dating to his first entry, French Montana’s “No Shopping,” featuring Drake (No. 8 peak in 2016). Among others, he’s produced songs for Cardi B, Megan Thee Stallion, Nicki Minaj, Travis Scott and SZA.
On the Billboard Hot 100, Murda Beatz has charted 39 songs as a producer, including five top 10s and one No. 1: “Nice for What,” for eight weeks in 2018. He has also earned one artist billing on the chart, as featured on 6ix9ine’s “FEFE,” also featuring Minaj (No. 3, 2018).
Meanwhile, Lil Baby tallies a 22nd week at No. 1 on the Rap Songwriters chart. Dating to the list’s June 2019 launch, only DaBaby (25 weeks at No. 1) and Drake (24) have spent more time on top. Lil Baby reigns thanks to 17 writing credits on the (25-position) Hot Rap Songs chart.
The weekly Rap Songwriters and Rap Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot Rap Songs chart. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
The full Rap Songwriters and Rap Producers charts, in addition to all overall and genre rankings, can be found on Billboard.com.
Highly Suspect is back at No. 1 on Billboard‘s Mainstream Rock Airplay chart, as “Natural Born Killer” slashes its way to the top of the Oct. 29-dated survey.
The group adds its third No. 1 on the ranking. It last ruled with “16,” for four weeks in 2019, after “My Name Is Human” reigned for eight weeks in 2016.
In between “16” and “Killer,” the band appeared on the chart with two tracks, “These Days” (No. 10 peak) and “Canals” (No. 40), both in 2020.
The band boasts seven Mainstream Rock Airplay top 10s, dating to its arrival with “Lydia” (No. 4, 2015). In addition to its aforementioned No. 1s, the band also reached No. 5 with “Bloodfeather” in 2016 and No. 2 with “Little One” in 2017. The band formed in 2009 on in Massachusetts.
Concurrently, “Killer” places at No. 19 on Alternative Airplay, after reaching No. 16 earlier in October. It’s the band’s second-highest-ranking song on the tally, following “16,” which peaked at No. 15. Between “16” and “Killer,” “Days” reached the list at No. 39.
On the all-rock-format, audience-based Rock & Alternative Airplay chart, the song lifts 8-7, a new best, with 2.9 million audience impressions, up 7%, in the week ending Oct. 23, according to Luminate.
“Killer” is the lead single from The Midnight Demon Club, Highly Suspect’s fourth studio album and the follow-up to 2019’s MCID. The former has earned 13,000 equivalent album units since release in September. The new set is the group’s first on FRKST/Roadrunner/3EE.
On Oct. 28, 2017, Kane Brown‘s “What Ifs,” featuring Lauren Alaina, topped Billboard‘s Country Airplay chart. Brown co-wrote the song with Matt McGinn and Jordan Schmidt, and Dann Huff produced it.
The single marked Brown’s first of eight Country Airplay leaders and Alaina’s second of three. It was released from Brown’s introductory LP that arrived at the Top Country Albums summit, becoming his first of two No. 1 sets.
The same week it crowned Country Airplay, “What Ifs” began a five-week command on Billboard‘s streaming-, airplay- and sales-based Hot Country Songs chart. It dethroned Sam Hunt’s “Body Like a Back Road,” which had logged a then-record 34-week domination.
“All I can say is, 34 weeks, Sam Hunt? Damn. I’m happy to get in there,” Brown told Billboard upon learning of his achievement.
Brown, now 29, and Alaina, 28, are both from Georgia and were childhood friends, having met at Lakeview Middle School in Fort Oglethorpe, Ga., in a choir class.
Brown’s latest single, “Thank God,” with Katelyn Brown, his wife, rises 19-18 on the latest, Oct. 29-dated Country Airplay chart. The duet is from his new album, Different Man, which launched at its No. 2 best on Top Country Albums in September, becoming his sixth top 10 set.
Alaina, who finished as the runner-up to Scotty McCreery on American Idol in 2011, most recently led Country Airplay as featured, with Devin Dawson, on Hardy’s “One Beer,” which the threesome hoisted to No. 1 in December 2020.
This May, Alaina hopped on stage during a Brown concert in Chattanooga, Tenn., near where they grew up. The pair performed “What Ifs.”
Taylor Swift is the queen of Australia’s music charts, as Midnights (via Universal) darts to No. 1 with the biggest volume week of any album in five years.
Midnights bows atop the latest ARIA Chart, with more combined sales than any title since Swift released Reputation, also No. 1 back in 2017. It’s her 10th No. 1 ARIA Album.
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With Midnights setting the albums chart alight, records tumble. Swift enjoys a record-setting haul on the national singles survey, capturing nine of the top 10 positions, led by “Anti-Hero” at No. 1, with “Lavender Haze” and “Snow On The Beach,” featuring Lana Del Rey, respectively completing the top 3.
According to Universal Music Australia, Midnights is the most-streamed album in a week in ARIA history, and the biggest-ever vinyl sales debut, shifting over 10,000 vinyl units in week one.
The song that ruins TayTay’s chance at a top 10 sweep is Sam Smith and Kim Petras’ former leader “Unholy” (Capitol/Universal), which dips 1-7 on the ARIA Singles Chart. With the exception of Smith and Petras’ collaboration, Swift locks down every ARIA chart position from No. 1 through to No. 14. Remarkably, she’s in possession of the only debuts on the latest singles frame — 13 of them.
“Anti-Hero” is Swift’s ninth No. 1 ARIA Single, and fourth in the past two years, most recently with “All Too Well (Taylor’s Version)” in 2021.
The U.S. pop star is shortlisted for the fan-voted best international artist category at the 2022 ARIA Awards, having won the pointed trophy in 2019 and 2021.
Parking at No. 2 on the ARIA Albums Chart, published Oct. 28, is Arctic Monkeys’ The Car (Domino Recordings/EMI). Though the Sheffield, England alternative rock band misses out on the crown, Alex Turner and Co. keep alive a streak that has seen all seven studio albums placed in the top 5, with three reaching the zenith.
Meanwhile, Australia’s pop royalty Kylie Minogue returns to the chart with Impossible Princess, which enjoys the reissue treatment for its 25th anniversary through Warner Music. Impossible Princess drops in at No. 3.
The top five is completed by two new classical crossover albums, Andrea, Matteo and Virginia Bocelli’s A Family Christmas (Decca/Universal), and Anthony Callea’s Forty Love (BMG), respectively.
Also new to the top 10 this week is Architects‘ tenth album Classic Symptoms of a Broken Spirit (Epitaph Record/RKT), at No. 8. The British metalcore band will support the album in these parts with a national tour in February 2023.
Duelo returns to the No. 1 spot for the first time in a decade and a half on Billboard’s Regional Mexican Airplay chart (dated Oct. 29) with its latest single “24 Siete.” The song marks the norteño group’s first visit to the summit since 2007. It also represents a new achievement for the group’s label La Bonita Music, winning its first leader among a collection of 16 entries.
“Everything we have been reaping, working hard these years, tours in Mexico and the United States and the truth, this new No. 1 caught us by surprise,” Oscar Iván Treviño, one of founding members of the group, told Billboard.
“24 Siete” was released Aug. 11 via La Bonita Music. It ascends to the top in its ninth week following a 19% gain in audience impressions, to 5.8 million, earned in the U.S. in the week ending Oct. 23, according to Luminate.
With its ascent, “24 Siete” becomes Duelo’s fourth champ dating back to the one-week ruler “Te Compro” in 2006. In between, the Monterrey-bred group nabbed two other one-week champs in 2007: “Un Idiota Como Yo” and “Olvidame Tú.”
As for “24 Siete,” Treviño adds, “We composed the song with the best intentions in the world. Doing the song and recording our new album No Digas No, well, it’s been exciting. It is important to always maintain that curiosity and that passion for music, doing what you love.” “24 Siete” is the second single from No Digas No, which hasn’t entered the charts yet.
Further, with the new champ, La Bonita Music claims its first No. 1 in the 28-year-old history of the Regional Mexican Airplay chart. It previously reached a No. 3 high also through a Duelo song, “Puño de Diamantes,” in July 2013.
Elsewhere, “24” steps into the upper region on the all-genre Latin Airplay chart with a 15-9 jump. The lift gifts the group its first top 10 in almost a decade, since “Puño de Diamantes” peaked at No. 8 in its 13th week in 2013.
Katy Nichole and Big Daddy Weave‘s “God Is in This Story” ascends to No. 1 on Billboard’s Christian Airplay chart dated Oct. 29.
In the tracking week ending Oct. 23, the collaboration gained by 1% to 7.2 million audience impressions, according to Luminate.
The song, which the 22-year-old Nichole, from Mesa, Ariz., co-wrote with Ethan Hulse and Jeff Pardo, is from her forthcoming first full-length.
It marks the second straight career-opening leader on the list for Nichole and the seventh No. 1 for Big Daddy Weave.
Nichole follows her rookie hit “In Jesus Name (God of Possible),” which dominated Christian Airplay for nine weeks beginning in April. She becomes the second solo woman to lead with her first two entries, after Anne Wilson led for six weeks beginning in August 2021 with her debut hit “My Jesus” and followed with “I Still Believe in Christmas,” which led for a week in the 2021-22 holiday season.
Big Daddy Weave tops Christian Airplay for the first time since “I Know” reigned for three weeks in April-May 2020. Its latest leader is also its milestone 20th top 10, and first since “All Things New” peaked at No. 9 in September 2021.
With seven No. 1s, Big Daddy Weave ties Third Day for eighth place among all acts for the most since Christian Airplay began in 2003. MercyMe leads with 17.
“God Is in This Story” concurrently leads the streaming-, airplay- and sales-based Hot Christian Songs chart for a third week, after it first topped the Oct. 15-dated ranking.
Franklin Ties Record as ‘Kingdom’ Reigns
Maverick City Music and Kirk Franklin’s “Kingdom,” featuring Naomi Raine and Chandler Moore, reaches the Gospel Airplay summit. The song increased by 3% in plays in the tracking week.
Maverick City Music, Raine and Moore each earn their second leader on the list, after the triumvirate led with “Jireh” for two weeks beginning in March.
Meanwhile, Franklin achieves his record-tying ninth Gospel Airplay No. 1, and first since “Strong God” ruled for two weeks in December 2020. He matches Tamela Mann for the most leaders since the chart launched in March 2005. (James Fortune & FIYA follow with eight No. 1s.)
Franklin began his run of leaders with “Looking for You,” which dominated for 18 weeks starting in November 2005.
David Guetta and Bebe Rexha ascend to No. 1 on Billboard‘s Dance/Mix Show Airplay chart (dated Oct. 29) with “I’m Good (Blue).” Guetta gets his record-tying 12th No. 1, matching Calvin Harris and Rihanna for the most dating to the chart’s August 2003 inception. Rexha achieves her first leader on the list.
“Good” is scoring core-dance airplay on KMVQ-HD2 San Francisco, SiriusXM’s BPM and KNHC (C89.5) Seattle, among other stations. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
Here’s a look at Guetta’s dozen dominations on Dance/Mix Show Airplay:
Title, Artists, Year (weeks at No. 1, if more than one)
“The World Is Mine,” feat. JD Davis, 2007 (two)“Love Is Gone,” with Chris Willis, 2007“When Love Takes Over,” feat. Kelly Rowland, 2009 (nine)“Sexy Chick,” featuring Akon, 2009 (six)“Gettin’ Over You,” with Chris Willis, feat. Fergie & LMFAO, 2010 (two)“Without You,” feat. Usher, 2011 (two)“Turn Me On,” feat. Nicki Minaj, 2012 (three)“Stay (Don’t Go Away),” feat. RAYE, 2019“Let’s Love,” with SIA, 2020“Bed,” with Joel Corry x RAYE, 2021 (three)“Heartbreak Anthem,” with Galantis & Little Mix, 2021“I’m Good (Blue),” with Bebe Rexha, 2022
“Good,” which interpolates Eiffel 65’s classic “Blue (Da Ba Dee),” a No. 6 Billboard Hot 100 hit in 2000, also leads the multi-metric Hot Dance/Electronic Songs chart (for a fifth week), Dance/Electronic Streaming Songs (sixth) and Dance/Electronic Digital Song Sales (also sixth). “Good” garnered 26.8 million all-format radio airplay audience impressions, 11.5 million official streams, and 7,000 downloads sold in the U.S. Oct. 14-20, according to Luminate.
The song concurrently pushes to a new No. 13 Hot 100 high. On Pop Airplay, its hits the top 10 (11-10), becoming Guetta’s seventh top 10 (and first since 2015) and Rexha’s fifth (and first since 2018).
Speaking of the Hot 100, the chart’s new No. 1, Sam Smith and Kim Petras’ “Unholy,” surges to the Dance/Mix Show Airplay top 10 (22-10). Smith’s seventh top 10 and Petras’ second, the collab is drawing significant core-dance airplay on SiriusXM’s Diplo’s Revolution, among other outlets, thanks to Disclosure’s remix.
“Unholy” is only the third song to reach the Dance/Mix Show Airplay top 10 in just two frames this year, joining Diplo and Miguel’s “Don’t Forget My Love” (12-3, in March) and Drake’s “Massive” (17-9, July).
On the multi-metric Hot Dance/Electronic Songs chart, Oliver Tree and Robin Schulz’s “Miss You” also rises in its second week (10-7), earning top Streaming Gainer honors. The track, whose profile has been boosted by TikTok, tallied 5.1 million streams, up 174%. Concurrently, “Miss” lifts 5-4 on Dance/Electronic Streaming Songs, marking Oliver Tree’s first top 10 and Schulz’s third.
Further on Hot Dance/Electronic Songs, Farruko flies in with “Viaje,” the chart’s leading debut (No. 23). Starting with 942,000 streams, his latest Latin-EDM crossover follows three consecutive top 10s (which upped his career total to four): “Nazareno” (No. 7, this June); “El Incomprendido,” with Victor Cardenas and DJ Adoni (No. 4, October 2021); and “Pepas” (No. 1 for nine weeks, beginning in August 2021).
Plus, Tove Lo and SG Lewis team on two Hot Dance/Electronic Songs debuts: “Call On Me” ( No. 27) and “Pineapple Slice” (No. 48). Tove Lo’s 10thand 11th appearances and Lewis’ 11th and 12th, the former starts with 836,000 streams and the latter with 484,000. Both cuts are from Tove Lo’s Dirt Femme, which debuts on Independent Albums (No. 24) and the Billboard 200 (No. 153), among other surveys.
