Chart Beat
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Jelly Roll (aka Jason DeFord) achieves his first No. 1 on Billboard‘s Country Airplay chart (dated Jan. 14) with his first entry, “Son of a Sinner.”
In the tracking week ending Jan. 5, the song, released on Bailee & Buddy/BMG/Stoney Creek, increased by 18% to 26.4 million audience impressions, according to Luminate.
“There is no greater reward for a singer and songwriter in Nashville, Tenn., than to have the No. 1 song on country radio,” Jelly Roll, 38, says. “Now imagine that happening to a guy that grew up in this town … a guy that at every turn for the first 25 years of his life made the wrong decision. Imagine everyone telling that guy he had no chance at country radio. If you can imagine that, then you can understand why I’m so filled with gratitude as tears stream down my face while I type this … I currently have the No. 1 song on country radio. Thank you to Jon Loba [president BBR Music Group/BMG Nashville], BMG and every single person that helped make this dream come true.”
Jelly Roll, who grew up in the Nashville suburb of Antioch, co-authored “Sinner” with Ernest K. Smith and David Ray Stevens. It’s from his 2021 album Ballads of the Broken.
While “Sinner” is Jelly Roll’s launch Country Airplay appearance, he’s had success in other genres. Last May, “Dead Man Walking” led Mainstream Rock Airplay for a week. His highest charting set on Top R&B/Hip-Hop Albums, No Filter, with Lil Wyte, reached No. 33 in 2013.
As “Sinner” reaches the Country Airplay pinnacle, it dethrones Morgan Wallen’s “You Proof,” which rang up a record 10 nonconsecutive frames at No. 1. “Proof” declines 1-2 on the Jan. 14 dated list (25.6 million, up 12%).
Also, before “Sinner,” the last rookie entry to lead Country Airplay was Bailey Zimmerman’s “Fall in Love” (Dec. 7).
The prolific YoungBoy Never Broke Again already captures his first top 10 album of 2023 as Lost Files debuts at No. 7 on Billboard’s Top Rap Albums chart dated Jan. 7, 2023. The set’s entrance gives him a seventh straight calendar year with at least one top 10 project and comes on the heels of having logged six top 10 entries in 2022 alone.
Lost Files, released on Dec. 23 through NeverBrokeAgain/Atlantic Records, starts with 17,000 equivalent album units earned in the week ending Dec. 29, according to Luminate. Ninety-eight percent of the album’s units came from streaming — equaling 24.9 million official U.S. on-demand streams of the album’s songs. The remaining balance derived from negligible amounts of both album sales and track-equivalent units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)
With Lost Files, YoungBoy Never Broke Again acquires his 18th top 10 on the Top Rap Albums chart. His latest visit to the top tier moves him into a tie with E-40 for third place for the most top 10s on the chart since its 2004 launch. The pair trail only overall leader Gucci Mane (25) and Tech N9ne (19) in second place.
Here’s a recap of YoungBoy Never Broke Again’s top 10 collection:
Album Title, Peak Position, Peak Date
Fed Baby’s, with Moneybagg Yo, No. 7, Dec. 9, 2017
Until Death Call My Name, No. 4, May 12, 2018
4Respect 4Freedom 4Loyalty 4WhatImportant, No. 9, Sept. 29, 2018
Realer, No. 9, Jan. 5, 2019
AI Youngboy 2, No. 1 (one week), Oct. 26, 2019
Still Flexin, Still Steppin, No. 1 (one week), March 7, 2020
38 Baby 2, No. 1 (one week), May 9, 2020
Top, No. 1 (one week), Sept. 26, 2020
Until I Return, No. 5, Nov. 28, 2020
Sincerely, Kentrell, No. 1 (one week), Oct. 9, 2021
From the Bayou, with Birdman, No. 4, Dec. 25, 2021
Colors, No. 1 (one week), Feb. 5, 2022
Better Than You, with DaBaby, No. 5, March 19, 2022
The Last Slimeto, No. 1 (one week), Aug. 20, 2022
Realer 2, No. 2, Sept. 24, 2022
3800 Degrees, No. 4, Oct. 22, 2022
Ma’ I Got A Family (A Gangsta Grillz Special Edition Hosted by DJ Drama), No. 2, Nov. 5, 2022
Lost Files, No. 7, Jan. 7, 2023
Elsewhere, Lost Files debuts at No. 16 on the Top R&B/Hip-Hop Albums chart and at No. 45 on the all-genre Billboard 200.
YoungBoy’s count will very likely increase in just a matter of days. His new album, I Rest My Case, was released Friday, Jan. 6, and marks his first effort with the Motown record label after more than five years on the Atlantic Records roster.
The presents have been opened and wallets closed, as the 2022 holidays have concluded. But which holiday songs made the biggest gains over the latest holiday season?
Here’s a look at the seasonal songs that logged the 10 top increases in on-demand audio and video streaming over the 2022 holidays as compared to 2021, according to Luminate, among the 50 most-streamed songs, on-demand, this holiday season.
Overall, streaming of holiday songs surged 12.1% over the latest holidays (Nov. 18-Dec. 29, 2022, correlating to the tracking period of Billboard‘s Holiday 100 songs chart dated from Dec. 3 through Jan. 7), as compared to the corresponding period the year before (Nov. 19-Dec. 30, 2021), per the top 500 holiday titles in each of the last two holiday seasons. (For this research, UGC [user-generated content] was included, although it does not contribute to Billboard‘s charts.)
Below is a recap of the 10 top-gaining seasonal songs year-over-year during the latest holidays — and their newest chart highlights.
The Top-Gaining Songs of the 2022 Holiday Season
“Here Comes Santa Claus,” Gene Autry
70.5 million on-demand audio and video U.S. streams Nov. 18-Dec. 29, 2022, up 53.5% from Nov. 19-Dec. 30, 2021
The song galloped to a No. 25 high on the Billboard Hot 100 dated Dec. 31, besting its prior No. 28 peak reached three years earlier. Originally released in 1947, it hit the top 10 on Billboard pop and country charts annually through the end of the ’40s.
“Blue Christmas,” Elvis Presley
77.2 million, up 48.8%
The King’s festive favorite logs a new No. 24 best on the Jan. 7 Hot 100. Up from No. 27, it marks his first appearance in the top 25 in exactly 44 years, since “My Way” held at its No. 22 peak on the Jan. 7, 1978, survey.
“Deck the Halls,” Nat King Cole
86.4 million, up 41.1%
The track made a jolly jaunt to a new No. 16 high on the Dec. 31 Hot 100. As previously reported, Cole achieves his first top 10 since 1963 with “The Christmas Song (Merry Christmas to You),” which gained by 5% to 95.4 million on-demand streams this holiday season vs. the same period the year before.
“This Christmas,” Donny Hathaway
53.4 million, up 39.1%
The song rises to a new No. 37 highpoint on the Jan. 7 Hot 100. It’s his top-ranking entry since “The Closer I Get to You” – one of his six charted duets with Roberta Flack – a No. 2 hit in 1978.
“Christmas Eve/Sarajevo 12/24,” Trans-Siberian Orchestra
36 million, up 37.8%
The instrumental rock reimagination of “God Rest Ye, Merry Gentlemen” and “Carol of the Bells” reached No. 35 on the Holiday 100 in December, its best rank on the chart in over two years.
“Merry Christmas,” Ed Sheeran & Elton John
41.4 million, up 37.4%
The cheery song by the British superstars fared far better in its second year. On the Hot 100, it climbed to No. 42, after it hit No. 55 in its first year of release. If its momentum continues, it could swell John’s total of top 40 hits beyond his current sum of 59, while Sheeran boasts 23 top 40 entries.
“Let It Snow! Let It Snow! Let It Snow!,” Dean Martin
60.5 million, up 31.7%
After first making notable inroads in streaming in the mid-2010s, the classic has hit the top 20 on the Streaming Songs chart each holiday season since 2018, reaching a No. 5 best in December 2020.
“Jingle Bells,” Frank Sinatra
81.3 million, up 31.3%
The recording ascends to No. 20 on the Jan. 7-dated Hot 100, marking a milestone for the late legend: he ranks in the top 20 for the first time since June 3, 1967, when “Somethin’ Stupid,” with daughter Nancy, placed at No. 16 following four weeks at No. 1.
“Do They Know It’s Christmas,” Band Aid
40.1 million, up 29.7%
The all-star anthem hit No. 34 on the Dec. 3 Holiday 100, its best rank since 2018. Helping its profile, LadBaby’s update, “Food Aid” (also a charity single) topped the Dec. 31 Official UK Singles chart. With the coronation, the husband-and-wife duo of Mark and Roxanne Hoyle became the first act with five Christmas UK No. 1s, surpassing The Beatles’ four in 1963-65 and 1967.
“All I Want for Christmas Is You,” Mariah Carey
262.3 million, up 29.6%
Rounding out the top 10-gaining holiday hits over the most recent Yuletide season, Carey’s 1994 modern classic made more Hot 100 history, upping its total to 12 weeks at No. 1, including four in a row, its most time on top in any holiday period. Its 262.3 million on-demand streams over the 2022 holidays led all songs, followed by runner-up Brenda Lee’s “Rockin’ Around the Christmas Tree” (202.8 million).
In highlights just outside the seasonal songs with the 10 biggest increases over the latest holidays, Wham!’s “Last Christmas” gained by 29.1% to 150.7 million on-demand streams, as it hits a new No. 4 best on the Jan. 7 Hot 100; Sia’s “Snowman,” from 2017, surged by 26% to 39.7 million streams; and Ariana Grande’s “Santa Tell Me,” from 2014, jumped by 18.9% to 115.3 million streams.
Meanwhile, three songs released this holiday season made the top 50 in 2022 holiday on-demand streams, with all three Amazon Original exclusives and covers of classics: Lizzo’s “Someday at Christmas” (44.4 million), Lauren Spencer-Smith’s “Last Christmas” (37.6 million) and Kane Brown’s “Blue Christmas” (36.8 million).
It’s a New Year, Christmas songs perform their disappearing act for another time, and “Unholy” is back on top in Australia.
Sam Smith and Kim Petras’ global hit lifts 13-1 on the ARIA Chart, published Jan. 6, for its fifth non-consecutive week at No. 1.
The 2023 rebirth of “Unholy” (Capitol/EMI) closely follows the announcement that Petras will headline Sydney WorldPride’s closing concert, Rainbow Republic, on March 5, and comes ahead of Smith’s intimate performance at McLaren Vale’s d’Arenberg Cube in Adelaide.
“Unholy” leads a fresh top 10 on the ARIA Singles Chart, as Xmas tunes tumble out of sight.
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SZA‘s “Kill Bill” (RCA/Sony) vaults 12-2, while former leader “I’m Good (Blue)” (Warner) by David Guetta and Bebe Rexha leaps 25-3.
Meanwhile, British singer and songwriter Raye enjoys a new chart peak with “Escapism” (Orchard), up 26-7. “Escapism,” which represents a new, independent era for the rising artist, was the top single on the midweek U.K. chart.
Following the publication of ARIA’s year-end charts, which saw Harry Styles’ “As It Was” (Columbia/Sony) coming in at No. 1 for 2022, the Harry’s House number is once again on the rise. “As It Was” lifts 34-9 on the weekly survey.
Just one single makes its debut in the top 40 on the new chart, Dutch DJ Tiesto’s collaboration with Canadian singer-songwriter Tate McRae, “10:35” (Sony/Warner). It’s new at No. 24.
The top album for 2022, ARIA reported earlier in the week, is Taylor Swift’s Midnights (Universal). Swift’s tenth and latest studio album holds at No. 1 on the latest ARIA Chart, for its ninth non-consecutive week at the summit. It’s one of five Swift albums currently in the top 40.
Manuel Turizo makes his ascent back to No. 1 with “La Bachata.” The tune logs its 15th week atop the Billboard Argentina Hot 100 chart (dated Dec. 31) and sends Argentinian artist La Mosca Tse-Tse’s “Muchachos, Ahora Nos Volvimos a Ilusionar” below the top 10 (at No. 19) after its one-week command.
With 15 weeks at the summit, Turizo’s “La Bachata” ranks third overall since the chart launched in 2018. It trails only Karol G and Nicki Minaj’s “La Tusa,” which led for 25 weeks in 2020, and the 16-week reign of “Entre Nosotros” by the all-star team of Tiago PZK, LIT Killah, Nicki Nicole and Maria Becerra in 2021.
Cris MJ, Duki and Nicki Nicole’s “Marisola,” featuring Standly and Stars Music Chile, holds at No. 2 in its second week. Rosalía’s “Despechá” rebounds to No. 3, while Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” climbs 5-4. Plus, Ke Personajes earn their first top five thanks to “Ya No Vuelvas,” their collab with Luck Ra and La K’Onga, which ascends 10-5.
This week, NewJeans takes home the Greatest Gainer honors as “Ditto” soars 88-43. It’s the highest ranking for the K-pop ensemble.
The Hot Shot Debut goes to Gusty Dj and Ecko’s “Session En El Barrio #7” which arrives at No. 58.
Further, Ñengo Flow clocks his third entry on the chart as a soloist thanks to “Gato de Noche,” his second team-up with Bad Bunny, which debuts at No. 63.
Lastly, DJ Alex secures his first visit thanks to “La Traidora,” his first partnership with La Joaqui, at No. 81.
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. This week: Glass Onion: A Knives Out Mystery reveals gains for its titular Beatles cut and other soundtrack favorites, Yellowstone‘s Luke Grimes takes a step towards stardom in a second medium and a decade-old Miguel hit may be gearing up for another chart run.
‘Glass Onion’ Hits Streaming, Boosts Music Streams for… “Glass Onion”
“Looking through the bent-backed tulips/ To see how the other half lives/ Looking through a glass onion,” Paul McCartney sings on The Beatles’ White Album classic “Glass Onion.” There are some subtle clues to the plot of Glass Onion – the latest Knives Out mystery, a Netflix smash since its Dec. 23 release – in the lyrics to “Glass Onion,” which plays over the end credits of the film.
Maybe listeners wanted to revisit “Glass Onion” after hearing it during the movie’s finale to parse its lyrics and try to further unlock the puzzle box of a plot, or maybe they were simply they were reminded by the movie how much “Glass Onion” rules. Regardless, the 1968 song experienced a huge uptick in streams during the film’s first week of wide availability — as have some other ’60s and ’70s tracks used in director Rian Johnson’s crowd-pleasing mystery.
“Glass Onion” experienced a 167% increase in weekly U.S. on-demand streams during the week of Dec. 23-29, according to Luminate, jumping to over 160,000 streams after earning a little over 60,000 the previous week. Meanwhile, David Bowie’s “Star” — which is used to soundtrack a memorable dance sequence featuring Kate Hudson’s character (no spoilers here, we promise) — was up 60% during the same week, reaching 32,000 U.S. on-demand streams. And The Bee Gees’ “To Love Somebody,” featured in its original version in the film, scored a 37% bump, up to nearly 259,000 streams in the week ending Dec. 29.
A third Knives Out film has already been confirmed, although its title has yet to be announced. After the original Knives Out in 2019 was named after a Radiohead song, and Glass Onion was titled as a Beatles reference, we’ll see if the next installment also features a shared song title — but if it does, rest assured that that song will get a streaming boost of its own during its Netflix premiere week. – JASON LIPSHUTZ
The ‘Yellowstone’ Bump Continues Growing – Even for Its Own Cast
We’ve written before in Trending Up about how effective the Paramount+ smash Western melodrama Yellowstone has been in lending streaming and sales bumps to its more prominently featured synchs. Americana star Zach Bryan has been one of its biggest beneficiaries, with his songs included across multiple seasons – in December, Bryan’s “The Good I’ll Do” (from his Belting Bronco/Warner-released breakout album American Heartbreak) debuted in the top five of Billboard’s Digital Song Sales chart after inclusion in a Season Five episode.
That trend continues this week, with Bryan’s “Tishomingo” ballad showcased in the show’s mid-season finale on Jan. 1 – resulting in a 90.4% rise in daily official on-demand U.S. streams to 115,000 for Jan. 2, according to Luminate. (The song also sold over 1,000 digital songs from Jan. 1 to Jan. 2, after selling a negligible number the two days before.)
More interesting, though, is another artist seeing gains whose name will undoubtedly be familiar already to all Yellowstone fans: Luke Grimes, the actor who stars as Kayce Dutton on the show. Grimes recently launched a country music career with debut single “No Horse to Ride” (Range Media/Mercury Nashville) and the love song was similarly featured on the drama’s midseason finale – receiving a 67.7% bump to 109,000 daily official on-demand streams for Jan. 2, and also combining to sell over 1,000 digital songs for Jan. 1-2. (Perhaps for Stranger Things’ fifth and final season, its musically inclined cast should take from Grimes’ example and push for similar synch placement – anachronisms be damned.) – ANDREW UNTERBERGER
You Can Bet That: Miguel’s “Sure Thing” Gets Biggest Viral Boost Yet
A little over a decade ago, Miguel broke through as a crossover star thanks to his swoon-worthy R&B single “Adorn,” which peaked at No. 17 on the Billboard Hot 100 in 2012 and was nominated for song of the year at the 2013 Grammys. Yet one year earlier, the singer-songwriter’s neo-soul single “Sure Thing” became his first Hot 100 top 40 hit (off ByStorm/Jive debut release All I Want Is You), and his first chart-topper on the R&B/Hip-Hop Songs tally. Now, “Sure Thing” is surging back into the public consciousness, and introducing the R&B star, who hasn’t released an album in over five years, to the TikTok generation.
“Sure Thing” has bubbled up a few times over the past three years thanks to versions both slowed-down and sped-up. However, the song has experienced its biggest revival to date over the past month or so, thanks to a new wave of sped-up takes on the song that started in November, and is now climbing the daily charts on various streaming platforms — today, No. 22 on Spotify’s Daily Top Songs USA listing, and No. 55 on the Apple Music U.S. daily Top 100 tally.
During the week ending Dec. 1, “Sure Thing” earned 4.58 million U.S. on-demand streams, according to Luminate; that total grew to 6.80 million for the week ending Dec. 29, a 48% bump from that earlier number. Meanwhile, other songs from 2010’s All I Want Is You are taking off to a smaller degree, with the title track and “Girl With the Tattoo Enter.lewd” both climbing in streams over the past month.
How high can “Sure Thing” climb? The coming weeks should demonstrate just how prolonged the song’s revival will be — but for Miguel, who hasn’t scored a Hot 100 hit as a lead artist since 2017’s “Sky Walker” featuring Travis Scott, the possibility of a chart re-entry for “Sure Thing” would make for a nice lead-in to a potential return to music in 2023. – JL
People Who Need “People”
Minneapolis singer-songwriter Libianca may be familiar to viewers of NBC’s The Voice as a Team Blake contestant from the show’s 21st season, but otherwise you might have heard her for the first time on TikTok the past month. That’s because her new Afrobeats-flavored song “People” is blowing up on the service, with thousands of users sharing videos of them relating to the song’s mentally wary lyrics (particularly its opening lines, “I’ve been drinking more alcohol for the past five days/ Did you check on me?”), and even R&B star Chris Brown posting that it “speaks volumes” to him.
“People” has since crossed over to other streaming platforms, rising 55.2% to 1.8 million on-demand U.S. streams for the chart tracking week ending Dec. 29, and hitting No. 5 on Billboard’s U.S. Afrobeats Songs chart dated Jan. 7 – indicating it may be a breakout hit to watch for over the first few months of 2023. – AU
Q&A: Taryn Lacroix, Spotify’s Associate Manager, Artist & Label Partnerships, on What’s Trending Up in Her World
What was your biggest takeaway from the 2022 Spotify Wrapped rollout compared to previous years?
Spotify Wrapped has existed in some form since 2015, and this was our biggest year yet from both the artist and fan perspectives. It’s become so highly anticipated that the chatter online starts to build well before its surprise launch. Artists also want to get in on the fun — we saw record-breaking artist involvement this year, and were able to activate with some artists for the first time in our campaign, like Beyoncé and Britney Spears. When you have Elton John sharing his Artist Wrapped or Drake organically sharing his personal listening stats on socials, you know you’ve tapped into the cultural zeitgeist, which is always the most significant challenge as a brand.
Which new feature of Wrapped did you think was most successful?
This year we scaled our short-form video initiative called ‘Your Artist Messages,’ which are self-recorded videos from artists thanking their top fans on Spotify. With an ambitious goal in mind, we galvanized the music industry across the globe to record and upload videos via Spotify for Artists to reward top fans for streaming on Spotify. Artists from Taylor Swift to Måneskin to Dolly Parton to Lil Baby participated, reaching hundreds of millions of listeners on Spotify. When eligible listeners selected “Your Artist Messages” in their 2022 Wrapped hub on Spotify, they would see a personalized feed of videos from some of their favorite artists this year. This was a massive win, not only for the users’ experience, but for product development at large.
Looking at the top songs/artists/albums of 2022, which trend was the most personally interesting to you?
The longevity of Glass Animals’ “Heat Waves” domination is unparalleled. A viral indie pop song from 2020 was the No. 2 song globally in 2022, surpassing some of the biggest household names. It’s a feat to not only achieve a viral hit, but also to transcend it and maintain sustained relevancy. It’s a testament to the power of social media, combined with the fact that the appetite for catalog is only growing, which is a trend evidenced across the board with many of the most popular titles being released prior to 2022.
Fill in the blank: when it comes to exploring their Spotify Wrapped, not enough listeners are talking about their _______.
Audio Day descriptors. I need to know who else is channeling “upbeat gothic angst!” – JL
Season’s Gainings: What Are You Streaming New Year’s Eve?
Though the Christmas music season comes to an end shortly after the last present is unwrapped on Dec. 25, there’s still plenty of New Year’s holiday listening to be done as we turn the calendar over. Such themed songs saw a big streaming bump on Dec. 31 and Jan. 1, including Death Cab for Cutie’s “The New Year” (up 345% from Dec. 30 to Jan. 1, to nearly 40,000 official on-demand U.S. streams, according to Luminate), U2’s “New Year’s Day” (up 215% to nearly 75,000) and Taylor Swift’s “New Year’s Day” (up 333% to to 361,000). Hope you got your share of seasonal listening in while you could these holidays, since President’s Day and Groundhog Day don’t yet offer the same variety of soundtrack options. – AU
Welcome to The Contenders, a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard 200 albums chart dated Jan. 14): SZA’s SOS kicks off 2023 as the album still to beat, while sets from ATEEZ and Fuerza Regida freshen up the chart.
SZA, S.O.S. (Top Dawg Entertainment/RCA). After five years, SZA’s second album had a blockbuster No. 1 debut in December, with 318,000 equivalent album units. The album, which built on SZA’s accelerating momentum over that layover period (including viral solo hits and appearances on radio smashes from Kendrick Lamar and Doja Cat), is still putting up huge numbers in early 2023, just spending its third week at No. 1 on the Billboard 200 with over 100,000 units. SOS seems likely to spend winter 2023 how Bad Bunny’s Un Verano Sin Ti spent last summer and Taylor Swift’s Midnights spent last autumn – as the chart’s default No. 1 for any week where there isn’t a major new release to depose it.
When might that first major new release come? Star rapper YoungBoy Never Broke Again announced this week that his I Rest My Case album would come out Jan. 6, as the first release from his new Motown home – though releasing seven full-length projects in 2022 seems to have slowed his chart momentum. Still, 2022’s first two major releases (Gunna’s DS4ever and The Weeknd’s Dawn FM, both released Jan. 7) were both announced mere days before release, so the first big bow of 2023 may well be an album we don’t know about yet.
ATEEZ, Spin Off: From the Witness (KQ Entertainment/RCA) Eight-member K-pop boy band ATEEZ scored a major chart breakthrough last summer with The World EP.1: Movement, which debuted at No. 3 on the Billboard 200. New set Spin Off: From the Witness may follow Movement to the chart’s top tier – boosted, of course, by at least six different collectible CD variants (including one signed by the group), each containing a set of standard branded paper goods and randomly chosen items (like photocards and posters).
Fuerza Regida, Sigan Hablando (Rancho Humilde/Street Mob). Regional Mexican quintet Fuerza Regida landed their first Billboard Hot 100 hit this week with the TikTok-boosted Grupo Frontera collab “Bebe Dame,” which debuts at No. 91. That song is found on the group’s latest album, Sigan Hablando (released Dec. 28), which should ride the “Bebe” bump to their first entry on the Billboard 200 – though the group has already reached the Top Latin Albums chart five times, and spent 18 weeks atop the Regional Mexican Albums chart in 2022 with their Del Barrio Hasta Aqui set.
Puerto Rican Maldy starts off the new year with a new career success as “Gatúbela,” with Karol G, captures first place on Billboard’s Latin Rhythm Airplay chart (dated Jan. 7). The song gives the reggaetón singer his first champ as a soloist on any airplay chart.
“Gatúbela,” produced by DJ Maff, arrives at the summit with a 3-1 jump, generating 7 million in audience impressions, up 1%, earned in the U.S. in week ending Dec. 29, according to Luminate. The track was released Aug. 26 via Universal Music/UMLE and reaches a No. 1 in its 18th week.
Maldy, one-half of veteran reggaetón duo Plan B, scores his first chart-topper on any airplay ranking a decade after he earned a first Latin Rhythm Airplay entry. He reached a No. 21 high prior with “La Formula Sigue,” with Zion, Arcangel, Lennox, Chencho, and RKM & Ken-Y, in 2012. During his Plan B era, Maldy went as high as No. 4 with “Mi Vecinita” in 2014.
Karol G, meanwhile, enters a tie for the eighth-most No. 1s on Latin Rhythm Airplay. She matches Don Omar, Nicky Jam and Yandel, all with 14 leaders.
Here’s the scoreboard since the list begun in 2005:
34, Daddy Yankee
34, J Balvin
28, Ozuna
19, Bad Bunny
19, Maluma
19, Wisin
19, Wisin & Yandel
14, Don Omar
14, Karol G
14, Nicky Jam
14, Yandel
Harry Styles really did own the keys to 2022. The British pop singer’s third studio album Harry’s House was the biggest LP of the year in the U.K., according to new data published by the Official Charts Company.
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The ex-One Direction singer leads the year-end albums survey with Harry’s House, which shifted north of 460,000 U.K. chart units over the year, including 160,000 sales (150,000 physical and 10,000 downloads), the OCC reports.
Harry’s House logged six non-consecutive weeks atop the Official U.K. Albums Chart in 2022, more than any other album, and the lead single from it, “As It Was,” tops the U.K.’s year-end singles survey.
Compatriot Ed Sheeran comes in at No. 2 on the year-end albums list with = (Equals), which snaffled upwards of 433,000 U.K. chart units during the calendar year. Sheeran has made a career habit of racking up big numbers. In November, the OCC announced all four of his solo studio albums — (Plus), x (Multiply), ÷ (Divide) and = (Equals) — had spent a total of at least a year inside the Official Albums Chart top 10.
Completing the 2022 podium is Taylor Swift’s Midnights, which, in less than three months, captured more than 417,000 U.K. chart sales, including 217,000 sales (206,000 physical copies and11,000 downloads). Midnights got away to a particularly explosive start. First-week U.K. chart sales exceeded 204,000, more than double her previous best, 2014’s 1989 (90,300 chart units).
It’s hard to keep a good thing down. That’s certainly the case with ABBA and Queen’s barnstorming career retrospective albums. ABBA Gold became the first album in U.K. chart history to log 1,000 weeks on the chart, a feat it achieved in July 2021. It’s still going strong. Powered by the ABBA Voyage virtual residency in London, the LP appears at No. 10 on the year-end U.K. chart. Indeed, Gold improves 20-13 on the latest Official U.K. Albums Chart, doing so in its 1,078 week.
Queen’s 1981 release Greatest Hits reached the 1,000-week milestone on the U.K. chart in 2022, and it finished the year in 11th place on the year-end tally. Greatest Hits is the best-selling album in U.K. recorded music history, shifting more than seven million combined units.
Music streaming reached new heights in 2022, the BPI reports. Across digital and physical formats, the equivalent of 166 million albums were streamed or purchased during the year, up 4.3% on 2021.
Official Top 40 biggest albums of 2022
Harry’s House, Harry Styles
=, Ed Sheeran
Midnights, Taylor Swift
The Highlights, The Weeknd
Sour, Olivia Rodrigo
Curtain Call – The Hits, Eminem
Diamonds, Elton John
50 Years – Don’t Stop, Fleetwood Mac
Between Us, Little Mix
Gold – Greatest Hits, ABBA
In the year that saw King Charles ascend the throne, it was Harry Styles who was crowned on the U.K. charts.
The pop superstar rules 2022’s year-end singles and albums charts, with “As It Was” and its parent, Harry’s House, respectively, according to new data published by the Official Charts Company.
Released in April 2022, “As It Was” reigned over the Official U.K. Singles Chart for 10 weeks, and went on to shift 1.57 million combined units, the OCC reports.
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“As It Was” also finished the year as the most-streamed song in the U.K., with more than 180.9 million audio and video streams, and it was the best-seller across combined physical and digital formats, raking-in 65,000 units.
The former One Direction singer leads an all-British sweep of the top 10 tracks of 2022 in the U.K. — a first in the 50-plus year history of the year-end singles chart.
Coming in at No. 2 on the Official Top 40 Biggest Singles of 2022 is Ed Sheeran “Bad Habits,” with 1.18 million chart units. “Bad Habits” was the No. 1 song in the U.K. in 2021.
Afrobeats star Fireboy DML lands at No. 3 with “Peru” (featuring Sheeran), BRITs Rising Star nominee Cat Burns is at No. 4 with “Go,” and Sheeran completes the top 5 with “Shivers.”
2022 was a remarkable year for Kate Bush and her 1985 song “Running Up That Hill (A Deal With God)” which roared off the back of Netflix’ Stranger Things, in which is was synced to several pivotal moments. The song was embraced a new generation as it finally reached No. 1, some 37 years after its release. As it completed the path to the top, Bush broke a trio of records, including the longest journey a single to reach No. 1 in the U.K.
Also, notes the OCC, LadBaby bagged the fastest-selling single in its first week based on pure sales, “Food Aid,” which pulled-in more than 59,000 first-week sales. The charity fund-raising single was the most-downloaded song of the year, and a record-breaker, as it delivered the husband-and-wife Hoyle duo a fifth consecutive Christmas No. 1.
The OCC’s year-end reports are published as the BPI announces 159 billion music tracks were streamed in the U.K. last year, a new record which represents a 8.2% gain on 2021, and more than double the volume from five years ago.
Official Top 40 biggest songs of 2022
“As It Was,” Harry Styles
“Bad Habits,” Ed Sheeran
“Peru,” Fireboy DML & Ed Sheeran
“Go,” Cat Burns
“Shivers,” Ed Sheeran
“Running Up That Hill (A Deal With God),” Kate Bush
“Heat Waves,” Glass Animals
“Where Are You Now,” Lost Frequencies/Calum Scott
“Afraid To Feel,” LF System
“Seventeen Going Under,” Sam Fender