Chart Beat
Page: 34
Bad Bunny’s “DtMF” blasts to No. 1, from No. 12, on the Billboard Global 200 chart. The song becomes the superstar’s fifth leader on the list, tying Taylor Swift for the second-most, and the most among soloists, since the survey began in September 2020. BTS leads all acts with seven No. 1s.
Bad Bunny scores five simultaneous Global 200 top 10s, all from his new LP, DeBÍ TiRAR MáS FOToS, which ascends to No. 1 on the U.S.-based Billboard 200 albums chart. The set reigns following its first full tracking week of activity (Jan. 10-16; it was released Jan. 5).
The Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“DtMF” rules the Global 200 with 130.5 million streams and 3,000 sold worldwide Jan. 10-16. Bad Bunny previously hit No. 1 with “Monaco,” for a week upon its debut in October 2023; “Where She Goes” (in its debut week in June 2023); “Un x100to,” with Grupo Frontera (two weeks, May 2023); and “Dakiti,” with Jhay Cortez (now Jhayco; three, November-December 2020).
Bad Bunny also infuses the Global 200’s top 10 with “BAILE INoLVIDABLE” (10-4), “NUEVAYoL” (9-5), “VOY A LLeVARTE PA PR” (14-8) and “VeLDÁ” (22-9). With three new top 10 hits, he swells his count to 24 top 10s since the chart began. Only Drake (35) and Swift (33) have more.
Also in the Global 200’s top five, ROSÉ and Bruno Mars’ “APT.” descends to No. 2, following 11 weeks at No. 1 beginning upon its debut in November, and Lady Gaga and Mars’ “Die With a Smile” dips 2-3, following eight weeks at No. 1 beginning in September.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow, Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Lady Gaga and Bruno Mars’ “Die With a Smile” secures a third total and consecutive week at No. 1 on the Billboard Hot 100 songs chart.
The ballad became Gaga’s sixth Hot 100 leader and Mars’ ninth. Gaga ties her second-longest command, as her debut smash “Just Dance,” featuring Colby O’Donis, ruled for three weeks in January 2009. She dominated for six weeks in February-April 2011 with “Born This Way.”
Mars runs up his fifth Hot 100 reign of three or more weeks, following his featured turn on Mark Ronson’s “Uptown Funk!” (14 weeks at No. 1, in 2015) and his own “Locked Out of Heaven” (six, 2012-13), “Grenade” (four, 2011) and “Just the Way You Are” (four, 2010).
Bad Bunny blasts to the Hot 100’s top 10 with three songs, all from his new album, DeBÍ TiRAR MáS FOToS, which surges to No. 1 on the Billboard 200 chart: “DtMF” (38-2), “BAILE INoLVIDABLE” (28-3) and “NUEVAYoL” (27-8). He ups his count to 15 career top 10s – extending his mark for the most all-time among acts who record primarily Latin music. He also now boasts 13 top 10 hits recorded in Spanish, the most non-English-language top 10s among all artists. “DtMF” concurrently becomes his second No. 1 on the Streaming Songs chart.
Plus, ROSÉ and Bruno Mars’ “APT.” holds at its No. 5 Hot 100 high and ascends to No. 1 on the Digital Song Sales chart, where it becomes their first and 11th leader, respectively.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow (Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Airplay, Streams & Sales
Karol G is in a league of her own as “Si Antes Te Hubiera Conocido” adds a 26th week at No. 1 on Billboard’s overall Latin Airplay chart (dated Jan. 25), breaking the record for the most weeks among all songs since the list launched in 1994.
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The merengue tune surpasses the 25-week domination by Shakira’s “La Tortura,” featuring Alejandro Sanz, a record the song held since Nov. 2005, when it outdid the 20-week mark by Son By Four’s “A Puro Dolor.”
“Si Antes Te Hubiera Conocido,” released June 21, 2024, also remains as the top performer on the Tropical Airplay chart, where it has led the list for 28 weeks (of its total 31 weeks on the chart). Karol G might also set a new record on the tropical ranking, as she is one week away from tying Prince Royce‘s record of 29 nonconsecutive weeks at No. 1 with “Carita de Inocente” in 2020. (It stepped aside for one week during its run atop the list, when Kyen?Es? sneaked-out one week atop the chart with “El Carnaval de Celia: A Tribute (La Vida Es Un Carnaval/ La Negra Tiene…)” in September 2020.
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“Si Antes Te Hubiera Conocido,” commands both Latin Airplay and Tropical Airplay despite a 13% decline in audience impressions, to 10 million, earned during the Jan. 10-16 tracking week in theU.S., according to Luminate. The global hit gave Karol her 18th No. 1 on the overall Latin radio ranking when it landed at the summit last July, the second-most among women, just behind Shakira who continues at the helm with 24 champs.
While “Si Antes” spent its last week on the multi-metric Hot Latin Songs chart on the Jan. 11-dated list (due to the colossal take over by Bad Bunny’s new album), it also left a mark in 2024, tying with Xavi’s “La Diabla” and FloyyMenor and Cris MJ’s “Gata Only” for the most weeks at No. 1, all with 14 weeks at the summit. Further, in addition to “Qlona,” with Peso Pluma (No. 5), Karol’s “Si Antes” became only the second song by a female artist to close in the top 10 on the year-end Hot Latin Songs chart in 2024, at No. 8.
The new Jan. 25, 2025-dated charts will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Following its first full week of activity, Bad Bunny’s Debí Tirar Más Fotos climbs 2-1 on the Billboard 200 albums chart (dated Jan. 25), scoring the superstar his fourth leader on the list. Bunny’s album was released on an off-cycle Sunday (Jan. 5), and, thus, it arrived on the chart a week ago with only five days of activity (as the chart’s tracking week runs Friday through Thursday).
In the tracking week ending Jan. 16, Debí Tirar Más Fotos earned 203,500 equivalent album units (up 67%) in the U.S., according to Luminate — largely driven by streaming activity. The set was only available as a standard 17-song streaming album, and as a digital download for purchase (widely through all digital retailers, as well as Bunny’s official webstore). Traditional album sales drove just under 8,000 of the album’s activity for the week.
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Bunny previously led the Billboard 200 with Nadie Sabe Lo Que Va a Pasar Mañana (in 2023), Un Verano Sin Ti (2022) and El Último Tour del Mundo (2020).
At No. 2 on the Billboard 200, Taylor Swift’s 2023 album Lover: Live From Paris reenters, with 202,500 equivalent album units earned, all from album sales, following its reissue on vinyl (161,000 sold for the week), as well as its first release as a digital download album. The album was exclusively available only to purchase as either a vinyl LP or download in Swift’s webstore. It marks the 18th top 10-charting effort for Swift and the highest-charting live album in over five years. It’s the top-selling album of the week, and also scores the single-largest sales week for a live album on vinyl since Luminate began tracking sales in 1991.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 25, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 203,500 equivalent album units earned in the week ending Jan. 16, SEA units comprise 195,000 (up 72%, equaling 264.03 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart for a second week), traditional album sales comprise 7,500 (down 3%, falling 6-8 on Top Album Sales) and TEA units comprise 1,000 (up 123%).
The 264.03 million streams of the album’s songs mark the largest streaming week for any album since Kendrick Lamar’s GNX arrived with 379.72 million (Dec. 7, 2024 chart), and the largest for any Latin music album since Bunny’s own Un Verano Sin Ti debuted with 356.55 million (May 21, 2022 chart).
Like in its opening chart week, Debí Tirar Más Fotos was sale priced for $4.99 in the iTunes Store, as well as in Bunny’s webstore.
As Debí Tirar Más Fotos is mostly in the Spanish language, it is the 28th mostly non-English-language album to hit No. 1, and the first of 2025. Four mostly non-English titles topped the list in 2024, and all were Korean-language efforts. Of the 28 mostly non-English-language albums to reach No. 1, 18 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.
Taylor Swift’s Lover: Live From Paris returns to the Billboard 200, reentering at No. 2 with 202,500 equivalent album units earned (up from nothing the week previous). The eight-song set was recorded in 2019 and had a limited release on vinyl in 2023 (exclusively through Swift’s webstore), and spent one week on the Billboard 200 that March, at No. 58.
Lover: Live From Paris is the highest-charting live album on the Billboard 200 in over five years, since Lionel Richie’s Hello From Las Vegas debuted and peaked at No. 2 on the Aug. 31, 2019-dated chart. Further, as Lover: Live From Paris marks Swift’s 18th top 10-charting set, she ties with Mariah Carey for the third-most top 10s among women in the history of the Billboard 200. Only Madonna (with 23) and Barbra Streisand (34) have more among women. (Meanwhile, all 20 of Swift’s Billboard 200 chart entries, dating to her 2006 debut, have now peaked in the top 20.)
Lover: Live From Paris is Swift’s second top 10-charting live set, following Folklore: The Long Pond Studio Sessions (No. 3 in May 2023).
Of Lover: Live From Paris’ 202,500 units earned in the tracking week ending Jan. 16, album sales comprise the entire number (it reenters at No. 1 on Top Album Sales), with vinyl sales accounting for 161,000 (the largest sales week for a live album on vinyl since Luminate began tracking sales in 1991) and digital download sales accounting for the remaining sales. The set has no SEA or TEA units powering its reentry, since the album was not available on streaming services (thus, customers could not stream songs from the album directly), or through digital retailers such as iTunes, so customers couldn’t purchase songs from the album directly.
The Lover: Live From Paris album commemorates Swift’s The City of Lover live show on Sept. 9, 2019, at the Olympia in Paris. It was the only concert that Swift held to promote the 2019 album Lover, after her planned 2020 Lover Fest trek was cancelled due to COVID-19. Swift didn’t return to live shows until the career-spanning The Eras Tour kicked off in March 2023.
The City of Lover live gig was turned into an ABC-TV special on May 17, 2020 (titled Taylor Swift: City of Lover), and included only the eight songs that are also on the Lover: Live From Paris album. The album was initially released as a double-vinyl set, on heart-shaped color vinyl, in early 2023, exclusively through Swift’s webstore. The limited-pressing sold 13,500 copies in its one and only week of availability, and debuted and then-peaked at No. 58 on the Billboard 200 (March 4, 2023-dated chart).
Earlier in January 2025, Lover: Live From Paris was restocked on Swift’s webstore, for a limited time, on the same double-vinyl set, on heart-shaped color vinyl. At the time, customers were informed that the set would ship on or before Jan. 20.
In addition to the vinyl release, Lover: Live From Paris saw its debut as a digital download album, exclusively through Swift’s webstore, for a limited time. On Jan. 16, the final day of the latest chart’s tracking week, the set was made available in Swift’s store across four variants for six hours only, each priced at $4.99. One was the standard eight-song album, and the other three each contained the standard eight songs plus one unique live bonus track of a Lover album cut performed during The Eras Tour (“False God,” “I Think He Knows” and “Paper Rings”).
No version of the Lover: Live From Paris album was available during the tracking week on streaming services, nor through any digital retailer outside of Swift’s webstore. The album’s core eight songs were released as stand-alone tracks in May 2020 (the same week as the premiere of Taylor Swift: City of Lover TV special) widely through digital retailers and streamers.
As for the rest of the top 10 on the latest Billboard 200 chart, four former No. 1s are at Nos. 3-6. SZA’s SOS is steady at No. 3 (102,000 equivalent album units earned; down 10%), Kendrick Lamar’s GNX is a non-mover at No. 4 (64,000; down 4%), Lil Baby’s WHAM falls 1-5 in its second week (55,000; down 60%) and Sabrina Carpenter’s Short n’ Sweet slips 5-6 (48,000; down 6%).
Billie Eilish’s Hit Me Hard and Soft is stationary at No. 7 (40,000 equivalent album units earned; down 7%), the Wicked film soundtrack falls 6-8 (39,000; down 15%), Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (nearly 39,000; down 4%) and Gracie Abrams’ The Secret of Us descends 9-10 (36,000; down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Chappell Roan has returned to No. 1 on the U.K. Official Albums Chart with The Rise and Fall of a Midwest Princess, 15 months after its initial release in September 2023. Explore Explore See latest videos, charts and news See latest videos, charts and news The debut LP from the Missouri singer has spent 40 […]
Gracie Abrams continues her reign over the U.K.’s Official Singles Chart, landing her eighth week at No. 1 with “That’s So True.”
The track, from the U.S. songwriter’s second LP The Secret Of Us, first hit the top spot in November, where it remained for five consecutive weeks until Wham!’s festive classic “Last Christmas” reached the summit. “That’s So True” marked Abrams’ first No. 1 in the U.K., and has stayed in the top spot following the holiday season.
Abrams’ closest challengers also maintain the same chart positions as the tally datedJan. 10. ROSÉ and Bruno Mars team-up “APT.” stands at No. 2, while Lola Young’s “Messy” comes in once again at No. 3.
Gigi Perez’ previous chart-topper “Sailor Song” lands at No. 4, while “The Days” from Bolton-born DJ and producer Chrystal rounds out the top five.
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2025 BRITs Rising Star winner Myles Smith continues his hot streak with “Nice to Meet Ya” rising to No. 6. It marks his second top 10 single in recent months, with silvery pop anthem “Stargazing” having peaked at No. 4 last year before being named by the Official Charts Company as the biggest single by a British act of 2024.
Sabrina Carpenter’s “Bed Chem” (No. 10) returns to the top 10 for the first time since November, while Chappell Roan’s “Pink Pony Club” is also enjoying a comeback moment, leaping six places back into the top 20 (No. 16).
Elsewhere on the chart, Hozier’s BBC Live Lounge cover of Arctic Monkeys’ “Do I Wanna Know?” – initially released in 2014 – enters at No. 26, having recently taken off on TikTok. This marks the fifth top 40 single from the Irish musician. “Push 2 Start” from Afrobeat superstar Tyla, meanwhile, earns a brand new peak this week (No. 23). Notably, influential alt-pop artist Imogen Heap earns a major career first, as she gains her first-ever U.K. top 40 entry as a solo act with “Headlock” (No. 37). Originally featuring on 2005 LP Speak for Yourself, the track’s resurgence is thanks to its inclusion in the 2024 horror game Mouthwashing.
ROSÉ and Bruno Mars’ “APT.” is now solely the highest charted song by an act prominent in K-pop (Korean pop) on Billboard’s Pop Airplay chart, as it ascends a spot to No. 4 on the latest, Jan. 25-dated ranking. The song surpasses BTS’ “Dynamite,” which peaked at No. 5 on the radio ranking in December […]
This week’s ARIA Charts are brimming with milestones, with Sabrina Carpenter and Rosé breaking records while global superstar Bad Bunny makes a splash on the Albums Chart.
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Sabrina Carpenter’s Short N’ Sweet is proving to be a sugar rush for fans, holding strong at No. 1 on the ARIA Albums Chart for 10 non-consecutive weeks. The pop star’s addictive blend of catchy tracks has turned the album into a chart staple since its release in late August.
With 11 of its 12 songs cracking the top 40—including No. 1 hits like “Espresso,” “Please Please Please,” and “Taste”—Sabrina’s got the secret ingredient for success. Even “Bed Chem,” the album’s fourth single, hit No. 10, proving she can keep the hits coming. Short N’ Sweet is truly the gift that keeps on giving.
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Over on the Singles Chart, Rosé and Bruno Mars are holding court with their duet, “APT.” The infectious track secured its 10th non-consecutive week at No. 1, firmly establishing itself as the song of the summer Down Under.
The success of “APT.” extends beyond just the Australian charts. Globally, the track has been a powerhouse, topping the Billboard Global 200 and Billboard Global Excl. U.S. charts for an 11th week each. In November, the song debuted as the stars’ second leader on each list.
For Rosé, it’s her first solo chart-topper, adding to her success with BLACKPINK’s 2022 No. 1, “Pink Venom.” Bruno Mars, meanwhile, continues to rack up accolades, with “APT.” marking his fourth No. 1 single in Australia and his longest-running yet.
Puerto Rican superstar Bad Bunny is also making noise on the ARIA Albums Chart with his seventh studio album, Debi Tirar Más Fotos.
The record skyrocketed from No. 99 to No. 16, marking Bunny’s first appearance in the ARIA Top 50. A three-time GRAMMY winner and Spotify’s most-streamed artist from 2020 to 2022, Bad Bunny’s influence knows no bounds. His latest album has already made a mark on the Billboard Charts, debuting at No. 2 on the US Billboard 200, marking Bad Bunny’s seventh top-ten entry.
Mrs. GREEN APPLE’s “Lilac” holds at No. 1 on the Billboard Japan Hot 100, dated Jan. 15, extending its reign atop the chart to four weeks.
The Oblivion Battery opener saw an increase in streams, video views and karaoke plays this week. Streaming and video both gained by around 20% compared to last week, and the song dominated downloads, streaming, video and karaoke, while coming in at No. 19 for radio. 19 songs by the three-man band are charting on the Japan Hot 100 this week, including three more in the top 10 — “Que Sera Sera” at No. 3, “Bitter Vacances” at No. 5, and “Soranji” at No. 10.
Rosé & Bruno Mars’ “APT” also holds at No. 2. Streams for the long-running hit, which topped the Billboard Global 200 for the 11th week, increased 30% from the week before, and charts in the top 5 for the seventh week. The track comes in at No. 7 for downloads, No. 2 for streaming, No. 15 for radio airplay, No. 2 for video, and No. 27 for karaoke.
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Kis-My-Ft2’s “Curtain call’ debuts at No. 4. The boy band’s 32nd single launched with 121,351 copies to rule sales, while coming in at No. 45 for radio. Lienel’s fifth single “Go Around The World” also bows at No. 6, selling 73,952 copies to hit No.2 for sales and also coming in at No. 26 for radio.
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The song that ruled the radio metric this week was “Sakura, Hirari” by veteran band Southern All Stars, which held the top spot for a second week. The lead single off their upcoming new album THANK YOU SO MUCH, due in March, gained about 70% in radio airplay from the week before. Streams and video views also increased and the song rises 28-25 on the Japan Hot 100.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 6 to 12, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
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