Chart Beat
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INI’s “WMDA (Where My Drums At)” shoots to No. 1 on the Billboard Japan Hot 100, dated Nov. 6.
The lead track off the eleven-member group’s seventh single “The View” dropped on Oct. 30 and launched with 796,758 copies, which is the second highest first-week sales for the boy band following its previous single, “The Frame.” “WMDA” tops sales and comes in at No. 2 for radio No. 3 for downloads, and No. 67 for video views.
Creepy Nuts’ “Otonoke” holds at No. 2. The Dandadan opener leads downloads, streaming and video this week although points for each metric are down.
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Rosé & Bruno Mars’ “APT.” rises two notches to No. 3. Downloads for the track are up 125% and streaming up 135% week-over-week. “APT.” has ruled Billboard’s Global 200 and Global 200 Exc. US charts for two consecutive weeks. The catchy pop number is spreading throughout the world through TikTok and other channels.
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THE RAMPAGE from EXILE TRIBE’s “Endless Happy-Ending” bows at No. 4. The track featured as the opener for the anime series FAIRY TAIL 100 Years Quest sold 71,223 copies to come in at No. 3 for sales, No. 4 for radio airplay, and No. 92 for streaming.
aespa’s “Whiplash” rises 13-7. Streams for the title track off the girl group’s mini-album have increased 142% compared to the previous week, and radio is also up 199%.
AKASAKI’s “Bunny Girl” rises a notch to No. 8, steadily climbing the ranks for four straight weeks. Streaming for the track is up 108%, downloads up 161%, and videos up 119%, with the growth rate for downloads being particularly large compared to the week before.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Oct. 28 to Nov. 3, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
The Funeral Portrait ranks at No. 1 on a Billboard chart for the first time, as “Suffocate City,” featuring Ice Nine Kills’ Spencer Charnas, tops the Mainstream Rock Airplay tally dated Nov. 16.
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Rising a spot to No. 1, “Suffocate City” is the Atlanta-based band’s first entry on any Billboard chart. The act is the third to notch a first ruler on the ranking as a lead act in 2024, following Wage War with “Magnetic” in August and Daughtry with “Artificial” in February.
As for acts ruling with maiden-charting songs in a lead role on Mainstream Rock Airplay, The Funeral Portrait is the first since Jelly Roll led with “Dead Man Walking” in May 2022. As Jelly Roll had made songs-based Billboard charts before then, The Funeral Portrait is the first act to lead with a first charted track on any ranking since Nita Strauss, whose “Dead Inside,” alongside David Draiman, topped Mainstream Rock Airplay in January 2022.
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As for Charnas, the frontman of Ice Nine Kills, “Suffocate City” is his first leader on any chart, too. As a soloist, he reached No. 16 on Mainstream Rock Airplay in February 2023 as featured on Fame on Fire’s “Welcome to the Chaos.” Ice Nine Kills’ Mainstream Rock Airplay best is “A Grave Mistake,” which hit No. 9 in 2019.
Concurrently, “Suffocate City” bullets at No. 12 on the all-rock-format, audience-based Rock & Alternative Airplay chart, after reaching No. 11 a week earlier. It earned 2.5 million audience impressions in the week ending Nov. 7, up 6%, according to Luminate.
On the most recently published multimetric Hot Hard Rock Songs chart (dated Nov. 9, reflecting data in the week ending Oct. 31), “Suffocate City” hit a new No. 17 high. In addition to its radio airplay, it drew 156,000 official U.S. streams.
“Suffocate City” is the lead single from Greetings From Suffocate City, which was released on Sept. 13 and has earned 12,000 equivalent album units to date.
All Billboard charts dated Nov. 16 will update on Billboard.com Tuesday, Nov. 12.
Koe Wetzel and Jessie Murph’s “High Road” travels to the top 10 on Billboard’s Country Airplay chart as it rises two spots to No. 10 on the list dated Nov. 16. The song – each act’s first entry on the survey – increased by 17% to 17.5 million in audience Nov. 1-7, according to Luminate. […]
The new SUNSET BLVD: The Album musical cast recording, led by Nicole Scherzinger, debuts at No. 1 on Billboard’s Cast Albums chart dated Nov. 9. The Cast Albums chart ranks the top-selling cast recordings of the week in the United States, based on traditional album sales, according to data tracking firm Luminate. The Nov. 9-dated […]
Andrea Bocelli lands his 12th top 10-charting effort on Billboard’s Top Album Sales chart (dated Nov. 9) with his new compilation, Duets: 30th Anniversary. The star-studded set — which includes previously released collaborations as well as newly-recorded pairings — enters the chart at No. 6 with 20,000 copies sold in the United States in the week ending Oct. 31, according to Luminate.
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Duets: 30th Anniversary also debuts atop Billboard’s overall Classical Albums chart and Classical Crossover Albums chart. It marks his 22nd and 16th leaders on the lists, respectively, extending his record for the most No. 1s in each chart’s history. On the Billboard 200, the new Duets set enters at No. 24, landing Bocelli his 21st top 40-charting set on the all-genre ranking.
The project, which celebrates Bocelli’s 30th anniversary in music, includes new performances with the likes of Chris Stapleton, Gwen Stefani and Shania Twain, alongside previously released duets with Sarah Brightman, Céline Dion, Ed Sheeran and many others.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.
The Classical Albums chart ranks the most popular classical albums of the week, ranked by equivalent album units. The Classical Crossover Albums chart ranks the top-selling classical crossover titles of the week.
The rest of the top 10 on the latest Top Album Sales chart is filled with debuts and re-entries – only one title is a holdover from the previous week.
Tyler, the Creator’s CHROMAKOPIA bows at No. 1 with 142,000 copies sold (his best sales week ever and third No. 1) while Halsey’s The Great Impersonator debuts at No. 2 with 81,000. Both albums’ sales were bolstered by an array of boxed sets and variants in their first week of availability.
Eminem’s The Death of Slim Shady (Coup de Grâce) re-enters at No. 3 on Top Album Sales with 37,000 sold (up 1,954%) following its release on vinyl and cassette. Kelsea Ballerini’s Patterns opens at No. 4 with 35,000 sold (her second-largest sales week), aided by multiple physical and digital variants (including a signed CD and a signed vinyl).
Grateful Dead’s latest live archival project, Dave’s Picks, Volume 52: The Downs at Sante Fe, Santa Fe, NM – 9/11/83, bows at No. 5 with 20,000 sold. SEVENTEEN’s chart-topping SPILL THE FEELS falls 1-7 in its second week (18,000; down 72%).
iTZY lands its sixth top 10-charting set on Top Album Sales as GOLD debuts at No. 8 with 14,000 sold. The album’s sales were supported by its availability across 11 collectible CD variants, each containing collectible paper ephemera. Aespa’s Whiplash starts at No. 9 with nearly 14,000 sold, marking the sixth top 10 for the act. Whiplash was issued in five different CD variants.
Rounding out the top 10 of the new Top Album Sales chart is Green Day’s chart-topping American Idiot, which re-enters at No. 10 with nearly 13,000 sold (up 1,989%). The album was first released in 2004, and was reissued on Oct. 25 for its 20th anniversary in an array of deluxe editions, some containing a wealth of bonus tracks. American Idiot spent three nonconsecutive weeks at No. 1 in 2004-05.
Tyrese ends a nine-year absence from the No. 1 spot on Billboard’s Adult R&B Airplay chart as “Wildflower” rules the list dated Nov. 9. The single rises from the runner-up slot and becomes the most played song on U.S. monitored adult R&B radio stations in the tracking week of Oct. 25 – 31, according to […]
Tyler, the Creator earns his first No. 1 on Billboard’s Streaming Songs chart with “St. Chroma,” featuring Daniel Caesar, which debuts atop the Nov. 9-dated ranking.
“St. Chroma,” which was released on Oct. 28, earned 24.3 million official U.S. streams in the tracking week ending Oct. 31, according to Luminate. That means the song was able to reign despite having three fewer days of tracking than the vast majority of its competition.
The rapper’s previous top-performing songs on Streaming Songs, which began in 2013, had been “Earfquake” and “Wusyaname” (the latter featuring YoungBoy Never Broke Again and Ty Dolla $ign), both of which peaked at No. 3 in 2019 and 2021, respectively.
In fact, two songs from Chromakopia, Tyler, the Creator’s new album, top his previous bests. “Noid,” the album’s lone pre-release single (it premiered Oct. 21), appears at No. 2 with 23.2 million streams in its first full frame.
It’s the first time since the Sept. 7-dated Streaming Songs that the same act holds the top two of the chart. Sabrina Carpenter did so with “Taste,” which debuted at No. 1 that week, followed by “Please Please Please” at No. 2.
As for Caesar, “St. Chroma” is the singer’s second No. 1 on Streaming Songs, both coming as a featured act and also as No. 1 debuts; he previously appeared on Justin Bieber’s “Peaches,” alongside Giveon, which ruled for a week in 2021.
In all, Tyler, the Creator boasts 13 songs – including five of the top 10 on the latest Streaming Songs list. Only Chromakopia’s “I Hope You Find Your Way Home” misses the 50-position survey.
“St. Chroma” also becomes his second leader on R&B/Hip-Hop Streaming Songs, following the one-week reign of “Wusyaname.”
Concurrently, as previously reported, “St. Chroma” sports Chromakopia’s top rank on the Billboard Hot 100 – No. 7 – and the album bows atop the Billboard 200.
Yeah Yeah Yeahs’ “Maps” tops the TikTok Billboard Top 50 for a fifth week, while social media stars A.J. & Big Justice snag their first top 10 on a Billboard chart with “We Bring the Boom!” on the Nov. 9-dated ranking.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Oct. 28-Nov. 3. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Maps” leads Alphaville’s “Forever Young” and Akon’s “Akon’s Beautiful Day” at Nos. 1-3, respectively, maintaining a hold on the top three that’s persisted for the past three weeks (while the top two has remained intact for even longer, a four-week run).
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The rest of the chart’s top 10, however, sees movement – including TikTok stars’ A.J. & Big Justice’s “We Bring the Boom!,” which jumps 15-7 in its second week on the tally. The father-and-son duo’s catchphrase-addled theme song was uploaded to streaming services in early July, with remixes adding new verses from affiliated stars like The Rizzler coming last month.
It’s the latter that drives the lion’s share of the activity for “We Bring the Boom!,” with a dance trend highlighting The Rizzler’s verse among the most-engaged-with uploads in recent weeks. A.J. & Big Justice’s original dance to the song also continues to trend on the platform.
In the tracking week ending Oct. 31, “We Bring the Boom!” earned 434,000 official U.S. streams, a boost of 33%, according to Luminate.
Ahead of “We Bring the Boom!,” The Cramps’ “Goo Goo Muck” leaps into the top five of the chart for the first time, lifting 9-4. The 1981 track from the band’s album Psychedelic Jungle sports a yearly gain around Halloween these days, particularly after its synch in the 2022 Netflix series Wednesday, but this year it scores additional prominence thanks to a trend where a creator is running from a serial killer or some sort of danger, only to turn back around (and often beginning to disrobe) when learning that their pursuer is attractive.
“Goo Goo Muck” earned 1.9 million streams in the week ending Oct. 31, with its gain of 126% also attributable to general Halloweentime jumps.
Two songs debut within the top 10, led by 21 Savage and Metro Boomin’s “Runnin,” which debuts at No. 5. The Savage Mode II track, released in 2020, benefits from a photo collage-based trend involving misdirection (example: “he didn’t like my red hair, so I went brown,” but the user choosing a new significant other who has brown hair).
“Runnin” is up 4% in the Oct. 25-31 tracking week to 2.7 million streams. It debuted and peaked at No. 9 on the Billboard Hot 100 in October 2020.
A brand new song in Tyler, the Creator’s “Like Him” joins “Runnin” in the TikTok Billboard Top 50’s top 10, debuting at No. 6. It’s one of 14 new songs from the rapper’s album Chromakopia released Oct. 28, with “Sticky” also joining it on the latest survey at No. 50.
“Like Him” is driven by a TikTok trend featuring edits showing often complicated relationships between children and their parents, fictional or otherwise, while others use the tune to make comparisons between athletes past and present.
The Lola Young-featuring song debuts at No. 45 on the Hot 100, as previously reported, via 12.4 million streams in its first four days of availability.
And while the latest TikTok Billboard Top 50 is inundated with Halloween-themed material (Crystal Knives and Lex Allen’s “Spooky, Scary Skeletons” ranks at No. 11, while The Party Cats’ “This Is Halloween” cover shows up at No. 25, some users got a head start on the Christmas season, as Mariah Carey’s “All I Want for Christmas Is You” bows at No. 17, followed by Wham!’s “Last Christmas” at No. 48. Carey’s holiday standard reigned for two weeks last year, while “Last Christmas” peaked at No. 2.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Halsey’s The Great Impersonator debuts atop Billboard’s Top Rock & Alternative Albums and Top Alternative Albums charts dated Nov. 9. The set earned 93,000 equivalent album units in the United States in the week ending Oct. 31, according to Luminate. That sum includes 81,000 via traditional album sales. Halsey previously ruled Top Alternative Albums for […]
Bluey: Rug Island bows atop Billboard’s Kid Albums chart (dated Nov. 9), powered by vinyl sales of the set. The soundtrack was released Oct. 25 and is the companion to the hit animated series Bluey. The project includes music from all three seasons of the show, which premiered in 2018. In the United States, Bluey […]