State Champ Radio Chart Beat
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Kendrick Lamar writes another winning chapter to his GNX era as the album becomes only the third project with four No. 1 hits on Billboard’s Rhythmic Airplay chart. The set finds its fourth leader on the chart dated May 31, as “Peekaboo,” featuring AzChike, jumps from No. 4. With the quartet, GNX ties Doja Cat’s Planet Her and SZA’s SOS (inclusive of its standard and deluxe LANA editions) for the most champs in the chart’s 32-year history.
“Peekaboo,” released and promoted through pgLang/Interscope/ICLG, ascends as the most-played song on U.S. panel-contributing rhythmic radio stations in the tracking week of May 16-22, according to Luminate, improving 19% in plays at the format compared with the prior week. Thanks to the surge, “Peekaboo” wins the Greatest Gainer award, given each week to the song with the largest increase in play count.
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The new champ takes over from Drake’s “Nokia,” which ruled the ranking for the last two frames. The Lamar-Drake exchange wraps a photo finish between the two rivals, whose feud ignited into one of the defining pop-culture storylines of 2024. “Nokia” slides to No. 2 with an 8% decrease in plays during the tracking week.
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With “Peekaboo,” Lamar achieves his 11th No. 1 on Rhythmic Airplay, six of which have arrived in the last year. Here’s a review of his radio-ruling collection:
“Humble.,” three weeks at No. 1, beginning June 6, 2017“Loyalty.,” feat. Rihanna; one, Sept. 30, 2017“Love.,” feat. Zacari; one, Dec. 30, 2017“Pray for Me,” with The Weeknd; two, April 18, 2018“Like That,” with Future and Metro Boomin; four, May 18, 2024“Not Like Us,” 12, June 15, 2024“Squabble Up,” two, Jan. 18, 2025“TV Off,” feat. Lefty Gunplay; four, Feb. 8, 2025“Luther,” with SZA, one, March 1, 2025“30 for 30,” with SZA, two, March 8, 2025“Peekaboo,” feat. AzChike, one (to date), May 31, 2025
Featured artist AzChike, meanwhile, captures his first Rhythmic Airplay No. 1 with “Peekaboo,” likewise his first entry on the list.
As mentioned, “Peekaboo” joins “Squabble Up,” “TV Off” and “Luther” for a record-tying four Rhythmic Airplay No. 1s from Lamar’s GNX album. The set matches the counts of:
Doja Cat’s Planet Her – “Kiss Me More” (feat. SZA), “You Right” (with The Weeknd), “Need to Know” and “Woman” in 2021-22
SZA’s SOS – “Kill Bill,” “Snooze,” “Saturn” and “30 for 30” (with Lamar) in 2023-25. The former pair are from the standard SOS, with the latter added through its deluxe LANA edition.
Morgan Wallen’s 37-song collection I’m the Problem blasts in atop Billboard’s Top Country Albums chart (dated May 31), as well as the all-genre Billboard 200. The set (which contains one more track than on his previous LP, 2023’s One Thing at a Time) grants the singer-songwriter from Sneedville, Tenn., his fourth and third leader, respectively.
In its first week (May 16-22), I’m the Problem earned 493,000 equivalent album units in the United States, according to Luminate — the biggest week by that metric of 2025.
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I’m the Problem (on Big Loud/Mercury/Republic) sold 133,000, marking Wallen’s best career sales week, inclusive of a personal-best vinyl sales frame of 48,000. The set’s sales were helped by its availability on vinyl across five variants. (One Thing at a Time wasn’t released on vinyl until its fourth week on sale.)
On the streaming-, airplay- and sales-based Hot Country Songs chart, Wallen boasts 37 tracks — the entirety of I’m the Problem — as he breaks his own record for the largest one-week share of the survey, surpassing the 35 that he logged on the March 18, 2023, chart when One Thing at a Time debuted at No. 1 on Top Country Albums and the Billboard 200.
“What I Want,” featuring pop star Tate McRae, Wallen’s first collaboration with a female artist, rockets in atop Hot Country Songs, marking his 11th chart-topper and record-extending eighth No. 1 arrival.
As for the 21-year-old McRae from Calgary, Alberta, she scores her first Hot Country Songs No. 1 with her rookie entry in the genre. “What I Want” launches with 31.2 million official U.S. streams, 3.9 million airplay audience impressions and 2,000 sold. As previously reported, the collaboration roars in at No. 1 on the all-genre Billboard Hot 100.
With five debuts in the Hot County Songs top 10, I’m the Problem has generated 13 top 10s (including three leaders), the most top 10s ever from a single album. Wallen infuses the entire top 10 on the May 31 chart, also a first, besting the nine that he logged on March 18, 2023.
Below “What I Want” (which is being promoted to pop and adult radio), “Just in Case,” Wallen’s current single at country radio, hops 3-2 on Hot Country Songs, rebounding to its best rank. The rest of his top 10 monopoly: “I’m the Problem” (2-3, following a week at No. 1 in February); “I Got Better” (No. 4, debut); “Superman” (No. 5, where it flew in a week earlier); “Love Somebody” (6-6, after a week at No. 1 last November); “I Ain’t Coming Back,” featuring Post Malone (8-7, after hitting No. 3); “20 Cigarettes” (No. 8, debut); “Kick Myself” (No. 9, debut); and “Eyes Are Closed” (No. 10, debut).
Wallen ups his career top 10 total on Hot Country Songs to 40. Dating to his first week in the tier, on the chart dated May 12, 2018, with “Up Down” (featuring Florida Georgia Line), his 40 top 10s are almost twice the amount of runner-up Luke Combs (21 in that span).
Alex Warren’s “Ordinary” remains the biggest song in the world, as it notches a fourth week at No. 1 on the Billboard Global 200 and a third week atop Billboard Global Excl. U.S.
Meanwhile, Morgan Wallen adds two Global 200 top 10s, led by “What I Want,” featuring Tate McRae, from his new album, I’m the Problem, which launches at No. 1 on the U.S.-based Billboard 200 with the year’s biggest week by equivalent album units. Plus, JIN’s “Don’t Say You Love Me” debuts in the top 10 of both global surveys, as the BTS member’s parent album Echo starts at No. 3 on the Billboard 200.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Ordinary” leads the Global 200 with 69.7 million streams (up 1% week-over-week) and 11,000 sold (down 5%) worldwide May 16-22.
“Die With a Smile” holds at No. 2 on the Global 200, after 18 weeks at No. 1 starting last September (second only to the 19 weeks at No. 1 for Mariah Carey’s “All I Want for Christmas Is You” since the chart began); ROSÉ and Bruno Mars’ “APT.” repeats at No. 3, after 12 weeks at No. 1 starting in November; and Billie Eilish’s “Birds of a Feather” keeps at No. 4, following three weeks at No. 1 last August.
Wallen’s “What I Want,” featuring McRae, debuts at No. 5 on the Global 200 with 39.3 million streams and 2,000 sold worldwide. Plus, his “Just in Case” hits the top 10 for the first time, at No. 9 (surging from No. 56), with 32.1 million streams (up 83%) and 3,000 sold (up 53%) worldwide. Wallen ups his count to five career Global 200 top 10s and McRae, two; her “Greedy” led the list for two weeks in November-December 2023.
Also in the Global 200’s top 10, JIN’s “Don’t Say You Love Me” enters at No. 7 (42.8 million streams, 32,000 sold worldwide). Here’s an updated count of BTS members’ Global 200 top 10 totals as soloists: Jung Kook (five); Jimin, JIN (three each); V (two); and Suga (one). BTS boasts 11 top 10s as a group.
“Ordinary” crowns Global Excl. U.S. with 50.4 million streams (up 3%) and 5,000 sold (down 5%) outside the U.S.
“Die With a Smile” is steady at No. 2 after 17 weeks atop Global Excl. U.S. starting last September. Only “APT.,” which holds at No. 3, has led longer: 19 weeks, beginning in November. “Birds of a Feather” is likewise stationary, at No. 4, following three weeks at No. 1 last August.
Meanwhile, JIN’s “Don’t Say You Love Me” enters Global Excl. U.S. at No. 5 (38.9 million streams, 19,000 sold worldwide). Here’s an updated rundown of BTS members’ Global Excl. U.S. top 10 totals as soloists: Jung Kook (seven); Jimin (five); JIN, V (four each); and j-hope and Suga (one each). BTS has banked 11 top 10s as a group.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated May 31, 2025) will update on Billboard.com tomorrow, May 27 (one day later than usual due to the Memorial Day holiday in the U.S. May 26). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen claims a massive week on Billboard’s charts (dated May 31), as the country superstar breaks his own record for the most songs ever charted on the Billboard Hot 100 in a single week. He sends a staggering 37 songs onto the latest chart, with all except for one from his new album, I’m […]
The endurance of Teddy Swims’ “Lose Control” hits new historic heights as the song logs a record-breaking 92nd week on the Billboard Hot 100. The single surpasses the run of Glass Animals’ “Heat Waves,” which ran up 91 weeks in 2021-22, for the most time spent on the chart dating to its Aug. 4, 1958, inception.
“Lose Control” debuted at No. 99 on the Hot 100 dated Aug. 26, 2023. It led for a week in March 2024, and became the year’s No. 1 song. It ranks at No. 11 on the latest list, dated May 31, 2025.
The soulful smash has also amassed a record 63 weeks in the Hot 100’s top 10. (Songs have generally logged longer runs on the chart, and at No. 1 and in the top 10, since the survey adopted electronically tracked Luminate data in November 1991.)
Along the way, “Lose Control,” on SWIMS Int./Warner Records, has also ruled the following Billboard charts: the all-format Radio Songs and Digital Song Sales surveys, Adult Contemporary, Adult Pop Airplay, Adult R&B Airplay and Pop Airplay. It also hit No. 2 on Adult Alternative Airplay and the top five on both the Billboard Global 200 and Billboard Global Excl. U.S.
“Lose Control” has even outlasted two follow-up singles that each hit the Hot 100’s top 40: “The Door” (No. 24 peak, last October) and “Bad Dreams” (No. 30, earlier this May). Both songs also reached the top 10 on Adult Pop Airplay and Pop Airplay. Another of Teddy Swims’ hits, “Are You Even Real,” with Giveon, topped Adult R&B Airplay in April.
“Teddy Swims is a once-in-a-generation talent who defies genres, making him truly unique in today’s music landscape,” Warner evp of promotion and commerce Mike Chester told Billboard last year. “When we began promoting ‘Lose Control,’ our journey was carefully planned. From the start, we noticed that the song was resonating in various pockets of culture, creating a strong and diverse fanbase.”
The artist born Jaten Dimsdale, in Conyers Ga., in 1992, and who made his overall Billboard chart debut in 2021, was nominated for best new artist at the Grammy Awards this year. “I love always watching your updates,” he mused of Billboard News’ weekly recap of the Hot 100’s top 10. “It’s like, ‘Here comes Teddy Swims!’ I hope you never stop saying that. I’m grateful.”
Below, browse a rundown of the longest-charting hits in the Hot 100’s history.
92 weeks, “Lose Control,” Teddy Swims
Morgan Wallen takes over the top 10 of the Hot 100. Tetris Kelly:It’s a Morgan Wallen takeover after the release of his new album. This is the Billboard Hot 100 top 10 for the week dated May 31. Jumping back in the top 10 is “Love Somebody.” “A Bar Song (Tipsy)” falls to nine. “Superman” […]
Morgan Wallen’s “What I Want,” featuring Tate McRae, blasts in at No. 1 on the Billboard Hot 100.
The collaboration between the country and pop stars – from Wallen’s new album, I’m the Problem, which soars in at No. 1 on the Billboard 200 with 2025’s biggest week by equivalent album units – is Wallen’s fourth Hot 100 leader and McRae’s first. She surpasses her prior No. 3 best set by “Greedy” in January 2024. In March, McRae notched her first Billboard 200 No. 1 with So Close to What; she’s the first artist this year to lead both lists for the first time.
Wallen previously topped the Hot 100 with “Love Somebody,” also on I’m the Problem, for a week upon its debut in November; as featured on Post Malone’s “I Had Some Help,” which bowed at No. 1 in May 2024 and led for six weeks; and with “Last Night,” for 16 weeks beginning in March 2023, before wrapping as the chart’s top hit that year.
Wallen boasts six songs in all in the latest Hot 100’s top 10, with “I Got Better” also debuting, at No. 7, and “Superman” flying 16-8 in its second week on the chart. He has now charted nine top 10s from I’m the Problem; only Taylor Swift’s The Tortured Poets Department and Midnights (10 top 10s each) have yielded more, with Drake’s Certified Lover Boy also having generated nine.
Meanwhile, Wallen claims the top three spots on the Hot 100, with “What I Want” followed by “Just in Case” at No. 2 and “I’m the Problem” at No. 3 – as he becomes the first artist that primarily records country music to have monopolized the top three in a single week over the chart’s 66-year history.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 31, 2025) will update on Billboard.com tomorrow, May 28 (a day later than usual due to the Memorial Day holiday May 26). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘What I Want’ Airplay, Streams & Sales
05/27/2025
Chesney leads Billboard’s 100-position Top Country Artists of the 21st Century retrospective. Below, find a breakdown of the 2000-24 top 10.
05/27/2025
Country music is a quintessentially American genre, but its global appeal is growing. Case in point: Morgan Wallen’s I’m the Problem, which enters the Official U.K. Albums Chart at No. 1.
Wallen’s 2021 album Dangerous: The Double Album, debuted and peaked at No. 77 on the Official U.K. Albums chart. His 2023 album, One Thing at a Time, debuted and peaked at No. 40 on that chart, setting up his current breakthrough. Speaking to the U.K.’s Official Charts Company, Wallen said: “The massive growth that we’ve seen in the U.K. is truly something special…. I am so grateful and humbled my music is connecting in a place where we have spent time and worked to build a real and meaningful relationship with our fans there. Thank you guys so much!”
I’m the Problem is just the 11th album to reach No. 1 on both Billboard’s Top Country Albums chart and the all-genre Official U.K. Albums chart. All 11 of these albums, which we list below, have been released since the late 1990s.
None of the six artists who have had the most No. 1 albums on Top Country Albums appear on this list. George Strait, who has amassed a record 27 No. 1 albums on Top Country Albums, has never cracked the Official U.K. Albums Chart. Neither have Kenny Chesney, who has had 17 No. 1 albums on Top Country Albums, or the late Merle Haggard, who had 16.
Garth Brooks, who has had 17 No. 1s on Top Country Albums, just missed making this list. He peaked at No. 2 on the Official U.K. Albums Chart in 1994 with In Pieces. That album was No. 1 on Top Country Albums for seven weeks in 1993.
Willie Nelson, who has had 18 No. 1 country albums, topped out at No. 16 with his highest-charting album in the U.K., Legend: The Best of Willie Nelson. Tim McGraw, who has had 17 No. 1 country albums, topped out at No. 43 in the U.K. with his highest-charting U.K. album, Two Lanes of Freedom.
Two late, great singers – Glen Campbell and Jim Reeves – are also not present, even though they both topped both charts (but with different albums). Campbell had nine No. 1 albums on Top Country Albums, but his only No. 1 album in the U.K. (1976’s 20 Golden Greats) was not among them. Reeves, best known for his 1960 ballad smash “He’ll Have to Go,” had four No. 1 albums on Top Country Albums, and two No. 1 albums on The Official U.K. Albums Chart, but none of them overlapped.
Lionel Richie had one No. 1 album on Top Country Albums, 2012’s Tuskegee, on which he teamed with various top country stars, but it stalled at No. 7 on the Official U.K. Albums Chart.
Here are the 11 albums that reached No. 1 on both Billboard’s Top Country Albums chart and the all-genre Official U.K. Albums chart.
Shania Twain, Come on Over
Image Credit: Bob Riha, Jr./Getty Images
Morgan Wallen’s latest studio effort, I’m the Problem, debuts atop the Billboard 200 chart (dated May 31) with the year’s biggest week for any album — 493,000 equivalent album units earned in the United States in the week ending May 22, according to Luminate. It also easily lands the largest streaming week for any album in 2025.
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It’s the third No. 1 for Wallen on the Billboard 200, following 2023’s One Thing at a Time (19 nonconsecutive weeks at No. 1) and 2021’s Dangerous: The Double Album (10 weeks at No. 1, all consecutive). The latter two titles both debuted at No. 1 and have never left the weekly top 50 of the chart. On the latest chart, One Thing at a Time is a non-mover at No. 4 (making Wallen the only act with two concurrent albums in the weekly top five in 2025), while Dangerous shifts 11-12.
I’m the Problem was officially announced in mid-March, and was preceded by eight charting songs on the Billboard Hot 100 over the past 10 months, all of which reached the top 20 of the ranking, including six top 10s (the most top 10s ever from an album prior to its release). Among them were the No. 1 “Love Somebody,” which debuted atop the list last November, and the album’s title track (No. 2 in February).
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Also in the latest Billboard 200 top 10, Jin notches his highest-charting effort as Echo launches at No. 3. The BTS member previously hit the top 10 as a soloist with Happy (No. 4) in 2024.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 31, 2025-dated chart will be posted in full on Billboard‘s website on May 28, one day later than usual due to the Memorial Day holiday in the U.S. on May 26. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of I’m the Problem’s 493,000 first-week equivalent album units, SEA units comprise 357,000 (equaling 462.63 million on-demand official streams of the set’s 37 tracks; it debuts at No. 1 on Top Streaming Albums), album sales comprise 133,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise 3,000.
I’m the Problem is the fifth No. 1 on the Billboard 200 in 2025, of 14 total, to also simultaneously be No. 1 on both Top Album Sales and Top Streaming Albums, following Sleep Token’s Even in Arcadia (May 24), Lady Gaga’s MAYHEM (March 22), Kendrick Lamar’s GNX (Feb. 22) and The Weeknd’s Hurry Up Tomorrow (Feb. 15).
I’m the Problem captures 2025’s biggest week by equivalent album units earned. The last bigger week was the opening frame of Taylor Swift’s The Tortured Poets Department over a year ago. It bowed at No. 1 with 2.61 million units on the May 4, 2024-dated chart.
With 357,000 SEA units equaling 462.63 million on-demand official streams of I’m the Problem’s 37 tracks, the set logs the largest streaming week of 2025 for any album, and the biggest since The Tortured Poets Department’s first week, which snared 891.37 million. I’m the Problem also tallies the second-biggest streaming week ever for any country album, trailing only the opening week of Wallen’s last album, One Thing at a Time, which bowed with 498.28 million clicks.
Meanwhile, with 133,000 copies sold in its first week, I’m the Problem captures Wallen’s biggest sales week ever, the biggest sales week for any country album in 2025 and the fourth-largest sales frame in 2025 among all albums. The last country set to post a bigger sales week was Beyoncé’s Cowboy Carter, when it debuted with 168,000 sold (April 13, 2024-dated chart). I’m the Problem’s sales were helped by its availability on vinyl in its first week. Wallen’s last album, One Thing at a Time, didn’t get its vinyl release until its fourth week on sale.
During its first week, I’m the Problem was available to purchase across five vinyl variants (standard black vinyl, a “first pressing” black vinyl, bone white-colored, coke bottle clear-colored [all exclusively sold in Wallen’s webstore] and a Target-exclusive opaque brown-color edition with a collectible insert), four CD variants (standard, a deluxe boxed set containing a branded T-shirt, a signed CD and a Target-exclusive edition with a collectible insert) and a standard digital download. All variations of the album had the same 37 tracks. All told, of I’m the Problem’s first-week sales, digital downloads comprise 51,000, vinyl comprise 48,000 (Wallen’s best week on vinyl ever, and the largest week for a country album in 2025) and CDs comprise 34,000.
SZA’s chart-topping SOS rises one spot to No. 2 on the latest Billboard 200, earning 47,000 equivalent album units — down 8%.
Jin nabs his highest-charting effort on the Billboard 200 as Echo arrives at No. 3. It’s the second charting solo set for the BTS member, who previously hit the chart with the No. 4-peaking Happy in November 2024.
Echo debuts with 43,000 equivalent album units earned. Of that sum, album sales comprise 35,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,000 (equaling 8.92 million of the album’s tracks) and TEA units comprise 2,000. Echo’s first-week sales were bolstered by its availability across 13 CD variants (all have the standard seven-song tracklist and contain collectible branded paper ephemera) and five download album variants (a standard wide version, a version exclusive to Jin’s webstore containing a bonus voice memo track and three widely available deluxe editions each containing two different remixes of the album’s “Don’t Say You Love Me”).
Nos. 4-9 on the new Billboard 200 are all former No. 1s. Wallen’s One Thing at a Time is steady at No. 4 (42,000 equivalent album units; down 13%); Kendrick Lamar’s GNX rises 7-5 (41,000; down 5%); Sleep Token’s Even in Arcadia falls 1-6 in its second week (38,000; down 70%); Sabrina Carpenter’s Short n’ Sweet steps 8-7 (just over 37,000; down 6%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U drops 5-8 (37,000; down 21%); and Bad Bunny’s Debí Tirar Más Fotos climbs 10-9 (nearly 37,000; down 3%).
Fuerza Regida’s 111XPANTIA closes out the top 10, falling 6-10 with 32,000 equivalent album units earned (down 26%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
