Chart Beat
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ROSÉ and Bruno Mars’ “APT.” spends a fourth week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. Three weeks earlier, the team-up debuted as each artist’s second leader on each list.
Elsewhere, Gigi Perez earns her first Global 200 top 10 with “Sailor Song.” Plus, Gracie Abrams notches her first Global Excl. U.S. top 10 with “That’s So True”; a week before, the song became her first top 10 on the Global 200.
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The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.,” released Oct. 18, rules the Global 200 for a fourth week with 146.4 million streams (down 10% week-over-week) and 14,000 sold (up 2%) worldwide Nov. 8-14. The duet debuted with 224.5 million global streams and logged 207.5 million in its second frame, becoming the first title since the chart started to have drawn at least 200 million streams globally in multiple weeks.
“APT.” also now claims four of the top five streaming weeks on the Global 200 among songs released in 2024:
224.5 million, “APT.,” ROSÉ & Bruno Mars, Nov. 2
207.5 million, “APT. ,” ROSÉ & Bruno Mars, Nov. 9
176.8 million, “Fortnight,” Taylor Swift feat. Post Malone, May 4
162.2 million, “APT. ,” ROSÉ & Bruno Mars, Nov. 16
146.4 million, “APT. ,” ROSÉ & Bruno Mars, Nov. 23
Lady Gaga and Mars’ “Die With a Smile” holds at No. 2 on the Global 200, following eight weeks at No. 1, the most for any song this year. It drew 119.1 million streams (essentially even week-over-week) worldwide Nov. 8-14 and has tallied over 100 million streams globally in each of the last 11 weeks, the longest such streak since the chart began.
Billie Eilish’s “Birds of a Feather” repeats at No. 3 on the Global 200, following three weeks at No. 1 beginning in August; Gracie Abrams’ first top 10, “That’s So True,” enters the top five, rising 6-4 with 59.6 million streams (up 35%) and 4,000 sold (up 30%) worldwide; and Oscar Maydon and Fuerza Regida’s “Tu Boda” dips to No. 5 from its No. 4 high.
Gigi Perez’s first Global 200 entry, “Sailor Song,” breezes into the top 10 (12-10) led by 42.8 million streams (up 6%) worldwide. The New Jersey native solely wrote and produced the song.
“APT.” concurrently crowns Global Excl. U.S. for a fourth week, with 129.6 million streams (down 11%) and 10,000 sold (up 2%) outside the U.S. Nov. 8-14.
“Die With a Smile” holds at No. 2 on Global Excl. U.S. following eight weeks at No. 1; Eilish’s “Birds of a Feather” is steady at No. 3, after three weeks at No. 1 beginning in August; and Oscar Maydon and Fuerza Regida’s “Tu Boda” keeps at its No. 4 high.
Plus, “That’s So True” becomes Abrams’ first Global Excl. U.S. top 10, surging 13-5 with 36.4 million streams (up 43%) and 1,000 sold (up 50%) outside the U.S. The singer-songwriter has opened on over three dozen dates of Taylor Swift’s The Eras Tour, serving as the sole opener for all shows since Oct. 18; she is also set to be the only supporting act for the tour’s remaining dates through Dec. 8.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 23, 2024) will update on Billboard.com tomorrow, Nov. 19. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” adds an 18th week at No. 1 on the Billboard Hot 100. Over the chart’s 66-year history, the song is now one week away from potentially tying for the longest reign, held by Lil Nas X’s “Old Town Road” (featuring Billy Ray Cyrus), which dominated for 19 weeks in 2019. […]
TOMORROW X TOGETHER lands its seventh No. 1 on Billboard’s Top Album Sales chart as The Star Chapter: SANCTUARY opens atop the tally with 95,500 copies sold in the United States in the week ending Nov. 14, according to Luminate. The pop group notched its first No. 1 on the chart in 2020 and has logged at least one new No. 1 in every year since. The only other act to do that is Taylor Swift.
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Also in the top 10 of the latest Top Album Sales chart, ILLIT’s I’ll Like You bows at No. 6 while Kep1er’s Tipi-Tap jumps 35-7 in its second week.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. All charts dated Nov. 14 will be posted to Billboard’s website on Nov. 19.
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The Star Chapter: SANCTUARY’s first-week sales were bolstered by its availability across 23 CD variants (all containing collectible branded paper ephemera, some randomized), eight digital download variants (seven were exclusive to the act’s official webstore; all included bonus tracks).
Tyler, The Creator’s chart-topping CHROMAKOPIA is a non-mover at No. 2 with 28,000 sold (down 37%). Chappell Roan’s former leader The Rise and Fall of a Midwest Princess rises 4-3 with 12,000 (up 9%). Sabrina Carpenter’s Short n’ Sweet steps 6-4 with nearly 12,000 (up 18%) and The Cure’s Songs of a Lost World falls 1-5 in its second week with nearly 12,000 (down 78%).
ILLIT lands its second top 10-charting effort on Top Album Sales and its best sales week yet, as I’ll Like You bows at No. 6 with 10,500 copies sold. Its opening-week sales were aided by its availability across 14 CD variants (all containing collectible branded paper ephemera, some randomized). Kep1er’s first charting title, Tipi-Tap, soars 35-7 in its second week on the list with 9,000 sold (up 218%; the act’s best sales week). Its first-week sales were bolstered by its availability across eight CD variants (containing collectible paper ephemera, some randomized).
Rounding out the top 10 of the new Top Album Sales chart is Charli XCX’s Brat (16-8 with 9,000 sold; up 82% a white-colored vinyl edition of the album became widely available), SEVENTEEN’s chart-topping SPILL THE FEELS (5-9 with nearly 9,000; down 16%) and Billie Eilish’s Hit Me Hard and Soft (13-10 with 7,000; up 23%).
Tyler, The Creator’s CHROMAKOPIA spends a third consecutive and total week at No. 1 on the Billboard 200 chart (dated Nov. 23). It’s the artist’s album with the most weeks atop the list, surpassing the two weeks spent at No. 1 by his previous leader, Call Me If You Get Lost in 2021-22.
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CHROMAKOPIA earned 104,000 equivalent album units in the United States in the week ending Nov. 14 (down 35% in its third week), according to Luminate.
Also in the top 10 of the new Billboard 200 chart, TOMORROW X TOGETHER debuts at No. 2 with The Star Chapter: SANCTUARY, marking the sixth top 10-charting set for the group.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 23, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 19). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of CHROMAKOPIA’s 104,000 equivalent album units earned in its second week, SEA units comprise 76,000 (down 34%, equaling 106.87 million on-demand official streams of the album’s songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 28,000 (down 37%; it’s steady at No. 2 on Top Album Sales) and TEA units comprise a negligible sum (down 35%).
The album continues to profit from sales generated by Tyler, The Creator’s official webstore, with the set’s vinyl, CD, and eight previously available deluxe collectible boxed sets continuing to ship to customers. The third week also saw four additional boxed sets shipped to customers. All boxed sets contain a CD, poster and another branded merch item in a branded box. All physical editions of the album are exclusively sold via the artist’s webstore.
TOMORROW X TOGETHER nabs its sixth top 10-charting effort on the Billboard 200 as The Star Chapter: SANCTUARY debuts at No. 2. The set earned 98,000 equivalent album units in its first week. Album sales comprise 95,500 of that sum (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,500 (equaling 3.74 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across 23 CD variants (all containing collectible branded paper ephemera, some randomized), eight digital download variants (seven were exclusive to the act’s official webstore; all included bonus tracks).
The Star Chapter: SANCTUARY is the group’s second top 10-charting effort of 2024, following No. 3-peaking Minisode 3: TOMORROW in April.
Sabrina Carpenter’s chart-topping Short n’ Sweet slips 2-3 on the Billboard 200 (68,000 equivalent album units earned; up 1%), Gracie Abrams’ The Secret of Us climbs 5-4 (52,000; up 5%) and Billie Eilish’s Hit Me Hard and Soft spikes 7-5 (48,000; up 9%) to round out the top five.
Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 6 (47,000; up 3%); Morgan Wallen’s former leader One Thing at a Time rises 10-7 (43,000; up 1%); Taylor Swift’s chart-topping The Tortured Poets Department ascends 9-8 (nearly 43,000; down less than 1%); Rod Wave’s Last Lap falls 8-9 (38,000; down 12%); and Noah Kahan’s Stick Season steps 14-10 (33,000; up 7%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
On Nov. 15, 2014, Sam Hunt’s breakthrough hit “Leave the Night On” lifted to No. 1 on Billboard’s Hot Country Songs chart.
Hunt co-authored the song with Shane McAnally and Josh Osborne. McAnally co-produced it with Zach Crowell. It was released as the lead cut from Hunt’s debut album, Montevallo, which produced five hit singles. The LP arrived at the Top Country Albums summit, also on Nov. 15, 2014, and reigned for nine weeks.
Montevallo sophomore single “Take Your Time” dominated Hot Country Songs for 11 frames, followed by “House Party,” which ruled for six. “Break Up in a Small Town” and “Make You Miss Me” rounded out the set’s singles, both peaking at No. 2.
On Country Airplay, Hunt banked four No. 1s off his rookie album, starting with “Leave the Night On.”
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To date, Hunt boasts 10 Country Airplay No. 1s, through “Outskirts” this May. He has earned four leaders on Hot Country Songs No. 1s and two on Top Country Albums.
Hunt was born on Dec. 8, 1984, in Cedartown, Ga. He was a star quarterback during high school before playing college ball at Middle Tennessee State University and the University of Alabama at Birmingham. In 2014, he signed with MCA Nashville, his label home since. Before rattling off his own hits, her was an accomplished songwriter, penning tracks for Kenny Chesney, Billy Currington and Keith Urban, among others.
Hunt and his wife since 2017, Hannah Lee Fowler, have two children — daughter Lucy Louise and son Lowry Lee.
Hunt’s latest single, “Country House,” which he co-wrote, ranks at No. 50 on the latest, Nov. 23-dated Country Airplay chart (1.8 million in audience, up 2% week-over-week, according to Luminate).
Nothing More claims two straight No. 1s on Billboard’s Mainstream Rock Airplay chart for the first time, ruling the Nov. 23-dated ranking with “Angel Song” featuring David Draiman.
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The song follows the band’s two-week reign with prior single “If It Doesn’t Hurt” in June and July.
Nothing More now boasts three total Mainstream Rock Airplay No. 1s, having also led with “Go to War” in 2017.
As for Draiman, frontman of Disturbed, “Angel Song” is his second solo No. 1 on the chart, following “Dead Inside” with Nita Strauss in 2022. Disturbed has scored 12 rulers, while he made another trip to the top as the singer of the short-lived band Device (with “Vilify” in 2013).
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Concurrently, “Angel Song” bullets at its No. 11 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.9 million audience impressions (up 14%), Nov. 8-14, according to Luminate. That’s the band’s second-best rank on the tally, following the No. 7 peak of “If It Doesn’t Hurt.”
On the most recently published multimetric Hot Hard Rock Songs chart (dated Nov. 16, reflecting data Nov. 1-7), “Angel Song” placed at a new No. 10 best, becoming Nothing More’s second top 10 dating to the ranking’s 2020 inception. (“If It Doesn’t Hurt” reached No. 8 in February.) In addition to its radio airplay, “Angel Song” earned 365,000 official U.S. streams, according to Luminate.
The track is the second single from Carnal, Nothing More’s seventh studio album. The set bowed at No. 9 on the Top Hard Rock Albums chart in July and has earned 48,000 equivalent album units to date.
All Billboard charts dated Nov. 23 will update on Billboard.com Tuesday, Nov. 19.
Lady Gaga and Bruno Mars’ “Die With a Smile” bounds four spots to No. 1 on Billboard’s Pop Airplay chart (dated Nov. 23).
The ballad, on Streamline/Atlantic/Interscope/ICLG, reigns with Greatest Gainer honors, up 10% in plays at the format Nov. 8-14, according to Luminate. The song drew an average of 77 plays per reporter playing it in that span (translating to a play roughly every two hours).
The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.
Notably, Gaga rules Pop Airplay for the first time since the chart dated April 9, 2011, with “Born This Way.” She rewrites the mark for returning to No. 1 after the longest break: 13 years, seven months and two weeks. (In between, she logged six top 10s.) Mariah Carey previously held the distinction, with a wait of nine years, four months and three weeks between “One Sweet Day” with Boyz II Men in 1995-96, and “We Belong Together” in 2005. (Last year, Miley Cyrus ended a nine-year, two-month and two-week break between the reigns of “Wrecking Ball” in 2013 and “Flowers.”)
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Mars last led Pop Airplay with “Finesse,” with Cardi B, in 2018.
Gaga now boasts eight career Pop Airplay No. 1s and Mars, 10 – tying him with Justin Bieber for the most among solo males. Here’s a look at the acts with the most leaders since the chart began in October 1992:
13, Taylor Swift11, Maroon 511, Katy Perry11, Rihanna10, Justin Bieber10, Ariana Grande10, Bruno Mars9, P!nk8, Doja Cat8, Lady Gaga8, Justin Timberlake7, Beyoncé
Plus, Gaga becomes only the third act to have topped Pop Airplay in the 2000s, ‘10s and ‘20s, joining Maroon 5 and Taylor Swift. Gaga scored a career-launching-record six No. 1s on her first six tries in 2009-10, beginning with “Just Dance” featuring Colby O’Donis.
As previously reported, “Die With a Smile” crowned the Billboard Global 200 chart for eight weeks in September-October, the most for any song this year. It drew 119.6 million streams worldwide Nov. 1-7 and has tallied over 100 million streams globally in each of the last 10 weeks (through the Nov. 16-dated chart), the longest such streak since the survey began in September 2020.
Meanwhile, Gaga’s new solo single “Disease” holds at its No. 18 high on the Nov. 23-dated Pop Airplay chart (up 12% in plays).
All charts dated Nov. 23 will update Tuesday, Nov. 19, on Billboard.com.
Gracie Abrams has landed a second week at No. 1 on the U.K. Singles Chart with “That’s So True,” the breakout song from the deluxe edition of her sophomore album, The Secret of Us. Last week “That’s So True” gave Abrams her maiden chart-topper in the U.K., and follows The Secret of Us debuting at […]
Musical theater stars Michael Ball and Alfie Boe have landed their fourth No.1 album as a duo on the U.K.’s Official Albums Chart.
The British pair – who have both performed extensively in West End show Les Misérables among others over the years – released their fourth studio album Together At Home via Tag8 Music. It follows their previous releases Together (2016), Together Again (2017) and festive collection Together at Christmas (2020), all of which landed at the summit of the chart. Ball also has two No. 1 records to his name as a soloist.
Sabrina Carpenter’s Short n’ Sweet finishes at No. 2 following the news that the LP was nominated in three categories at the 2025 Grammys: album of the year, best pop vocal album and best engineered album (non-classical). Carpenter nabbed seven nods in total, including best new artist.
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The Cure’s Songs of a Lost World holds steady at No. 3, having previously been at the top spot last week, which gave them their first chart-topping album in 32 years. The band also saw success on multiple Billboard charts over the last week, including topping the Total Album Sales chart and landing at No. 4 on the Billboard 200.
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There’s also an entry in the top 10 for Lancaster rockers Massive Wagons, as their seventh studio LP, Earth to Grace, finishes at No. 4. It’s their first to land in the top five and their third to place inside the top 10.
As new documentary film Elton John: Never Too Late lands on Disney+, the Rocket Man’s enduring Diamonds greatest hits collection returns to the top 10 this week, rising four spots to No. 8.
Elsewhere, rising U.K. rappers Fimiguerrero, Len and Lancey Foux score their first collaborative top 40 album with Conglomerate at No. 23.
Scottish icons Primal Scream, led by vocalist Bobby Gillespie, return to the top 40 with their 12th studio album, Come Ahead. It’s their first new material in eight years, and their 13th top 40 record across a 37 year career.
Morgan Wallen earns his 15th No. 1 on Billboard’s Country Airplay chart as “Lies Lies Lies” ascends a spot to the top of the tally dated Nov. 23. During the Nov. 8-14 tracking week, it drew 30.3 million audience impressions, according to Luminate.
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The song was written by Jessie Jo Dillon, Josh Miller, Daniel Ross and Chris Tompkins, and produced by Joey Moi. It’s the lead single from an upcoming Wallen album.
Notably, Wallen rounds up his fifth Country Airplay chart-topper of 2024 – marking the first time that an act has amassed five No. 1s in a single year dating to the list’s January 1990 launch. “Lies Lies Lies” follows “Cowgirls” (featuring Ernest), which led for a week in in July; Post Malone’s “I Had Some Help” (featuring Wallen; four weeks, June-July); “Man Made a Bar” (featuring Eric Church; one week, April); and Thomas Rhett’s “Mamaw’s House” (featuring Wallen; one week, March).
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Luke Combs (2021) and Garth Brooks (1991 and 1993) each collected four new Country Airplay No. 1s in single years, while Wallen ranked at the summit with four songs in 2023, including “You Proof,” which first led in 2022. (Brooks remains the only act to notch as many as four new No. 1s all as a lead artist in a single year, in both 1991 and 1993).
McGraw Ties for Most Top 10s
Tim McGraw claims his own slice of Country Airplay history, scoring his record-tying 61st top 10 as “One Bad Habit” bounds 11-5 (24 million, up 40%).
Marc Beeson, Aaron Eshuis and Tony Lane wrote the song, which McGraw produced with Byron Gallimore.
McGraw matches Kenny Chesney and George Strait for the most Country Airplay top 10s. Alan Jackson is next with 51, followed by Keith Urban (44), Toby Keith (42) and Brooks & Dunn (41).
Plus, with “One Bad Habit” climbing to No. 5, McGraw pads his lead for the most top five Country Airplay hits: 55. Strait is second with 53 and Chesney has 50.
McGraw last reached the Country Airplay top tier with “Standing Room Only,” which hit No. 2 last November. He earned his first top 10 with the No. 8-peaking “Indian Outlaw” in April 1994. Follow-up “Don’t Take the Girl” became his first of 29 No. 1s when it dominated for its first of two frames the next month. He most recently led with two hits in 2016: his own “Humble and Kind” (one week, that June) and as featured on Florida Georgia Line’s “May We All” (two weeks, December).