State Champ Radio Chart Beat
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The Rolling Stones become the first act with newly-charted top 10 titles on the Billboard 200 albums chart in the 1960s, ‘70s, ‘80s, ‘90s, 2000s, ‘10s and now the ‘20s. The band’s new studio album, Hackney Diamonds, debuts at No. 3 on the chart dated Nov. 4. It’s the group’s first album of original material since 2005’s A Bigger Bang (which also debuted, and peaked, at No. 3).
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The new Nov. 4-dated chart will be posted in full on Billboard‘s website on Oct. 31.
Additionally, The Rolling Stones extend its record for the most top 10 albums, overall, among all artists in the Billboard 200’s history, which dates back to March 1956 (when the tally began publishing on a regular, weekly basis), as Hackney Diamonds marks the act’s 38th top 10-charting set. Barbra Streisand has the second-most, with 34, while The Beatles and Frank Sinatra are tied with the third-most, each with 32.
Hackney Diamonds is The Rolling Stones’ first album since the death of their drummer, Charlie Watts, in 2021, which left the group a trio comprising Mick Jagger, Keith Richards and Ronnie Wood. Before his passing, Watts worked on the new project, and he appears on two of the album’s songs (“Mess It Up” and “Live by the Sword”). Former bandmember Bill Wyman also appears on “Sword,” playing bass guitar. The 12-song album also features contributions from Elton John, Lady Gaga, Paul McCartney and Stevie Wonder, among others.
The Rolling Stones claimed their first top 10 album on the Billboard 200 with 12 x 5, which reached the top 10 dated Dec. 12, 1964 (climbing 11-3, its peak position). The Stones logged 13 top 10 albums in the 1960s (12 x 5; The Rolling Stones, Now!; Out of Our Heads; December’s Children [And Everybody’s]; Big Hits [High Tide and Green Grass]; Aftermath; Got Live If You Want It!; Between the Buttons; Flowers; Their Satanic Majesties Request; Beggars Banquet; Through the Past, Darkly [Big Hits Vol. 2] and Let It Bleed), 12 in the ‘70s (‘Get Yer Ya-Ya’s Out!,’ Sticky Fingers, Hot Rocks 1964-1971, Exile on Main St., More Hot Rocks [Big Hits & Fazed Cookies], Goats Head Soup, It’s Only Rock ‘N Roll, Made in the Shade, Metamorphosis, Black and Blue, Love You Live and Some Girls), six in the ‘80s (Emotional Rescue, Tattoo You, ‘Still Life’ [American Concert 1981], Undercover, Dirty Work and Steel Wheels), three in the ‘90s (Voodoo Lounge, Stripped and Bridges to Babylon), two in the 2000s (Forty Licks and A Bigger Bang), one in the ‘10s (Blue & Lonesome) and now one, so far, in the ‘20s (Hackney Diamonds).
Of those 38 top 10s, nine have reached No. 1: Out of Our Heads, Sticky Fingers, Exile on Main St., Goats Head Soup, It’s Only Rock ‘N Roll, Black and Blue, Some Girls, Emotional Rescue and Tattoo You.
Notably, one other act has newly-charted Billboard 200 top 10s in each decade from the ‘60s through the ‘10s: Barbra Streisand, who would match The Rolling Stones’ new achievement with a new top 10 of her own this decade.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Taylor Swift’s “Cruel Summer” adds a second week atop the Billboard Hot 100 songs chart, a week after it became her 10th career No. 1. The song – originally released on Swift’s 2019 Republic Records album Lover before being promoted as a single and gaining new prominence as the superstar has performed it on her The Eras Tour this year – concurrently hits No. 1 on the Streaming Songs chart and returns to the top of the Radio Songs survey.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 4, 2023) will update on Billboard.com tomorrow (Oct. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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In the Oct. 20-26 tracking week, “Cruel Summer,” according to Luminate, drew 80.1 million radio airplay audience impressions (up 3%) and 21.3 million streams (up 14%) and sold 7,000 downloads (down 83%, a week after it benefited from the release of two new mixes).
The single surges 5-1 on Streaming Songs, becoming Swift’s seventh career leader on the list. It follows “Anti-Hero” (two weeks at No. 1, in 2022); “All Too Well (Taylor’s Version)” (one week, 2021); “Cardigan” (one, 2020); “Look What You Made Me Do” (two, 2017); “Blank Space” (seven, 2014-15); and “Shake It Off” (two, 2014-15). Swift breaks out of a tie with Justin Bieber for the second-most Streaming Songs No. 1s and trails only Drake, the leader with 20.
Over four years after its release, “Cruel Summer” completes the longest route, from a title’s release, to No. 1 on Streaming Songs among non-holiday hits. Only two songs, both seasonal standards, have taken longer: Brenda Lee’s “Rockin’ Around the Christmas Tree” jingled to No. 1 for the first time last holiday season following its 1958 release, while Mariah Carey’s “All I Want for Christmas Is You” spent the first of its 18 weeks at No. 1 to date in the 2018 holiday season, after it was released in 1994.
“Cruel Summer” simultaneously rebounds for a second week atop Radio Songs. Notably, it’s the first song this year to crown the Hot 100 while reigning as both the most-streamed title and most-heard hit on radio. It’s the third song to achieve the feat this decade, following Harry Syles’ “As It Was” (for one week in June 2022) and Adele’s “Easy On Me” (one, November 2021).
On the Digital Song Sales chart, “Cruel Summer” drops to No. 2, a week after it became Swift’s record-extending 27th No. 1.
As previously reported, Swift is set to storm next week’s Billboard 200 albums chart with the arrival of her latest rerecorded set, 1989 (Taylor’s Version).
Doja Cat’s “Paint the Town Red” holds at No. 2 on the Hot 100, following three nonconsecutive weeks at No. 1 beginning in September. It adds an eighth and ninth week, respectively, atop the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same multi-metric methodology as the Hot 100.
SZA’s “Snooze” is steady at No. 3 on the Hot 100, after reaching No. 2. It posts a 13th week atop the multi-metric Hot R&B Songs chart.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, bumps 6-4 on the Hot 100, after it led for a week upon its debut in September. It commands the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a ninth week each and Hot Country Songs for a fifth frame.
Luke Combs’ “Fast Car” rolls 7-5 on the Hot 100, following eight weeks at its No. 2 high; Morgan Wallen’s “Last Night” lifts 9-6, following 16 weeks at No. 1 starting in March, the most ever for a non-collaboration; and Wallen’s “Thinkin’ Bout Me” advances 10-7 for a new high, as it logs a second week at No. 1 on the Country Airplay chart.
Rounding out the Hot 100’s top 10, Drake’s “IDGAF,” featuring Yeat, slides 4-8, two weeks after it debuted at No. 2; Bad Bunny’s “Monaco” drops 5-9 in its second week on the chart, as it claims a second week atop the multi-metric Hot Latin Songs ranking; and Gunna’s “Fukumean” rises 11-10 on the Hot 100, after reaching No. 4.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Nov. 4), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 31).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
SZA adds a record-furthering 50th week at No. 1 on Billboard’s R&B Songwriters chart (dated Oct. 28), thanks to her song “Snooze” and Drake’s “Slime You Out,” on which she’s featured.
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The tracks rank at Nos. 1 and 2, respectively, on the latest Hot R&B Songs chart. SZA co-wrote “Snooze” with Babyface, BLK Beats, Leon G. Thomas III and Khristopher van Riddick-Tynes. She’s also a co-writer on “Slime You Out,” with Drake, 40, BNYX, Noel Cadastre, Grant Lapointe, Chris Powell and Dalton Tennant.
A week earlier, SZA broke the record for the most weeks notched at No. 1 on R&B Songwriters, as her 49th frame at the summit lifted her past The Weeknd, with 48. Along the way over her record run, her smash “Kill Bill” spent 30 weeks at No. 1 on Hot R&B Songs.
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Across Billboard’s 13 weekly songwriter charts, SZA joins a select number of talents who have reached the milestone of 50-or-more weeks at No. 1. Here’s a recap.
Weeks Spent at No. 1, Chart Name, Artist:121, Gospel Songwriters, Kirk Franklin96, Latin Songwriters, Bad Bunny62, Dance/Electronic Songwriters, f a l l e n62, Dance/Electronic Songwriters, SAINt JHN57, Alternative Songwriters, Dave Bayley56, Rock & Alternative Songwriters, Zach Bryan56, Rock Songwriters, Zach Bryan53, Dance/Electronic Songwriters, Elton John53, Dance/Electronic Songwriters, Bernie Taupin50, Rock & Alternative Songwriters, Dave Bayley50, R&B Songwriters, SZA
In March, Kirk Franklin became the first and, to date, only creative to have led a songwriters survey for 100 weeks.
Spending 50 weeks atop one of Billboard’s 13 producers charts is even more rare. Only five producers have achieved the feat: Joey Moi, with 122 weeks spent at No. 1 on Country Producers; Tainy (119, Latin Producers); Jonathan Lindsey Smith (84, Christian Producers); Kanye West (59, Gospel Producers); and Jeff Pardo (54, Christian Producers).
Billboard launched the Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019, while alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022. The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Billboard Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
The full Hot 100 Songwriters and Hot 100 Producers charts and full genre rankings can be found on Billboard.com.
Billboard’s Top Holiday Albums chart returns for the 2023 holiday season, with Cher’s Christmas album debuting atop the tally (dated Nov. 4). It’s the pop superstar’s first holiday collection. The 13-song set has a blend of classic tunes and newly written tracks, and boasts a starry lineup of guests in Michael Bublé, Cyndi Lauper, Darlene Love, Tyga and Stevie Wonder.
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The new Nov. 4-dated chart will be posted in full on Billboard‘s website on Oct. 31.
The Top Holiday Albums chart will continue to be published on a weekly basis through early January of 2024, when it will dash away until the next holiday season. (The chart generally returns to Billboard’s weekly chart menu every October.)
The Top Holiday Albums chart ranks the 50 most popular seasonal albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sales, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Cher’s Christmas earned 21,000 equivalent album units in the U.S. in the week ending Oct. 26, according to Luminate. Of that sum, album sales comprised 20,000, SEA units comprised a little under 1,000 and TEA units comprised the remaining negligible sum. The album was available to purchase as a digital download album and in four different CD variants (each with alternative cover art). A vinyl LP, on ruby red-colored vinyl, is scheduled for release on Nov. 17.
Cher also makes waves on the all-genre Billboard 200 chart, where Christmas bows at No. 32, marking her 14th solo top 40-charting album on the tally. Further, she becomes only the second woman, and third soloist, with a new top 40-charting albums in the 1960s, ‘70s, ‘80s, ‘90s, 2000s, ’10s and ‘20s. The only other acts to have achieved this feat are Bob Dylan, Barbra Streisand and The Rolling Stones.
The top 10 of the Nov. 4-dated Top Holiday Albums chart is dotted with familiar favorites, as the soundtrack to the Halloween-meets-Christmas film Tim Burton’s The Nightmare Before Christmas is No. 2, Pentatonix’s new The Greatest Christmas Hits debuts at No. 3, Bublé’s Christmas is No. 4 and Vince Guaraldi Trio’s TV soundtrack for A Charlie Brown Christmas is No. 5. The top 10 is rounded out by *NSYNC’s Home for Christmas (No. 6), Mariah Carey’s Merry Christmas (No. 7), Frank Sinatra’s Ultimate Christmas (No. 8), Nat King Cole’s The Christmas Song (No. 9) and Bing Crosby’s Christmas Classics (No. 10).
Among the artists that have new holiday albums dropping later this holiday season (or have recently released a new holiday set in the past month or so): Michael Bolton, Brandy, Jim Brickman, Ally Brooke, Bing Crosby, Jessie James Decker, Seth MacFarlane and Liz Gillies, Samara Joy, Johnny Mathis, My Morning Jacket, Oak Ridge Boys, Jon Pardi, Gregory Porter, Matt Rogers, Michael W. Smith, Straight No Chaser and The Tenors.
The Taylor Swift takeover is in full swing on the U.K. chart blast.
Based on sales and streaming data for the first 48 hours in the U.K. chart week, Swift is on track to nab the top three spots with songs from 1989 (Taylor’s Version): “Slut,” “Style” and “Is It Over Now,” respectively.
According to the Official Charts Company, just over 200 chart units separate the three songs at this early stage in the chart cycle.
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Swift couldn’t possibly do any better. Unlike Billboard’s Hot 100 chart, the OCC‘s chart rules dictate that a maximum of three tracks by the same artist can impact the top 100 on the Official U.K. Singles Chart.
“Slut,” written by Taylor, Jack Antonoff and Patrik Berger, and “Is It Over Now,” written by Taylor and Antonoff, are two of the album’s five “Vault” tracks, works that were written during the original 1989 sessions, but never made it to the finished version (for the record: 1989 logged one week at the U.K. chart summit in 2014).
The original cut of “Style,” written by Taylor, Max Martin, Shellback and Ali Payami, was released as the third single from first version of 1989, and peaked at No. 21 in the U.K.
The fresh album (via EMI in the U.K.) features newly recorded editions of all 13 original songs, plus three bonus tracks (“Wonderland,” “New Romantics” and “You Are In Love”) and the “Vault” tracks (“Is It Over Now?,” “Now That We Don’t Talk,” “Say Don’t Go,” “Suburban Legends” and “Slut”).
Swift already has 23 top 10 singles in the U.K., including two No. 1s: “Look What You Made Me Do” (from 2017) and “Anti-Hero” (2022). The extend to which she expands on that tally will be revealed late Friday, Nov. 3, when the Official U.K. Singles Chart is published in full.
Thanks to the Taylor Swift effect, Kenya Grace’s three-week reign with “Strangers” (FFRR) looks set to come to a halt. It’s down 1-5 on the First Look chart, just behind Casso, Raye and D-Block Europe’s “Prada” (Ministry of Sound), set to dip 2-4.
As a member of BTS, Jung Kook sets records for fun. The K-pop star is doing it solo, too.
With “Too Much” (via Columbia) entering the Official U.K. Singles Chart at No. 10, Jung Kook becomes the first South Korean solo artist to land three U.K. top 10 singles.
Until now, PSY had the record with two top 10s — “Gangnam Style” (peaking at No. 1 in 2012) and “Gentleman” (No. 10 in 2013).
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“Too Much,” recorded with Australian rapper and singer The Kid LAROI and British rapper Central Cee, is the highest entry on the latest singles survey, published Friday, Oct. 27.
It’s Jung Kook’s third top tier effort, after “Seven” featuring Latto (peaking at No. 3) and Jack Harlow collab “3D” (peaking at No. 5), both from 2023.
Released ahead of Jung Kook’s debut solo album Golden, due out Nov. 3, “Too Much” is LAROI’s third and Central Cee’s seventh U.K. top 10, including his 10-week reign with “Sprinter.”
As a member of BTS, Jung Kook has secured four top 10 singles: “Life Goes On” (peaking at No. 10); and “Dynamite,” “Butter” and Coldplay team-up “My Universe,” all peaking at No. 3. On the national albums survey, BTS has collected five top 10s, including two No. 1s (Map of the Soul – Persona and Map of the Soul – 7).
At the top of the pile is Kenya Grace’s “Strangers” (via FFRR), which wins a tight race for its third week at No. 1.
“Strangers” narrowly led by midweek chart, ahead of Cassö, RAYE and D-Block Europe’s “Prada” (Ministry of Sound). And that’s how the chart week ended, with the bouncy dance track “Prada” unchanged at No. 2.
The top three is closed out by a resurgent “Cruel Summer” (EMI) by Taylor Swift, up 14-3 in its 20th week on the chart. “Cruel Summer” heats up thanks to a new live cut, released to coincide with box-office blockbuster The Eras Tour Film.
Finally, Troye Sivan has another reason to smile as ”One of Your Girls” (Polydor) lifts 17-11. Lifted from his third and latest album, Something to Give Each Other, ”One of Your Girls” becomes the Australian pop artist’s highest-peaking U.K. single as a solo artist.
The unstoppable force that is the Rolling Stones reigns over the latest U.K. chart, with Hackney Diamonds (via Polydor).
Mick Jagger and Co. debut at the summit of the Official U.K. Albums Chart, published Friday, Oct. 27, with Hackney Diamonds, which clocks 72,200 chart units in its first week, the Official Charts Company reports.
That’s the third biggest week of sales for an album of 2023 so far, according to the OCC, behind only Lewis Capaldi’s Broken by Desire to be Heavenly Sent, and Ed Sheeran’s – (subtract).
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The outright leader at the midweek stage, Hackney Diamonds outsells the rest of the top 5 combined to snag the Stones’ 14th U.K. No. 1.
With 11 different studio collections reaching the chart summit, the Rolling Stones are now part of the club of acts with the most studio albums to reach No. 1, joining the Beatles, Robbie Williams, and Bruce Springsteen.
Including greatest hits albums, reissues and live albums, the Stones are now equal with Williams on 14 No. 1 albums, a list that’s led by the Beatles with 16.
Hackney Diamonds is also the best-seller on wax to lead this week’s Official Vinyl Albums Chart.
Featuring collaborations with Lady Gaga, Elton John Stevie Wonder and Paul McCartney, and contributions from former bass player Bill Wyman and the group’s late drummer Charlie Watts, Hackney Diamonds is the Stones’ first album of original material in 18 years– since A Bigger Bang, which peaked to No. 2 in 2005
Meanwhile, Blink-182 enjoys a No. 2 debut with One More Time…(Columbia) the reunited pop-punk band’s ninth studio album. One More Time…, which sees original guitarist and singer Tom DeLonge return to the fold, with singer/bassist Mark Hoppus and drummer Travis Barker, becomes their career peak in the U.K. for the classic lineup, improving on the No. 4 for 2001’s Take Off Your Pants and Jacket. The trio did lead the Official U.K. Albums Chart in 2016 with California, which featured Alkaline Trio’s Matt Skiba as the replacement for DeLonge.
Completing an all-new top three is Bombay Bicycle Club’s My Big Day (AWAL/MMM), new at No. 3. My Big Day is the British indie band’s fifth top 10 appearance on the albums tally, a list that includes a leader with 2014’s So Long, See You Tomorrow.
Further down the list, new releases from Barry Can’t Swim (When Will We Land? at No. 12 via Ninja Tune), Richard Hawley (Now Then: The Very Best of Richard Hawley at No. 15 via BMG), Sampha (Lahai at No. 21 via Young) and NSG (AREA BOYZ at No. 28 via NSG Entertainment) land top 40 debuts.
Blink-182’s One More Time bows atop the Billboard 200 albums chart (dated Nov. 4), securing the rock trio its third chart-topping set. The new full-length studio album begins with 125,000 equivalent album units earned in the U.S. in the week ending Oct. 26, according to Luminate, largely powered by traditional album sales.
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One More Time is Blink-182’s first album with the group’s longtime lineup of drummer Travis Barker, vocalist/bassist Mark Hoppus and guitarist/vocalist Tom DeLonge since DeLonge departed the group in 2015 for seven years, and the first studio effort from that trio since 2012’s Dogs Eating Dogs EP. (Barker, Hoppus and DeLonge comprised Blink-182 during the band’s mainstream breakthrough in 1999 through 2014.)
Blink-182 previously hit No. 1 on the Billboard 200 with 2016’s California (with the lineup of Barker, Hoppus and guitarist/vocalist Matt Skiba) and 2001’s Take Off Your Pants and Jacket.
One More Time was led by a pair of No. 1s on Billboard’s Alternative Airplay chart: “Edging” (No. 1 for 13 consecutive weeks in 2022-23, the band’s longest run at No. 1 with any of its five leaders) and the title track (No. 1 for two weeks, thus far, including on the most recently published chart, dated Oct. 28). “Edging” marked the first No. 1 for Blink-182 on the Alternative Airplay chart since 2016’s “Bored to Death,” and One More Time is the first Blink-182 album to generate at least two No. 1s on the survey. Both “Edging” and “One More Time” also reached the all-genre, multi-metric Billboard Hot 100, hitting Nos. 61 and 62, respectively – the band’s highest-charting Hot 100 entries since 2004’s “I Miss You” reached No. 42.
Also in the top 10 of the new Billboard 200, The Rolling Stones extend their record for the most top 10-charting albums in the history of the list, as Hackney Diamonds debuts at No. 3, marking the group’s 38th top 10 effort. It’s the Rock & Roll Hall of Famer’s first studio album of all-original material since 2005’s A Bigger Bang.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 4, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 31). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One More Time’s 125,000 equivalent album units earned in the week ending Oct. 26, album sales comprise 101,000 (making it the top-selling album of the week), SEA units comprise 23,000 (equaling 30.19 million on-demand official streams of the set’s songs) and TEA units comprise 1,000.
Sales of One More Time were bolstered by its availability across 11 vinyl variants (which combined to sell 49,000 copies — the largest sales week for a rock album on vinyl in 2023), a standard CD, a cassette, and a deluxe boxed set with a branded shirt and a CD contained inside. The trio also released a late-in-the-week deluxe digital edition of the album, exclusively sold on the band’s webstore beginning on Oct. 25, which boasts two new bonus songs.
Drake’s chart-topping For All the Dogs is a non-mover at No. 2 with 120,000 equivalent album units earned (down 27%). It also scores its first frame at No. 1 on the recently launched Top Streaming Albums chart.
The Rolling Stones’ new studio album Hackney Diamonds debuts at No. 3 on the Billboard 200 with 101,000 equivalent album units earned. It’s the band’s first effort of all-original material since 2005’s A Bigger Bang, which debuted and peaked at No. 3. Hackney Diamonds marks the Stones’ 38th top 10-charting album, extending the group’s record for the most top 10 albums on the chart (since the list began publishing on a regular, weekly basis in 1956). Hackney Diamonds boasts special guests Lady Gaga, Elton John, Paul McCartney and Stevie Wonder. The set was led by the singles “Angry” and “Sweet Sounds of Heaven” with Gaga. Both reached the Hot Rock & Alternative Songs chart, while “Angry” has also reached the top 10 of the Adult Alternative Airplay tally.
Of Hackney Diamonds’ first-week units, album sales comprise 94,000, SEA units comprise 6,000 (equaling 8.41 million on-demand official streams of the album’s songs) and TEA units comprise 1,000. The album’s sales were enhanced by its availability across more than 30 vinyl variants (totaling 36,000 sold), two deluxe boxed sets (with either a branded shirt or a hat, plus a CD), a digipack CD, a CD/blu-ray box set and a standard CD and download album.
Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana falls 1-4 in its second week on the Billboard 200 with 97,000 equivalent album units earned (down 47%).
The rest of the top 10 on the new Billboard 200 consists of former No. 1s, as Morgan Wallen’s One Thing at a Time climbs 6-5 (69,000; up less than 1%); Taylor Swift’s Midnights rises 9-6 (52,000; up 3%); Swift’s Lover ascends 8-7 (52,000; down less than 1%); Zach Bryan’s self-titled album falls 4-8 (just over 51,000; down 29%); Rod Wave’s Nostalgia dips 7-9 (51,000; down 4%); and Olivia Rodrigo’s Guts is a non-mover at No. 10 (45,000; down 9%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Taylor Swift’s fourth re-recorded album, 1989 (Taylor’s Version), sold over 250,000 copies in the U.S. on its first day of release, Oct. 27, according to initial reports to data tracking firm Luminate. After just one day, the album has the third-largest sales week of 2023; the only bigger weeks were registered by Swift’s own Speak Now (Taylor’s Version), with 507,000 in its opening week, and Travis Scott’s Utopia, with 252,000 in its first week.
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The sales of 1989 (Taylor’s Version) will increase in the coming days, with the current tracking week ending on Thursday, Nov. 2. The album’s final first-week sales number is expected to be announced on Sunday, Nov. 5, along with its assumed large debut on the multi-metric Billboard 200 albums chart (dated Nov. 11). If 1989 (Taylor’s Version) debuts atop the Billboard 200, it will mark Swift’s 13th No. 1 album, extending her record for the most among women.
All 12 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless, her second studio album, through 2023’s Speak Now (Taylor’s Version) have debuted at No. 1.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
In addition, the songs on 1989 (Taylor’s Version) collectively generated over 110 million on-demand official audio streams on the set’s release day in the U.S., according to initial reports to Luminate.
Further news of initial sales, streaming and track-equivalent activity for the album, as provided by Luminate, will be reported in the coming days.
The original 1989 album debuted atop the Billboard 200 chart dated Nov. 15, 2014, and spent 11 nonconsecutive weeks at No. 1. It is tied with Swift’s first No. 1, Fearless, for her most weeks at No. 1 with a single album. The 1989 album boasts three songs that hit No. 1 on the Billboard Hot 100 — the most No. 1s generated from any Swift album. She sent the tracks “Shake It Off,” “Blank Space” and “Bad Blood,” featuring Kendrick Lamar, to No. 1 in 2014-15.
1989 (Taylor’s Version) includes re-recordings of the original 1989 album’s standard 13 songs plus the three tracks on its deluxe edition. The new 1989 (Taylor’s Version) boasts five additional previously unreleased “From the Vault” songs, bringing the total number of songs on the standard version of 1989 (Taylor’s Version) to 21.
1989 (Taylor’s Version) is available to purchase in 15 collectible physical formats: five color vinyl variants, eight CD editions and two cassette editions. Of the five vinyl variants, Target carries a color variant that includes one bonus track (“Sweeter Than Fiction”). The album is also available to buy in two digital download editions: a standard 21-song version and a deluxe 22-song version (which adds a re-recorded version of the album’s “Bad Blood,” featuring Lamar).
Luke Combs’ “Fast Car” rebounds from No. 6 to No. 5 on Billboard’s Country Airplay chart dated Nov. 4. The song drew 23.4 million audience impressions Oct. 20-26, according to Luminate.
The update of Tracy Chapman’s classic story song, which hit No. 6 on the all-genre Billboard Hot 100 in 1988, became Combs’ 16th Country Airplay No. 1 in July and ruled for five weeks. It also crossed over, leading the all-format Radio Songs chart for four frames and Adult Pop Airplay for two, while reaching the top five on Adult Contemporary and the top 10 on Pop Airplay.
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“Fast Car” adds a 19th week in the Country Airplay top five, the fourth-longest run ever in the region. It follows only Cole Swindell’s “She Had Me at Heads Carolina” (24 weeks, starting in September 2022) and Morgan Wallen’s “You Proof” (22, beginning in October 2022) and “Last Night” (20, starting in May).
Looking at the 10 longest-lasting top five hits, all but one — Sam Hunt’s 2017 smash “Body Like a Back Road” — have charted since 2020.
What’s keeping certain hits from shifting into reverse quickly on Country Airplay? As noted in July, key factors include both a sustained run of perceived strong product and programmers paying attention to what’s streaming well.
Meanwhile, “in the case of ‘Fast Car,’ we’re seeing very little burn,” country radio programming consultant Joel Raab tells Billboard. “Part of the art of programming is to know when to move on, even when a song continues to test well. It may sound like a cliché, but when program directors tire of a song, that’s the time to play it more.”
“Familiarity breeds comfort,” says Charlie Cook, Cumulus Media’s vp of country. “Okay, that’s a mashup of the saying, but that’s the case with today’s country music. I know that some acts and labels are eager to move on, but I doubt that Wallen, Combs and the writers of these longtime radio hits feel the same.”
Along with earning another top five hit on the Country Airplay charts, Combs is also nominated for 10 trophies at the 2023 Billboard Music Awards. This year’s show will air exclusively across the BBMAs and Billboard social media channels, and at BBMAs.watch, on Sunday, Nov. 19.
