Chart Beat
Page: 27
ROSÉ and Bruno Mars’ “APT.” dominates the Billboard Global Excl. U.S. chart for a record-tying 14th week. The team-up, which in November debuted as the stars’ second leader each on the list, matches Mariah Carey’s “All I Want for Christmas Is You” for the longest command in the chart’s four-year-plus history. The latter has run up its reign via at least one week at No. 1 in each holiday season since the survey began.
“APT.” concurrently rebounds for a 12th week at No. 1 on the Billboard Global 200 chart.
Trending on Billboard
Plus, Lola Young’s “Messy” reaches the top five, jumping to No. 5, on each ranking.
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.” holds atop Global Excl. U.S. with 108 million streams (down 3% week-over-week) and 10,000 sold (down less than 1%) outside the U.S. Jan. 24-30.
Lady Gaga and Mars’ “Die With a Smile” rises 3-2 on Global Excl. U.S., following eight weeks at No. 1 starting in September, and Bad Bunny boasts two songs in the top five: “DtMF,” down to No. 3 from its No. 2 high, and “BAILE INoLVIDABLE,” which holds at its No. 4 best.
Elsewhere, Lola Young’s first Global Excl. U.S. top 10, “Messy,” surges 8-5 with 38.7 million streams (up 8%) and 7,000 sold (up 35%) outside the U.S.
Meanwhile, “APT.” rebounds 2-1 on the Global 200 with 126.2 million streams (down 3%) and 17,000 sold (essentially even) worldwide Jan. 24-30.
“Die With a Smile” ascends 3-2 on the Global 200, following eight weeks at No. 1 beginning in September, while Bad Bunny places at No. 3 with “DtMF,” down from No. 1 the past two weeks, and “BAILE INoLVIDABLE,” steady at its No. 4 high.
Plus, “Messy” bounds 9-5 with 53.9 million streams (up 11%) and 14,000 sold (up 42%) worldwide, boosted by Young’s performance of the song and her interview on NBC’s The Tonight Show Starring Jimmy Fallon on Jan. 21.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 8, 2025) will update on Billboard.com tomorrow, Feb. 4. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” tends to a 27th week at No. 1 on Billboard’s Radio Songs chart — breaking out of a tie with The Weeknd‘s “Blinding Lights” for the most time spent at No. 1 in the survey’s history.
“A Bar Song (Tipsy)” previously logged a record-tying 19 weeks at No. 1 on the streaming-, airplay- and sales-based Billboard Hot 100, beginning last July.
Trending on Billboard
The track holds atop Radio Songs with 63.3 million in audience Jan. 24-30, essentially even week-over-week, according to data tracker Luminate. The chart reflects all-format airplay on more than 1,000 monitored radio stations; Pop Airplay chart reporter KDHT (Hits 95.7) Denver has played the song the most to date, more than 4,000 times.
Here’s a rundown of the longest-leading Radio Songs No. 1s, dating to the chart’s December 1990 start:
27 weeks, “A Bar Song (Tipsy),” Shaboozey, beginning Aug. 10, 2024
26, “Blinding Lights,” The Weeknd, April 18, 2020
18, “Flowers,” Miley Cyrus, Feb. 25, 2023
18, “Iris,” Goo Goo Dolls, Aug. 1, 1998
16, “Girls Like You,” Maroon 5 feat. Cardi B, Aug. 4, 2018
16, “We Belong Together,” Mariah Carey, May 28, 2005
16, “Don’t Speak,” No Doubt, Dec. 7, 1996
15, “Easy On Me,” Adele, Dec. 4, 2021
14, “High Hopes,” Panic! at the Disco, Dec. 1, 2018
14, “No One,” Alicia Keys, Nov. 3, 2007
14, “Because You Loved Me,” Celine Dion, April 13, 1996
“A Bar Song (Tipsy),” on American Dogwood/EMPIRE and with country radio promotion by Magnolia Music, dominated the Country Airplay chart for seven weeks beginning last August, the longest No. 1 run for a first entry, and ranks in the top 10 for a record-extending 31st week.
The song also made history as the first to hit the top five (or even top 10) on Country Airplay, Pop Airplay, Adult Pop Airplay (two weeks at No. 1 on each chart) and Rhythmic Airplay (No. 3 peak).
“There were many, many doubters of our ability to work this record at radio,” EMPIRE COO Nima Etminan told Billboard after “A Bar Song (Tipsy)” hit No. 1 on the Hot 100. “The industry loves telling independents that there’s a ceiling to what they can do on their own, and this was no different. We were told it can’t be done, and, as we like to do, we proved them wrong. We’ve assembled a fantastic team that we had full faith in – and they delivered.”
All charts (dated Feb. 8, 2025) will update on Billboard.com tomorrow, Feb. 4. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Travis Scott’s “4X4” debuts at No. 1 on the Billboard Hot 100 songs chart.
The track, released Jan. 24, marks the superstar rapper’s fifth Hot 100 leader, following “Franchise,” featuring Young Thug and M.I.A. (one week at No. 1 in October 2020); “The Scotts,” billed to The Scotts, Travis Scott and Kid Cudi (one, May 2020); “Highest in the Room” (one, October 2019); and “Sicko Mode” (one, December 2018). All have debuted at No. 1 except for “Sicko Mode,” which started at No. 4.
Scott appeared at the College Football Playoff National Championship halftime show on Jan. 20, when he debuted “4×4” atop Atlanta’s Mercedes-Benz Stadium. All proceeds from the song’s CD single, among other of his offerings, benefit Direct Relief’s California Wildfire Response Fund.
Also notably, Shaboozey’s “A Bar Song (Tipsy),” at No. 5 on the Hot 100 after a record-tying 19 weeks at No. 1, rewrites the longest reign ever on the Radio Songs chart – 27 weeks – breaking out of a tie with The Weeknd’s “Blinding Lights.”
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 8, 2025) will update on Billboard.com tomorrow, Feb. 4. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘4X4’ Streams, Airplay & Sales
Bad Bunny’s Debí Tirar Más Fotos develops a third straight week at No. 1 on the Billboard 200 albums chart (dated Feb. 8), earning 117,000 equivalent album units in the U.S. in the week ending Jan. 30 (down 22%), according to Luminate.
Also in the top 10 of the latest Billboard 200, new albums from Teddy Swims, Kane Brown and Central Cee all debut.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Feb. 8, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Feb. 4). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Trending on Billboard
Of the 117,000 equivalent album units earned by Debí Tirar Más Fotos in the week ending Jan. 30, SEA units comprise 114,000 (down 22%; equaling 156.18 million on-demand official streams of the set’s songs; it’s No. 1 for a fourth week on Top Streaming Albums), album sales comprise 2,500 (down 45%; falling 11-48 on Top Album Sales) and TEA units comprise 500 (down 31%).
SZA’s former leader SOS is a non-mover at No. 2 on the Billboard 200 (87,000 equivalent album units; down 2%) and Kendrick Lamar’s chart-topping GNX rises 4-3 (60,000; up 1%).
Teddy Swims scores his highest-charting album and first top 10, as I’ve Tried Everything But Therapy (Part 2) debuts at No. 4. The set earned 50,000 equivalent album units, with album sales comprising 26,000 (it debuts at No. 1 on Top Album Sales), SEA units comprising 23,000 (equaling 30.38 million on-demand official streams of the set’s songs; it debuts at No. 17 on Top Streaming Albums) and TEA units totaling 1,000.
The album’s launch of 50,000 marks Swims’ biggest week yet by units earned, while his sales bow of 26,000 is also his best sales week ever. Plus, his streaming start (30.38 million) marks his best streaming week for an album.
The LP is the follow-up to the singer-songwriter’s I’ve Tried Everything But Therapy (Part 1), which spawned 2024’s year-end No. 1 on the Billboard Hot 100, “Lose Control.” That set topped out at No. 17 but has spent 69 weeks on the list (it slips 21-25 on the latest chart).
The new album was preceded by a pair of charting hits on the weekly Hot 100: “Bad Dreams” and “Are You Even Real” (the latter with Giveon).
The first-week sales of the new album were bolstered by its availability across eight vinyl variants (including a signed edition) and two CD variants (including a signed edition).
Morgan Wallen’s former leader One Thing at a Time climbs 8-5 on the latest Billboard 200 (41,000 equivalent album units; up 9%) while Sabrina Carpenter’s chart-topping Short n’ Sweet stays at No. 6 (just over 40,000; down 7%).
Kane Brown achieves his fifth top 10-charting album on the Billboard 200, as The High Road rides in at No. 7 with 40,000 equivalent album units earned. Of that sum, SEA units comprise 20,000 (equaling 26.76 million on-demand official streams of the set’s songs; it debuts at No. 21 on Top Streaming Albums), album sales comprise 19,000 (it debuts at No. 2 on Top Album Sales) and TEA units comprise 1,000.
The High Road was preceded by four entries on the Hot Country Songs chart: “I Can Feel It,” “Miles On It” (with Marshmello), “Backseat Driver” and “Gorgeous.”
The album’s first-week sales were aided by its availability across nine vinyl variants (including a signed edition), four CD variants (including a signed edition), and three digital download variants (a standard version, plus two with alternative cover art).
Gracie Abrams’ The Secret of Us falls 5-8 on the latest Billboard 200, with 37,000 equivalent album units earned (down 28%).
Rapper Central Cee scores his first top 10, with his first charting album, as Can’t Rush Greatness bows at No. 9 with nearly 37,000 equivalent album units earned. SEA units comprise 27,000 of that sum (equaling 36.91 million on-demand official streams of the set’s songs; it debuts at No. 14 on Top Streaming Albums), album sales comprise 10,000 (debuting at No. 5 on Top Album Sales) and TEA units comprise a negligible sum.
The album was preceded by two charting hits on both Hot Rap Songs and the all-genre Hot 100. On the former, “BAND4BAND” (with Lil Baby) hit No. 4, while “GBP” (featuring 21 Savage) has reached No. 16. On the Hot 100, the tracks hit Nos. 17 and 92, respectively, through the most recently published chart, dated Feb. 1.
Central Cee, who hails from London, scored his first U.S. chart hit with “Doja,” reaching No. 36 on Hot R&B/Hip-Hop Songs in 2022. He’s charted a total of seven hits on that ranking, including collabs with Drake, J. Cole and Ice Spice.
Can’t Rush Greatness debuted at No. 1 on the U.K. Official Albums Chart (his second leader there). Central Cee has notched eight top 10-charting hits on the U.K. Official Singles Chart, including the No. 1 “Sprinter” (with Dave). He also recently nabbed three BRIT Award nominations, including artist of the year.
Closing out the latest top 10 on the Billboard 200 is Billie Eilish’s Hit Me Hard and Soft, slipping 9-10 with 36,000 equivalent album units earned (down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
In his autobiography Q, Quincy Jones wrote, “Numbers 2, 6, and 11 are my least-favorite chart positions.” It doesn’t take a Jones-like genius to determine why. Each song that peaks at those ranks, despite a clear vote of public favor, can come with a sliver of disappointment as a song’s creators and performers just miss […]
Inaugural leader, biggest song of 2024 and now the final No. 1 of the year: Shaboozey’s “A Bar Song (Tipsy)” takes the top spot of the TouchTunes Frontline Chart for the fourth quarter of 2024.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The TouchTunes Frontline and Catalog charts for the fourth quarter of the year track the most played music on TouchTunes jukeboxes from Oct. 1 to Dec. 31, 2024, with the Frontline ranking inclusive of music released in the last 18 months, followed by the Catalog tally for any music that was released more than 18 months ago. TouchTunes has jukeboxes in over 60,000 locations worldwide. TouchTunes data is not factored into other Billboard charts.
Since the TouchTunes Frontline and Catalog charts’ existence (beginning with the second quarter of 2024), “A Bar Song” has been No. 1 on the Frontline ranking, as well as the top song on TouchTunes across its entire playable catalog.
Trending on Billboard
Its reign coincides with the song’s standing as the top-played tune on TouchTunes jukeboxes for 2024, the first song since Chris Stapleton’s “Tennessee Whiskey” to be the platform’s most-played song in a year that was considered a frontline (18 months old or less) release at the time.
“A Bar Song” also sports 19 weeks at No. 1 on the Billboard Hot 100 between July and November 2024, tying Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, for the lengthiest rule in chart history. It appears at No. 4 on the latest survey, dated Feb. 1.
The aforementioned “Tennessee Whiskey” retains its hold on the TouchTunes Catalog Chart, and it’s also the second-most-played song on the platform overall. Like “A Bar Song,” “Tennessee Whiskey” has reigned on its respective chart for all three quarters since both rankings were launched.
It does, however, have somewhat of a challenger in Teddy Swims’ “Lose Control,” which graduates to the Catalog list after previously being part of Frontline. It enters Catalog at No. 2 after appearing at No. 3 on the third-quarter Frontline tally.
Toby Keith’s “I Love This Bar,” Garth Brooks’ “Friends in Low Places” and Brooks & Dunn’s “Neon Moon” round out Catalog’s top five, giving “Lose Control” the distinction of the ranking’s first non-country song.
That said, the Frontline Chart’s top five is all country, with Post Malone’s “I Had Some Help,” featuring Morgan Wallen, holding its No. 2 rank, followed by Ella Langley’s “You Look Like You Love Me” (featuring Riley Green), Wallen’s “Cowgirls” (featuring ERNEST) and Zach Top’s “I Never Lie.”
Of those, Langley and Top are debuts, marking the top new entries of the quarter. “Cowgirls,” meanwhile, reaches a new peak, lifting 5-4.
Kendrick Lamar’s “Not Like Us” represents the highest-ranking non-country song on Frontline, dropping three spots to No. 7.
With the holiday season falling within the fourth quarter, the Catalog Chart also sees a seasonal classic in Mariah Carey’s “All I Want for Christmas Is You,” which enters the tally at No. 19.
And once again, it’s Wallen who boasts the most appearances across both rankings, with six songs – as a lead act or featured – on the Frontline ranking and one on Catalog. Jelly Roll follows with four total (two on each).
See both 25-position charts below.
TouchTunes Frontline Chart
1. “A Bar Song (Tipsy),” Shaboozey (=)2. “I Had Some Help,” Post Malone feat. Morgan Wallen (=)3. “You Look Like You Love Me,” Ella Langley feat. Riley Green (debut)4. “Cowgirls,” Morgan Wallen feat. ERNEST (+1)5. “I Never Lie,” Zach Top (debut)6. “Lies Lies Lies,” Morgan Wallen (+5)7. “Not Like Us,” Kendrick Lamar (-3)8. “Pink Pony Club,” Chappell Roan (+9)9. “Beautiful Things,” Benson Boone (=)10. “Too Sweet,” Hozier (-3)11. “I Am Not Okay,” Jelly Roll (+8)12. “Last Night,” Morgan Wallen (-6)13. “Ain’t No Love in Oklahoma,” Luke Combs (+3)14. “White Horse,” Chris Stapleton (+1)15. “Love Somebody,” Morgan Wallen (debut)16. “Whiskey Whiskey,” Moneybagg Yo feat. Morgan Wallen (-4)17. “The Door,” Teddy Swims (debut)18. “Espresso,” Sabrina Carpenter (debut)19. “Pour Me a Drink,” Post Malone feat. Blake Shelton (-1)20. “Get It Sexyy,” Sexyy Redd (debut)21. “Hot To Go!,” Chappell Roan (debut)22. “Miles On It,” Marshmello with Kane Brown (debut)23. “Million Dollar Baby,” Tommy Richman (-10)24. “You Proof,” Morgan Wallen (=)25. “Wild Ones,” Jessie Murph with Jelly Roll (-2)
TouchTunes Catalog Chart
1. “Tennessee Whiskey,” Chris Stapleton (=)2. “Lose Control,” Teddy Swims (debut, previously No. 3 on Frontline)3. “I Love This Bar,” Toby Keith (-1)4. “Friends in Low Places,” Toby Keith (-1)5. “Neon Moon,” Brooks & Dunn (-1)6. “Son of a Sinner,” Jelly Roll (-1)7. “I Think I’ll Just Stay Here and Drink,” Merle Haggard (+5)8. “Fat Bottomed Girls,” Queen (-2)9. “Copperhead Road,” Steve Earle (=)10. “Drinkin’ Problem,” Midland (-3)11. “Don’t Stop Believin’,” Journey (-1)12. “Save Me,” Jelly Roll with Lainey Wilson (debut, previously No. 10 on Frontline)13. “Rockstar,” Nickelback (+1)14. “Whiskey Glasses,” Morgan Wallen (-6)15. “Family Tradition,” Hank Williams Jr. (=)16. “Simple Man,” Lynyrd Skynyrd (-3)17. “Something in the Orange,” Zach Bryan (-6)18. “Higher,” Creed (+4)19. “All I Want for Christmas Is You,” Mariah Carey (debut)20. “Fast Car,” Luke Combs (debut, previously No. 8 on Frontline)21. “The Joker,” The Steve Miller Band (-5)22. “Thunderstruck,” AC/DC (-3)23. “Sweet Child o’ Mine,” Guns N’ Roses (=)24. “In the Air Tonight,” Phil Collins (re-entry)25. “Brown Eyed Girl,” Van Morrison (-5)
Central Cee has secured this week’s No. 1 on the U.K.’s Official Albums Chart with his debut LP Can’t Rush Greatness (Jan. 31). The west London rapper outsold the rest of the top five combined to reach the summit; this album gives him his second chart-topper following 2023’s mixtape 23. There’s been a flurry of […]
Lola Young has bagged a second week at No. 1 on the U.K. Singles Chart with her breakout hit “Messy” (Jan. 31). The song first hit the top spot last week after dethroning Gracie Abrams’ “That’s So True,” which reigned for eight non-consecutive weeks. The London-based musician’s star continues to rise with the song hitting […]
Cody Johnson and Carrie Underwood’s “I’m Gonna Love You” climbs three spots to No. 9 on Billboard’s Country Airplay chart (dated Feb. 8). It gained by 11% to 17.3 million audience impressions Jan. 24-30, according to Luminate.
Explore
See latest videos, charts and news
See latest videos, charts and news
The team-up was authored by Kelly Archer, Travis Denning and Chris Stevens. It’s from the deluxe version, released in November, of Johnson’s 2023 album Leather. The set reached No. 5 on Top Country Albums, becoming his fifth top five title.
Johnson, from Sebastopol, Texas, adds his fifth Country Airplay top 10. His latest follows “Dirt Cheap,” which reached No. 5 last September; “The Painter” (No. 1 for one week, March 2024); “Human” (No. 8, June 2023); and “‘Til You Can’t” (No. 1, two weeks, March-April 2022).
Trending on Billboard
Underwood earns her 31st Country Airplay top 10 and first since “Ghost Story,” which peaked at No. 6 in October 2022. In between, she banked two top 20 hits: “Out of That Truck” (No. 18, April 2024) and “Hate My Heart” (No. 20, May 2023). She notched her 16th and most recent No. 1 with “If I Didn’t Love You,” with Jason Aldean, for three weeks in October-November 2021.
Underwood boasts the second-most Country Airplay top 10s among women dating to the chart’s 1990 launch. Reba McEntire leads the category with 37.
‘Good’ News
Dylan Scott scores his seventh Country Airplay top 10, and his fifth in succession, as “This Town’s Been Too Good to Us,” which he co-wrote, lifts 11-10 (17 million, up 9%).
Meanwhile, Scott claims concurrent top 10s for the first time, as “Boys Back Home,” with Dylan Marlowe, ranks at No. 6 after reaching No. 2. Scott’s active top 10 streak is rounded out by “Can’t Have Mine,” which led for a week in December 2023, becoming his third No. 1; “New Truck” (No. 1, one week, August 2022); and “Nobody” (No. 2, June 2021).
More ‘Love’
Meanwhile, Morgan Wallen’s “Love Somebody” rules Country Airplay for a second week (35.4 million, up 5%). Of his 16 chart-toppers, his newest marks his eighth to lead for multiple weeks.
Teddy Swims has officially taken over the ARIA Albums Chart, landing at No. 1 with I’ve Tried Everything But Therapy (Part 2).
The Atlanta-born singer, whose mix of R&B, country, and soul has earned him a devoted fanbase, continues his upward trajectory following the success of I’ve Tried Everything But Therapy (Part 1) last year. Swims’ breakout hit “Lose Control” became a global phenomenon, reaching No. 1 on the Billboard Hot 100.
Melbourne band Slowly Slowly continues their steady rise, scoring their third Top 10 album as Forgiving Spree debuts at No. 8. It follows Race Car Blues (No. 7 in 2020) and Daisy Chain (No. 5 in 2022), showing their continued momentum in the Australian rock scene. They also made a splash on the Vinyl Albums Chart, landing at No. 2.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
UK rapper Central Cee makes a strong entrance at No. 2 with his debut studio album, Can’t Rush Greatness.
Trending on Billboard
It’s his highest-charting release in Australia, surpassing his 2022 mixtape 23, which peaked at No. 6. Central Cee has already had massive success on the ARIA Singles Chart, spending seven weeks at No. 1 in 2023 with “Sprinter,” his collaboration with Dave.
Luke Combs is proving his staying power as his Australian tour boosts This One’s For You to a new career peak at No. 6. The 2017 album had previously topped out at No. 7 in both 2019 and 2022, but with country music’s popularity growing, Combs’ influence in Australia only continues to expand. Kane Brown, who performed at the ARIA Awards last year, also makes his mark this week, debuting at No. 41 with The High Road.
On the ARIA Singles Chart, English singer Lola Young claims her first solo No. 1 with “Messy,” jumping up from No. 3 last week. The track, which has gained serious traction on TikTok, has also gone to No. 1 in the UK, marking a breakout moment for the rising star.
Tate McRae makes her presence felt with “Sports Car,” debuting at No. 10. The track, co-written with Julia Michaels and produced by Ryan Tedder, is the third single from her upcoming album So Close To What. This marks McRae’s ninth Top 50 single, with her biggest chart success to date being “Greedy,” which peaked at No. 2 in 2023.
For the full ARIA Charts, visit ARIA.com.au.