State Champ Radio Chart Beat
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Morgan Wallen‘s “I’m the Problem” tops Billboard‘s Country Airplay chart for a seventh consecutive week, leading the June 7-dated survey with 29.8 million audience impressions May 23-29, according to Luminate.
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The title track and third No. 1 from Wallen’s new album — which launched atop the Billboard 200 and Top Country Albums (dated May 31) with 2025’s biggest week by equivalent album units (493,000 in the United States) — is the third of his 17 Country Airplay leaders to rule for seven weeks or more, following “You Proof” (10 weeks, 2022-23) and “Last Night” (eight weeks, 2023).
Wallen now claims the year’s longest No. 1 run on Country Airplay, surpassing the six-week command for Jelly Roll’s “Liar” in February-March. Wallen’s latest leader and Shaboozey’s “A Bar Song (Tipsy)” (seven weeks, August-September 2024) share the longest reigns since Nate Smith’s “World on Fire” dominated for 10 frames beginning in December 2023, tying “You Proof” as the longest-leading titles since the chart began in January 1990.
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Meanwhile, Wallen’s latest single being promoted to country radio, “Just in Case,” lifts 13-11 on Country Airplay (16.1 million, up 9%).
Smith’s Latest Top 10 ‘Break’-Through
Nate Smith’s “Fix What You Didn’t Break” rises two spots to No. 9 on Country Airplay (17.1 million, up 6%). Smith co-authored the song with Ashley Gorley, Taylor Phillips and Lindsay Rimes, the lattermost of whom also produced it. It’s from Smith’s album California Gold, which arrived at its No. 12 high on Top Country Albums last October.
Smith earns his fourth Country Airplay top 10. It follows “Bulletproof,” which hit No. 3 last August. The Paradise, Calif., native’s first of four entries, “Whiskey on You,” notched two weeks at No. 1 in February 2023, followed by “World on Fire.”
Oz-some Debut for ‘Laredo’
Lainey Wilson’s newest single, “Somewhere Over Laredo,” debuts on Country Airplay at No. 21 with 7.6 million impressions in its first week of release, aided by hourly spins on participating iHeartMedia stations upon its arrival May 23.
Notably, the song borrows from the melody of “Over the Rainbow,” which was written for the 1939 classic film The Wizard of Oz, starring Judy Garland. The credited writers of “Somewhere Over Laredo” are Andy Albert, Trannie Anderson and Dallas Wilson, with Harold Arlen and Edgar Yipsel Harburg – the co-authors of “Over the Rainbow” – also receiving credit.
Among other charted covers of the beloved ballad, Israel “IZ” Kamakawiwo’Ole’s “Somewhere Over the Rainbow” has topped Billboard’s World Digital Song Sales chart for 370 weeks, among an overall 802-week active run.
All charts dated June 7 will update Tuesday, June 3.
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Let’s open the latest mailbag.
Hi Gary,
“20 Cigarettes” by Morgan Wallen has debuted at No. 20 on the latest Billboard Hot 100. If that’s its high, it will join the list of songs whose titles include the number where they peaked, such as Prince and the New Power Generation’s “7” and so many others.
I also see that Wallen has a Hot 100 tune titled “Jack and Jill,” marking the latest chart appearance for the couple.
Thanks,
Pablo NelsonOakland, Calif.
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Hi Pablo,
Let’s start with “Jack and Jill,” since they have seniority, as they are believed to date, in nursery rhyme form, to the 17th century. As clumsy as they may be, they’ve managed to roll up the Hot 100 three times via “Jack and Jill” song titles. Wallen’s debuts at No. 60 on the May 31 chart, after Raydio’s became a top 10 hit, rising to No. 8, in 1978 and Tommy Roe’s reached No. 53 in 1969. Like the latter two songs, Wallen’s will go tumbling after its peak, though maybe he won’t yet break his crown on the Hot 100.
As for fun with song titles and their peaks, along with “20 Cigarettes,” let’s look at a dozen more releases below whose titles have synched up to their Billboard chart runs.
(Sadly, “9 to 5” doesn’t make the cut, as Dolly Parton’s classic never worked its way from No. 9 to No. 5 on any chart in a single week. Plus, Taylor Swift’s “22” just had to become a bigger hit than its name, rising two more spots to a No. 20 Hot 100 high; neither Albert Hammond’s “99 Miles From L.A.” Toto’s “99,” Nena’s “99 Luftballoons” nor Jay-Z’s “99 Problems” peaked, or even ever ranked, at No. 99, with Hammond’s skipping directly over it, from No. 100 to No. 98; and Drake’s “Started From the Bottom” debuted at No. 63, or 37 spots from there.)
“One Week,” Barenaked LadiesThe lyrically random rundown spent exactly one week at No. 1 on the Hot 100 dated Oct. 17, 1998. The band was “big like LeAnn Rimes” that week — even bigger, as her smash “How Do I Live” simultaneously fell off the chart after a then-record run.
“Fortnight,” Taylor Swift feat. Post MaloneLikewise fittingly, the song claimed two weeks atop the Hot 100, on the charts dated May 4 and 11, 2024.
1, The BeatlesThe collection includes each of the Beatles’ record 20 No. 1s on the Hot 100. It became their most recent Billboard 200 leader in 2000.
#1s, Destiny’s ChildSimilarly, Destiny’s Child’s hits package topped the Billboard 200 in 2005. It houses all four of the group’s Hot 100 No. 1s.
“1-2-3,” Gloria Estefan & Miami Sound MachineIn 1988, the flirty anthem peaked at No. 1 (for one week) on Adult Contemporary — No. 2 on the then-active Hot Crossover 30 — and No. 3 on the Hot 100.
“Just the Two of Us,” Grover Washington, Jr. with Bill WithersThe R&B favorite hit No. 2 on the Hot 100 in 1981. Plus, Seduction’s “Two to Make It Right” peaked at No. 2 in 1990. Songs with “two” in their names aren’t jinxed, though, as two “two”-titled tracks have hit No. 1: Mary MacGregor’s “Torn Between Two Lovers,” in 1977, and Phil Collins’ “Two Hearts,” in 1989.
“3 AM,” matchbox 20The band’s 1997 single hit No. 3 on Alternative Airplay. Similarly, Maluma’s “11 PM” clocked a No. 11 peak on Hot Latin Songs in 2019. (Music director radio tip: Scheduling “3 AM” at 3 a.m. is a good way to perk up overnight air talent with something playful to talk about, and help keep them from falling asleep.)
“25 or 6 to 4,” ChicagoIf you have to pick among peaking at Nos. 25, 6 or 4, 4 is the best, and that’s how high this hit reached on the Hot 100 in 1970. While it never ranked at No. 25, it did rise 6 to 4.
“7,” Prince and the New Power GenerationThe track reached a No. 7 peak on the Hot 100 in 1993. (On Hot R&B/Hip-Hop Songs, it stopped at No. 61, but at least those numbers add up to 7.)
“#9 Dream,” John LennonThe song hit No. 9 on the Hot 100 in 1975. It’s the only one of the late legend’s eight solo top 10s or the Beatles’ 35 top 10s to have peaked at that rank.
“21 Questions (Again),” DebrecaIn 2003, the track by the singer reached No. 42 on Hot R&B/Hip-Hop Songs. Maybe “21 Questions (Again)” would’ve peaked at No. 21 if she didn’t add its subtitle?
“Eighteen With a Bullet,” Pete WingfieldPerhaps the best example of a song related to a trip up Billboard’s rankings, the single was its title on the Nov. 22, 1975-dated Hot 100, climbing four spots to No. 18 with a “*” award, or bullet, reflecting its positive chart momentum. The song, which hit a No. 15 best the following week, has fun with several industry shoutouts. Wingfield sings in the doo-wop-flavored track, “I’m high on the chart, I’m tipped for the top … but ‘til I’m in your heart, I ain’t never gonna stop!”
Sabrina Carpenter’s Short n’ Sweet is back at No. 1 on the U.K.’s Official Albums Chart for a fifth non-consecutive week on Friday (May 30). The “Espresso” star first hit the top spot upon release back in August 2024, and the LP has returned to the summit intermittently ever since; Short n’ Sweet was last […]
Morgan Wallen holds firm at No. 1 on the ARIA Albums Chart for a second week with I’m the Problem. The album has also topped charts in the United States, United Kingdom, New Zealand and parts of Europe.
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Wallen was also the last male country artist to reach No. 1 in Australia, spending two weeks on top in 2023 with One Thing at a Time. Before that, Keith Urban topped the chart in 2020 with The Speed of Now Part 1.
Kisschasy re-enter at No. 28 with Hymns for the Nonbeliever following its vinyl reissue. The album originally peaked at No. 5 in 2007. Australian punk band Private Function debut at No. 43 with ¯_(ツ)_/¯, which includes a limited-edition scratch-and-sniff vinyl inspired by Gwyneth Paltrow’s Goop fragrance. The band previously reached No. 9 with Whose Line Is It Anyway? and No. 11 with 370HSSV 0773H.
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Pitbull’s Greatest Hits makes a surprise return to the Top 10, jumping from No. 16 to No. 9 — its highest position since its 2017 release. The timing follows his recent announcement as part of the 2025 Fridayz Live tour alongside Mariah Carey, Wiz Khalifa, Lil Jon, Eve, Jordin Sparks and more. Pitbull’s top-charting album in Australia remains Planet Pit, which reached No. 5 in 2011.
On the ARIA Singles Chart, Alex Warren scores a tenth consecutive week at No. 1 with “Ordinary,” joining an elite group of just 30 tracks to ever spend 10 or more weeks at the top, including Tones and I’s “Dance Monkey” (24 weeks), ABBA’s “Mamma Mia,” Daddy Cool’s “Eagle Rock” and Jack Harlow’s “Lovin’ On Me.”
Sombr continues his rise on the chart, holding both No. 2 with “Undressed” and No. 3 with “Back to Friends.” Warren also claims the highest new entry of the week as “Bloodline,” his duet with Jelly Roll, debuts at No. 16, marking Jelly Roll’s first-ever ARIA Singles Chart appearance.
Kisschasy also dominate the Vinyl Albums Chart, landing at No. 1 with Hymns for the Nonbeliever and No. 5 with United Paper People. Private Function land at No. 2 on the vinyl chart with ¯_(ツ)_/¯, followed by Billie Eilish and Sleep Token.
Maria Becerra, Paulo Londra and XRoss’ “Ramen Para Dos” leads the Billboard Argentina Hot 100 chart for a second week on the chart dated (May 31). Two weeks ago, when the song debuted at No. 1, it became producer XRoss’ first champ and entry since the tally began in 2018. Explore See latest videos, charts […]
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. This week: Taylor Swift’s most controversial album gets a bump in anticipation of an announcement that never materialized, Young Jeezy and Akon’s classic teamup gets an unlikely meme boost and an odd cover of a Sly Stone classic drives listeners back to the original.
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Taylor Swift’s ‘Reputation’ for Surprises Precedes Her on Streaming
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If you were watching the American Music Awards on Monday night (May 26), chances are pretty good you had your eyes peeled and ears open for a certain revelation from a certain pop superstar. Swifties had flooded the internet in recent weeks with predictions of a Taylor Swift Memorial Day Miracle – an appearance at the awards, most likely accompanied by an announcement of a new release, perhaps the long-awaited Reputation (Taylor’s Version) re-recording.
Unfortunately for the Swifties, the AMAs came and went without any appearances, announcements or drops from their fav. But hope clearly sprang eternal in the days leading up to the awards, at least on streaming: The 15 tracks on Reputation racked up a combined 11.3 million official on-demand U.S. streams across the first four days of this tracking week (May 23-26), ahead of the awards – a 14% gain from the equivalent period the prior, according to Luminate. And that bump was of course highest on Memorial Day, as the album racked up 2.4 million total streams on that day alone, a 29% gain from the prior Monday.
Jeezy and Akon’s 20-Year-Old Hit Scores Thanks to a ‘Holy Airball’
“Soul Survivor” was the breakout crossover hit 20 years ago for the rapper then known as Young Jeezy, as the Akon-assisted banger lifted to No. 4 on the Billboard Hot 100 and helped establish his Let’s Get It: Thug Motivation 101 as one of the year’s biggest rap albums. Two decades later, the street anthem is once again delighting music fans, though through a relatively unlikely conduit: a TikTok meme about dating gaffes.
Tiktoker Hadley (@localyerbafein) stroke viral paydirt last week (May 21) when she shared a video that captured the story of a guy – presumably one she was seeing, or at least considering seeing – responding to her interest in law with a question about her watching the TV show Suits. The video ends with footage of Hadley serving as a courtroom attorney, with the caption “holy fckin airball” – all, of course, set to “Soul Survivor.” The clip quickly spread through the app, racking up 10 million views and 1.8 million likes, and inspiring a number of other users to share their own he-shoots, he-doesn’t-score stories, with Akon and Jeezy again serving as the soundtrack.
Consequently, the track exploded on streaming towards the end of last week. For the tracking week ending May 22, “Soul Survivor” amassed over 3 million official on-demand U.S. streams, according to Luminate – fully doubling its stream count from the prior week – and it should be headed for an even bigger tally this week, as TikTok keeps putting up one “holy fckin airball” after another.
‘Everyday’ Memeable: Sly & the Family Stone Classic Lifted by Revival of Unlikely Cover
In 2017, two greats of popular music – pop icon Cher and rap legend Future – teamed up for an unlikely collab cover of Sly & The Family’s soul-pop classic “Everyday People.” Their rendition was featured in a Gap commercial that showcased the star pair meeting up on a staircase on an otherwise-blank set to discuss how Cher can’t get the 1969 Hot 100-topper out of her head, leading to her crooning the song over a trappy beat. Meanwhile, Future attempts to fill in with harmonies and ad libs – in a mixture that, unsurprisingly, feels slightly less than organic.
The awkward commercial has recently begun to recirculate around the internet, resulting in pairs of TikTokers recreating the visual in endearing clips gently poking at the stilted chemistry of the original. The Cher & Future “Everyday People” is not currently available in full on DSPs, but of course the Family Stone original is there for the streaming – and folks have been evidently charmed enough by the improbable cover to revisit (or check out) the original. According to Luminate, over the first four days of this tracking week (May 23-26), “Everyday People” is up to 309,000 official on-demand U.S. streams from 256,000 over the same period in the prior week, a gain of 21%.
Rhapsody in Blue Shirt: Sam Gellaitry Single Rises Thanks to Viral Dance Proxy
In this week’s example of never knowing where a breakout hit might come from in 2025, we have Scottish dance producer Sam Gellaitry. His song “Assumptions,” from the 2021 EP IV, has begun to percolate on streaming over the past month, thanks to the Russian dancer Руслан Айдаев, now known to the internet as Blue Shirt Guy – who has been a meme of some degree for years already for his full-bodied dance moves, shot from behind.
Recent viral videos have paired the clip with Gellaitry’s throbbing electro-pop instrumental, resulting in it going nuts on TikTok all over again – with many of the app’s finest donning their best blue shirts and filming themselves shaking it from behind. Consequently, the four-year-old “Assumpstions” has risen to the top of Gellaitry’s Spotify page, and is now racking up over 2.2 million official on-demand U.S. streams a week, up 142% from three weeks earlier, according to Luminate.
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard Hot 100 dated June 7, we look at the chances of Morgan Wallen and Tate McRae’s star-powered duet to continue its reign on the chart.
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Morgan Wallen feat. Tate McRae, “What I Want” (Mercury/Big Loud/Republic): The combined star power of country superpower Morgan Wallen and rising pop phenom Tate McRae helped boost “What I Want” to being not just the highest-ranking of Wallen’s record-breaking 37 tracks on the Hot 100 last week, but the No. 1 song period – Wallen’s fourth and McRae’s first. The debut came on the back of 31.2 million official streams, according to Luminate, allowing it to bow atop the Streaming Songs chart and making up for its relative lack of radio presence as a new song.
That streaming presence should still be very pronounced in its second week, as the song continues to reign on the Spotify Daily Top Songs USA chart and the Apple Music real-time chart. And the song is already starting to make a radio impact: After debuting at Nos. 32 and 38 on Adult Pop Airplay and Pop Airplay, respectively, on this week’s charts (dated May 31), it’s pushing toward the top 25 on both. (On Country Airplay, it debuted at No. 55 this week but looks likely to fall off next week – granted it’s being promoted so far only to pop and adult formats.)
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If the song can hold for a second week, it will become the first multi-week Hot 100 No. 1 from I’m the Problem, pulling past the one-week No. 1 “Love Somebody,” which topped the chart last November. (It would still have another 14 weeks to go to tie the longest-reigning single from prior album One Thing at a Time, the 16-week No. 1 “Last Night” in 2023.)
Alex Warren, “Ordinary” (Atlantic): If not for Morgan Wallen’s I’m the Problem album debut, we might be talking about Alex Warren celebrating his first Hot 100 No. 1 single this week. After multiple frames of being at stuck at No. 2 behind Kendrick Lamar and SZA’s “Luther,” “Ordinary” finally moves ahead of that 13-week No. 1 – but still only ranks at No. 4 on this week’s chart, after falling behind three tracks from I’m the Problem.
Nevertheless, “Ordinary” should remain a strong contender for the top spot. It still ranks towards the top of the major streaming charts, and after reaching the Radio Songs top 10 this week, the song is now aiming for the top five; it’s up 16% in audience May 23-26 over the previous building week. It’s also challenging for No. 1 next week on Adult Pop Airplay, and could come for the crown on Pop Airplay not long after.
Meanwhile, Warren has a new song out in the Jelly Roll collab “Bloodline,” which should also be headed for a strong Hot 100 debut. But as shown with the success of recent artists like Teddy Swims and Benson Boone, having simultaneous follow-up hits can be more helpful than harmful to the original hits these days, so “Bloodline” doing well might boost “Ordinary” in its pursuit of the top spot.
Morgan Wallen, “Just in Case” and “I’m the Problem” (Mercury/Big Loud/Republic): Morgan Wallen will still be seeing an awful lot of himself in the rearview mirror, as his solo songs that rank at No. 2 and 3 on the Hot 100 this week — “Just in Case” and “I’m the Problem,” respectively – should remain big factors on the chart next week as well. Though the two songs rank behind “What I Want” on DSPs, they still have the head start on radio: “Just in Case” continues climbing Country Airplay, though it could be still outside the top 10 next week, after rising to a new No. 13 high this week. Meanwhile, “I’m the Problem” has ruled Country Airplay for six weeks already, and could be on pace for a seventh week at No. 1.
If one of these other I’m the Problem tracks is able to pass “What I Want” on next week’s Hot 100, Wallen would replace himself on top for the first time in his career – becoming the first artist to do so since… Kendrick Lamar just a couple months ago, after a Super Bowl-rebounded “Not Like Us” gave way to “Luther” and its months-long reign.
Jack Black’s “Steve’s Lava Chicken” — the shortest song ever to make the Billboard Hot 100 — adds another chart feat as the A Minecraft Movie song debuts at No. 1 on Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), for April.
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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of April. The ranking includes newly released films from the preceding three months.
“Steve’s Lava Chicken” reaches No. 1 following its first month of tracking for Top Movie Songs; A Minecraft Movie debuted in theaters on April 4.
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The song earned 20.1 million official on-demand U.S. streams and sold 3,000 downloads in April, according to Luminate. That led “Steve’s Lava Chicken” to debut at No. 78 on the Hot 100 dated May 3, making it the ranking’s shortest song ever at 34 seconds (a longer, albeit less popular version is one minute and 15 seconds).
“Steve’s Lava Chicken” reigns over a trio of holdovers from the chart’s previous iteration, paced by Tom Petty and the Heartbreakers’ “Mary Jane’s Last Dance” from The Electric State (No. 2; 14.6 million streams, 1,000 downloads) and followed by Chappell Roan’s “Casual” from Novocaine (No. 3; 13.8 million streams) and Yeah Yeah Yeahs’ “Spitting Off the Edge of the World” from The Gorge (No. 4; 2.4 million streams, 1,000 downloads).
The next highest debut is courtesy of Rod Wave’s “Sinners,” from the movie of the same name, released April 18. Wave’s track bows at No. 5 via 14.3 million streams and 1,000 downloads.
More Sinners activity is possible upon the May chart, the movie’s first full month of tracking for the survey. The soundtrack debuted at No. 133 on the Billboard 200 dated May 10.
Eric Prydz‘s 2004 hit “Call On Me” also starts at No. 7 via a synch in Warfare, garnering 2.6 million streams and 1,000 downloads in April. Prydz’s track concurrently returned to Billboard charts via the Dance/Electronic Digital Song Sales list in late April, bowing at No. 5. It peaked at the same position on Dance/Mix Show Airplay in 2004.
See the full top 10, which also features music from Snow White and Holland, below.
Rank, Song, Artist, Movie
“Steve’s Lava Chicken,” Jack Black, A Minecraft Movie
“Mary Jane’s Last Dance,” Tom Petty and the Heartbreakers, The Electric State
“Casual,” Chappell Roan, Novocaine
“Spitting Off the Edge of the World,” Yeah Yeah Yeahs feat. Perfume Genius, The Gorge
“Sinners,” Rod Wave, Sinners
“Good Things Grow,” Snow White Cast, Snow White
“Call On Me,” Eric Prydz, Warfare
“Mother,” Danzig, The Electric State
“Party Up,” DMX, Holland
“(All Along the) Watchtower,” Devlin, The Gorge
Coldplay was back on the road in April, extending the group’s reach to Hong Kong and Goyang, South Korea (14 miles from Seoul). According to figures reported to Billboard Boxscore, the British band is No. 1 on the monthly Top Tours chart, with $67.4 million in the bank and 502,000 tickets sold.
Coldplay has been one of the most dominant acts on the Boxscore charts since the 2022 kickoff of the Music of the Spheres World Tour, reigning over seven Top Tours charts. The band’s touring calendar has become an accurate predictor of chart results: Its last batch of shows was in January, which matches its sixth monthly victory. Before that, Coldplay had dates in November, aligning with its fifth monthly win. Coldplay has only one show scheduled in May, but a busier calendar throughout the summer immediately makes the band prohibitive competition for the top spot over the next several months.
With its April triumph, Chris Martin & Co. tie Bad Bunny and Elton John for the most months at No. 1 (seven). Trans-Siberian Orchestra follows with five (December of every year since the chart premiered).
Beyoncé and P!nk have each led four times. The latter did it twice on the Beautiful Trauma World Tour in 2019 and twice more with dates from Summer Carnival and Trustfall Tour in 2023-24. Beyoncé dominated the summer of 2023 with the Renaissance World Tour and played the first show on Cowboy Carter Tour on April 28, squeaking onto the month’s list with one date.
Coldplay’s April boils down to four shows at Hong Kong’s Kai Tak Stadium and six at Goyang Stadium in South Korea. The first set of dates grossed $32.9 million and sold 184,000 tickets. The second set moved $34.4 million from 318,000 tickets. That’s enough to secure the top two positions on the Top Boxscores chart.
The grosses of Coldplay’s two stops are close, separated by just 4%. But the longer stay in Goyang sold 73% more tickets, which means that the ticket price in Hong Kong had to be much higher. At Kai Tak Stadium, Coldplay averaged $179 per seat, while the Korean shows paced $108.22.
Added to Coldplay’s January run in the United Arab Emirates and India, the 2025 Asian leg wrapped with $124 million and 1.1 million tickets. Combined with the 2023-24 leg in Japan, Taiwan, Indonesia and more, Asia accounts for $253.4 million on the Music of the Spheres World Tour. Worldwide, the trek has brought in $1.3 billion and sold 11.4 million tickets, extending its lead as the bestselling tour in history.
Coldplay picks back up on May 31 in Stanford, Calif., kicking off a 17-show run in the U.S. and Canada. Finally, there are 12 dates scheduled in the U.K., closing out the three-and-a-half-year tour with 10 shows at London’s Wembley Stadium. By closing night, the trek will be approaching $1.5 billion and 13 million tickets sold.
From one of the biggest tours of all time nearing its close to the opening shows of one of 2025’s hottest tickets, Kendrick Lamar and SZA are No. 2 on April’s tally. The first four shows of the Grand National Tour brought in $43.2 million and sold 180,000 tickets.
Lamar and SZA premiered their co-headline trek on April 19 at Minneapolis’ U.S. Bank Stadium, before hitting Houston, Dallas and Atlanta. These are the first stadium shows for each artist, having previously conquered arenas in 2022 (Lamar’s The Steppers Tour) and 2023 (SZA’s SOS Tour).
Already, the Grand National Tour is the biggest tour of either artist’s career, and they are only 10 shows deep. Including six reported shows in May, which will count toward next month’s charts, the trek has earned $115.7 million and sold 508,000 tickets through the May 17 show at Seattle’s Lumen Field.
Thirteen shows remain on the pair’s schedule in North America, before traveling to Europe for 16 dates. Before its close on Aug. 9 in Stockholm, the Grand National Tour will be one of the biggest co-headline treks in history.
April was not just the stadium launchpad for Lamar and SZA. In the closing days of the month, Lady Gaga played her first two ticketed shows of the year at Mexico City’s Estadio GNP Seguros (April 26-27), hitting No. 6 on Top Boxscores and No. 10 on Top Tours. Beyoncé opened Cowboy Carter Tour in Los Angeles (April 28), reaching Nos. 14 and 15, respectively. And Post Malone unleashed the Big Ass Stadium Tour with assistance from Jelly Roll in Salt Lake City (April 29).
Beyoncé, Gaga and SZA help to make April a banner month for women on tour. They are three of 10 women on the Top Tours chart, up from seven in March, six in February, and just one in January. Still less than half, the 33% representation in April represents the most women on a Top Tours chart in its 58 editions, surpassing nine, or 30%, in December 2019 and January 2022.
In between SZA and Gaga, Shakira is No. 7 after leading the list in February and March. The first Latin American leg of her 2025 tour ended mid-month, handicapping her potential rank. Elsewhere, Charli xcx and Olivia Rodrigo carry over tours that began in 2024. Kelsea Ballerini, Mary J. Blige and Kylie Minogue wrapped up spring runs, while Katy Perry began The Lifetimes Tour with five shows in Mexico.
05/29/2025
The multi-genre smash rules Billboard’s 100-position Top Hot Country Songs of the 21st Century retrospective. Below, find a breakdown of the 2000-24 top 10.
05/29/2025
