Chart Beat
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Burna Boy bags his first U.K. chart crown – and a piece of history – with his latest album I Told Them…(via Atlantic).
The Nigeria-born artist (real name: Damini Ebunoluwa Ogulu) blasts to the top of the latest Official U.K. Albums Chart, published Sept. 1, becoming the first international Afrobeats artist to secure the title.
The leader at the midweek stage, Burna Boy’s seventh and latest LP goes one better than 2022’s Love, Damini, which peaked at No. 2.
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“Burna Boy has transformed into a global superstar and this No. 1 album reflects his growth over the last few years,” comments Austin Daboh, vice president of Atlantic Records U.K. in a statement. “The success of this album is the combination of world class music, a coherent strategy based in culture, and unmatched passion, energy and commitment from his wider team and Atlantic Records.”
It’s not his first taste of the high life. Burna Boy scaled the U.K. singles chart summit with 2019’s “Own It,” a collaboration with Stormzy and Ed Sheeran. The records keep tumbling. Earlier this summer, he became the first African artist to headline a stadium concert in the U.K., when he played his Love, Damini tour date at a packed-out 60,000 capacity London Stadium, and he has a Grammy Award to his name, for 2020’s Twice as Tall (best global music album).
Meanwhile, Claire Richards steps on up to a solo career best with her second studio album Euphoria (Edsel), new at No. 2. The Steps star now has two solo top 10s, with 2019’s My Wildest Dreams peaking at No. 9. As a member of Steps, Richards has an addition 11 top 10 albums, including four leaders: 1999’s Steptacular, 2001’s Gold: The Greatest Hits, 2011’s The Ultimate Collection and 2022’s Platinum Collection.
London rapper Digga D (real name: Rhys Herbert) scores a third U.K. top 10 with Back to Square One (Black Money Records). Digga D snagged his first and only No. 1 in 2022 with the Noughty By Nature mixtape.
U.S. alternative-pop artist Ashnikko makes her debut U.K. top 10 appearance with Weedkiller (Parlophone), new at No. 7, ahead of Alice Cooper’s 22nd solo studio album Road (Ear Music), which starts at No. 8. That’s the sixth top 10 LP as a solo artist for the veteran shock-rock artist.
Finally, U.S. country artist Zach Bryan’s enjoys his first U.K. top 40 spot with his self-titled fourth studio album. Zach Bryan (via Warner Records) is new at No. 22.
Zach Bryan lands his first No. 1 album on the Billboard 200 chart as his new self-titled set bows atop the tally (dated Sept. 9). The 16-song country-rock effort, his fourth full-length studio album, launches with 200,000 equivalent album units earned in the U.S. in the week ending Aug. 31, according to Luminate — the largest week for any rock album in four years. It’s also the first rock effort to hit No. 1 in more than a year. The set’s opening frame is largely powered by streaming activity — and the album boasts the biggest streaming week ever for a rock album.
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Beyond Bryan’s rock achievements, his self-titled set also marks the third country title to hit No. 1 on the Billboard 200 in 2023, and garners the fifth-largest debut streaming week for a country album.
Country and rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums and Top Rock Albums charts, respectively. Bryan is among a handful of recent acts that have placed a genre-blending album on both the Top Country Albums and Top Rock Albums charts. Others include Jelly Roll, HARDY, Robert Plant and Alison Krauss, and Koe Wetzel.
Bryan’s first No. 1 comes after sustained momentum on the Billboard 200 in the last year-plus from his previous studio effort, American Heartbreak. It debuted and peaked at No. 5 in June 2022 and spawned the top 10 Billboard Hot 100 hit “Something in the Orange.” Heartbreak has yet to depart the weekly top 40 of the Billboard 200 in its 67 consecutive weeks on the list (it climbs 16-14 on the new tally).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 9, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 6 — one day later than usual due to the Labor Day holiday on Monday, Sept. 4, in the U.S. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Zach Bryan’s 200,000 equivalent album units earned in the week ending Aug. 31, SEA units comprise 181,000 (equaling 233.09 million on-demand official streams of the set’s 16 songs — the largest streaming week ever for a rock set, and the fifth-largest streaming debut week for a country album), album sales comprise 17,000 (it was only available to purchase as a digital download, as its CD and vinyl LP are due out on Oct. 13) and TEA units comprise 2,000.
As noted above, Zach Bryan is the first rock album to hit No. 1 on the Billboard 200 in more than a year. The last to do so was Red Hot Chili Peppers’ Unlimited Love, which spent one week at No. 1 — its debut frame — on the list dated April 16, 2022. Zach Bryan also logs the largest week, by equivalent album units earned, for a rock album in four years, since Tool’s Fear Inoculum launched at No. 1 on the Sept. 19, 2019, chart with 270,000 units.
A little over a year ago, Bryan earned his first Billboard 200 chart entry with his third studio album — and major label debut — American Heartbreak, debuting and peaking at No. 5 on the June 4, 2022-dated list. The album has generated 2.6 billion on-demand official streams for its songs in the U.S. and has been a consistent streaming star since its debut. The set has been among the week’s top 20 most-streamed albums, by on-demand streams, in all but three weeks since its debut.
The Heartbreak single “Something in the Orange” hit No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs chart, reached the top three on the all-genre Streaming Songs chart, and hit No. 10 on the all-genre, multi-metric Billboard Hot 100 chart.
Following Heartbreak, Bryan placed five more titles on the list, including his new self-titled effort.
Four former No. 1s trail Bryan on the new Billboard 200. Travis Scott’s Utopia falls to No. 2 (91,000 equivalent album units earned; down 44%) after spending its first four chart weeks at No. 1. Morgan Wallen’s One Thing at a Time dips 2-3 (83,000; down 8%), Taylor Swift’s Midnights rises 5-4 (49,000; down 8%) and SZA’s SOS vaults 11-5 (48,000; up 15% after increased sales and streams generated by its current single “Snooze,” including the release of its official music video and new remixes).
The Barbie soundtrack falls 4-6 (48,000 equivalent album units earned; down 14%) and Peso Pluma’s Génesis climbs 9-7 (43,000; down 3%). Swift has two more former leaders in the top 10, as Lover in a non-mover at No. 8 (43,000; down 8%) and Speak Now (Taylor’s Version) dips 7-9 (41,000; down 14%). Rounding out the top 10 is Wallen’s chart-topping Dangerous: The Double Album, holding steady at No. 10 with 40,000 units (down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
This weekend, as millions have been reading about the death of beloved singer/songwriter Jimmy Buffett, many were surprised to read that his famous signature song, “Margaritaville,” peaked at No. 8 on the Billboard Hot 100. Most just assumed that a song that well-known and loved must have been a No. 1. First off, there’s no […]
“At a moment like this, I can’t help but wonder … What would Jimmy Buffett do?,” Alan Jackson ponders in his and Buffett’s 2003 smash “It’s Five O’Clock Somewhere.” Buffett then joins in to offer his sage advice, and Jackson’s handoff reflects the revered status to which Buffett rose in music and pop culture overall.
As previously reported, Buffett died on Friday (Sept. 1) at age 76. As announced on his website and social media accounts, “Jimmy passed away on the night of September 1st surrounded by his family, friends, music and dogs,” the early Saturday morning (Sept. 2) post reads. “He lived his life like a song till the very last breath and will be missed beyond measure by so many.”
Buffett became a force on Billboard’s charts over six decades — after working as a correspondent for Billboard magazine. He made his chart debut just over 50 years ago, when “The Great Filling Station Holdup” entered the Hot Country Songs chart dated May 12, 1973. Later that year, he reached the Top Country Albums and Adult Contemporary charts for the first time, and in 1974 he made his way to the Billboard Hot 100, as “Come Monday” marked his first entry, and first top 40 hit, climbing to No. 30.
Buffett charted 13 Hot 100 hits during his lifetime, through 2011. After tallying five top 40 entries in the ’70s, reaching the top 10 with his signature anthem “Margaritaville” (No. 8, 1977), he tallied his second- and third-biggest hits thanks to turns on Jackson’s “It’s Five O’Clock Somewhere” (No. 17, 2003) and Zac Brown Band’s “Knee Deep” (No. 18, 2011). The latter two tracks also became Jackson’s first and second No. 1s on Hot Country Songs, where Buffett logged 20 hits, including eight top 40 titles.
The Pascagoula, Miss., native, raised in Mobile, Ala., also sent 40 albums onto the Billboard 200 chart during his lifetime, including 12 top 10s, from Son of a Son of a Sailor (No. 10, 1978) through Life on the Flip Side (No. 2, 2020). He led the list with License to Chill in 2004. He charted eight top 10 sets on Top Country Albums, led by three No. 1s: License to Chill, Take the Weather With You (2006) and Life on the Flip Side.
Meanwhile, Buffett became the rare Billboard alum to segue from the edit department to the chart well. He resigned as a Nashville reporter when his first album was released in 1970. As he explained in 2020, “There was a conflict of interest. When I signed to Barnaby (Records), I couldn’t still write for Billboard, so that was the end of my days there.” (Of his assignments at Billboard, he said in 2021, “I can never give anybody a bad review because I knew how hard it was to get up there.”)
“But I’m glad I got 50 years of albums in me,” he mused in 2020. “This thing’s been an absolute joy. We’ve figured out ways to keep it going. I think it’s really about learning to be a performer before anything else and always trying to better yourself on stage. That’s the key, that core experience, and what’s kept me going. It’s been a good run.”
Below, spotlighting Buffett’s beloved catalog, are his 10 biggest hits on the Hot 100, ranked from No. 10 to No. 1. (The recap is based on actual performance on the weekly Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.)
“Hey Good Lookin’”
Luke Combs’ rolls up his 17th No. 1 – and makes history in the top two – on Billboard’s Country Airplay chart (dated Sept. 9), as “Love You Anyway” climbs 2-1 and his former five-week leader “Fast Car” rebounds 3-2.
Combs is the first artist to hold the top two positions on Country Airplay without any other billed acts since the list launched in 1990. Only one other act has taken the two ranks simultaneously at all: On the charts dated May 31 and June 7, 2014, Luke Bryan’s “Play It Again” was No. 1 and Florida Georgia Line’s “This Is How We Roll” featuring Bryan placed at its No. 2 peak.
In the Aug. 25-31 tracking week, “Love You Anyway” increased by 9% to 32 million impressions, according to Luminate. Combs wrote the song with Ray Fulcher and Dan Isbell.
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Combs claims another Country Airplay record, as “Love You Anyway” reaches No. 1 after a mere four-week break since “Fast Car,” his update of Tracy Chapman’s 1988 Billboard Hot 100 hit, wrapped its reign. No artist had previously led with different songs in a lead role on both so quickly, as Combs passes Morgan Wallen, whose “You Proof” spent the last of its record 10 weeks at No. 1 this January, while he returned to the top after just a six-week gap with “Thought You Should Know” in February.
Counting featured roles, Tim McGraw wasted no time between No. 1s in March 2002: Jo Dee Messina’s “Bring On the Rain” featuring McGraw led for a week, and his “The Cowboy in Me” supplanted it at the summit the following frame.
Additionally, Combs rules Country Airplay just nine weeks after “Fast Car” topped the tally for the first time – also a record for the quickest turnaround among acts reaching No. 1 with different songs. Multiple artists led with new No. 1s 10 weeks apart (counting from their first weeks on top), most recently Shania Twain, from “You Win My Love” to “No One Needs To Know” in 1996.
Combs’ unprecedented achievements reflect the historically atypical release schedule for his two latest Country Airplay No. 1s, as “Love You Anyway” was intended to be his lone current promoted single but “Fast Car” went viral and they wound up scaling the survey in tandem.
Taste of the Top 10
Meanwhile, Lainey Wilson nets her fifth Country Airplay top 10 as “Watermelon Moonshine” rises 11-10 (19.3 million, up 22%). It follows her feature on HARDY’s “Wait in the Truck,” which peaked at No. 2 in April.
Additional reporting by Gary Trust.
Noah Kahan earns his first No. 1 on a Billboard airplay chart, as “Dial Drunk” rises to the top of the Adult Alternative Airplay list dated Sept. 9.
Kahan first reached Adult Alternative Airplay in 2018 with “False Confidence,” which hit No. 9 the following February. Prior to “Dial Drunk,” he logged his top peak with “Stick Season,” which reached No. 2 in November 2022. He boasts four top 10s on the tally, with, additionally, “Homesick” having hit No. 7 this May.
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Concurrently, “Dial Drunk” leaps 5-2 on Alternative Airplay. It’s Kahan’s highest charting song there, having eclipsed the No. 21 peak of “Stick Season.”
On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Dial Drunk” bullets at its No. 3 high with 4.5 million audience impressions, up 3%, Aug. 25-31, according to Luminate.
The song is scoring success at other formats, too, as it holds at its No. 25 high on Pop Airplay and jumps 31-27 on Adult Pop Airplay. Boosting its airplay at those formats is its remix with Post Malone, released in July. (A DJ on SiriusXM’s Spectrum, which reports to the Adult Alternative Airplay chart, recently joked that the channel is playing the “pre-Malone” version.)
On the most recently published, Sept. 2-dated Hot Rock & Alternative Songs survey, “Dial Drunk” returned to its No. 3 best. In addition to its radio airplay, the song drew 9.6 million official streams (up 1%) and sold 2,000 downloads in the U.S. (up 2%).
“Dial Drunk” was first released, featuring Kahan only, on the deluxe version of his 2022 album Stick Season. After debuting at No. 5 on the Top Rock & Alternative Albums tally in October 2022, it rose to No. 1 on the June 24, 2023, sparked by the release of its deluxe edition. The set has earned 702,000 equivalent album units to date.
All charts dated Sept. 9 will update on Billboard.com Wednesday, Sept. 6 (a day later than usual due to the Labor Day holiday in the U.S. Monday, Sept. 4).
In their first appearance on Billboard’s Alternative Airplay chart, Bad Omens have a No. 1 song as “Just Pretend” ascends to the top of the Sept. 9-dated tally. Explore Explore See latest videos, charts and news See latest videos, charts and news Leading in the song’s 32nd week on the chart, Bad Omens ties for […]
Talking Heads’ Stop Making Sense surges into the top 10 on Billboard’s Top Album Sales chart (dated Sept. 2) for the first time, debuting at No. 9 following the soundtrack’s expanded 40th anniversary reissue on Aug. 18. The album is the companion piece to the concert film of the same name directed by Jonathan Demme. Both the album and film were released in 1984, and the concert itself was filmed over three shows in December 1983 at the Pantages Theater in Los Angeles. Among the songs performed on the album and in the film are such Billboard Hot 100 hits as “Psycho Killer,” the band’s cover “Take Me to the River” and Talking Heads’ only top 10 Hot 100 hit, “Burning Down the House.”
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The reissue of Stop Making Sense includes the complete concert for the first time, including two previously unreleased songs from the Pantages’ shows.
The expanded album was issued via digital download and vinyl LP. All versions of the album, old and new, are combined for tracking and charting purposes. In total in the week ending Aug. 24, Stop Making Sense sold 12,000 copies (up from a negligible sum the previous week) in the U.S. – the act’s best sales week for an album since Luminate began tracking music sales in 1991.
Of the album’s sales for the week, 95% came from vinyl sales – about 11,000 copies. That, too, is the band’s best sales week on vinyl in the Luminate era. On the Vinyl Albums chart, Stop Making Sense debuts at No. 4.
The album reissue is timed to the concert film’s return to movie theaters beginning on Sept. 11 with a TIFF World Premiere and Global IMAX Live event. Then, beginning on Sept. 22, the movie will play a one-week exclusive engagement in IMAX theaters, and then goes into wide release on Sept. 29.
Stop Making Sense is Talking Heads’ longest-charting album on the Billboard 200 — of a dozen charting titles — having now spent a total 119 weeks on the list. (It re-enters the latest chart at No. 73, its first week on the tally since 1986. The album peaked at No. 41 in 1984.)
Elsewhere in the top 10 of the new the Top Album Sales chart, the latest albums from Hozier, JIHYO, Russ, NCT Dream and Renee Rapp all debut in the region, while J-Hope’s 2022 release Jack In the Box returns to the top 10 (re-entering at No. 2) after its arrival on the CD format.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
At No. 1 on Top Album Sales is Travis Scott’s Utopia, which spends a fourth consecutive week in the lead (92,000 sold; down 7%).
J-Hope’s Jack In the Box re-enters at No. 2 with 47,000 (up from a few hundred sold the previous week) after its release on CD. The album was originally released on July 15, 2022, and debuted and first peaked at No. 5 on the July 30, 2022, chart. It was reissued with additional bonus tracks — and on CD for the first time — on Aug. 19, 2023. The set initially was released only as a digital download album and through streaming services. The CD edition of the album was available in four collectible editions, including exclusive versions for Target and Walmart, all containing assorted branded merchandise (some of which was randomized).
Hozier’s new studio set Unreal Unearth starts at No. 3 on Top Album Sales with 39,000 copies sold — with 23,000 of that sum from vinyl LP sales. The album was released in five different vinyl iterations, including exclusive color variants for Amazon, independent record stores and Hozier’s official webstore.
TWICE’s JIHYO bows at No. 4 on Top Album Sales with her debut solo album Zone, selling 37,000 copies sold. Of that sum 36,000 were from CD sales. Similar to Jack In the Box, there are multiple collectible CD iterations of Zone – 13 in all – including exclusive editions sold via Target and Walmart.
Russ’ new studio release Santiago starts at No. 5 with 32,000 copies sold — with 17,000 of that sum from vinyl LP sales. NCT Dream’s ISTJ: The 3rd Album, launches at No. 6 with 25,000 sold. Like JIHYO’s album, the NCT Dream set was also issued in 13 collectible CD packages. NewJeans’ former No. 1 2nd EP ‘Get Up’ falls 3-7 with 16,000 sold (down 21%) and Taylor’s Swift’s chart-topping Speak Now (Taylor’s Version) tumbles 2-8 with 16,000 (down 31%).
Rounding out the top 10 is Renee Rapp’s new album Snow Angel, which debuts at No. 10 with 12,000 sold.
In the week ending Aug. 24, there were 1.907 million albums sold in the U.S. (up 7.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.573 million (up 9.1%) and digital albums comprised 333,000 (up 1.3%).
There were 680,000 CD albums sold in the week ending Aug. 24 (up 16% week-over-week) and 885,000 vinyl albums sold (up 4.5%). Year-to-date CD album sales stand at 22.728 million (up 2.4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 30.365 million (up 20.7%).
Overall year-to-date album sales total 65.522 million (up 7.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 53.442 million (up 12%) and digital album sales total 12.080 million (down 10%).
Twenty years after its release, Powderfinger’s Vulture Street is perched at No. 1 on the national albums chart.
The Aussie rock favorites’ fifth studio album initially logged three weeks atop the ARIA Albums Chart in 2003, and went on to win album of the year at ARIA Awards, one of 18 total ARIAs collected in a glittering career.
Thanks to a reissue campaign, and a host of special fan events, including a Q&A and a screening of the long out-of-print These Days Live concert from 2004, the LP returns to the summit.
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With their latest feat, Powderfinger now holds the ARIA Chart record for the longest stretch of time for an Australian album to return to No. 1, according to Universal Music Australia.
The ‘Finger, as they’re affectionately known in these parts, has the distinction of ruling the national albums chart with five successive titles. The band went out on a high with 2009’s Golden Rule, the last of those leaders, and a major farewell tour which sold more than 200,000 tickets.
The five former bandmates remain good friends — and residents of their hometown, Brisbane — to this day. During the pandemic, Powderfinger briefly reunited for One Night Lonely, a special virtual concert which raised more than A$500,000 for music industry charity Support Act and mental wellbeing support service Beyond Blue. Unreleased, the band’s compilation of studio tracks unearthed from sessions recorded between 1998 and 2010, peaked at No. 2 on the ARIA Chart in 2020.
Zach Bryan continues the hot streak for U.S. country artists in Australia as his self-titled fourth studio album arrives No. 2, a new career high. That’s well advanced on its predecessor, American Heartbreak (Warner), which reached No. 65. Meanwhile, the U.S. country star’s track “I Remember Everything,” featuring Kacey Musgraves, is new at No. 19 on the singles survey. That’s Musgraves’ first appearance on the Australian chart. Also, Bryan’s “Something In The Orange” holds at No. 12 on the chart, published Sept. 1, in its 59th week.
As the Weeknd’s forthcoming tour of Australia expands to seven stadium shows, the Canadian R&B star’s catalog enjoys spikes on the national chart. Career retrospective The Highlights holds at No. 3; former leaders Starboy lifts 18-4, After Hours is up 27-17, Dawn FM climbs 65-25 and Beauty Behind The Madness bounces 93-38 (all via Universal).
Several of his hits power on up the singles survey, including “Popular,” featuring Playboi Carti and Madonna, lifting 11-9. “Popular” becomes Madonna’s 41st top 10 single in the land Down Under, dating back to “Holiday” in 1983, and her first in 15 years; the Queen of Pop’s last top 10 appearance on the ARIA Singles Chart was 2008’s “4 Minutes” with Justin Timberlake and Timbaland, which hit No. 1. Additionally, the Weeknd’s “Die For You” climbs 18-10.
At the top of the singles survey is Doja Cat’s “Paint The Town Red” (RCA/Sony) which extends its reign into a second week.
Miley Cyrus scores the top debut with “Used To Be Young” (Columbia/Sony), new at No. 13. It’s the fourth single from Endless Summer Vacation, which led the albums tally in March, and included the lead single, “Flowers,” a smash that logged 12 weeks at No. 1 earlier in the year.
Finally, Selena Gomez enjoys a top 40 debut with “Single Soon” (Interscope/Universal). It’s new at No. 26. The pop star has had six top 10 singles in Australia, with a best of No. 2 for 2019’s “Lose You To Love Me.”
Myke Towers claims a fourth week atop Billboard Argentina Hot 100 as “Lala” crowns the Sept. 2-dated chart. The song ties with “Bzrp Music Sessions, Vol. 53” by Bizarrap and Shakira, for the fourth-most weeks at No. 1 in 2023.
Here’s a recap of the longest-leading songs on the chart in 2023:
Title, Artists, Peak Date, Weeks at No. 1“Los del Espacio,” LIT killah, Maria Becerra, FMK, Rusherking, Duki, Emilia, Tiago PZK & Big One, June 10, seven“En La Intimidad,” Emilia, Big One, Callejero Fino, Feb. 25, sevenUn Finde: Big One CROSSOVER #2,” Ke personajes, Big One & FMK,“ April 22, five“LaLa,” Myke Towers, Aug. 5, four“Bzrp Music Sessions, Vol. 53,” Bizarrap & Shakira, Jan. 21, four
LIT Killah, FMK, Rusherking, Maria Becerra, Duki, Emilia, Tiago Pzk and Big One’s “Los Del Espacio” rebounds to No. 2 after its seven-week domination. The song trades places with Becerra’s “Corazón Vacío,” which drops 2-3. Plus, Quevedo’s “Columbia” returns to its No. 4 high, while BM’s “Ni Una Ni Dos” dips 4-5.
Elsewhere, Luck Ra and BM add a new career top 10 as “La Morocha” climbs 15-10.
The Hot Shot Debut of the week goes to Los Ángeles Azules and Becerra’s first collab, “El Amor De Mi Vida,” which starts at No. 21.
Further, Trueno takes the week’s Greatest Gainer trophy, as “Tranky Funky” climbs 41 places, from No. 76 to No. 35.
Other debuts of the week include Jhayco’s “Holanda” at No. 34, Alan Gomez and BM’s “BM | MISSION 18” at No. 72, and Karol G and Peso Pluma’s “Qlona” at No. 74.
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