Chart Beat
Page: 25
Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.
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This week, on charts dated April 12, Will Sass and kamille, John Summit, Skrillex and others achieve new milestones. Check out key movers below.
Will Sass & kamille
Will Sass and kamille are both chart-topping artists for the first time thanks to their collaboration “Into the Blue,” which jumps from No. 5 to No. 1 on Dance/Mix Show Airplay. Released in November on Song Vault, the track surged by 34% in plays (among 24/7 dance reporters and pop stations’ mix show hours), according to Luminate. The song became each act’s first chart entry when it debuted in February. It also drew 23,000 official U.S. streams in the latest tracking week, boosted by several remixes, including one by Baltra, plus a “2am Mix” and a “5am Mix.”
Sass was born and raised in New York City and has already performed at some of the city’s premier venues, including Elsewhere and Brooklyn Mirage. He released his debut EP, Insert EP Title Here, in January and its extended edition in March. The collection includes collaborations with Nina Nesbitt, Alvin Risk and Catching Cairo, among others.
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As for kamille, the U.K.-based singer-songwriter released her debut album, K1, in September 2023. While “Into the Blue” marks her first appearance on Billboard’s charts under an artist billing, she has been credited as a songwriter on many other chart hits. Five songs she’s written or co-written have charted on the Billboard Hot 100: “Little Mix’s “Black Magic” (No. 67 peak in 2015) and “Shout Out to My Ex” (No. 69, 2016); Clean Bandit’s “Solo,” featuring Demi Lovato (No. 58, 2018); Mabel’s “Don’t Call Me Up” (No. 66, 2019); and David Guetta and Bebe Rexha’s “I’m Good (Blue)” (No. 4, 2023).
On Hot Dance/Electronic Songs, kamille has charted 13 songs as a songwriter, including four top 10s: “Solo” (No. 4, 2018); Clean Bandit and Mabel’s “Tick Tock,” featuring 24kGoldn (No. 10, 2020); Joel Corry, Jax Jones, Charli XCX and Saweetie’s “Out Out” (No. 9, 2021); and “I’m Good (Blue)” (No. 1 for 55 weeks; 2022-23). She has also collaborated on songs with other artists including Fred again.., Kylie Minogue, Nile Rodgers, SG Lewis and Tiësto. Kamille has earned three additional No. 1s on Dance/Mix Show Airplay as a writer: Jax Jones, Martin Solveig and Madison Beer’s “All Day and Night,” “Out Out” and “I’m Good (Blue).”
On April 4, Sass and kamille released their second collaboration, “Happiness.”
John Summit & Inéz
John Summit’s “Light Years,” featuring Inéz, debuts at No. 4 on the Hot Dance/Electronic Songs chart, thanks to 1.9 million streams earned in its first full week of tracking. Released March 26 via Experts Only/Darkroom/ICLG, the song earns Summit his 19th career entry — and highest charting hit. It’s his fourth top 10, after “Where You Are,” with HAYLA (No. 8 peak in 2023); “Shiver,” with HAYLA (No. 8, 2024); and “Focus,” featuring Cloves (No. 5, this February).
“Light Years” also becomes Inéz’s first entry on Hot Dance/Electronic Songs. The German singer-songwriter has appeared on Billboard’s charts once before, as featured on Peter Fox’s “Zukunft Pink” (No. 118 peak on the Global Excl. U.S. chart in November 2022). The track also spent five weeks at No. 1 on the Germany Songs chart. Inéz is also half of German pop duo ÄTNA.
Calvin Harris
Calvin Harris’ latest single, “Smoke the Pain Away,” debuts at No. 36 on Dance/Mix Show Airplay. It’s his 35th career entry, tying him with KASKADE for the fourth-most in the chart’s 22-year history, after David Guetta (67), Tiësto (39) and Rihanna (36). The song also rises 24-19 on Hot Dance/Electronic Songs in its third week — it debuted at No. 8, becoming his 24th top 10. It also totaled 723,000 U.S. streams (up 17%).
Skrillex
Skrillex released his fourth studio album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!
Sombr appears on the Billboard Hot 100 for the first time (on the chart dated April 12) with his breakthrough single, “Back to Friends.”
Released Dec. 27 on SMB/Warner Records, the track debuts at No. 90 largely from its streaming sum: 6 million official U.S. streams (up 15%) in the March 28-April 3 tracking week, according to Luminate. It also raked in 304,000 radio airplay audience impressions (up 13%).
The song concurrently climbs 10-8 on Hot Alternative Songs, 10-9 on Hot Rock Songs and 13-11 on Hot Rock & Alternative Songs. It opens at No. 38 on Alternative Airplay with a 33% gain in format spins, earning Sombr his first appearance on a radio chart.
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The streaming gains for the song can partly be attributed to attention on TikTok, as it has soundtracked more than 240,000 videos on the platform to date.
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Sombr has another song building on TikTok: “Undressed” has been used in more than 110,000 clips. Released March 21, it pushes 13-11 on Hot Alternative Songs, 12-11 on Hot Rock Songs and 16-14 on Hot Rock & Alternative Songs.
Sombr (real name Shane Boose) is the sole credited writer and producer on “Back to Friends.” On “Undressed,” he’s listed as the only writer, and as a co-producer with veteran producer/A&R executive Tony Berg. Berg has previously appeared on Billboard’s charts as a writer or producer on hits by Phoebe Bridgers (“Kyoto,” “Garden Song”) and, in the late 1980s/early 1990s, Michael Penn (“No Myth,” “This & That”). He has also worked on charted projects by Boygenius, Andrew Bird, Phantom Planet, Aimee Mann, Edie Brickell & New Bohemians and others. In 2023, he served as a producer on the Daisy Jones & The Six soundtrack, Aurora.
Sombr releaed his debut eight-track EP, in another life, in 2023. He’s currently on the road as the opening act for Daniel Seavey’s Second Wind Tour. In May, he’ll join Nessa Barrett on the European leg of her Aftercare tour, which runs through June.
Ravyn Lenae is officially a Billboard Hot 100-charting artist, as she scores her first career entry on the April 12, 2025-dated survey with “Love Me Not.”
Released in May 2024 on Atlantic Records, the song debuts at No. 81 almost entirely from its 6.3 million official U.S. streams (up 17% week-over-week) March 28-April 3, according to Luminate. The song was the lead single from Lenae’s sophomore album, Bird’s Eye, which she released last August.
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The Chicago native released a remix of the song, featuring Rex Orange County, in October. (Both versions of the song are combined into one listing on Billboard’s charts.)
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“Love Me Not” hits the Hot 100 nearly a year after its release after going viral on TikTok. The song picked up steam on the platform in January after users began making mashups of it with Solange’s “Losing You.” TikTokers also checked out the original “Love Me Not,” which has now soundtracked over 320,000 clips on the platform to date.
“Love Me Not” is also growing globally, rising 135-95 on the latest Billboard Global 200 chart and 200-149 on Global Excl. U.S.
“Love Me Not” was produced by DJ DaHi, Craig Balmoris and Ritz Reynolds. It earns DJ DaHi his 25th production credit on the Hot 100. He first charted via Drake’s “Worst Behavior” in 2013 and has since produced hits by acts including Kendrick Lamar, Mac Miller, Big Sean, 21 Savage and J. Cole. Two of his entries have reached the top 10: Lamar, BLXST and Amanda Reifer’s “Die Hard” (No. 5 peak, 2022) and Lamar’s “Wacced Out Murals” (No. 4, 2024).
Balmoris adds his sixth production credit on the Hot 100 with “Love Me Not,” following four recorded by Lamar (including “Wacced Out Murals” and the No. 9-peaking “Man at the Garden” last year) and one by Hozier (“Empire Now,” 2024). Ritz Reynolds scores his first production billing on the chart.
Lenae first appeared on Billboard’s charts nearly two and a half years ago with “Skin Tight,” featuring Stevy Lacy. The track debuted on Adult R&B Airplay in November 2022 and climbed to No. 1 the following May, becoming her first leader on any list. It also reached No. 21 on R&B/Hip-Hop Airplay. She also posted her first entry on Hot R&B Songs last August with the No. 21-peaking “One Wish,” featuring Childish Gambino.
Lady Gaga and Bruno Mars’ “Die With a Smile” scores a 15th week atop the Billboard Global 200 chart. The song also rebounds for a 12th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
Plus, Ariana Grande’s “Twilight Zone” debuts in the top 10 of both rankings.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” continues atop the Global 200 with 95.1 million streams (down 1% week-over-week) and 6,000 sold (essentially even) worldwide March 28-April 3. At 15 weeks, the song ties for the second-longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
15 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
11 weeks, “Stay,” The Kid LAROI & Justin Bieber (2021)
“APT.” holds at No. 2 on the Global 200; Alex Warren’s first top 10 on the chart, “Ordinary,” climbs 5-3 for a new high; Doechii’s “Anxiety” dips to No. 4 from its No. 3 best; and Billie Eilish’s “Birds of a Feather” rises 6-5 following three weeks at No. 1 last August.
Ariana Grande’s “Twilight Zone” journeys into a wondrous land known as the Global 200’s top 10 – signpost up ahead: No. 7. It starts with 43.2 million streams and 6,000 sold worldwide. Her seventh top 10 on the survey was newly released on the Brighter Days Ahead reissue of her 2024 album Eternal Sunshine, which blasts back to No. 1 on the U.S.-based Billboard 200.
“Die With a Smile” rebounds a spot for a 12th week at No. 1 on Global Excl. U.S. with 76.7 million streams (down 1%) and 3,000 sold (on par with a week earlier) outside the U.S.
“APT.” slips to No. 2 after a record 19 weeks atop Global Excl. U.S., beginning last September; “Ordinary” jumps 6-3 for a new best, after becoming Warren’s first top 10; JENNIE’s “like JENNIE” drops to No. 4 from its No. 3 high; and “Anxiety” falls 4-5 after reaching No. 3.
Plus, “Twilight Zone” debuts at No. 8 on Global Excl. U.S. with 27.3 million streams and 2,000 sold outside the U.S., becoming Grande’s seventh top 10.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 12, 2025) will update on Billboard.com tomorrow, April 8. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Yandel and Feid add a new No. 1 to their Billboard Latin Airplay chart ledger with “Habláme Claro,” as the song climbs 6-1 for its first week on the overall Latin radio ranking (dated April 12).
“Háblame Claro” is the second collaborative ruler for the pair. Previously, “Yandel 150” placed Yandel and Feid atop Latin Airplay in 2023, where it dominated for four weeks.
“Háblame Claro” rises from No. 6 following a 31% gain in audience impressions, reaching 9 million and becoming the most-heard song across Latin stations in the U.S. during the March 28-April 3 tracking week, according to Luminate.
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Thanks to the 31% surge, the song takes the week’s Greatest Gainer honor, awarded to the track with the largest boost in audience among the chart’s 50 titles.
“Háblame Claro,” with Feid, was originally released as a standalone single on Sept. 5, 2024, via La Leyenda/Warner Latina. The track takes on new life (without Feid) as one of 29 songs featured on Yandel’s live album Sinfónico (En Vivo), released on April 3. The project reimagines his catalog of hits, now backed by a full symphony orchestra.
With “Háblame Claro,” Yandel earns his 17th No. 1 as a solo artist. Additionally, as part of the duo Wisin & Yandel, he has achieved 16 chart-toppers. This latest No. 1 arrives a year and two months after “Borracho y Loco” with Myke Towers, which reigned for one week in February 2024.
For Feid, this latest achievement comes just a month after “Doblexxo” with J Balvin, which ruled for one week on the March 15-dated chart. In total, the Colombian now boasts 10 chart-topping hits. Notably, his previous collaboration with Yandel remains his career-best, spending four weeks at No. 1 in 2023.
Elsewhere, “Háblame Claro” ascends to No. 1 on the Latin Rhythm Airplay chart after spending eight weeks in the top 10.
Yandel is bringing Sinfónico (En Vivo) to life with a five-date tour, kicking off in Puerto Rico on May 10 and stopping in Miami, Orlando, New York and Chicago. The album, recorded live in Miami alongside the Florida International University Symphony Orchestra, blends his signature urban sound with a concert hall experience.
All charts (dated April 12, 2025) will update on Billboard.com tomorrow, April 8. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Los Tigres del Norte win big with “La Lotería,” as the song rises 2-1 to lead Billboard’s Regional Mexican Airplay chart (dated April 12).
“La Lotería,” the lead single from Los Tigres del Norte’s forthcoming album (title/release date TBD), was written by songwriter Luciano Luna and debuted Feb. 7 via RMS/Fonovisa/UMLE. The track delves into pressing sociopolitical issues affecting Mexico and Latin America, including immigration, gender-based violence and drug trafficking.
“We want to thank the fans for their unwavering support throughout our career,” Los Tigres tell Billboard. “We are honored to have the opportunity to be a voice for our people and that our songs can be a beacon of strength. This motivates us to continue creating music that revives the flare of hope and unity for our community. Thank you for being part of this journey with us!”
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“La Lotería” takes the lead on Regional Mexican Airplay after a 19% surge in audience impressions, to 7.2 million, earned in the U.S. in the tracking week of March 27, according to Luminate. Thanks to the 19% increase in airplay across regional Mexican stations in the U.S., Los Tigres del Norte send Fuerza Regida and Grupo Frontera’s “Me Jalo,” last week’s No. 1, down to No. 4, after a 29% decline in audience, to 5.2 million.
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As la “La Lotería” lands atop, Los Tigres del Norte expands their legacy of hits with its 18th No. 1 on Regional Mexican Airplay. The act’s last leader, “Aquí Mando Yo,” reigned for a week in August 2024.
“La Lotería” is the third leader this decade for the group, which has achieved at least one chart-topping hit in each of the last four decades (1990s-2020s). Its first leader was “Golpes En El Corazón” in 1995, spending eight weeks on top. Here’s a breakdown of their chart-toppers across the decades:
Decade, No. 1s1990s, 92000s, 52010s, 12020s, 3
“La Lotería” continues to gain momentum on the overall Latin Airplay chart, climbing from No. 10 to No. 5 for its new peak. The corrido secured Los Tigres del Norte their 23rd top 10 on the overall radio ranking, as it jumped 16-10 just last week (dated April 5).
Los Tigres del Norte’s latest milestone comes amid their 2025 La Lotería tour, which began in Mexico City on April 4 and wraps Nov. 30 in Grand Rapids, Mich.
All charts (dated April 12, 2025) will update on Billboard.com tomorrow, April 8. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Ariana Grande’s 2024 album Eternal Sunshine returns to No. 1 on the Billboard 200 albums chart for its third total week atop the list, flying 87-1 on the April 12-dated chart, following the set’s deluxe reissue, dubbed Eternal Sunshine Deluxe: Brighter Days Ahead. Bolstered with six previously unreleased songs, the expanded effort — available at streamers, and to purchase as a download, CD and vinyl LP — earned 137,000 equivalent album units in the U.S. in the week ending April 3 (up 968%), according to Luminate.
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All versions of the album, old and new, are combined for tracking and charting purposes and continue to chart under the title Eternal Sunshine.
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Eternal Sunshine premiered atop the Billboard 200 dated March 23, 2024, and spent its first two weeks at No. 1. The set contains a pair of chart-toppers on the Billboard Hot 100 in the songs “Yes, And?” and “We Can’t Be Friends (Wait for Your Love).” The project also returns to the top 40 on the Billboard 200 for the first time since the Oct. 19, 2024-dated list, when it ranked at No. 34.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 12, 2025-dated chart will be posted in full on Billboard‘s website on April 8. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
With Eternal Sunshine’s return to No. 1 after a year and two weeks, it’s the second title in the last six months to jump back to the top after more than a year away. On the Jan. 4, 2025-dated chart, SZA’s SOS shot back to the top after a 22-month vacation from No. 1. It returned to lead the list after its SOS Deluxe: LANA reissue.
Further, Eternal Sunshine has the largest positional jump to No. 1 (bolting 87-1) since last September, when Travis Scott’s Days Before Rodeo vaulted 106-1 on the Sept. 28, 2024-dated list, after the album’s vinyl edition was shipped to customers.
Of Eternal Sunshine’s 137,000 equivalent album units earned in the week ending April 3, SEA units comprise 75,000 (up 541%, equaling 98.45 million on-demand official streams of the set’s songs; it reenters at No. 2 on Top Streaming Albums), traditional album sales comprise 61,000 (up 5,338%, it reenters at No. 1 on Top Album Sales for a second total week atop the list) and TEA units comprise 1,000 (up 4,115%).
Sales of Eternal Sunshine were bolstered by its availability in a variety of permutations released for the Brighter Days Ahead launch. The original Eternal Sunshine album had 13 tracks, and the core Brighter Days Ahead album added six cuts: one extended version of the album-opening “Inro (End of the World)” and five new songs.
Grande’s webstore sold three exclusive variants of the download edition of the album: the 19-track edition, a version with the 19 tracks plus instrumentals of the same cuts, and another version with the 19 tracks and a cappella versions of each cut (all with alternative cover artwork). Grande also released two vinyl variants and six CD editions of the reissue (some signed by the artist), containing the 19 tracks plus the three bonus tracks originally found on the album’s “slightly deluxe” reissues last year.
Playboi Carti’s MUSIC falls to No. 2 on the Billboard 200 chart after two weeks on top, with 91,000 equivalent album units earned (down 31%). It holds at No. 1 on the Top Streaming Albums chart for a third week.
Lil Durk collects his seventh top 10-charting effort on the Billboard 200 as Deep Thoughts debuts at No. 3 with 64,000 equivalent album units earned. The set arrives largely from streaming activity, as it was only available to purchase as a standard widely available digital download album. Of its first-week units, SEA units comprise 63,000 (equaling 85.92 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 1,000 and TEA units comprise a negligible sum.
The rest of the top 10 on the Billboard 200 comprises former No. 1s. Kendrick Lamar’s GNX falls 3-4 (58,000 units; down 10%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is down 4-5 (nearly 58,000; down 6%); SZA’s SOS slips 5-6 (56,000; down 7%); Sabrina Carpenter’s Short n’ Sweet dips 6-7 (51,000; down 7%); Bad Bunny’s Debí Tirar Más Fotos is a non-mover at No. 8 (45,000; down 8%); Lady Gaga’s MAYHEM falls 7-9 (nearly 45,000; down 15%); and Morgan Wallen’s One Thing at a Time is stationary at No. 10 (almost 45,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
On Billboard’s first Adult Contemporary chart, dated July 17, 1961, Pat Boone ranked alongside the likes of Brooke Benton, Connie Francis, Patti Page, Frank Sinatra and Nat King Cole.
On the latest list, dated April 12, 2025, Boone shares space with artists including Teddy Swims, Sabrina Carpenter and (no relation) Benson Boone.
The legendary entertainer, 90 years young, debuts on the radio airplay chart at No. 30 with “One: Voices for Tanzania,” billed to Pat Boone World Missions. The track aims to support essential projects in Tanzania, with proceeds aiding clean water initiatives and helping to provide essential services to those in the Eastern African country.
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Joining Boone on the anthem are artists including Alabama, Deborah Allen, Billy Dean, Larry Gatlin, Vince Gill, Lee Greenwood, Wendy Moten and Pam Tillis, as well as Nashville’s Legacy Mission Village Singers, comprising refugees from Tanzania and Congo, and Tanzanian gospel act Sebastian Silas & God Is Love.
“When good people come together, we are one,” Boone shared on Facebook Reels in March. “And incredible things happen.”
By bookending the Adult Contemporary chart’s history to date, Boone, thus, breaks the record for the longest span of appearing on the survey: 63 years, eight months and three weeks. He passes the late Dean Martin (60 years and six months, from 1964 through the most recent holiday season), with fellow late legend Cole now in third place (60 years, five months and two weeks, from 1961 through 2022).
Meanwhile, Boone graces the chart for the first time in almost 50 years, since “Indiana Girl” wrapped its run on the May 17, 1975, ranking. He boasts four top 10s: “Moody River” (No. 4, July 1961), “Big Cold Wind” (No. 5, September 1961), “Johnny Will” (No. 10, January 1962) and “I’ll See You in My Dreams” (No. 9, March 1962).
The beloved singer/actor (and father of Debby Boone, likewise a chart veteran) logs his first new entry on any Billboard chart since The Gold Label Presents: Pat Boone R&B Classics: We Are Family dented Top R&B/Hip-Hop Albums in February 2007. He notched 33 Billboard Hot 100 hits in 1958-69, with “Moody River” leading for a week in June 1961 and “Speedy Gonzalez” marking his other top 10 (No. 6, July 1962).
In February 1997, Boone hit the Billboard 200 with the head-turning (if not quite head-banging) I’m in a Metal Mood: No More Mr. Nice Guy. The set sports covers of rock classics including Guns N’ Roses’ “Paradise City,” Led Zeppelin’s “Stairway to Heaven” and Metallica’s “Enter Sandman.”
All charts dated April 12 will update Tuesday, April 8, on Billboard.com.
The Black Keys’ “The Night Before” becomes their ninth No. 1 on Billboard’s Adult Alternative Airplay chart, lifting two spots to the top of the survey dated April 12.
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The duo earns its first leader since “Beautiful People (Stay High)” reigned for five weeks in early 2024. In between, “On the Game” reached No. 5 last July. The Black Keys first topped Adult Alternative Airplay in 2011 with “Lonely Boy,” a year after making their initial appearance with “Tighten Up” (No. 12 peak).
With nine No. 1s, The Black Keys move into sole possession of the fifth-most leaders since Adult Alternative Airplay was first published in January 1996.
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Most No. 1s, Adult Alternative Airplay:14, U213, Coldplay11, Dave Matthews Band (including two solo by Dave Matthews)11, Jack Johnson9, The Black Keys8, Death Cab for Cutie8, The Lumineers8, John Mayer
Concurrently, “The Night Before” rises 7-5 on Alternative Airplay and is bubbling under Mainstream Rock Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it bullets at its No. 8 high with 3.1 million audience impressions (up 2%) in the week ending April 3, according to Luminate.
“The Night Before” is the lead single from No Rain, No Flowers, The Black Keys’ 13th studio album. Though it’s expected in 2025, the set doesn’t yet have a release date. It follows 2024’s Ohio Players, which debuted at No. 5 on the Top Alternative Albums chart in April 2024 and has earned 85,000 equivalent album units to date.
All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.
Disturbed‘s “I Will Not Break” rises a rank to No. 1 on Billboard‘s Mainstream Rock Airplay chart dated April 12, giving the band its 13th ruler.
The David Draiman-fronted act moves into a three-way tie with Godsmack and Van Halen for the sixth-most leaders since the tally began in March 1981.
Disturbed first led Mainstream Rock Airplay in 2006 with its cover of Genesis‘ 1987 hit “Land of Confusion.” The rockers first appeared on the list with “Stupify” (No. 12 peak, 2000).
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Most No. 1s, Mainstream Rock Airplay:20, Shinedown18, Three Days Grace15, Five Finger Death Punch14, Foo Fighters14, Metallica13, Disturbed13, Godsmack13, Van Halen12, Linkin Park11, Papa Roach
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Concurrently, “I Will Not Break” bullets at its No. 4 best on the all-rock-format, audience-based Rock & Alternative Airplay chart, thanks to 3.7 million audience impressions (up 6%) in the week ending April 3, according to Luminate. The track is also bubbling under Alternative Airplay, where Disturbed last charted in 2016 with its No. 22-peaking cover of Simon and Garfunkel’s 1966 classic “The Sound of Silence.”
On the most recently published multimetric Hot Hard Rock Songs chart (dated April 5, reflecting data March 21-27), “I Will Not Break” placed at No. 5, following its debut at No. 1 on the March 8 ranking. In addition to its radio airplay, the song earned 1.2 million official U.S. streams.
“I Will Not Break” is currently a standalone single that follows Disturbed’s eighth studio album, Divisive. The LP debuted at No. 1 on the Top Hard Rock Albums chart in December 2022 and has earned 184,000 equivalent album units to date.
All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.