Chart Beat

Ado’s ’Show’ Logs 12th Week at No. 1 as Winter Favorites Return to Japan Hot 100

Ado’s “Show” holds at No. 1 after returning to the top spot last week to log its 12th leader on the Billboard Japan Hot 100.

On the chart dated Dec. 27 tallying the week ending on Christmas Eve, “Show” passed the 11-week record held by Gen Hoshino’s “Koi” and is now eyeing the 13-week record held by Official HIGE DANdism’s “Subtitle” for most week at No. 1. (The all-time record for most weeks at No. 1 is 21 weeks, held by YOASOBI’s “Idol.”)



Streaming for “Show” decreased by approximately 6% from last week to 9,707,241 streams, but continues to rule the metric for the 14th consecutive week. The track also holds at No. 1 for video views (12th straight week), rises 3-2 for downloads with 10,210 units, and moves 7-9 for karaoke.

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“Anti Confiture” by ≠ME (Not Equal Me) debuts at No. 4 on the Japan Hot 100. The eighth single by the girl group launched with 216,440 CDs to hit No. 1 for physical sales. Following at No. 2 for sales is HKT48’s “Bucket wo Kabure!” with 183,540 first-week copies. The girl group’s 17th single bows at No. 5 on the Japan Hot 100.

As mentioned earlier, this chart week ended on Christmas Eve and as always during the holiday season, Christmas- and winter-themed songs surged on the Japan Hot 100 powered mainly by radio airplay. 13 songs charted this year, surpassing 2022’s record of 11 songs. Here’s a list of this year’s winter-themed entries:

No. 2 “Kissin’ Christmas (Christmas dakara janai) 2023” Keisuke Kuwata & Yumi Matsutoya 
No. 6 “Christmas Song” back number
No.10 “All I Want for Christmas Is You” Mariah Carey
No. 21 “Christmas Eve” Tatsuro Yamashita 
No. 24 “Santa Tell Me” Ariana Grande
No. 25 “Shiroi Koibitotachi” Keisuke Kuwata
No. 41 “Merikuri” BoA 
No. 42 “Heroine” back number
No. 44 “Last Christmas” Wham!
No. 57 “silent” SEKAI NO OWARI 
No. 69 “WINTER WITHOUT YOU” XG
No. 90 “Itsuka no Merry Christmas” B’z 
No. 99 “Koibito ga Santa Claus” Yumi Matsutoya



“Kissin’ Christmas (Christmas dakara janai) 2023” by Keisuke Kuwata & Yumi Matsutoya shoots to No. 2 after the CD dropped Dec. 20. This song was originally written for the Merry Christmas Show, a now-legendary music program Kuwata spearheaded in 1986. It was remade for this release and the Southern All Stars frontman and “Koibito ga Santa Claus” singer-songwriter newly recorded their duet. The song ruled radio, sold 25,639 copies in its first week to hit No. 4 for sales, and came in at No. 7 for downloads with 5,131 units, giving the two iconic hitmakers their highest-ranking song so far on the Japan Hot 100.

back number’s “Christmas Song” from 2015 rises 11-6 this week to break into the top 10 again for the third consecutive year during the same season. This year, the track entered the top 20 on the chart released Dec. 6 and gradually climbed the ranks. This week the evergreen pop-rock love song reaches No. 5 for streaming with 6,976,101 streams, which is an increase of about 3% from last year’s peak (6,715,894 streams). The track comes in at No. 32 for downloads with 1,789 units, No. 7 for radio, No. 8 for video, and tops karaoke for the first time this year.



Meanwhile, Mariah Carey’s “All I Want for Christmas Is You” also rises 35-10. The Queen of Christmas’s modern standard comes in at No. 3 for radio, behind Tatsuro Yamashita’s iconic seasonal favorite, “Christmas Eve.” Carey’s Yuletide hit comes in at No. 11 for streaming with 5,089,233 streams, No. 28 for downloads with 1,857 units, and No. 29 for video. 

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Dec. 18 to 24, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Here’s Every Top New Artist of the Year Since 1977

Every week, Billboard celebrates artists making their first chart appearances with our “10 First-Timers” spotlight.

Ten a week … times 52 … equals over 500 acts new to Billboard charts every year.

Of those, one stands highest at year’s end — No. 1 on Billboard’s Top New Artists chart.

As of 2023, the Top New Artists recap ranks the year’s best-performing breakthrough acts based on activity on the Billboard 200 albums chart and the Billboard Hot 100 songs survey, as well as Billboard Boxscore, which reflects touring data. All winners have been published in each year-end Billboard issue since the category began in 1977.

Rock ruled the Top New Artists retrospective’s first three years, with Foreigner winning in 1977, Meat Loaf in 1978 and The Knack in 1979. In 2023, the genre reigns again, thanks to Zach Bryan, who has found success on both rock and country charts. He also topped both the Billboard 200 and Billboard Hot 100 for the first time this year, thanks to his self-titled album and its lead single, “I Remember Everything,” with Kacey Musgraves.

The 2020s, meanwhile, feature a variety of styles at No. 1 on Top New Artists. Prior to Bryan, rappers Latto and Roddy Ricch won in 2022 and 2020, respectively, while Olivia Rodrigo’s alt/pop album Sour sparked her triumph in 2021.

Below, browse below every reigning rookie, and some of the most notable feats, in the history of Billboard’s Top New Artists chart. In many cases, acts’ breakout years were only the start of more chart greatness ahead, with many eventual pop culture cornerstones among the award’s winners.

Weekly U.S. Vinyl Album Sales Surpass 2 Million for Only Third Time in Modern Era

U.S. vinyl album sales surged in the week ending Dec. 21, with 2.054 million copies sold, according to Luminate. That marks the largest week of 2023 for vinyl albums, and the third-largest week in the modern era — since Luminate began electronically tracking sales in 1991.

The only two larger weeks registered since 1991 both came in the previous two years. The second-largest frame came in the week ending Dec. 23, 2021, with 2.115 million; while the biggest week is held by the frame ending Dec. 22, 2022, with 2.232 million.

Vinyl sales got a boost in the week ending Dec. 21, 2023 thanks to holiday shopping and sale pricing and promotions across retailers.

The top-selling vinyl album in the week ending Dec. 21 (as reflected on Billboard’s Vinyl Albums chart dated Dec. 30) was Taylor Swift’s 1989 (Taylor’s Version) with 57,000 copies sold. Swift had the top four-selling vinyl albums of the week, and six of the top seven. Midnights, Lover and Speak Now (Taylor’s Version) are Nos. 2-4, while Folklore and Fearless (Taylor’s Version) are Nos. 6 and 7.

In total, in the week ending Dec. 21, 2023, Swift’s vinyl album sales across all of her albums added up to 194,000 — 9.5% of all vinyl albums sold by all artists in the U.S. that week.

There is one more week in Luminate’s tracking year for 2023 — the week of Dec. 22-28. As that week contains three shopping days before the Christmas Day holiday on Dec. 23, there could be some sizable vinyl sales that come in before the close of the year.

‘Las Mujeres’ Takes Juanes & Carlos Vives to the Summit on Latin Pop Airplay Chart

Juanes and Carlos Vives unlock a new chart achievement as “Las Mujeres” tops Billboard’s Latin Pop Airplay chart (dated Dec. 30).

The team-up pushes from No. 3 to No. 1 after a 12% jump in audience impressions, to 3.63 million, earned in the U.S. during the Dec. 15-21 tracking week, according to Luminate. The single takes the lead in its 17th week, after eight solid weeks in the top 10.

“Las Mujeres” is the third two co-billed Colombian partnership to land at the penthouse on Latin Pop Airplay in 2023. Karol G and Shakira did it first with the 14-week leader “TQG,” which started its chart domination in April. Shakira repeated the feat with her Manuel Turizo collab, “Copa Vacía.” The latter cedes the crown after nine weeks in charge and drops to No. 2 with 3.6 million audience impressions.

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“Las Mujeres” puts Juanes back at No. 1 after “Bonita,” with Sebastian Yatra, ruled for two weeks in Nov. 2019. In between, “Cecilia,” with Juan Luis Guerra, propelled the Colombian to a No. 6 high last September. In total, Juanes nabs his 12th champ, breaking the Latin Pop Airplay No. 1 barrier with “A Dios Le Pido,” in 2002. With a new ruler on his account, let’s review Juanes’ collection of No. 1s:

Peak, Title, Artist, Weeks at No. 1
Aug. 24, 2002, “A Dios Le Pido,” 1
July 19, 2003, “Fotografía,” with Nelly Furtado, 7
Sept. 4, 2004, “Nada Valgo Sin Tu Amor,” 20
Feb. 5, 2005, “Volverte A Ver,” 3
April 2, 2005, “La Camisa Negra,” 10
Feb. 25, 2006, “Lo Que Me Gusta A Mi,” 10
Sept. 29, 2007, “Me Enamora,” 21
Feb. 23, 2008, “Gotas De Agua Dulce,” 8
April 18, 2015, “Juntos (Together),” 1
Nov. 12, 2016, “Fuego,” 1
Nov. 9, 2019, “Bonita,” with Sebastian Yatra, 2
Dec. 30, 2023, “Las Mujeres,” with Carlos Vives

Vives, meanwhile, adds his sixth champ on Latin Pop Airplay which arrives just over a year after “Baloncito Viejo,” with Camilo, led for one week in 2022.

Elsewhere, “Mujeres” advances 35-31 on the overall Latin Airplay chart — Vives’ only entry there in 2023.

Mary J. Blige’s ‘Still Believe in Love’ Tops Last Adult R&B Airplay Chart of 2023

Mary J. Blige closes out 2023 with a new No. 1 on Billboard’s Adult R&B Airplay chart as “Still Believe in Love,” featuring Vado, crowns the list dated Dec. 30. The calendar year’s final champ advances from the runner-up spot and was the most-played song on U.S. monitored adult R&B radio stations in the week ending Dec. 21, according to Luminate.

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“Still Believe in Love” takes the chart’s top spot despite remaining essentially even in plays compared with the prior week. Last week’s leader, Usher, Summer Walker and 21 Savage’s “Good Good,” slips to No. 3 after falling 5% in plays during the tracking week. (Between the pair, Muni Long’s “Made for Me” climbs 3-2 with a 5% play gain.)

Thanks to “Still Believe in Love,” the Queen of Hip-Hop Soul nabs her eighth career champ on Adult R&B Airplay. Further, she breaks out of a tie with H.E.R. to solely have the third-most No. 1s among women artists in the chart’s 30-year history. Alicia Keys leads the scoreboard, with 14, while Toni Braxton ranks second with 11.



As “Still Believe in Love” joins the collection, here’s a review of Mary J. Blige’s eight Adult R&B Airplay No. 1s:

Song Title, Artist (if other than Mary J. Blige), Weeks at No. 1, Date Reached No. 1
“Not Gon’ Cry,” four, March 2, 1996
“Be Without You,” 14, Feb. 4, 2006
“Take Me As I Am,” one, Jan. 27, 2007
“IfULeave,” Musiq Soulchild featuring Mary J. Blige, eight, Jan. 10, 2009
“Thick of It,” 16, Nov. 12, 2016
“U + Me (Love Lesson),” three, May 6, 2017
“Good Morning Gorgeous,” four, Feb. 26, 2022
“Still Believe in Love,” featuring Vado, one (to date), Dec. 30, 2023

For featured act Vado, the New York-based rapper lands his first Adult R&B Airplay No. 1 with his first appearance on the chart. Prior to his collaboration with Blige, the rapper had scored a pair of entries on the Hot R&B/Hip-Hop Songs chart with Cam’ron – “Speaking in Tungs” and “Hey Muma”. Plus, he’d also make chart waves with two albums, the solo effort Slime Flu, which reached No. 22 on Top Rap Albums in 2010, and the Cam’ron collaborative set Gunz N’ Butta, which peaked at No. 7 on the same chart in 2011.

Elsewhere, “Still Believe in Love” repeats at its No. 14 best on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. Despite the static rank, the song added 2% in weekly audience to reach 6.6 million in the latest tracking week.

Hot 100 First-Timers: Xavi Lands First Hot 100 Chart Entries With ‘La Diabla’ & ‘La Victima’

Xavi is officially a Billboard Hot 100-charting artist, thanks to the arrival of his two breakthrough singles, “La Diabla” and “La Victima.”

Both songs debut on the Dec. 30-dated Hot 100, at Nos. 76 and 91, respectively. The former enters with 8.9 million official U.S. streams and latter with 6.9 million in the Dec. 15-21 tracking week, according to Luminate.

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“La Diabla” and “La Victima” also reach new heights on the latest Hot Latin Songs chart. “La Diabla” jumps 16-4, while “La Victima” gains 8-7. Xavi also has two additional songs on the list: “Poco a Poco,” with Dareyes de La Sierra, rises 30-26 and “Modo DND,” with Tony Aguirre, ascends 34-30.



Recent gains for “La Diabla” and “La Victima” can partly be attributed to strong activity on TikTok. “La Diabla” has soundtracked over 500,000 clips on the platform, while “La Victima” has been used in over 70,000.

Xavi (real name: Joshua Xavier Gutierrez), 19, is a Mexican-American singer-songwriter from Arizona. He appeared on his first Billboard ranking in November, when “La Victima” debuted on the Hot Latin Songs chart. Outside of his hits on the Hot 100 and Hot Latin Songs, “La Diabla” soars 104-32 on the Billboard Global 200 and “La Victima” jumps 112-79.

“Honestly, I just can’t believe it,” Xavi told Billboard about his chart success earlier this month. “Looking at the artists and songs that are in the [Hot Latin Songs] top 10 makes me feel very honored and humbled. I’m also very grateful to the team and all the fans who have supported the song. I feel truly blessed.”

Hot 100 First-Timers: Flo Milli Finds Her Way to the Chart With ‘Never Lose Me’

Flo Milli has been churning out chart entries for over three years, and now she’s officially a Billboard Hot 100-charting artist.

The rapper, from Mobile, Ala., debuts on the chart (dated Dec. 30) for the first time with “Never Lose Me,” released Nov. 30 via RCA Records. The song opens at No. 84 with 7 million official U.S. streams (up 21%) Dec. 15-21, according to Luminate. The gains can be partly attributed to a remix of the song featuring Lil Yachty, released Dec. 1. The song, which is slated to appear on Flo Milli’s forthcoming album, Fine Ho, Stay, samples Babyface Ray and 42 Dugg’s track “Ron Artest.”

TikTok has also been a contributing factor to the song’s growing popularity. A portion of the track’s original version has soundtracked over 135,000 clips on the platform to date. On the TikTok Billboard Top 50 chart, the track ranks at No. 13.

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“Never Lose Me” concurrently jumps 22-17 on Rap Airplay and 26-21 on Hot R&B/Hip-Hop Songs.



Flo Milli appeared on her first Billboard chart dated Aug. 8, 2020, when Ho, Why Is You Here? debuted and peaked at No. 46 on the Top R&B/Hip-Hop Albums chart and No. 78 on the Billboard 200.

She told Billboard that year, “I just always went after my heart and my passion, and I think that’s why a lot of people feel me, because I’m not afraid of anything.”

Earlier this year, Lah Pat’s “Rodeo,” featuring Flo Milli, reached No. 9 on Mainstream R&B/Hip-Hop Airplay, No. 11 on Rap Airplay, No. 14 on R&B/Hip-Hop Airplay, and No. 25 on Rhythmic Airplay. It also peaked at No. 39 on Hot R&B/Hip-Hop Songs – her first entry on the chart.

In March, Flo Milli released her second LP, You Still Here, Ho?, which features cuts with Babyface Ray, Lola Brooke and Rico Nasty, among others. She has also served as a go-to collaborator for numerous artists, including $NOT, Baby Tate, BENEE, Big Boss Vette, GoldLink, Tay Money and Yung Bleu.

In 2022, Flo Milli performed at Billboard’s R&B/Hip-Hop Power Players celebration.

Blessing Offor’s Cover of Paul McCartney’s ‘Wonderful Christmastime’ Tops Christian Radio Charts

Nigeria-born singer-songwriter Blessing Offor nets his second No. 1 – and first in a lead role – on Billboard’s Christian Airplay and Christian AC Airplay charts (dated Dec. 30) with his cover of Paul McCartney’s classic “Wonderful Christmastime.”

During the Dec. 15-21 tracking week, the update increased by 11% to 1.5 million impressions on reporting Christian Airplay stations, according to Luminate.

McCartney’s original “Wonderful Christmastime” is from 1979 and has gone as high as No. 28 on the Billboard Hot 100. The holiday staple ranks at No. 36 on the Dec. 30-dated all-genre Billboard Hot 100.



Blessing Offor lands his second No. 1 on both Christian Airplay and Christian AC Airplay. He first led for three and four weeks, respectively, as featured on tobyMac’s “The Goodness,” starting in September 2022.

“Wonderful Christmastime” is one of two Blessing Offor songs at their highest ranks on Christian Airplay: “Your Love” holds at No. 13 (767,000 in audience).

‘Kept’ Is a Keeper

Marvin Sapp’s “You Kept Me” becomes his seventh Gospel Airplay No. 1, and third in succession. The single, which he co-authored, follows “All in Your Hands,” which ruled for two weeks in October 2022, and “Thank You for It All” (one week, October 2020).



Sapp, from Grand Rapids, Mich., earned his first Gospel Airplay No. 1 when “Never Would Have Made It” started a record 46-week domination in August 2007.

Meanwhile, with seven Gospel Airplay leaders, Sapp ties Jekalyn Carr and Todd Dulaney for the fourth-best total. Kirk Franklin and Tamela Mann share the top spot with 10 No. 1s each, followed by James Fortune & FIYA with eight.

Taylor Swift, Jack Harlow Reign Over Australia’s Christmas Charts

Taylor Swift is the queen of Christmas in Australia as 1989 (Taylor’s Version) retains the chart title for an eighth consecutive week.

With that feat, 1989 (Taylor’s Version) (via Universal) is the longest running No. 1 album of 2023, outpointing Swift’s own Midnights, which led for seven non-consecutive weeks between January and July, ARIA reports.

Swift completed unprecedented sweeps on the ARIA Albums Chart during the year, and doubled up on both main tallies. The U.S. pop star’s sales and streaming action should reach fever pitch in February 2024 when Swift’s The Eras Tour visits Australia for seven sold-out stadium shows, produced by Frontier Touring.

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Meanwhile, Australian alternative rock favorites Violent Soho return to the ARIA Chart at No. 2 with Hungry Ghost (I Oh You/Universal), their third album. The LP roars up the survey thanks to a 10th anniversary reissue, which eclipses its previous peak of No. 6, during a run when Hungry Ghost logged more than a year in the top 50. Violent Soho, which announced an indefinite hiatus in 2022, has reigned over the ARIA Albums Chart twice: with 2016’s Waco and 2020’s Everything Is A-OK.

Completing Australia’s albums chart podium is Swift’s Midnights, up 4-3; while Michael Bublé’s double-diamond certified Christmas (Reprise/Warner) shines on the national tally, up 8-4. Christmas first hit No. 1 in 2011 and logged 15 weeks at the summit, across six stints, ARIA reports.

Over on the ARIA Singles Chart, Jack Harlow’s “Lovin On Me” (Atlantic/Warner) completes a sixth-straight week at No. 1, handing the Louisville rapper honors as the first new artist in six years to reign over Australia’s chart during the week of Christmas.

With Harlow’s hit getting all the love, Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) is denied a sixth consecutive Christmas No. 1; it’s up 3-2 on the ARIA Chart, published Friday, Dec. 22, ahead of Tate McRae’s “Greedy” (down 2-3 via RCA/Sony), Wham’s “Last Christmas” (up 5-4 via Sony) and Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 9-5 via Warner/Universal), respectively.

Cher Sets U.K. Chart Records With ‘DJ Play a Christmas Song’

Cher enters the U.K. history books — twice — as “DJ Play a Christmas Song” (via Warner Records) blasts to No. 20 on the national singles tally.

The pop legend’s holiday number vaults 41-20 on the Official U.K. Singles Chart, published Dec. 22, meaning Cher becomes the first solo artist to land top 40 hits with new material in seven consecutive decades, and she becomes the oldest female to snag a top tier hit.

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At 77 years, 7 months old, Cher is the oldest solo female performer to secure a top 40 on the Official U.K. Singles Chart, beating the previous mark set by Shirley Bassey, who was 70 years and 4 months old when “The Living Tree” peaked at No. 37 in 2007.

No other solo artist has achieved a top 40 U.K. hit across seven consecutive decades, the Official Charts Company reports. Cher got the ball rolling with her debut solo single “All I Really Want To Do” from 1965, and has cracked the top 40 every decade since.

“Cher cements her position as a living legend this week, notching up two incredible landmarks,” comments Martin Talbot, CEO of the Official Charts, “becoming the oldest living female to secure a Top 40 single and the only female solo artist to claim an Official Top 40 single in seven consecutive decades.”

The late Captain Sir Tom Moore holds the record for the oldest artist to score a U.K. No. 1 single, doing so at age 99 years and 11 months old when his charity-fundraising collaboration with Michael Ball, “You’ll Never Walk Alone,” summited in 2020.

“DJ Play a Christmas Song“ is Cher’s highest-charting single in the U.K. in over two decades, since “The Music’s No Good Without You” reached No. 8 in 2001. It’s the lead single from her 27th studio LP Christmas, which vaults 15-5 on the latest albums tally, for a new peak position and 11th career top 10 effort.

“DJ Play a Christmas Song” has been a record-setter on both sides of the Atlantic. When the single jingled to the top of the Dec. 2-dated Dance/Electronic Song Sales survey, she became the first solo artist to earn a new No. 1 on a Billboard songs chart; the only other act to have at least one new No. 1 on a Billboard songs chart in each of the seven decades from the 1960s through the 2020s is the Rolling Stones.