Chart Beat
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On Sept. 24, 1988, Dan Seals’ “Addicted” hit No. 1 on Billboard’s Hot Country Songs chart. It became the eighth of his 11 career leaders on the list.
Cheryl Wheeler wrote the song following a conversation with her sister, who was deciding whether or not to stay in a relationship. “‘Addicted’ came really fast to me,” Wheeler has said. “I’d just hung up the phone with the person the song is about, after she’d said, ‘I feel like I’m addicted to a real bad thing.’ Chordally (is that a word?), it has a lot more going on than most of my stuff.”
Wheeler first released “Addicted” on her 1987 LP Half a Book. In addition to Seals, Blake Shelton also recorded the ballad, for the iTunes deluxe edition of his 2011 album Red River Blue. Wheeler added a second Hot Country Songs top 10 as a writer via Suzy Bogguss’ version of “Aces” (No. 9, 1992), while Garth Brooks reworked her song “If It Were Up to Me” in 1999.
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Seals’ “Addicted” was released as the first of three singles from his LP Rage On, his third of three top 10s on the Top Country Albums chart. Second single “Big Wheels in the Moonlight” topped Hot Country Songs for a week and “They Rage On” hit No. 5.
“Addicted” became Seals’ eighth of nine straight No. 1 singles in 1985-89, a streak that started with his first leader, “Meet Me in Montana,” with Marie Osmond.
Born in McCamey, Texas, on Feb. 8, 1948, Seals was first known as half the duo England Dan & John Ford Coley. The pair notched four top 10s on the Billboard Hot 100, with 1976’s “I’d Really Love to See You Tonight” its strongest showing (No. 2). Meanwhile, Seals & Crofts, comprised of Seals’ older brother Jim Seals and Dash Crofts, tallied three Hot 100 top 10s, starting with “Summer Breeze” in 1972.
Dan Seals was diagnosed with non-Hodgkin’s lymphoma in 2008. Following treatments, including a stem cell transplant, he passed in 2009 at age 61.
Australians just love Olivia Rodrigo‘s Guts.
The U.S. pop phenomenon’s sophomore album starts a second consecutive week at No. 1 on the ARIA Chart, holding off LPs by The Weeknd (The Highlights unchanged at No. 2 via Universal) and Taylor Swift (1989 up 9-3 via Big Machine/Universal).
Rodrigo just misses out on a chart double, again, as Guts (via Geffen/Universal) track “Vampire” holds at No. 2 on the ARIA Singles Chart, behind Doja Cat’s “Paint The Town Red.”
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The top new entry on the albums tally belongs to Teddy Swims (real name: Jaten Dimsdale), whose debut I’ve Tried Everything But Therapy (Part 1) (via Warner) bows at No. 4. The Atlanta, GA vocalist completed a national headline tour last month, produced by Frontier Touring.
The current ARIA top five is completed by Travis Scott’s former leader Utopia (Epic/Sony), down 3-5.
Also new to the top frame is Jared Leto’s Thirty Seconds To Mars with It’s The End Of The World But It’s A Beautiful Day (Concord/Universal), new at No. 9. The U.S. alternative rock outfit’s career-best chart position in Australia is a No. 4 peak for 2013’s Love, Lust, Faith And Dreams.
Further down the list, Mitski lands her second title on the ARIA Chart with The Land Is Inhospitable And So Are We (Dead Oceans/Inertia), new at No. 13. The Japanese-American artist previously cracked the top 10 with 2022’s Laurel Hell, peaking at No. 7.
U.S. rapper Sleepy Hallow, meanwhile, bags his first appearance on the ARIA Chart with Boy Meets World (RCA/Sony), his second studio LP. It’s new at No. 32.
Over on the national singles tally, published Friday, Sept. 22, Doja Cat’s “Paint The Town Red” (via RCA/Sony) enters a fifth week at the summit. “Paint The Town Red” is lifted from the U.S. artist and producer’s fourth solo studio album Scarlet, which arrived earlier today.
The top five is completed by Swift’s “Cruel Summer” (up 4-3), Morgan Wallen’s “Last Night” (up 5-4 via Republic/Universal) and Tate McRae’s “Greedy” (RCA/Sony), new at No. 5 for the week’s top debut. That’s a career high for the Canadian artist, whose previous best was No. 7 in 2020 for “You Broke Me First.”
Kenya Grace’s “Strangers” (Warner) is making a strong connection with Australian audiences. The South Africa-born, U.K.-based artist’s major label debut bounces 30-6 in its third week on the survey.
Finally, Drake and SZA’s “Slime You Out” (Universal) slides to No. 12 on debut.
Peso Pluma, Jasiel Nuñez and Junior H combine forces with “Bipolar,” as the song debuts at No. 7 on Billboard’s Hot Latin Songs chart dated Sept. 23. While Pluma has previously teamed up with both Mexican artists, “Bipolar” is the first three-way effort by the corridos singers.
“Bipolar” launches at No. 7 on Hot Latin Songs fueled by streaming and radio activity. According to Luminate, the song registered 7.9 million official U.S. streams during the Sept. 8-14 tracking week, to yield a No. 4 start on Latin Streaming Songs; it’s a first top 10 for Nuñez there. The song also surges 45-31 on the overall Latin Airplay with a 25% gain in audience impressions, to 3.6 million. Sales, meanwhile, account for a negligible amount but enough to open at No. 5 on Latin Digital Song Sales. Hot Latin Songs blends airplay, streaming data, and digital sales.
Nuñez, a newly signed artist to Peso Pluma’s Double P Records label, scores his first top 10 on the multi-metric Hot Latin Songs. He’s Pluma’s frequent collaborator, landing two other entries on his Billboard chart career which began in 2023. The co-billed “Rosa Pastel” reached a No. 20 high in July, while “Lagunas” peaked at No. 13 on the Aug. 19-dated ranking.
Junior H, meanwhile, picks up his fifth top 10, four of which are Pluma partnerships. His own “El Azul” earned the 23-year-old his first entry to the upper region in May.
As for Pluma, he logs his 15th top 10 hit, including two champs. He last reached the top 10 through Karol G’s four-week ruler “Qlona” (Sept. 2-dated list).
Pluma, Nuñez and Junior H’s collaboration becomes the fourth top 10 debut by three or more artists overall in 2023. Notably, all but one belongs to Pluma, and all are regional Mexican songs. Here’s the list of top 10 tripartite entries this year:
Peak Position, Title, Artists, Peak DateNo. 10, “VVS,” Peso Pluma, Edgardo Nunez & Los Dareyes de La Sierra, July 8,No. 8, “Que Onda,” Calle 24 x Chino Pacas x Fuerza Regida, Sept. 16No. 3, “Lady Gaga,” Peso Pluma, Gabito Ballesteros & Junior H, Sept. 23No. 7, “Bipolar,” Peso Pluma, Jasiel Nuñez and Junior H, Sept. 23
Beyond its top 10 debut on Hot Latin Songs, “Bipolar” rises to a new No. 13 peak on Regional Mexican Airplay. Plus, it debuts at No. 60 on the all-genre Billboard Hot 100, at No. 86 on Billboard Global 200 and at No. 175 on Global Excl. U.S. charts.
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Fleetwood Mac’s from-the-vaults release Rumours: Live debuts at No. 4 on Billboard’s Top Album Sales chart (dated Sept. 23). It’s the highest debut on the list for the band in more than 20 years, since the act’s last full-length studio album, Say You Will, opened at No. 2 in May 2003.
Comprised almost entirely of previously unreleased recordings, Rumours: Live captures the band’s Aug. 29, 1977, concert at The Forum in Inglewood, Calif., during the act’s Rumours Tour. The trek was in support of its then-most-recent studio release Rumours, which had bowed earlier in 1977. That album would spend 31 nonconsecutive weeks at No. 1 on the Billboard 200 chart – still the most weeks at No. 1 for an album by a group. The set launched four top 10-charting hits on the Billboard Hot 100, including the group’s lone chart-topper, “Dreams.”
Also in the top 10 of the new Top Album Sales chart, new releases from Olivia Rodrigo, V, Tyler Childers and BOYNEXTDOOR all arrive, while Lauren Daigle’s self-titled album re-enters the chart straight into the top 10 after a deluxe reissue.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Rumours: Live sold a little over 10,000 copies in the U.S. in the week ending Sept. 14, according to Luminate. Among the songs featured on the album are such Hot 100 hits as “Dreams,” “Oh Well,” “Landslide,” “Over My Head,” “Rhiannon,” “You Make Loving Fun” and “Go Your Own Way.” Rumours: Live was available to purchase as a digital download album or in three physical iterations (a 180-gram double vinyl set, a crystal-clear colored double vinyl set sold via Walmart, and a two-CD package). Vinyl accounted for 44.5% of the album’s first-week sales.
At No. 1 on Top Album Sales, Olivia Rodrigo’s Guts debuts with 150,000 copies sold. Of that sum, physical sales comprise 138,000 (94,000 on vinyl, 43,000 on CD and 1,000 on cassette) and digital download sales comprise 12,000. Guts’ vinyl sales mark the seventh-largest week for a vinyl album since Luminate began electronically tracking sales in 1991.
Guts’ first-week sales were bolstered by its availability across 13 different vinyl variants. Among the variants: a signed edition and exclusive color vinyl and picture-disc editions sold through Amazon, independent record stores, Spotify, Target, Urban Outfitters, Walmart and Rodrigo’s webstore. Guts’ sales also got a boost from four CD editions (including a signed version), a cassette tape and four deluxe boxed sets sold through Rodrigo’s webstore (each containing a CD or vinyl LP along with branded merchandise).
BTS’ V sees his debut solo studio effort Layover enter at No. 2 on Top Album Sales with 88,000 copies sold. Of its first-week sales, physical sales comprise 79,000 (all on CD) and digital download sales comprise a little over 9,000. Layover’s debut was enhanced by its availability in collectible CD offerings – 13 in total.
The set was released in three standard iterations (dubbed Layover 1, Layover 2 and Layover 3, each containing branded paper goods and merchandise specific to the iteration like photobooks, lyric books, posters, postcards and photocards, as well as randomized stickers). Each iteration was also available in variants sold exclusively through Barnes & Noble, Walmart and the Weverse store (a total of nine; and each retailer had its own exclusive photocard enclosed in the three variants). Lastly, Target carried its own exclusive version of the album (with a Target-exclusive photocard), where one of the three iterations of the album (Layover 1, 2 or 3) were sold to the customer (with online buyers randomly shipped one of the three iterations).
Tyler Childers’ Rustin’ in the Rain bows at No. 3 on Top Album Sales with 25,000 copies sold. Of that sum, physical sales comprise 17,500 (with 15,000 on vinyl and 2,500 on CD) and digital album sales comprise 7,500. The album was sold in four different vinyl variants, as well as three deluxe boxed sets exclusive to his webstore (each containing a vinyl LP and branded merch).
Taylor Swift’s chart-topping Speak Now (Taylor’s Version) is a non-mover at No. 5 on Top Album Sales with a little over 9,000 sold (down 3%), NewJeans’ former leader 2nd EP ‘Get Up’ falls 4-8 with nearly 9,000 (down 19%), Rodrigo’s former No. 1 Sour shoots 50-7 with a little over 8,000 (up 288%), and Swift’s former No. 1 Midnights dips 7-8 with nearly 8,000 (up 1%).
Lauren Daigle’s self-titled album re-enters Top Album Sales at No. 9 (nearly 8,000 sold; up 1,255%), prompted by its deluxe reissue on Sept. 8 with additional tracks. The set initially debuted and peaked at No. 3 on the May 27-dated chart. The deluxe edition of the album was released in four vinyl variants (including exclusives for Barnes & Noble and the artist’s webstore), four CD variants (including a Target-exclusive cover variant, a zine/CD package, a signed CD and a lenticular cover version), and was available in two Fan Pack offerings (where a piece of branded merchandise was sold alongside a physical copy of the album).
Rounding out the top 10 of Top Album Sales is BOYNEXTDOOR’s debut album Why.., which starts at No. 10 with nearly 8,000 sold. The K-pop effort was available in eight collectible CD editions (including exclusive iterations sold through Barnes & Noble, Target and the Weverse store), each with a standard set of branded paper goods and merchandise items (photobooks, film photos, posters, stickers, and the like) and randomized items (including photocards and post cards).
The album was initially released to purchase as a digital download album on Sept. 4, followed by its CD release on Sept. 8. In the week ending Sept. 14, CD sales comprised 99.8% of the album’s sales, with digital downloads comprising the remaining 0.2%.
In the week ending Sept. 14, there were 1.766 million albums sold in the U.S. (up 8.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.437 million (up 11.6%) and digital albums comprised 328,000 (down 4.1%).
There were 649,000 CD albums sold in the week ending Sept. 14 (up 19.4% week-over-week) and 779,000 vinyl albums sold (up 6.1%). Year-to-date CD album sales stand at 24.475 million (up 1.5% compared to the same time frame a year ago) and year-to-date vinyl album sales total 32.66 million (up 20.1%).
Overall year-to-date album sales total 70.597 million (up 6.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 57.512 million (up 11.3%) and digital album sales total 13.085 million (down 9.9%).
Young Nudy achieves a milestone feat as his song “Peaches & Eggplants” featuring 21 Savage pushes 14-7 to reach the top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart. The track advances on the list dated Sept. 23 after the release of its remix with Latto and Sexyy Red on Sept. 8. (As the original version of “Peaches & Eggplants” contributes most of the week’s activity, the song’s chart listing is not updated to include Latto and Sexxy Red.)
“Peaches & Eggplants” becomes the East Atlanta, Ga.-native’s second Hot R&B/Hip-Hop Songs top 10 and matches his prior such hit, 2022’s “Umbrella” with Metro Boomin and 21 Savage, for his best career peak on the list. Unlike “Umbrella,” however, an album cut from Metro Boomin’s Heroes & Villains album that debuted at its peak and spent five weeks on the chart, “Peaches & Eggplants” has steadily worked its way up, cracking the top 10 in its 19th week on the list.
For featured artist 21 Savage, who is also Young Nudy’s cousin, “Peaches & Eggplants” is his 28th visit to the Hot R&B/Hip-Hop Songs’ top 10, and his second debut in the region in 2023, following his and Rob49’s supporting spots on Travis Scott’s “Topia Twins,” which launched at No. 10 last month.
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In the latest tracking week, Sept. 8 -14, “Peaches & Eggplants” garnered 11.7 million official U.S. streams, according to Luminate, up 68% from 7 million in the prior week. The surge powers a 23-6 flight on R&B/Hip-Hop Streaming Songs, where it captures the week’s Greatest Gainer tag for the biggest increase among the chart’s 25 titles.
In the radio world, the song also registered 11.7 million audience impressions across all formats, a 5% lift compared with the previous frame. On the R&B/Hip-Hop Airplay chart, “Peaches & Eggplants” scores another top 10 placement, moving 11-10 thanks to 9.6 million impressions from that format, up 8% in that sector. Plus, the song holds at No. 10 for a third week on Rap Airplay, with a 4% boost in the latest tracking week.
Elsewhere, “Peaches & Eggplants” rallies 11-6 on Hot Rap Songs and 51-33 on the all-genre Billboard Hot 100.
Cardi B and Megan Thee Stallion drum up a top five debut on Billboard’s Hot R&B/Hip-Hop Songs chart as “Bongos” starts at No. 4 on the list dated Sept. 23. The track, released Sept. 8 via Atlantic Records, begins as the genre’s best-selling and one of the three most-streamed tracks of the week, and becomes […]
Jimmy Buffett’s posthumously released single “Bubbles Up” debuts at No. 1 on Billboard’s Rock Digital Song Sales chart with 8,000 downloads sold in the U.S. Sept. 8-14, according to Luminate.
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Buffett, who died Sept. 1 at age 76, replaces himself atop Rock Digital Song Sales, where his signature song, 1977’s “Margaritaville,” led the Sept. 16-dated ranking (16,000 sold, up 8,415%, Sept. 1-7). The latter ranks at No. 3 on the latest list with 3,000 sold.
“Bubbles Up” is Buffett’s second career No. 1 on a Billboard songs chart as the only credited artist on a newly released song: “Margaritaville” led the Adult Contemporary chart dated May 28, 1977. He last topped Billboard album charts with new music thanks to his most recent LP, Life on the Flip Side, in 2020.
“Bubbles Up” is joined by “My Gummie Just Kicked In” (No. 5; 3,000 sold) and “Like My Dog” (No. 6; 2,000) as new Buffett tunes on Rock Digital Song Sales. All three songs arrived Sept. 8 and are set to be on Equal Strain on All Parts, Buffett’s 32nd studio album, due Nov. 3.
Buffett music accounts for eight of the Rock Digital Song Sales chart’s 25 positions. In addition to the four tunes noted above, classics “A Pirate Looks at Forty” (No. 12; 1,400 sold), “Changes in Latitudes, Changes in Attitudes” (No. 16; 1,100), “Cheeseburger in Paradise” (No. 18; 1,000) and “Son of a Son of a Sailor” (No. 22; 1,000) also place on the Sept. 23 tally.
“Bubbles Up” additionally begins at No. 2 on Country Digital Song Sales and No. 4 on the all-format Digital Song Sales chart, while its sales and 908,000 official U.S. streams send it to a No. 47 debut on the multi-metric Hot Rock & Alternative Songs survey.
Fans flocked to the icon’s trademark feel-good sound following his passing of complications from skin cancer. In the Sept. 1-7 tracking week, his song catalog surged by 1,476% to 78.6 million official on-demand streams and 7,022% to 103,000 paid downloads in the U.S.
Rising jazz artist Laufey scores her first entry on the Billboard 200 albums chart with her sophomore release Bewitched, debuting at No. 23 on the Sept. 23-dated list. Further, the set launches atop both the Traditional Jazz Albums and overall Jazz Albums charts – marking the first No. 1 on both rankings for the 24-year-old Icelandic singer-songwriter […]
Myke Towers’ “Lala” takes the Puerto Rican artist to No. 1 on Billboard’s Latin Airplay chart as the viral hit jumps 2-1 on the overall Latin tally dated Sept. 16. The new champ follows a double win, as the song commanded the Billboard Global Excl. U.S. and Latin Rhythm Airplay charts each for at least one week.
“Lala” is one of 23 tracks on Towers’ latest album La Vida Es Una, which granted him a third straight top 10 on Top Latin Albums (No. 9 high in April). The single blew up on TikTok after the music video dropped July 28, with over 5 million clips pouring into the platform to ignite a successful radio campaign. (Activity directly on the TikTok platform does not currently count toward the Billboard charts.)
“Lala” pushes to No. 1 on Latin Airplay in its eighth week despite a 1% dip in audience impressions, with 8.7 million, earned in the U.S. during the Sept. 8-14 tracking week, according to Luminate.
The new champ arrives just five months after Towers’ “Ulala,” with Daddy Yankee, took over the overall ranking for one week (April 8-dated list). With the new hit, Towers nabs his ninth No. 1, dating back to “Caramelo,” with Ozuna and Karol G, his first and longest-leading entry, three weeks atop in 2020.
In addition to its new Latin Airplay domination, “Lala” previously ruled Global Excl. U.S. and Latin Rhythm Airplay: On the former, it vaulted from No. 13 to No. 1 in July with 70.4 million streams outside the U.S. (drops 3-4 on the current tally); on the latter, it rebounds to its No. 1 peak for a second week in charge.
Further, the viral activity for “Lala” fueled a rise in streams, peaking at No. 4 on the multimetric Hot Latin Songs on the Aug. 12-dated list, which blends airplay, digital sales, and streams. There, the song dips 5-6 with 7.94 million U.S. streams, that’s a 7% decline from the week prior.
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Chencho Corleone Smokes His Way into The Top 10: Elsewhere on Latin Airplay, Chencho Corleone’s “Un Cigarrillo” checks into the top 10 at its new No. 3 peak. The single flies from No. 18 as the Greatest Gainer of the week powered by a 56% gain in audience impressions, to 8.1 million.
With “Un Cigarrilo,” Corleone acquires his fourth top 10. He visited the upper region three times prior through a trio of rulers, starting with his first No. 1, “Desesperados,” with Rauw Alejandro, in 2022. “Me Porto Bonito,” with Bad Bunny, followed for one week in command in Aug. 2022, while “Podemos Repetirlo,” with Don Omar, crowned the Sept. 16-dated chart. It falls 1-7 on the current tally.
Beyond its top 10 entry on Latin Airplay, “Un Cigarrilo” pushes 8-2 for its new peak on Latin Rhythm Airplay.
There’s a new No. 1 on the TikTok Billboard Top 50 chart: FamousSally and YB’s “Wassup Gwayy,” which debuts atop the Sept. 23-dated survey.
The TikTok Billboard Top 50, which launched a week ago, is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Sept. 11-17. (Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.)
“Wassup Gwayy” was released in June and has taken off on TikTok thanks in large part to uploads by users referencing the song’s lyrics “In the cut with my twin, we be vibin’,” with videos featuring not only actual twins, but friends and even people and their pets dancing along.
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One of the most high-profile proponents of the trend? Drake, who was seen dancing to the song with a young fan in early September.
Rappers FamousSally and YB have not yet made a Billboard chart outside the TikTok Billboard Top 50. Still, in the tracking week (Sept. 8-14) for Billboard’s streaming-, airplay- and sales-based song charts dated Sept. 23, “Wassup Gwayy” earned 548,000 official U.S. streams, up 39% from 395,000 Sept. 1-7, according to Luminate.
“Wassup Gwayy” is the TikTok Billboard Top 50’s second No. 1 in the list’s two weeks of existence; the inaugural No. 1, Sexyy Red’s “SkeeYee,” drops to No. 2 on the Sept. 23 tally.
Chrisette Michele’s “Epiphany (I’m Leaving)” is another big mover on the latest ranking, leaping from No. 33 to No. 4. “Epiphany” is Michele’s lone Billboard Hot 100 entry as a lead artist to date, having peaked at No. 89 in May 2009. The 14-year-old tune has returned to prominence in 2023 sparked by a dance challenge largely set to the lyric “So I think I’m just about over being your girlfriend,” which kicks off the chorus.
“Epiphany” isn’t the only song from the 2000s/early ’10s in the TikTok Billboard Top 50’s top 10. It’s followed by a trio of tracks in J. Dash’s “Wop,” featuring Flo Rida; Cee-Lo Green’s “I’ll Be Around,” featuring Timbaland; and Usher’s “Hey Daddy (Daddy’s Home),” featuring Plies, which round out the tier at Nos. 8-10, respectively.
“Wop,” released in 2007, has had multiple runs of virality over the years, initially reaching Billboard’s charts in 2011 and peaking on the Hot 100 in 2013 (No. 51), hitting critical mass that year when Miley Cyrus uploaded a video of herself twerking in a unicorn costume to the tune. The song has continued to be popular for choreography routines on TikTok and other platforms and leaps 17-8 on the TikTok Billboard Top 50.
“I’ll Be Around,” which peaked at No. 52 on Billboard’s Hot R&B/Hip-Hop Songs chart in January 2004, is scoring a viral bump due to dances using the song and surges 42-9 on the TikTok Billboard Top 50, while “Hey Daddy,” a No. 24 Hot 100 hit in May 2010, premieres on the TikTok Billboard Top 50 thanks to uploads largely populated with women using a filter adding facial hair to their faces.
Check out the full TikTok Billboard Top 50 chart here to see additional debuts from Cardi B, HUS, Harry Styles and more.