State Champ Radio Chart Beat
Page: 234
Jack Harlow attains a new milestone on Billboard’s Hot R&B/Hip-Hop Songs chart as “Lovin on Me” adds a 10th week at No. 1 on the list. With the latest week in charge, on the chart dated Jan. 27, Harlow becomes only the third artist to have three No. 1 hits that have each ruled for […]
On Jan. 25, 1992, Tracy Lawrence’s rookie single “Sticks and Stones” hit No. 1 on Billboard’s Hot Country Songs chart. It marked the first of his eight career leaders. The song, which Roger Dillon and Elbert West wrote and James Stroud produced, ushered in Lawrence’s like-titled LP, which became his first of 10 top 10s on […]
Cody Carnes tops Billboard’s Christian AC Airplay chart for the first time, as “Firm Foundation (He Won’t)” ascends to No. 1 on the survey Jan. 27. In the Jan. 12-18 tracking week, the song increased by 3% in plays, according to Luminate.
On the genre’s overall Christian Airplay chart, the track holds at its No. 2 best, up 2% to 5.4 million in audience.
Carnes, Austin Davis and Chandler Moore wrote the song, which Davis produced.
[embedded content]
The 34-year-old Carnes, from Atlanta, banked two prior Christian AC Airplay top 10s. “Ain’t Nobody” hit No. 2 last April and “The Blessing: Live,” with Kari Jobe and Elevation Worship, reached No. 5 in August 2020.
Carnes and Jobe married in November 2014.
Little, Stone Roll to No. 1
Damon Little’s “No Stressing,” featuring Angie Stone, rises to No. 1 on Gospel Airplay (up 3% in plays). It becomes Little’s second chart-topper and Stone’s first, in her first appearance on the ranking.
Little solely wrote and produced the song.
Little, from Baltimore, follows his first Gospel Airplay No. 1, “Stand Up,” which led for a week in December 2021. He boasts three prior top 10s: “I Won’t Be Defeated” (No. 2, February 2017), “Because of You” (No. 9, January 2015) and “Do Right,” with Nu Beginning (No. 7, April 2005).
Stone, 62, was formerly in hip-hop act The Sequence before posting seven solo entries on the all-genre Billboard 200 between 2000 and 2015. She hit a No. 11 high on the chart with The Art of Love & War in 2007.
Eden Muñoz acquires his fourth No. 1 on Billboard’s Regional Mexican Airplay chart as “Como En Los Viejos Tiempos” rallies 8-1 to lead the Jan. 27-dated ranking. The nostalgic ballad checks into the penthouse after a bulky 64% boost in audience impressions, to 7.4 million, earned in the U.S. during the Jan. 12-18 tracking week, according to Luminate.
“Como En Los Viejos Tiempos” ejects La Fiera de Ojinaga’s “La Neta Que No” from the lead after its one week in command. The song drops to No. 10 with a 42% drop (to 4.22 million impressions).
“Tiempos” is the title track and first single of the Muñoz’s 18-track eponymous album, which debuted and reached No. 19 on Regional Mexican Albums last December.
The song, released Nov. 20 via Muñoz’s own EMC/Bajo label and Sony Music Latin, takes the indie imprint to its first No. 1 on any Billboard chart.
Further, as the norteño and banda singer-songwriter and producer sends “Viejos Tiempos” to his roster of No. 1s, here’s a look at Muñoz’s four No. 1s on Regional Mexican Airplay :
Peak, Title, Artist, Weeks at No. 1May 21, 2022, “Chale!,” threeJuly 2, 2022, “Hay Que Hacer Dinero,” Banda MS featuring Muñoz, twoNov. 11, 2023, “Amor Clandestino,” with Maná, oneJan. 27, 2024, “Como En Los Viejos Tiempos,” one
Beyond its Regional Mexican Airplay win, “Viejos Tiempos” takes Muñoz to the upper region on the overall Latin Airplay tally, with a 20-4 surge.
[embedded content]
Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana spins off a third No. 1 on Billboard’s Latin Airplay chart as “Mónaco” rises 3-1 on the Jan. 27-dated ranking. The new champ follows two other chart-toppers from the album: “Where She Goes” and “Un Preview,” both one-week rulers in 2023.
Explore
See latest videos, charts and news
See latest videos, charts and news
“Mónaco” leads the overall Latin radio chart with a 7% gain in audience impressions, to 8.75 million, earned in the tracking week ending Jan. 18, according to Luminate. The track leads in its 12th week, after five weeks in the top 10, and unseats Feid and Rema’s “Bubalu” from the summit after the latter’s two-week reign.
With “Mónaco,” Bad Bunny scores his 24th No. 1 on Latin Airplay among 47 chart appearances. Aside from Nadie Sabie’s three No. 1s, the set has also tallied one more entry on Latin Airplay: “Perro Negro,” with Feid, which debuted and peaked at No. 46 in December. As Bad Bunny ups his career No. 1 count, he ties with Maluma for the fifth-most champs since the chart launched in 1994. Here’s the winner recap, with J Balvin still at the lead with 36 No. 1 hits:
36, J Balvin33, Ozuna32, Enrique Iglesias28, Daddy Yankee24, Bad Bunny24, Maluma22, Wisin
Beyond its Latin Airplay coronation, “Mónaco” concurrently lands at No. 1 on Latin Rhythm Airplay, advancing from No. 2, for Bad Bunny’s 23rd champ there.
[embedded content]
Venesti, Nacho & Maffio’s “No Es Normal” Rules Latin Pop Airplay: Over on Latin Pop Airplay, Venesti, Nacho and Maffio’s first team-up, “No Es Normal,” holds strong for a third week with a robust 21% increase in audience impressions, to 4.1 million during the same period.
The collab earned each of the artists their first No. 1 when it lifted 2-1 on the Jan. 13-dated list. Nacho came up short a few years back, when “Báilame” achieved a No. 2 peak in Nov. 2017. Over a year later, “Déjalo,” with Manuel Turizo, took him to a No. 7 high in April 2019.
While Nacho and Maffio have secured previous entries on the chart, the song earned newcomer Venesti his first chart visit. The Colombian, however, scored his first No. 1 on any Billboard chart with “Umaye,” which spent one week atop Latin Rhythm Airplay last October.
Over on the overall Latin Airplay list, “No Es Normal” pushes from No. 35 to No, 24, Maffio’s highest ranking there.
[embedded content]
Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. This week: Streaming audiences are, like, in love with the breakout hit from the Mean Girls musical adaptation, while a new hit may break singer-songwriter Benson Boone to his widest audience yet, and internet personality Honestav is on his way to an unusual hybrid of a viral hit.
Explore
See latest videos, charts and news
See latest videos, charts and news
Reneé Rapp & Megan Thee Stallion Parlay ‘Mean Girls’ Success into Streaming Hit
[embedded content]
It looks like Reneé Rapp and Megan Thee Stallion have made fetch happen. “Not My Fault” — a frothy pop-rap link-up between the movie musical Regina George and the self-proclaimed “Black Regina George” – is making major waves at streaming thanks to the box office success of the new Mean Girls musical and the duo’s pitch-perfect Saturday Night Live performance (Jan. 20).
According to Luminate, “Not My Fault” earned just over three million official on-demand streams during the week of Jan. 12-18, marking a whopping 96% increase from 1.5 million streams during the week of Dec. 29-Jan. 4. “Not My Fault” arrived on DSPs on Dec. 15, about a month before the movie hit theaters on Jan. 12, so the film’s premiere accounts for a significant chunk of that streaming bump.
That bump looks poised to continue growing, based on some of the most recent streaming tallies for the soundtrack single. Last Sunday (Jan. 14), “Not My Fault” garnered just over 380,000 streams. Following that SNL performance – which featured choreography from the music video and an introduction from the OG Regina George, Rachel McAdams – that figure jumped by 33% to over 510,000 streams on Sunday, Jan. 21.
The official music video for “Not My Fault” currently boasts over 6.5 million views on YouTube, and the official TikTok sound plays in over 22,700 posts on the platform. With a box office-topping film and a viral performance in its corner, “Not My Fault” could very well be the first Billboard Hot 100 entry of Reneé Rapp’s career. — KYLE DENIS
A “Beautiful” Breakthrough for Benson Boone
[embedded content]
Washington singer-songwriter Benson Boone has flirted with crossover success a couple times already in his career, cameoing in the lower stretches of the Hot 100 with “Ghost Town” (No. 100) in 2021 and “In the Stars” (No. 82) in 2022. But this year, Boone looks to be well on his way to the fastest-starting hit of his still-young career, thanks to the power ballad “Beautiful Things.”
The yearning ballad was one that Boone teased extensively for a month and a half on his TikTok page before its release on Friday (Jan. 19), with snippets that previewed the song’s explosive climax. It built heavy anticipation for the song, which blew up almost immediately upon its debut, as the song bounded to the top of the iTunes chart and finished towards the top of both Spotify’s and Apple Music’s daily charts for its day of release.
In all, the song has amassed over 8.6 million official on-demand U.S. streams through its first four days (Jan. 19-22) of its release, according to early reports from Luminate, as well as nearly 4,800 digital song sales. Those are both phenomenal numbers for half a debut week — particularly for an artist without extensive commercial history behind them — and they suggest a Hot 100 debut that should pretty easily outpace Boone’s first two entries on the chart, and one with the potential to grow into one of the biggest breakout hits of the new year if it can keep up its early momentum. — ANDREW UNTERBERGER
Honestav Pulls On TikTok’s Heartstrings With Fast-Rising “I’d Rather Overdose”
[embedded content]
Honestav & Z’s “I’d Rather Overdose” growing into a streaming hit by way of a TikTok trend – and there’s no dancing involved this time.
Known by many on the app for his portrayal of the “broke boyfriend” character, Honestav tapped into something a bit more serious for “I’d Rather Overdose.” Somewhere between Post Malone and Noah Kahan with a dash of The Kid LAROI, “I’d Rather Overdose” explores the complexities of being in a codependent relationship with an addict. “When you’re fucked up on them pills you can’t hear me cry/ Without them you’re sick and we both know why/ Pint after pint ‘till the well runs dry/ If only you loved me like you love gettin’ high,” Honestav sings. The song has quickly been embraced by TikTok users on their own sobriety journeys, those grieving loved ones they’ve lost to substance abuse and those who are children of parents who suffered from various addictions.
“I’d Rather Overdose” garnered 1.1 million official on-demand streams during the three-day period of Jan. 20-22, according to Luminate. That marks an eye-popping 345% increase from the period of Jan. 13-15, during which the song collected just over 248,000 streams. Honestav first previewed the song – which he wrote based on his own experiences living with his parents’ addictions — in a Jan. 9 TikTok and fans quickly launched onto the song’s raw lyrics and sound. Now, the song’s official TikTok sound boasts over 16,800 posts, and its official music video has garnered over 65,000 views in just five days. It may be early in the song’s journey, but its growth is already explosive. — KD
tuki.’s “Bansanka” rises 4-1 on the Billboard Japan Hot 100, dated Jan. 24, giving the rising singer-songwriter her first No. 1 on the Japan song chart.
“Bansanka” debuted on the Japan Hot 100 at No. 14 on Oct. 11 and stayed in the top 20 for 16 consecutive weeks. The poignant ballad with a title that means “Supper Song” finally reached the top spot this week after streaming climbed 3-1 with 9,760,960 weekly streams (up 9.7%) and downloads 8-5 with 6,629 units (up 41.8%). Total streams in Japan for this track have passed the 100 million mark. This song was popular online since before the actual recording was digitally released, through covers and other secondary uses that continue to be uploaded in droves. This explains the increase in video views (moving 5-4 with 1,980,614 views, up 19%), and karaoke (7-4).
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
[embedded content]
Creepy Nuts jump 27-5 with “Bling-Bang-Bang-Born,” the opener for the anime series MASHLE Season 2, after debuting on the chart last week. The rapper/DJ duo’s latest hit broke into the top 10 in three metrics of the chart’s methodology: downloads (11-3 with 6,976 units), streaming (30-4 with 8,944,345 streams), and radio airplay (37-10). This song has been spreading on TikTok mainly in the U.S. and debuted at No. 8 on the Global Japan Songs Excl. Japan chart released Jan. 18. It’s gaining fans internationally, charting in the top 10 in four countries: U.S., France, U.K., and South Africa.
Mrs. GREEN APPLE charts two songs in the top 10 this week, with “Que Sera Sera” rising 5-4 after streaming increased slightly from the week before. The other track is “Nachtmusik,” which debuts at No. 7 after its digital release Jan. 17. The theme song for the film Silent Love rules downloads with 10,872 units, which is about 28% more than the first-week figures for “Que Sera Sera,” the trio’s previous single. “Nachtmusik” comes in at No. 11 for streaming with 5,480,372 streams, No. 6 for video and No. 14 for radio.
[embedded content]
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 15 to 21, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.
While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.
Here’s a look at five artists who appear on surveys with initial entries on the Jan. 27, 2024-dated charts:
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Michael Marcagi
[embedded content]
The singer-songwriter and Cincinnati native arrives on Billboard’s charts with his breakthrough solo single “Scared to Start.” The song, released Jan. 12 on Warner Records, debuts at No. 13 on Hot Alternative Songs, No. 17 on Hot Rock Songs and No. 21 on Hot Rock & Alternative Songs with 2.6 million official U.S. streams and 3,000 downloads sold in its first week of release (Jan. 12-18), according to Luminate. Thanks to its sales sum, it also opens at No. 8 on the all-genre Digital Song Sales chart.
The track’s impressive start can be attributed in part to hype generated on TikTok. Marcagi first released a snippet of the song on the platform in November. Since then, it has soundtracked over 70,000 TikTok videos to date. Some independent artists have even begun posting their own covers of the song, some of which Marcagi has shared on his profile.
Marcagi has released only one other solo song on streaming services so far: “The Other Side,” on Dec. 11. He was previously in the band The Heavy Hours, which charted two songs on Adult Alternative Airplay: “Don’t Walk Away” (No. 21 peak in 2020) and “Wildfire” (No. 33 in 2021). He’s slated to release his debut EP in February. On Saturday (Jan. 20), he released a snippet of one unreleased track, “In the Light” on TikTok. He’s currently on the road supporting The Moss on a string of U.S. tour dates.
Zach Top
[embedded content]
The Sunnyside, Wash., native landed his first Billboard chart entry with his breakthrough single “Sounds Like the Radio.” Released Jan. 8 via Leo33, the cut debuted at No. 56 on the Jan. 20-dated Country Airplay chart, and jumps to No. 46 on the latest, Jan. 27 survey (up 83% to 1.3 million in airplay audience).
The song is slated to appear on Top’s forthcoming debut LP Cold Beer & Country Music, due April 5. “Creating Cold Beer & Country Music has been an incredible journey,” Top recently shared in a press release. “This album is a labor of love, a reflection of my roots and a celebration of the timeless spirit of country music.”
Top is currently on the road touring with Flatland Cavalry. He has a string of tour dates lined up this spring, including a three-show stretch in April supporting Brothers Osborne, followed by a supporting turn on Lainey Wilson’s Country’s Cool Again Tour. He’s also scheduled to perform at several festivals, including Under the Big Sky, St. Pat’s in Five Points and Two Step Inn.
The Ramona Flowers
[embedded content]
The U.K.-based group notches its first Billboard chart entry with its breakout hit “Up All Night,” featuring the legendary Nile Rodgers. Released Oct. 22 on Distiller Records, the song debuts at No. 39 on Alternative Airplay (up 20% in plays). The track appears on the new soundtrack to the NBA 2K24 video game, alongside Burna Boy, Ice Spice, Kodak Black, Lil Uzi Vert, Lil Wayne and more.
The quartet, which began in Bristol, has been recording and releasing music for over a decade, including three LPs: Dismantle and Rebuild (2014), Part Time Spies (2016) and Strangers (2018). The band has also released multiple EPs, most recently the five-track Hey You in May 2023. The Ramona Flowers is comprised of Dave Betts (keys, guitar), Steve Bird (vocals), Sam Dyson (guitar) and Ed Gallimore (drums).
Artemas
[embedded content]
The up-and-comer lands his first Billboard chart hit with his viral track “If U Think I’m Pretty.” The song, which he self-released Oct. 24, debuted at No. 24 on the Jan. 20-dated Hot Alternative Songs chart and No. 39 on Hot Rock & Alternative Songs. On the latest Jan. 27 rankings, it ranks at Nos. 25 and 39, respectively, with 1.8 million streams (up 8%).
The song’s steady gains can be attributed to activity on TikTok, where the song has been used in over 100,000 clips to date. Artemas first released a snippet of the track in an Oct. 13 TikTok, which went viral. Artemas also released a grunge version of the track on Dec. 1, “Prettygrunge.wav,” which has also helped expand the song’s reach.
Artemas self-released his debut album I’m Sorry I’m Like This in 2022. He has released over a dozen songs on streaming services since.
Wilson Fairchild
[embedded content]
The duo, comprised of cousins Langdon and Wil Reid, earns its first Billboard chart entry with its new third studio album Statler Made. The set, released Jan. 12 on Gaither Music Group, opens at No. 39 on Top Current Albums with 1,000 copies sold in its opening week. The pair concurrently starts at No. 22 on Emerging Artists.
Notably, Langdon’s father is Don Reid and Wil’s father is Harold Reid, the lead singer and bassist, respectively, of the Statler Brothers. The band has a legendary history on Billboard’s charts, tallying 66 hits on Hot Country Songs, and 39 albums on Top Country Albums. One of its biggest hit singles, “Flowers on the Wall,” reached No. 4 on the Hot 100 in 1966. The Statler Brothers are members of both the Country Music Hall of Fame and Gospel Music Hall of Fame.
Before Statler Made, Wilson Fairchild released Country On in 2012 and Songs Our Dads Wrote in 2017. The act originally performed under the name Grandstaff in the 1990s.
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard Hot 100 dated Jan. 27), Green Day look to score the second new No. 1 on the Billboard 200 in 2024 with the debut of their 14th LP, Saviors.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Green Day, Saviors (Reprise): Green Day’s 15-track latest set was released on Friday (Jan. 19) with hype billing it as their big attempt at a 2024 return-to-form – even featuring production by Rob Cavallo, knob-twiddler behind most of the band’s classic ‘90s and ‘00s LPs. The set has drawn mostly positive reviews, and kicks off what should be a very eventful year for the Rock and Roll Hall of Famers, as they’re celebrating the respective 20th and 30th anniversaries of their epochal albums Dookie and American Idiot on their much-anticipated upcoming stadium tour (alongside fellow ‘90s alt hitmakers Smashing Pumpkins and Rancid), performing each album in its entirety.
The album is expected to sell in strong numbers, helped by the large number of variants in which the LP is currently available. Along with the digital album and standard CD, there’s also a signed CD sold through the band’s webstore, one cassette and at least 16 vinyl variants (mostly varying in color), including exclusives for Amazon, Barnes & Noble, indie record stores, Target, Walmart and more. There’s also two boxed sets for purchase, each with a branded T-shirt and a CD inside, as well as a Fan Pack offer with a T-shirt and a CD.
If Saviors can reach No. 1 on the Billboard 200 – and it will be a challenge, given that Green Day has never performed particularly well in streaming – it would mark their third consecutive decade with a No. 1 album. They most recently topped the chart with Revolution Radio in 2016, and previously did it with both Idiot and its 2009 follow-up, 21st Century Breakdown. (Surprisingly, they never bested the chart in the ‘90s, with both Dookie and its 1995 follow-up Insomniac topping out at No. 2.)
21 Savage, American Dream (Slaughter Gang/Epic): Green Day’s primary obstacle in the way of their fourth No. 1 album is the current reigning champ. This week, American Dream became the first new album to top the chart in 2024, moving an impressive 133,000 units – mostly in streaming – while also launching the biggest unaccompanied Billboard Hot 100 solo hit of 21 Savage’s career in the quickly viral, No. 5-debuting “Redrum.” The numbers were impressive enough to further confirm Savage’s superstar status, without some of the usual qualifications that have dogged his legacy in the past.
The numbers for American Dream will likely dip considerably in its second week, but the album should still have a strong shot at staying atop the chart for a second week this frame, with its streaming performance remaining steady – the set continues to hold down seven of the top 20 spots on Apple Music’s real-time chart, including pole position for “Redrum.” If the race is particularly close, it also wouldn’t be shocking to see Savage’s team pull out a last-minute deluxe edition with a few new songs to boost the final streaming numbers, as has become increasingly common practice for big rap and pop albums in the past few years.
IN THE MIX
Eladio Carrión, Sol María (Rimas): The biggest release for the week in the Latin music world comes from Puerto Rican-American rapper Eladio Carrión. His 17-track new album Sol María features guest appearances from big names like Yandel, Rauw Alejandro, Arcángel and Sech, and is led by the Latin airplay hit “TQMQA.” The set follows 2023’s 3MEN2 KBRN, which became his first LP to hit the top 20 of the Billboard 200, debuting at No. 16 in April.
Lil Dicky, Penith (The DAVE Soundtrack): With rapper-comedian-actor Lil Dicky’s acclaimed (and very loosely autobiographical) TV sitcom Dave having wrapped its third season last Spring, its star decided it was time for the show to release an official soundtrack. That finally arrived last Friday with Penith, a 22-track collection of music included throughout the series – some in fuller versions than featured on the show. Star producer Benny Blanco, a recurring guest star on the show, worked on most of the tracks, but West Coast rap fixture YG is the only big-name guest, appearing on “YG’s Interlude.”
Kali Uchis storms in at No. 1 on Billboard’s Hot Latin Songs chart, as “Igual Que Un Angel,” with Peso Pluma, opens atop the Jan. 27-dated ranking. The song leads the collection of 12 tracks that parade in on the multimetric tally, all from her second all-Spanish-language album, Orquídeas, which debuts at No. 1 on Top Latin Albums, Latin Pop Albums, Top Albums Sales and Vinyl Albums.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
All 14 tracks from the album are on Hot Latin Songs, including the holdover “Labios Mordidos,” with Karol G, which flies from No. 36 to No. 14 as the Greatest Gainer of the week in sales and streams, and “Muñekita,” with El Alfa and JT, which re-enters at No. 36.
The Peso Pluma team-up “Igual Que Un Ángel” leads the new recruits, tracing its No. 1 debut to 13.4 million official U.S. streams, logged during the Jan. 12-18 tracking week, according to Luminate. The figure yields a No. 10 start on the overall Streaming Songs chart and a No. 1 launch on Latin Streaming Songs. The tune also sold 1,000 copies in its debut week, enough to crown Latin Digital Song Sales.
“Labios Mordidos” with Karol G, meanwhile, flies up the list to No. 14 with 4.2 million U.S. clicks, up 110%, and re-enters Latin Streaming Songs at No. 18. The song also registered 2.5 million audience impressions – well below the threshold of the overall Latin Airplay chart, though it advances 22-19 on Latin Rhythm Airplay.
“Igual Que Un Ángel” gives Uchis her second leader on Hot Latin Songs, which blends airplay, streaming activity and digital sales. Her first Peso Pluma collab lands at No. 1 over two years after “Telepatía” dominated for eight weeks in 2021.
“I honestly wasn’t expecting that!” Uchis told Billboard about topping the list with “Igual.” “I wrote and recorded the song a while ago and was shocked and excited that Peso wanted to jump on that one in particular because I love encouraging artists to step out of their comfort zone when creating.”
[embedded content]
For Peso, the partnership earns him a first No. 1 debut, among a collection of four leaders. The new champ follows another female team-up: “Qlona” with Karol G (it led for five weeks in 2023).
Thanks to Orquídeas, Uchis plants the complete album on Hot Latin Songs: As mentioned, 12 debuts, one holdover and a re-entry. Here’s the full album recap on Hot Latin Songs this week:
No. 1 “Igual Que Un Ángel,” with Peso Pluma (debut)No. 14, “Labios Mordidos,” with Karol GNo. 23, “Pensamientos Intrusivos” (debut)No. 24, “No Hay Ley Parte 2,” with Rauw Alejandro (debut)No. 25, “¿Cómo Así?” (debut)No. 30, “Diosa” (debut)No. 31, “Te Mata” (debut)No. 33, “Dame Un Beso // Muévete” (debut)No. 34, “Me Pongo Loca” (debut)No. 36, “Muñekita,” with El Alfa and JT (re-entry)No. 38, “Young, Rich & In Love”No. 41, “Perdiste”No. 44, “Tu Corazón Es Mío”No. 50, “Heladito”
“Igual Que Un Ángel” is the only song from Orquídeas to secure a spot on the all-genre Billboard Hot 100, debuting at No. 23, Uchis’ highest rank there among eight chart visits.
