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Chart Beat

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Olivia Rodrigo’s Guts (via Interscope) will be near-impossible to catch in the race to the U.K. chart title.
Based on midweek sales and streaming data published by the Official Charts Company, Guts is currently outselling the rest of the top 10 combined.

At the halfway mark, Guts had accumulated over 33,000 chart units, the OCC reports. It’s virtually assured top spot when the Official U.K. Albums Chart is published late Friday, Sept. 15.

The followup to Sour, Rodrigo’s history-making debut from 2021, Guts has already yielded her third U.K. No. 1 single, “Vampire,” and a sixth top 10 hit, “Bad Idea Right?”

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Rodrigo holds a stack of U.K. chart records. When Sour and “Good 4 U” reached No. 1 in the same week in May 2021, she became the youngest solo artist in history to nab the chart double, aged 18 years and 3 months.

Sour also set a U.K. benchmark for the most first-week streams for a debut album. The following month, in June 2021, Rodrigo became the first female solo artist to claim three simultaneous U.K. top 5 singles with “Good 4 U,” “Déjà vu” and “Traitor.” And when “Vampire” summited this year, she was anointed as the female solo artist with the most U.K. No. 1 singles this decade.

Guts isn’t the only new release on track to impact the U.K. top 10.

Former Moloko singer Roisin Murphy is set to start at No. 2 with Hit Parade (Ninja Tune), her sixth solo studio album. If it holds its course, it would give the Irish artist her first solo top 10 appearance.

Meanwhile, the Coral’s 11th album Sea Of Mirrors (Modern Sky/Run On) is close behind at No. 3 on the Official Chart Update. The Wirral, England band should add to their six U.K. top 10 appearances. A second entry from the indie act is approaching the top 10, Holy Joe’s Coral Island Medicine Show, set to arrive at No. 13.

Electronic dance music veterans the Chemical Brothers could capture a 10th U.K. top 10 with For That Beautiful Feeling (EMI), new at No. 4 on the chart blast, while BTS singer V could complete an all-new top 5 with solo release Layover (Interscope), new at No. 5 on the midweek tally.

Finally, The xx’s Romy could land at No. 6 with her solo debut Mid-Air (Young), and Fleetwood Mac’s newly released concert recording from 1977, Rumours Live (Rhino), could score the Hall of Famers a 14th top 10 collection. It’s new at No. 9 on the chart blast.

Jimmy Buffett’s signature song “Margaritaville,” among his many classics, returns to the Billboard Hot 100 this week, re-entering at No. 38 on the Sept. 16-dated ranking. It reached No. 8 in July 1977 and had last appeared on the chart dated Aug. 27, 1977.

Meanwhile, Buffett posthumously boasts the week’s top-selling song with the single, as well as the top-selling album, Songs You Know By Heart: Jimmy Buffett’s Greatest Hit(s).

As previously reported, the singer-songwriter died Sept. 1 at age 76. As announced on his website and social media accounts, “Jimmy passed away on the night of September 1st surrounded by his family, friends, music and dogs,” the Sept. 2 post reads. “He lived his life like a song till the very last breath and will be missed beyond measure by so many.”

“Margaritaville” contributes to Buffett’s big week on multiple Billboard charts, as fans flocked to his trademark feel-good sound following his death. In the Sept. 1-7 tracking week, his song catalog surged by 1,476% to 78.6 million official on-demand streams and 7,022% to 103,000 paid downloads in the U.S., according to Luminate. His albums collectively soared by 2,378% to 109,000 equivalent album units in that span. Further, his all-format radio airplay audience bounded by 338% to 21.2 million.

‘Margaritaville’ & More on Song Charts

“Margaritaville” gained by 720% to 8.1 million streams; 954% to 1.9 million in airplay audience among Hot 100-reporting stations; and 8,415% to 16,000 sold in the tracking week. It re-enters as Buffett’s first No. 1 on the Digital Song Sales chart and at No. 41 on Streaming Songs. It’s also No. 1 on Country Digital Song Sales and Rock Digital Song Sales and No. 10 on Rock Streaming Songs and No. 17 on Country Streaming Songs.

Before this week, Buffett last charted on the Hot 100 dated Oct. 8, 2011, as featured on Zac Brown Band’s No. 18-peaking “Knee Deep,” the most recent of 13 songs, including seven top 40 hits, that he sent onto the survey during his lifetime.

Along with its Hot 100 re-entry, “Margaritaville” places at No. 7 on Hot Rock Songs, No. 9 on Hot Rock & Alternative Songs and No. 14 on Hot Country Songs, all of which share the Hot 100’s multimetric methodology.

Alan Jackson and Buffett’s “It’s Five O’Clock Somewhere” also re-enters Hot Country Songs, at No. 22, with 6.1 million streams (up 346%), 2.3 million in airplay audience (up 66%) and 7,000 sold (up 3,543%). The song dominated the chart for eight weeks in 2003.

Plus, Buffett’s “Cheeseburger in Paradise,” from 1978, hits Hot Rock Songs at No. 19 and Hot Rock & Alternative Songs at No. 22, with 4.5 million streams (up 1,454%), 554,000 in radio reach (up from a nominal sum) and 6,000 sold (up 5,402%).

With 12 Buffett titles on the latest Digital Song Sales chart, here’s a recap:

No. 1, “Margaritaville,” 16,000 sold

No. 3, “Come Monday,” 14,000

No. 6, “It’s Five O’Clock Somewhere,” with Alan Jackson, 7,000

No. 8, “Cheeseburger in Paradise,” 6,000

No. 10, “Changes in Latitudes, Changes in Attitudes,” 6,000

No. 11, “A Pirate Looks at Forty,” 5,000

No. 15, “Son of a Son of a Sailor,” 4,000

No. 26, “Fins,” 3,000

No. 38, “Southern Cross (Live),” 2,000

No. 44, “Why Don’t We Get Drunk,” 1,900

No. 46, “Volcano,” 1,700

No. 48, “Brown Eyed Girl (Live),” 1,700

‘Greatest Hit(s)’ & ‘Ballads’ on Album Charts

On the Billboard 200, Songs You Know By Heart: Jimmy Buffett’s Greatest Hit(s), featuring “Margaritaville” (as referenced in the set’s wry title), re-enters at No. 4, up 2,106% to 52,000 equivalent album units Sept. 1-7, according to Luminate. Released in 1985, the album previously peaked at No. 100 that year. The collection also holds the No. 2 spot on Top Country Albums, Top Rock & Alternative Albums, Top Rock Albums and Americana/Folk Albums. With 15,000 copies sold, it re-enters Top Album Sales at No. 1, ranking as the week’s top-selling album among all genres.

Additionally, Boats Beaches Bars & Ballads, Buffett’s best-of release from 1992 that includes rarities and previously unreleased songs, re-enters the Billboard 200 at a new No. 53 high, with 15,000 units (up 4,750%). It’s also No. 11 on Top Rock Albums and No. 15 on Top Rock & Alternative Albums.

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“I’m glad I got 50 years of albums in me,” the Billboard alum mused in 2020. “This thing’s been an absolute joy. We’ve figured out ways to keep it going. I think it’s really about learning to be a performer before anything else and always trying to better yourself on stage. That’s the key, that core experience, and what’s kept me going. It’s been a good run.”

Doja Cat’s “Paint the Town Red” reaches No. 1 on the Billboard Global 200 chart (dated Sept. 16). It’s her first leader on the list, since it began in September 2020, and the first rap No. 1 on the ranking this year.
Meanwhile, Jung Kook’s “Seven,” featuring Latto, adds an eighth week at No. 1 on the Billboard Global Excl. U.S. chart, encompassing its entire run on the survey so far.

Elsewhere, Japanese band King Gnu notches its first Global Excl. U.S. top 10, as “Specialz” debuts at No. 8.

The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

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New Coat of ‘Paint’ Atop Global 200

Doja Cat’s “Paint the Town Red” rises 2-1 on the Billboard Global 200, with 84 million streams (up 31%) and 12,000 sold (up 37%) worldwide Sept. 1-7. The viral hit is the rapper/singer’s first No. 1 since the list launched in September 2020, among six top 10s. It’s also the first rap leader this year; most recently for the genre before, Drake and 21 Savage’s “Rich Flex” topped the tally dated Nov. 19, 2022, upon its debut.

Jung Kook’s “Seven,” featuring Latto, drops to No. 2 on the Global 200, after spending its first seven weeks on the chart at No. 1; Taylor Swift’s “Cruel Summer” keeps at its No. 3 high; Myke Towers’ “LaLa” lifts 7-4, after reaching No. 3; and Dua Lipa’s “Dance the Night” holds at No. 5, after hitting No. 3.

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Eight Weeks for ‘Seven’ at No. 1 on Global Excl. U.S.

Jung Kook’s “Seven,” featuring Latto, leads the Billboard Global Excl. U.S. chart for an eighth week, with 83.8 million streams (down 5%) and 3,000 sold (down 58%) outside the U.S. Sept. 1-7. Upon its debut, the song became the first No. 1 on the chart, as well as the Global 200, for a member of BTS as a soloist.

The entire Global Excl. U.S. top five holds in place, with “Seven” followed by Doja Cat’s “Paint the Town Red,” at its No. 2 high; Myke Towers’ “LaLa,” at No. 3 after it led for a week in July; Taylor Swift’s “Cruel Summer,” at its No. 4 best; and Dua Lipa’s “Dance the Night,” at No. 5 after it hit No. 3.

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Plus, King Gnu claims its first Global Excl. U.S. top 10, as “Specialz” debuts at No. 8 with 15.9 million streams and 30,000 sold outside the U.S. Sept. 1-7. The Japanese group logs its fourth top 40 entry on the chart, having previously peaked as high as No. 26 with “Chameleon” in March 2022.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 16, 2023) will update on Billboard.com tomorrow (Sept. 12). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Doja Cat’s “Paint the Town Red” rises from No. 3 to No. 1 in its fifth week on the Billboard Hot 100 songs chart. It becomes the rapper/singer’s second career leader, following “Say So,” featuring Nicki Minaj, in 2020.
Meanwhile, “Paint the Town Red” marks the first rap Hot 100 No. 1 in over a year, ending the longest break for the genre atop the chart since 2001.

The Hot 100’s new No. 1 also brings late legendary songwriters Burt Bacharach and Hal David back to the summit for the first time since 2004, thanks to its sample of Dionne Warwick’s classic “Walk on By.”

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 16, 2023) will update on Billboard.com tomorrow (Sept. 12). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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Here’s a look at the Hot 100 coronation of “Paint the Town  Red” (released on Kemosabe/RCA Records), the 1,155th No. 1 in the chart’s 65-year history.

Streams, sales & airplay: “Paint the Town Red” drew 32.1 million radio airplay audience impressions (up 14%) and 27.7 million streams (up 10%) and sold 8,000 downloads (up 32%) in the Sept. 1-7 tracking week, according to Luminate, as it wins the Hot 100’s top Streaming and Sales Gainer awards.

The single holds at its No. 2 high on the Streaming Songs chart and pushes 6-5 on Digital Song Sales and 17-15 on Radio Songs, hitting new bests on the latter two rankings.

Doja Cat’s second Hot 100 No. 1: Doja Cat claims her second Hot 100 leader, following  “Say So,” featuring Nicki Minaj, for a week in May 2020. Two weeks ago, “Paint the Town Red,” which has ridden a wave of virality on TikTok, became her seventh top 10.

The song is from Doja Cat’s fourth studio album, Scarlet, due Sept. 22.

First rap No. 1 in over a year: “Paint the Town Red” marks the first rap track (defined as songs that have hit or are eligible to appear on Billboard’s Hot Rap Songs chart) to lead the Hot 100 since Nicki Minaj’s “Super Freaky Girl,” which ruled upon its debut atop the chart dated Aug. 27, 2022. Doja Cat ends a 54-week break between rap No. 1s (during which three rap titles peaked at No. 2: Lil Durk’s “All My Life,” featuring J. Cole; Drake’s “Search & Rescue”; and Drake and 21 Savage’s “Rich Flex”).

Before the 2022-23 break, the last time the Hot 100 went without a rap champ longer was pre- and post-Y2K: after Will Smith’s “Wild Wild West,” featuring Dru Hill and Kool Moe Dee, reigned for a week in July 1999, rap was absent from the top spot until Shaggy’s “It Wasn’t Me,” featuring Ricardo “RikRok” Ducent, began a two-week command in February 2001 – ending a drought of 79 weeks, or just over 18 months, and 22 No. 1s without a rap leader.

In the 54 frames between the dominations of “Super Freaky Girl” and “Paint the Town Red,” 15 songs topped the Hot 100, ranging from pop to R&B, country and rock/alternative. Click here for a deeper dive into key factors that contributed to rap’s shutout from No. 1 over the past year-plus until this week.

Country’s command halted: Meanwhile, with the return of rap atop the Hot 100, a streak for country ends, as “Paint the Town Red” stops a record run of four consecutive country No. 1s, over the past six weeks. On the Sept. 9-dated chart, Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, debuted at No. 1, supplanting Anthony Oliver Music’s “Rich Men North of Richmond” after two weeks on top (Aug. 26 and Sept. 2). Before that, Morgan Wallen’s “Last Night” rebounded for its last two of 16 total weeks at No. 1 (Aug. 12 and 19), directly following Jason Aldean’s one-week reign with “Try That in a Small Town” (Aug. 5).

Five-week climb to No. 1: “Paint the Town Red” reaches No. 1 in its fifth week on the Hot 100, competing what’s become a rare multiple-week ascent to the top in 2023; it debuted at No. 15 on the Aug. 19 chart. The previous five new No. 1s (discounting “Last Night,” which logged a record-tying five distinct stays at No. 1 beginning in March) all debuted at the apex: “I Remember Everything”; “Rich Men North of Richmond”; “Try That in a Small Town”; Jung Kook’s “Seven,” featuring Latto (July 29); and Olivia Rodrigo’s “Vampire” (July 15).

Before the launch of “Vampire” (and 10 weeks at No. 1 on the Hot 100 for “Last Night” in May-July), SZA’s “Kill Bill” hit No. 1 in its 19th week on the chart (April 29) – helped in part by a remix released in that survey’s tracking week with Doja Cat (who did not receive billing on SZA’s song, as the remix did not account for a majority of its consumption that week).

Bacharach, David, back at No. 1: “Paint the Town Red” samples Dionne Warwick’s standard “Walk on By,” which hit No. 6 on the Hot 100 in 1964. Thanks to its inclusion, legendary late songwriters Burt Bacharach and Hal David crown the Hot 100 for the first time since Twista’s “Slow Jamz,” featuring Kanye West and Jamie Foxx, ruled for a week in 2004; that song samples Luther Vandross’ cover of Warwick’s fellow 1964 release “A House Is Not a Home.”

Bacharach, who passed away Feb. 8, has now co-written eight Hot 100 No. 1s, which have reigned in five distinct decades – the 1960s, ‘70s, ‘80s, 2000s and ‘20s – and spanned over 55 years.

Burt Bacharach’s No. 1 Hot 100 Songwriting Credits:

Artist billing, Title (Weeks at No. 1, Peak date)

Doja Cat, “Paint the Town Red” (one to date, Sept. 16, 2023)

Twista feat. Kanye West & Jamie Foxx, “Slow Jamz” (one, Feb. 21, 2004)

Dionne & Friends (Elton John, Gladys Knight & Stevie Wonder), “That’s What Friends Are For” (four, beginning Jan. 18, 1986)

Patti LaBelle & Michael McDonald, “On My Own” (three, beginning June 14, 1986)

Christopher Cross, “Arthur’s Theme (Best That You Can Do)” (three, beginning Oct. 17, 1981)

Carpenters, “(They Long To Be) Close to You” (four, beginning July 25, 1970)

B.J. Thomas, “Raindrops Keep Fallin’ on My Head” (four, beginning Jan. 3, 1970)

Herb Alpert, “This Guy’s in Love With You” (No. 1 for four weeks, beginning June 22, 1968)

David, who died in 2012, has now co-penned five Hot 100 No. 1s (over the ‘60s, ‘70s, ‘00s and ‘20s), all with Bacharach. Notably, the Songwriters Hall of Fame annually presents – this year to Post Malone – the Hal David Starlight Award, which, according to the organization, is given to “gifted young songwriters who are making a significant impact in the music industry with their original songs.”

Hal David’s No. 1 Hot 100 Songwriting Credits:

Artist billing, Title (Weeks at No. 1, Peak date)

Doja Cat, “Paint the Town Red” (one to date, Sept. 16, 2023)

Twista feat. Kanye West & Jamie Foxx, “Slow Jamz” (one, Feb. 21, 2004)

Carpenters, “(They Long To Be) Close to You” (four, beginning July 25, 1970)

B.J. Thomas, “Raindrops Keep Fallin’ on My Head” (four, beginning Jan. 3, 1970)

Herb Alpert, “This Guy’s in Love With You” (No. 1 for four weeks, beginning June 22, 1968)

Adding to the new Hot 100’s No. 1 star power, Warwick’s voice appears atop the chart for the first time since “That’s What Friends Are For,” as noted above, in 1986. The ballad became her second leader, following her Spinners team-up “Then Came You” for a week in 1974.

‘Paint,’ ‘town’ & ‘red’ reigns: “Paint the Town Red” is the 11th Hot 100 No. 1 with either “paint,” “town” or “red” in its title. Here’s an eclectic recap of the others (with half the No. 1s with “town” in their titles having led since 2015).

“Paint It, Black,” The Rolling Stones, 1966

“Try That in a Small Town,” Jason Aldean, 2023

“Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019

“Uptown Funk!,” Mark Ronson feat. Bruno Mars, 2015

“Funkytown,” Lipps, Inc., 1980

“New Kid in Town,” Eagles, 1977

“Poor Side of Town,” Johnny Rivers, 1966

“Downtown,” Petula Clark, 1965

“Red Red Wine,” UB40, 1988

“Roses Are Red (My Love),” Bobby Vinton, 1962

No. 1 on R&B/hip-hop charts: “Paint the Town Red” concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a third week each. It became Doja Cat’s second No. 1 on the former, following “Say So,” and her first on the latter list.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, drops to No. 2 on the Hot 100, a week after its premiere. Still, it leads Streaming Songs (31.7 million streams, down 6%) and the multi-metric Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs charts for a second week each. Plus, parent LP Zach Bryan tops the Billboard 200 albums chart for a second week.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 hit “Fast Car” dips to No. 3 after eight weeks at its No. 2 high. It leads Radio Songs for a second week (77.8 million, down 1%).

Taylor Swift’s “Cruel Summer” rebounds 5-4 on the Hot 100, after reaching No. 3; Morgan Wallen’s “Last Night” descends 4-5, following 16 weeks at No. 1, the most ever for a non-collaboration; Dua Lipa’s “Dance the Night” shimmies 9-6 for a new high; and SZA’s “Snooze” repeats at its No. 7 best, as it leads the multi-metric Hot R&B Songs chart for an eighth week.

Rounding out the Hot 100’s top 10, Gunna’s “Fukumean” lifts 10-8, after hitting No. 4; Olivia Rodrigo’s former leader “Vampire” climbs 12-9; and Rema and Selena Gomez’s “Calm Down” rises 11-10, after reaching No. 3, as it rules the Billboard U.S. Afrobeats Songs chart for a record-extending 54th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 16), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 12).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Royal Blood reigns over the U.K. albums chart as Back to the Water Below (Warner Record) enters at No. 1.
The leader at the midweek stage, when it held an imposing 2-to-1 advantage over its nearest rival, Back to the Water Below keeps the duo’s perfect U.K. chart streak alive.

The Worthing, England formed rock act, comprising Mike Kerr and Ben Thatcher, now boast four consecutive No. 1 studio albums, starting with their eponymously-titled debut from 2014, 2017’s How Did We Get So Dark and 2021’s Typhoons.

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Back to the Water Below was the week’s best-seller on vinyl, with physical sales accounting for over 85% of the first week total, the Official Charts Company reports.

Completing the top three this week is Travis Scott’s former leader Utopia (RCA), up 5-2, while the 1975’s self-titled debut LP (via Dirty Hit/Polydor) rebounds to No. 3, thanks to the release of a 10th anniversary edition, issued in multiple formats.

Burna Boy’s history-setting new album I Told Them… (via Atlantic) continues to perform well in its second week, dipping 1-4. The Nigeria-born artist (real name: Damini Ebunoluwa Ogulu) is a stadium headliner in the U.K.  With I Told Them…, he made history as the first international Afrobeats artist to snag a U.K. No. 1 album.

British shoegaze veterans Slowdive enjoy a career-high and first-ever top 10 appearance with Everything Alive (Dead Oceans). It’s new at No. 6 on the Official U.K. Albums Chart, published Friday, Sept. 8.

Prior to Everything Alive, the Reading, England-raised band impacted the top 40 on two occasions, with 1991’s Just for a Day (No. 32) and their 2017 comeback effort Slowdive (No. 17).

Finally, Icelandic post-rock band Sigur Rós bags a sixth top 40 LP with Átta (BMG). It’s new at No. 30, following its release on physical formats. Átta is the group’s eighth studio album, and first in 10 years.

Doja Cat is crowned on the U.K. chart for the very first time with “Paint the Town Red,” which completes its coronation in its fifth week.
Lifted from the U.S. artist’s forthcoming fourth album Scarlet, “Paint the Town Red” (via Kemosabe Records/RCA Records) hangs on after claiming pole position at the midweek stage. “Paint the Town Red” had led on the chart blast the previous week, before being overtaken in the final stages by Olivia Rodrigo’s “Vampire” (Geffen).

Doja Cat has 15 U.K. top 40 singles, including top 10s with 2020’s ”Say So” (No. 2 peak), 2021’s SZA collaboration “Kiss Me More” (No. 3) and her 2021 team-up with “You Right” with the Weeknd (No. 9).

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Meanwhile, Taylor Swift’s “Cruel Summer” (EMI) improves 4-2 for a new best. It’s an unusual journey for a song which first appeared on Swift’s 2019 chart-topping album Lover, and was liberated in June of this year as an official single release.

Rodrigo’s “Vampire” dips 1-3 on the Official U.K. Singles Chart, published Sept. 8.

Red hot producer and DJ Fred Again snags his first top 10 single as a solo artist with “adore u” (Atlantic) featuring Nigerian vocalist Obongjaya. The track rises 13-9, for a new peak position. The Mercury Prize-nominated creator has produced works with Ed Sheeran, Stormzy, Little Mix, Rita Ora and others.

The U.K.’s decades-long love affair with Kylie Minogue continues to blossom as “Tension” (BMG), the title track from her forthcoming 16th studio album, lands at No. 19. That’s the highest debut this week and it’s the U.K.’s best-selling single for the latest cycle. “Tension” gives the Aussie pop veteran her 53rd U.K. top 40, and her second this year after “Padam Padam” cracked the top 10 (peaking at No. 8).

Close behind is Kenya Grace’s “Strangers” (FFRR), which enters the chart at No. 20. The viral number is the English singer and songwriter’s major label debut, and her first appearance on the national survey.

Finally, Troye Sivan is in a rush on the U.K. chart. The Australian pop artist’s “Rush” (Polydor) powers 33-22, following the release of a new remix featuring PinkPantheress and Hyunjin of K-pop group Stray Kids.

The late Jimmy Buffett, who died on Sept. 1, returns to the top five of the Billboard 200 albums chart as his best-of collection Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s) re-enters the Sept. 16-dated list at No. 4. It marks the album’s highest rank ever — and first week in the top 10, or even top 40, dating to its release in 1985 — and Buffett’s 13th top 10-charting album.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 16, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 12. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

In the tracking week ending Sept. 7, Songs You Know by Heart earned 52,000 equivalent album units (up 2,122%) following the singer-songwriter’s death on Sept. 1 at age 76. It marks the 13th top 10-charting album for Billboard’s most famous alumnus. Buffett was a Nashville-based reporter for Billboard in 1969-70, before the release of his first album.

Of Songs You Know by Heart’s 52,000 equivalent album units earned in the week ending Sept. 7, SEA units comprise 30,000 (up 1,377%, equaling 40.22 million on-demand official streams of the set’s 13 songs), album sales comprise 15,500 (up 6,826% — making it the top-selling album of the week) and TEA units comprise 6,500 (up 8,813%).

Songs You Know by Heart contains Buffett’s only Billboard Hot 100 top 10-charting hit song, “Margaritaville,” which reached No. 8 in 1977. It also houses the top 40-charting tunes “Changes in Latitudes, Changes in Attitudes,” “Cheeseburger in Paradise,” “Come Monday” and “Fins.”

Songs You Know by Heart joins Buffett’s dozen previous top 10s on the Billboard 200: Life On the Flip Side (No. 2 in 2020), Songs From St. Somewhere (No. 4, 2013), Encores (No. 7, 2010), Take the Weather With You (No. 4, 2006), License to Chill (No. 1, 2004), Meet Me in Margaritaville: Jimmy Buffett The Ultimate Collection (No. 9, 2003), Far Side of the World (No. 5, 2002), Beach House On the Moon (No. 8, 1999), Banana Wind (No. 4, 1996), Barometer Soup (No. 6, 1995), Fruitcakes (No. 5, 1994) and Son of a Son of a Sailor (No. 10, 1978).

Though Songs You Know by Heart had a low-profile chart placing in 1985 — peaking at No. 100 on the Billboard 200 and spending 35 weeks on the list until this week’s return — the set was a sturdy seller through the decades. In 1989, the album was certified platinum by the Recording Industry Association of America (RIAA), recognizing 1 million units shipped of the album to retailers in the U.S. And since Luminate started electronically tracking music sales in 1991, the album has earned 8.26 million equivalent album units — of which 7.14 million are in traditional album sales. Thus, if one combines the RIAA certification and the Luminate-era activity, Billboard estimates that through the lifetime of the album in the U.S., it has earned 9.26 million equivalent album units, of which 8.14 million are in pure album sales.

The Billboard 200 may soon welcome another debut from Buffett. Shortly after his passing, it was announced that his final studio album, Equal Strain on All Parts, is due Nov. 3. The album features a notable lineup of collaborators, including Emmylou Harris, Lennie Gallant, Angelique Kidjo, the Preservation Hall Jazz Band and Paul McCartney.

Zach Bryan’s self-titled album spends a second week atop Billboard 200 chart (dated Sept. 16), as the set earned 115,000 equivalent album units in the U.S. in the week ending Sept. 7 (down 42%) according to Luminate.
Also in the top 10 of the latest Billboard 200 chart, the late Jimmy Buffett — who died on Sept. 1 — returns to the top five as his best-of collection Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s) re-enters the list at No. 4. It marks the album’s highest rank ever — and first week in the top 10, or even top 40, dating to its release in 1985 — and Buffett’s 13th top 10-charting album.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 16, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 12. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Zach Bryan’s 115,000 equivalent album units earned in the week ending Sept. 7, SEA units comprise 111,000 (down 77%, equaling 144.08 million on-demand official streams of the set’s 16 songs), album sales comprise 3,000 (down 50%), and TEA units comprise 1,000 (down 36%).

Bryan’s genre-blending album is categorized as country, Americana/folk and rock on Billboard’s charts. It is the first rock effort to spend its first two weeks at No. 1 on the Billboard 200 in seven years — since the Suicide Squad soundtrack logged its first two weeks at No. 1 (Aug. 27-Sept. 3, 2016 charts). It’s the first Americana/folk project to spend its first two weeks at No. 1 since Chris Stapleton’s Traveller also ruled in its first two frames in 2015 (Nov. 21 and 28). Country, Americana/folk and rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums, Americana/Folk Albums and Top Rock Albums charts, respectively.

A pair of former No. 1s trails Bryan, as Morgan Wallen’s One Thing at a Time climbs 3-2 (84,000 equivalent album units; up 1%) and Travis Scott’s Utopia dips 2-3 (72,000; down 21%).

The late Buffett’s first best-of compilation, the 1985 release Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s), re-enters the Billboard 200 at a new peak of No. 4. The album initially peaked at No. 100 the year of its release.

In the tracking week ending Sept. 7, Songs You Know by Heart earned 52,000 equivalent album units (up 2,122%) following the singer-songwriter’s death on Sept. 1 at age 76. It marks the 13th top 10-charting album for Billboard’s most famous alumnus. Buffett was a Nashville-based reporter for Billboard in 1969-70, before the release of his first album.

Songs You Know by Heart contains Buffett’s only Billboard Hot 100 top 10-charting hit, “Margaritaville,” which reached No. 8 in 1977. It also houses the top 40-charting tunes “Changes in Latitudes, Changes in Attitudes,” “Cheeseburger in Paradise,” “Come Monday” and “Fins.”

Like Bryan’s latest album, Buffett’s Songs You Know by Heart is also categorized as a country, Americana/folk and rock album. In turn, with Wallen’s own country set One Thing at a Time at No. 2, there are three country albums in the top four on the Billboard 200 for the first time in over a decade. The feat last happened when the entire top three were country efforts on the Nov. 20, 2010-dated list, with Swift’s Speak Now, Jason Aldean’s My Kinda Party and Sugarland’s The Incredible Machine at Nos. 1-3, respectively.

Taylor Swift’s chart-topping Midnights falls 4-5 on the new Billboard 200 (45,000 equivalent album units; down 8%), SZA’s former leader SOS descends 5-6 (nearly 45,000; down 7%), the Barbie soundtrack drops 6-7 (42,000; down 11%), Peso Pluma’s Génesis slips 7-8 (42,000; down 3%), Swift’s former No. 1 Lover falls 8-9 (41,000; down 3%), and Wallen’s chart-topping Dangerous: The Double Album is a non-mover at No. 10 (nearly 41,000; up 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Tyler, the Creator’s Call Me If You Get Lost finds its way back to No. 1 on Billboard’s Top Album Sales chart (dated Sept. 9), as the album vaults 76-1 following a new vinyl release of the set. It’s the album’s third week at No. 1 in as many years, following one-week visits to the top in 2022 and 2021.
The album’s return is owed to the Aug. 25 release of the first vinyl pressing of the deluxe edition of the album, dubbed Call Me If You Get Lost: The Estate Sale. The deluxe edition was originally issued via streamers and digital retailers in March 2023. The triple-LP set was pressed on blue-colored vinyl. In total in the U.S. in the week ending Aug. 31, all retail versions of the album combined – old and new – sold just over 29,000 copies (up 1,397%), according to Luminate. Vinyl sales comprised nearly all of that sum.

Call Me If You Get Lost previously hit No. 1 for one week in 2022 (April 30-dated chart) after the original album’s release on vinyl, and for one week in 2021 (July 10, its debut frame).

In total in the U.S. through the week ending Aug. 31, Call Me If You Get Lost has sold 328,000 copies on vinyl across its multiple vinyl editions.

Elsewhere in the top 10 of the latest Top Album Sales chart, Zach Bryan’s self-titled set launches at No. 3, and The Turnpike Troubadours’ A Cat In the Rain debuts at No. 5.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Travis Scott’s chart-topping Utopia falls to No. 2 after four weeks at No. 1 (selling 29,000 copies; down 68%), while Bryan’s self-titled album bows at No. 3 with 17,000 sold (all from digital downloads, as it has yet to be released on any physical format). NewJeans’ former No. 1 2nd EP ‘Get Up’ rises 7-4 with 13,000 (down 17%), while The Turnpike Troubadours’ A Cat in the Rain starts at No. 5 with nearly 13,000 sold.

Taylor Swift’s former leader Speak Now (Taylor’s Version) rises 8-6 (nearly 13,000; down 19%), NCT DREAM’s ISTJ: The 3rd Album falls 6-7 (12,500; down 49%), and J-Hope’s Jack in the Box falls 2-8 (12,000; down 74%). Swift’s former No. 1 Midnights climbs 11-9 (10,000; down 12%), and JIHYO’s Zone (The 1st Mini Album) falls 4-10 (10,000; down 73%).

In the week ending Aug. 31, there were 1.666 million albums sold in the U.S. (down 12.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.333 million (down 15.3%) and digital albums comprised 334,000 (up 0.1%).

There were 552,000 CD albums sold in the week ending Aug. 31 (down 18.9% week-over-week) and 773,000 vinyl albums sold (up 12.6%). Year-to-date CD album sales stand at 23.283 million (up 1.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 31.147 million (up 20.4%).

Overall year-to-date album sales total 67.201 million (up 6.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 54.788 million (up 11.6%) and digital album sales total 12.414 million (down 10%).

Zach Bryan has had a massive week on Billboard’s charts (dated Sept. 9), thanks to the arrival of his new self-titled LP.
Zach Bryan launches atop the Billboard 200, Top Country Albums, Top Rock & Alternative Albums, Top Rock Albums and Americana/Folk Albums charts with 200,000 equivalent album units earned Aug 25-31, according to Luminate.

Concurrently, the collection’s “I Remember Everything,” featuring Kacey Musgraves, debuts at No. 1 on the Billboard Hot 100, Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs – becoming the first track ever to top all those tallies.

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All 16 songs from the set storm the Hot 100, and genre-specific charts for country and rock/alternative, helping Bryan hit No. 1 on four songwriter charts and four producer charts.

Here’s a recap of all the songwriter and producer charts on which Bryan is No. 1:

Hot 100 Songwriters (1st week at No. 1)Hot 100 Producers (1st week at No. 1)Country Songwriters (39th week at No. 1)Country Producers (1st week at No. 1)Rock & Alternative Songwriters (49th week at No. 1)Rock & Alternative Producers (1st week at No. 1)Rock Songwriters (49th week at No. 1)Rock Producers (1st week at No. 1)

Further, here is a recap of Bryan’s entries on the latest Hot 100:

No. 1, “I Remember Everything,” feat. Kacey MusgravesNo. 14, “Hey Driver,” feat. The War and TreatyNo. 17, “Spotless,” feat. The LumineersNo. 18, “East Side of Sorrow”No. 20, “Tourniquet”No. 22, “Overtime”No. 23, “Summertime’s Close”No. 24, “Fear and Friday’s”No. 29, “Ticking”No. 31, “El Dorado”No. 37, “Holy Roller,” feat. Sierra FerrellNo. 38, “Smaller Acts”No. 39, “Fear and Friday’s (Poem)”No. 41, “Jake’s Piano – Long Island”No. 44, “Tradesman”No. 47, “Oklahoman Son”No. 76, “Dawns,” feat. Maggie Rogers (holds in place; peaked at No. 42 in February)No. 88, “Oklahoma Smoke Show” (down from its No. 81 peak)

Bryan is the sole credited producer on all 16 songs on the new album (as well as “Dawns,” not on the set). He’s also the only credited songwriter on 14 songs on the LP (as well as “Oklahoma Smoke Show,” likewise not on the album). The only track above on which he is not billed as a producer is “Oklahoma Smoke Show,” which is credited to Eddie Spears.

Bryan is listed as a co-writer on “I Remember Everything” (with Musgraves), “Spotless” (with The Lumineers’ Wesley Keith Schultz and Jeremiah Fraites) and “Dawns” (with Rogers).

Bryan is just the third person to simultaneously top the Hot 100 Songwriters and Hot 100 Producers charts this year, after Taylor Swift (among eight total weeks leading the lists together) and Travis Scott.

Billboard launched the Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019, while alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022. The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

The full Hot 100 Songwriters and Hot 100 Producers charts and full genre rankings can be found on Billboard.com.