Chart Beat
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*NSYNC’s first single since 2002, “Better Place,” brings the group back to the Billboard Hot 100 (dated Oct. 14) for the first time since that year, following the song’s first week of release.
The track, released Sept. 29 on DreamWorks/RCA Records from the Trolls Band Together soundtrack, due Oct. 20 (ahead of the movie’s expected Nov. 17 premiere), starts at No. 25 on the Hot 100. It tallied 29 million radio airplay audience impressions and 4.8 million official streams and sold 17,000 downloads in the United States in the tracking week ending Oct. 5, according to Luminate.
Notably, “Better Place” ties *NSYNC’s highest Hot 100 start: the group’s debut hit, “I Want You Back,” began at No. 25 on the March 7, 1998-dated chart.
The new single concurrently begins at No. 2 on the Digital Song Sales chart and No. 21 on Radio Songs. The latter marks the highest entrance for a song by a group since Radio Songs began including all-format airplay in 1998; second-best for a group in a lead role in that span? *NSYNC’s “Pop” (No. 24, 2001).
As previously reported, “Better Place” bounds in at No. 12 on Adult Pop Airplay, No. 13 on Adult Contemporary and No. 16 on Pop Airplay.
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*NSYNC adds its 13th Hot 100 hit, and 11th top 40 entry, and first since “Girlfriend,” featuring Nelly, spent its last week on the chart (dated June 22, 2002).
Here’s an updated recap of *NSYNC’s top 40 Hot 100 hits:
No. 1 peak (two weeks), “It’s Gonna Be Me,” July 29, 2000No. 2, “Music of My Heart” (with Gloria Estefan), Oct. 16, 1999No. 4, “Bye Bye Bye,” April 15, 2000No. 5, “Girlfriend (feat. Nelly), April 6, 2002No. 5, “This I Promise You,” Dec. 2, 2000No. 8, “(God Must Have Spent) A Little More Time on You,” Feb. 27, 1999No. 11, “Gone,” Nov. 24, 2001No. 13, “I Want You Back,” May 2, 1998No. 19, “Pop,” June 16, 2001No. 25 (to date), “Better Place,” Oct. 14, 2023No. 29, “God Must Have Spent a Little More Time on You” (Alabama feat. *NSYNC), Aug. 21, 1999
(*NSYNC missed another likely another top 40 Hot 100 hit with “Tearin’ Up My Heart,” which peaked at No. 59 in December 1998; although promoted to radio, the song was not released as a stand-alone single for purchase and, thus, was ineligible to chart on the Hot 100 until that month, when such a restriction was lifted. The song, from the group’s self-titled debut album, rose to No. 15 on Radio Songs in October 1998.)
Ahead of the release of “Better Place,” the group’s Justin Timberlake shared on Instagram a behind-the-scenes look at the quintet back in the studio. “So many stars aligned and that’s why I hit y’all and was like, ‘Hey, something came up,’ ” he is heard telling the act. “If we do this song, it’s a love letter to our fans. I would be honored to have the group on this song.”
All charts dated Oct. 14 will update on Billboard.com Tuesday, Oct. 10.
As Doja Cat’s “Paint the Town Red,” with its prominent sample of Dionne Warwick’s “Walk on By,” tops the Billboard Hot 100 for the third nonconsecutive week (on the chart dated Oct. 14), you may be wondering how many weeks “Walk on By” spent at No. 1. Would you believe none? The Burt Bacharach/Hal David […]
Doja Cat’s “Paint the Town Red” tops the Billboard Hot 100 songs chart for a third week.
Plus, SZA’s “Snooze,” which holds at its No. 2 Hot 100 high, ascends to the top of the Radio Songs chart, becoming her first leader on the airplay ranking, and Jung Kook and Jack Harlow’s “3D” debuts at No. 5 on the Hot 100. “3D” becomes Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – and Harlow’s fourth.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 14, 2023) will update on Billboard.com tomorrow (Oct. 10). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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“Paint the Town Red,” released on Kemosabe/RCA Records, drew 61.8 million radio airplay audience impressions (up 18%) and 23.3 million streams (down 15%) and sold 6,000 downloads (down 9%) in the Sept. 29-Oct. 5 tracking week, according to Luminate. It wins the Hot 100’s top Airplay Gainer award for a third consecutive frame.
The single falls to No. 2 on the Streaming Songs chart following a week at the summit and to No. 4 on Digital Song Sales following two weeks on top; and rises 7-5 on Radio Songs, becoming Doja Cat’s seventh top five hit. It concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a sixth and seventh week, respectively.
Doja Cat triples her prior Hot 100 command, as “Say So,” featuring Nicki Minaj, led for a week in May 2020.
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SZA’s “Snooze” repeats at its No. 2 Hot 100 high, with 75.8 million in radio audience (up 4%), 16.5 million streams (down 5%) and 2,000 sold (down 5%). It ascends 3-1 on Radio Songs, where it’s SZA’s first leader, among four top 10s; “Kill Bill” hit No. 2 in April, following her featured turns on Doja Cat’s “Kiss Me More” (No. 2, 2021) and Maroon 5’s “What Lovers Do” (No. 5, 2017). “Snooze” concurrently tops the multi-metric Hot R&B Songs chart for an 11th week.
(With “Paint the Town Red” at No. 1 on the Hot 100 and “Snooze” at No. 2, RCA ranks in the top two spots for a second consecutive week; until the last two weeks, RCA hadn’t infused the top two simultaneously under the label’s current organizational structure within Sony Music, which dates to the early 2010s.)
Taylor Swift’s “Cruel Summer” climbs 4-3 on the Hot 100, returning to its best rank. Thanks to “Paint the Town Red,” “Snooze” and “Cruel Summer,” the chart’s top three consists entirely of women for the first time in over seven months, since the March 4-dated ranking, when Miley Cyrus’ “Flowers” placed at No. 1, followed by SZA’s “Kill Bill” at No. 2 and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” at No. 3. The latest list marks the first top three each by a single female artist since a month before that, with SZA and Swift again involved; on the Feb. 4 chart, Cyrus’ “Flowers” was No. 1, followed by “Kill Bill” at No. 2 and Swift’s “Anti-Hero” at No. 3.
Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” backs up 3-4, following eight weeks at its No. 2 high. The latter adds a third week at No. 1 on the multi-metric Hot Country Songs chart.
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Jung Kook and Jack Harlow’s “3D” launches at No. 5 on the Hot 100, with 13.6 million streams, 3.1 million in radio audience and 87,000 physical and digital singles sold combined, following its Sept. 29 release. (The song’s original, “Alternate” and instrumental versions were released that day, while its A.G. Cook remix and clean, sped up and slowed down mixes arrived Oct. 2.)
“3D” is Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – while Harlow adds his fourth.
Here’s a recap of all six top 40 Hot 100 entries so far by BTS members apart from the group, ranked by peak position. All seven of the act’s members have reached the chart overall with solo songs: J-Hope, Jimin, Jin, Jung Kook, RM, Suga and V. (As a group, BTS boasts 15 top 40 hits, including 10 top 10s and six No. 1s.)
Peak Pos., Date, Artist, Title:
No. 1, one week, July 29, 2023, Jung Kook feat. Latto, “Seven”
No. 1, one week, April 8, 2023, Jimin, “Like Crazy”
No. 5 (to date), Oct. 14, 2023, Jung Kook & Jack Harlow, “3D”
No. 22, July 9, 2022, Charlie Puth feat. Jung Kook, “Left and Right”
No. 29, Dec. 25, 2021, Juice WRLD & Suga, “Girl of My Dreams”
No. 30, April 1, 2023, Jimin, “Set Me Free, Pt. 2”
“3D” opens at No. 1 on Digital Song Sales, where Jung Kook and Jack Harlow each earn a third leader.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, descends 5-6 on the Hot 100, after it led for a week upon its debut in September. It rebounds for a fourth week atop Streaming Songs (25.2 million, down 5%) and paces the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a sixth week each.
Morgan Wallen’s “Last Night” dips 6-7 on the Hot 100, following 16 weeks at No. 1 starting in March, the most ever for a non-collaboration; Gunna’s “Fukumean” is steady at No. 8, after hitting No. 4; and Olivia Rodrigo’s “Vampire” falls at 7-9, following two nonconsecutive weeks at No. 1 beginning in July.
Rounding out the Hot 100’s top 10, Rema and Selena Gomez’s “Calm Down” drops 9-10, after reaching No. 3. It rules the Billboard U.S. Afrobeats Songs chart for a record-extending 58th week.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 14), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 10).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
BTS star Jung Kook bags the top debut on the U.K. singles chart, and with it, a piece of history.
Jung Kook’s “3D” (via BigHit Entertainment) with Jack Harlow bows at No. 5 on the Official U.K. Singles Chart, published Friday, Oct. 6, behind the weeks-long leader, Doja Cat‘s “Paint The Town Red” (Ministry of Sound).
With that strong start for “3D,” Jung Kook becomes the first Korean solo act to score two top 5 singles in the U.K.; his debut solo single, “Seven,” featuring Latto, debuted at No. 3 earlier this year, setting a chart record.
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Both tracks will appear on the K-pop artist’s first solo album GOLDEN, due out Nov. 3.
As a group, BTS has landed four singles in the U.K. top 10, including three No. 3s — for 2020’s “Dynamite,” “Butter” and Coldplay collaboration “My Universe” (both from 2021). All seven members of the K-pop phenomenon – Jin, Jimin, Suga, Jung Kook, RM, V and J-Hope – have shared solo material, with Jimin setting the bar with a first top 10 for “Like Crazy” (peaking at No. 8) in March; he separately secured a top 40 appearance with “Set Me Free Pt. 2,” hitting No. 30.
J-Hope was the first member of BTS to bag a U.K. top 40 single, thanks to his J. Cole collaboration “On The Street” peaking at No. 37.
Historically, the only other Korean solo artist to have bagged two U.K. top 10 singles is PSY, with 2012’s “Gangnam Style” (No. 1) and 2013’s “Gentleman” (No. 10).
Meanwhile, Doja Cat checks in for a fifth straight week at No. 1 with “Paint The Town Red,” which holds off a feisty challenge from Kenya Grace’s “Strangers” (FFRR), unchanged at No. 2, and Tate McCrae’s “Greedy” (Ministry of Sound), up 5-3 for a new peak position.
South African singer Tyla enjoys her first U.K. top 10 as “Water” (RCA) rises 16-10, while Nigeria-born Afrobeats star Burna Boy is moving on up with “City Boys” (Atlantic), his 13th top 40. “City Boy” improves 17-14.
U.S. singer and songwriter Mitski is close behind and climbing fast with “My Love Mine All Mine” (Dead Oceans), rocketing 34-15 for a new peak.
Finally, Ed Sheeran has his 62nd U.K. top 40 hit with “American Town” (Gingerbread Man), new at No. 27. It’s lifted from his seventh and latest studio album Autumn Variations, the current U.K. No. 1 LP.
Ed Sheeran extends his perfect U.K. albums chart record as Autumn Variations (via Gingerbread Man) debuts at No. 1.
Produced with the National’s Aaron Dessner, Autumn Variations bows at the summit of the Official U.K. Albums Chart, published Friday, Oct. 6, for the Brit’s seventh straight leader.
The leader at the halfway stage, when it dominated its nearest competitor by more than two-combined-sales-to-one, Autumn Variations is Sheeran’s second leader this year. It finishes the U.K. chart week as the best-seller on wax, and follows national No. 1s with his 2011 debut + (plus), 2014’s x (multiply), 2017’s ÷ (divide), 2019’s No. 6 Collaborations Project, 2021’s = (equals) and 2023’s – (subtract).
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Olivia Rodrigo’s sophomore LP Guts (Geffen) holds at No. 2 for a third consecutive week, while Jorja Smith enjoys a podium finish with her second studio album Falling Or Flying (FAMM), new at No. 3. Smith, the 2018 BRITs Critics Choice award winner, has now landed three titles in the U.K. top 10, a tally that includes her 2018 debut Lost & Found (No. 3) and 2021 EP Be Right Back (No. 9).
Also new to the top tier is The Harmony Codex (SW Records), the third solo album from Porcupine Tree‘s Steven Wilson. It’s new at No. 4 on the U.K. chart, matching the peak of his previous effort, 2021’s The Future Bites (2017’s To the Bone reached No. 3).
Meanwhile, U.S. rock act Black Stone Cherry nabs a fourth U.K. top 10 album with Screamin’ at the Sky (Mascot), new at No. 6.
Further down the list, British synth-wave outfit Gunship rides to a new career peak position with Unicorn (Horsie In The Hedge), bowing at No. 26; U.K. Eurovision 2023 rep Mae Muller scores her first U.K. top 40 album with Sorry I’m Late (Capitol), arriving at No. 33, and British soul veteran Beverley Knight nabs an eighth with The Fifth Chapter (Tag8), starting at No. 39.
Morgan Wallen’s One Thing at a Time returns to No. 1 on the Billboard 200 albums chart (dated Oct. 14), rising 3-1, notching a 16th nonconsecutive and total week atop the list. It earned 74,500 equivalent album units in the U.S. in the week ending Oct. 5 (up 2%), according to Luminate.
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One Thing at a Time continues to have the most weeks at No. 1 among all albums since Adele’s 21 logged 24 nonconsecutive weeks atop the list in 2011-12.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks atop the list. It stepped aside for two weeks, and then returned for another three weeks in a row at No. 1 (June 24-July 8-dated charts). Now in its 31st week on the chart, the album has yet to depart the top four.
Also in the top 10 of the new Billboard 200, Ed Sheeran collects his seventh top 10-charting effort — all of which have reached the top five — as his latest release Autumn Variations debuts at No. 4. It’s his second top five debut of 2023, following – (Subtract) in May.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 14, 2023-dated chart will be posted in full on Billboard‘s website on Oct. 10. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 74,500 equivalent album units earned in the week ending Oct. 5, SEA units comprise 71,500 (equaling 97.56 million on-demand official streams of the set’s 36 songs), album sales comprise 2,000, and TEA units comprise 1,000.
One Thing at a Time’s 74,500-unit sum is the smallest total for a No. 1 album in nearly a year-and-a-half, since Pusha T’s It’s Almost Dry debuted atop the chart dated May 7, 2022, with 55,000 units.
Rod Wave’s Nostalgia falls to No. 2 in its third week on the chart (71,000 equivalent album units; down 20%), after spending its first two weeks atop the list. Olivia Rodrigo’s chart-topping Guts dips 2-3 with 67,000 (down 23%).
Sheeran logs his seventh top 10 charting album on the Billboard 200 — all of which have debuted in the top five — as his new studio set Autumn Variations bows at No. 4 with nearly 62,000 equivalent album units earned. Of that sum, album sales comprise 46,500 (making it the top-selling album of the week), SEA units comprise 15,000 (equaling 18.78 million on-demand official streams of the set’s 14 songs) and TEA units comprise 500.
Autumn Variations was announced on Aug. 24, a little over a month before the album was released on Sept. 29. The album’s arrival comes only five months after Sheeran last bowed on the chart, when his previous studio effort, – (Subtract), launched at No. 2 on the May 20-dated tally.
Four former No. 1s follow Sheeran on the new Billboard 200, as Zach Bryan’s self-titled release is a non-mover at No. 5 (59,000 equivalent album units; down 11%), SZA’s SOS is stationary at No. 6 (48,000; down 3%), Travis Scott’s Utopia is steady at No. 7 (46,000; up 4%) and Taylor Swift’s Midnights rises 10-8 (43,000; up 2%).
Rounding out the top 10 of the Billboard 200 is Doja Cat’s Scarlet, falling 2-9 in its second week (41,000 equivalent album units; down 42%), and Peso Pluma’s Génesis, dipping 9-10 (41,000; down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Staind returns with its first studio album in more than a decade, as Confessions of the Fallen debuts at No. 4 on Billboard’s Top Album Sales chart (dated Oct. 7), securing the group its sixth top 10 on the tally. The new set sold 11,000 copies in the U.S. in the week ending Sept. 28, according to Luminate.
Also in the top 10 of the new Top Album Sales chart, the latest releases from Kylie Minogue, The Rose, Tom MacDonald & Adam Calhoun and Cannibal Corpse all arrive.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The Confessions album was preceded by a pair of hits on Billboard’s Mainstream Rock Airplay chart, “Lowest In Me” and “Here and Now.” The former hit No. 1 in August, spending two weeks in charge, and it marked the band’s fifth No. 1 and first leader since 2011’s “Not Again” ruled for seven weeks.
Of Confessions’ first-week sales, physical sales comprise 7,000 (5,000 on CD and 2,000 on vinyl) and digital downloads comprise a little over 4,000.
Confessions marks the first studio release for the group on BMG, after its six studio albums from 1999 through 2011 were all released through either Elektra or Atlantic.
While Staind hasn’t issued a studio set since Sept. 2011, its frontman, Aaron Lewis, has been busy notching hits on Billboard’s since the spring of 2011. Lewis has scored a total of five solo albums on Top Album Sales, including the chart-topping Sinner in 2016. His most recent solo release, Frayed at Both Ends, debuted and peaked at No. 5 last year.
At No. 1 on Top Album Sales, Olivia Rodrigo’s Guts spends a third straight week atop the list with 23,000 copies sold (down 49%).
Kylie Minogue’s new studio album Tension bows at No. 2 with 19,500 sold – her biggest sales week in nearly 20 years. It’s the third top 10-charting effort for Minogue.
V’s Layover falls 2-3 with 12,000 sold (down 45%). The Rose nabs its first top 10-charting set on Top Album Sales as Dual launches at No. 5 (10,500), Tom MacDonald and Adam Calhoun join forces for their second top 10 set as The Brave 2 launches at No. 6 (10,000) and Cannibal Corpse rocks in at No. 7 with Chaos Horrific (8,500; the band’s third top 10).
Rounding out the top 10 of the new Top Album Sales chart is three former No. 1s: Taylor Swift’s Speak Now (Taylor’s Version) (9-8 with 7,500; down 18%), Swift’s Midnights (11-9 with just over 7,000; down 8%) and NewJeans’ 2nd EP ‘Get Up’ (holding at No. 10 with 7,000; down 16%).
In the week ending Sept. 28, there were 1.559 million albums sold in the U.S. (down 6.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.232 million (down 7.8%) and digital albums comprised 327,000 (down 2.1%).
There were 537,000 CD albums sold in the week ending Sept. 28 (down 6.5% week-over-week) and 686,000 vinyl albums sold (down 8.8%). Year-to-date CD album sales stand at 25.586 million (up 0.6% compared to the same time frame a year ago) and year-to-date vinyl album sales total 34.099 million (up 19.4%).
Overall year-to-date album sales total 73.825 million (up 6.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 60.080 million (up 10.5%) and digital album sales total 13.745 million (down 9.7%).
Tim McGraw adds his milestone 60th top 10 on Billboard’s Country Airplay chart, as “Standing Room Only” pushes from No. 11 to No. 10 on the list dated Oct. 14. In the tracking week ending Oct. 5, the single gained by 4% to 18.7 million impressions, according to Luminate. The song was written by Tommy […]
*NSYNC’s first single since 2002, “Better Place,” soars onto multiple Billboard radio airplay charts (dated Oct. 14), following its first week of release.
The song, released Sept. 29 on DreamWorks/RCA Records from the Trolls Band Together soundtrack, due Oct. 20 (ahead of the movie’s expected Nov. 17 premiere), starts at No. 12 on Adult Pop Airplay, No. 13 on Adult Contemporary and No. 16 on Pop Airplay, encompassing airplay Sept. 29-Oct. 5.
(The charts reflect plays on reporting adult pop, adult contemporary and pop-formatted stations, respectively. Airplay is monitored by Mediabase and provided to Billboard by Luminate.)
On both Adult Pop Airplay, which began in Billboard’s pages in March 1996, and Pop Airplay, which originated in October 1992, the entrances are the highest ever for a song by a group. On Adult Contemporary, the arrival is the highest for a group, excluding holiday fare, since Luminate data began powering the chart in July 1993.
Notably, participating pop and adult pop iHeartMedia and Audacy stations played “Better Place” every other hour during the song’s release day, while Cumulus reporters spun it hourly over eight hours that day.
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Upon the chart start of “Better Place,” the song is *NSYNC’s highest charting career hit on Adult Pop Airplay, its No. 12 opening rank surpassing the group’s prior No. 19 best with “Bye Bye Bye” in 2000.
On Adult Contemporary, the act has tallied three top 10s, including the Richard Marx-penned 13-week No. 1 “This I Promise You” in 2000-01.
On Pop Airplay, *NSYNC logged has nine top 10s, from “I Want You Back” in 1998 through “Gone” in 2002. Two songs hit No. 1: “Bye Bye Bye” (for 10 weeks) and “It’s Gonna Be Me” (five), both in 2000.
Meanwhile, the group’s Justin Timberlake bullets with two songs in the current Pop Airplay top 20, as “Keep Going Up!” with Timbaland and Nelly Furtado rises to No. 20. Timberlake notches his first top 20 entry on the chart in three-and-a-half years; as a soloist, he boasts 18 career Pop Airplay top 10s, including eight No. 1s.
Beyond the debut of “Better Place” on individual-format airplay charts, the song is in line to debut on other rankings (dated Oct. 14), including the all-genre multimetric Billboard Hot 100, highlights of which will be announced Monday, Oct. 9.
Ahead of the track’s release, Timberlake shared on Instagram a behind-the-scenes look at the quintet back in the studio. “So many stars aligned and that’s why I hit y’all and was like, ‘Hey, something came up,’” he is heard telling the act. “If we do this song, it’s a love letter to our fans. I would be honored to have the group on this song.”
All charts dated Oct. 14 will update on Billboard.com Tuesday, Oct. 10.
Doja Cat snags her first No. 1 on Billboard’s Streaming Songs chart with “Paint the Town Red,” which lifts 3-1 on the Oct. 7-dated tally. It earned 27.5 million official U.S. streams in its eighth week on the survey, a boost of 3%, according to Luminate. “Paint the Town Red” lands its first week at […]