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Aerosmith and Yungblud’s collaborative EP One More Time debuts at No. 1 across four Billboard album charts, all dated Dec. 6.
In the week ending Nov. 27, One More Time earned 39,000 equivalent album units in the U.S., of which 37,000 was via album sales, according to Luminate.
Among the many chart the album topped is the Top Rock & Alternative Albums chart, marking Yungblud’s first ruler in his career and Aerosmith’s first chart-topper in over a decade. Aerosmith previously topped the ranking, which began in 2006, in 2012 via the one-week rule of Music From Another Dimension!, which had been Aerosmith’s most recent collection of new music prior to One More Time. Yungblud’s previous best, meanwhile, had been the No. 8 debut and peak of his self-titled album in 2022.
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The set also rules Top Hard Rock Albums, Aerosmith’s third ruler (following Music From Another Dimension! and the band’s 2023 Greatest Hits package) and Yungblud’s first appearance on the survey. The album also bows at No. 1 on Top Rock Albums and Indie Store Album Sales.
As previously reported, One More Time also debuts at No. 9 on the all-genre Billboard 200, giving Aerosmith top 10s in each of the last six decades (1970s-2020s), something only Paul McCartney, The Rolling Stones, Bruce Springsteen and James Taylor have also accomplished.
Concurrently, music from One More Time appears twice on the Dec. 6-dated Hot Hard Rock Songs chart, led by lead single “My Only Angel” at No. 11. The song, which bowed at No. 1 on the tally dated Oct. 4, earned 2.7 million radio audience impressions, 723,000 official U.S. streams and sold 1,000 downloads in the week ending Nov. 27. It lifts 7-6 on Mainstream Rock Airplay, having previously become Aerosmith’s first top 10 on the ranking in 21 years.
One More Time is also represented on Hot Hard Rock Songs by “Wild Woman” (No. 14; 853,000 streams, 1,000 downloads), with the latter count good enough for a No. 6 debut on Hard Rock Digital Song Sales.
All Billboard charts dated Dec. 6 will update tomorrow, Dec. 2, on Billboard.com.
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Taylor Swift’s “The Fate of Ophelia” rebounds a spot to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, leading each list for a third total week. The song spent its first two weeks on each tally at the summit in October.
Three holiday hits catch a sleigh up the Global 200’s top 10, while two climb Global Excl. U.S., led by Mariah Carey’s “All I Want for Christmas Is You.”
Plus, Stray Kids start at No. 8 on Global Excl. U.S. with “Do It.” The song is from their EP of the same name, which launches at No. 1 on the U.S.-based Billboard 200 albums chart.
Elsewhere, Olivia Dean adds her second Global Excl. U.S. top 10 with “So Easy (To Fall in Love)” (11-9).
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“The Fate of Ophelia” tops the Global 200 with 82.7 million streams (down 5% week-over-week) and 35,000 sold (up 199%) worldwide in the week ending Nov. 27. Helping spark its sales surge, its remix with the Chainsmokers was released digitally Nov. 25.
“Golden” by HUNTR/X (the singing trio of EJAE, Audrey Nuna and REI AMI), from Netflix’s KPop Demon Hunters, drops to No. 2 after 17 weeks atop the Global 200 beginning in July.
Carey’s “All I Want for Christmas Is You” jumps 6-3 on the Global 200 with 55.5 million streams (up 41%) and 3,000 sold (up 34%) worldwide. The carol has spent a record 19 weeks at No. 1.
Olivia Dean’s “Man I Need” slips to No. 4 from it No. 3 Global 200 best and Alex Warren’s “Ordinary” falls 4-5, following 10 weeks on top beginning in May.
Two holiday classics return to the Global 200’s top 10, with Wham’s “Last Christmas” up 12-6, with 50.8 million streams (up 43%) and 2,000 sold (up 50%) worldwide, and Brenda Lee’s “Rockin’ Around the Christmas Tree” climbing 24-10, with 35.3 million streams (up 51%) and 1,000 sold (up 32%) globally. The songs have both hit No. 2 highs on the chart.
“The Fate of Ophelia” leads Global Excl. U.S. with 62.1 million streams (down 4%) and 10,000 sold (up 55%) beyond the U.S.
“Golden” backtracks to No. 2 after 17 weeks at No. 1 on Global Excl. U.S.; “Ordinary” rises 4-3 after eight weeks at No. 1 starting in May; and “Man I Need” retreats to No. 4 from its No. 3 high.
“All I Want for Christmas Is You” flies 14-5 on the Global 200 with 35.2 million streams (up 41%) and 2,000 sold (up 38%) outside the U.S. It has collected 14 weeks at No. 1.
“Last Christmas” leaps 20-7 on Global Excl. U.S. led by 32.5 million streams (up 45%) beyond the U.S. The song has reached No. 2 on the survey.
Stray Kids’ “Do It” bounds in at No. 8 on Global Excl. U.S. with 34.5 million streams and 3,000 sold outside the U.S. The group adds its fourth top 10 on the chart.
Plus, Dean’s “So Easy (To Fall in Love)” becomes her second Global Excl. U.S. top 10, ascending 11-9 with a 4% increase to 26.7 million streams outside the U.S.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 6, 2025) will update on Billboard.com tomorrow, Dec. 2. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Foo Fighters assume sole possession of the fourth-most No. 1s in the 44-year history of Billboard’s Mainstream Rock Airplay chart, claiming the top spot on the Dec. 6-dated survey with “Asking for a Friend.”
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The Dave Grohl-led band snags its 15th No. 1 on the tally, breaking out of a tie with Metallica.
“Asking for a Friend” takes over No. 1 from Five Finger Death Punch, who’s, incidentally, the next act in Foo Fighters’ sights on the all-time leaderboard, as “The End” became the rockers’ 17th ruler.
Most No. 1s, Mainstream Rock Airplay:21, Shinedown19, Three Days Grace17, Five Finger Death Punch15, Foo Fighters14, Metallica13, Disturbed13, Godsmack13, Linkin Park13, Van Halen
With “Asking for a Friend,” Foo Fighters earn their first No. 1 since “The Glass” reigned for a week in April 2024. In between the two, “Today’s Song” peaked at No. 2 this August.
Each of the band’s 15 leaders has been in the past 20 years; its first, “Best of You,” was in 2005. That was after a decade of appearances on the survey that began with “This Is a Call,” which peaked at No. 6 in 1995.
“Asking for a Friend” reaches No. 1 in its fifth week on the ranking, wrapping the quickest coronation this year and the fastest since Linkin Park’s “The Emptiness Machine” took three weeks in October 2024. Foo Fighters’ 2025 high eclipses the six-week trips for Three Days Grace’s “Mayday,” Shinedown’s “Dance, Kid, Dance” and Disturbed’s “I Will Not Break.”
Concurrently, “Asking for a Friend” holds at its No. 5 best on Alternative Airplay and reigns for a second week on the all-rock-format, audience-based Rock & Alternative Airplay chart with 5.9 million audience impressions in the week ending Nov. 27, up 3%, according to Luminate.
The track is currently a standalone single promoting Foo Fighters’ 2026 stadium tour, which kicks off next August. It’s also the first contribution to the band’s discography with new drummer Ilan Rubin, who joined in July.
All Billboard charts dated Dec. 6 will update tomorrow, Dec. 2, on Billboard.com.
Taylor Swift’s “The Fate of Ophelia” rules the Billboard Hot 100 for an eighth week, tying “Anti-Hero” as her longest-leading hit. “The Fate of Ophelia” has been No. 1 in each of its weeks on the Hot 100 so far, dating to its mid-October debut; “Anti-Hero” began its reign upon its arrival in November 2022. […]
Trending on Billboard It’s almost time to find out what artists, songs and albums dominated the 2025 Billboard year-end charts — and this year, we’re doing it live. Comedian and social superstar Druski will host the Billboard 2025 No. 1s Livestream on Tuesday, Dec. 9, starting at noon ET/9 a.m. PT, where he’ll welcome special […]
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The full list of Billboard’s 2025 year-end charts are almost here, and we’re counting down the days to their unveiling on Tuesday, Dec. 9, with a special look at select rankings in the lead-up to the big reveal — starting with two of the year-end rock charts.
On Dec. 9, hundreds of year-end charts will be posted on Billboard’s website, following the conclusion of the Billboard 2025 No. 1s Livestream, hosted by Druski, which will broadcast on the Billboard News YouTube channel and BillboardTV on Samsung TV Plus starting at noon ET/9 a.m. PT, as special surprise guests stop by to celebrate the year in chart-toppers.
To kick off our year-end charts countdown, we’re dropping the top 10 of the 2025 Top Rock & Alternative Albums and Top Rock & Alternative Songs charts below – and both are led by Billie Eilish.
She leads the former with her 2024 release Hit Me Hard and Soft, and the latter with the album’s hit single “Birds of a Feather.” Hit Me Hard and Soft debuted at No. 1 on the weekly Top Rock & Alternative Albums chart dated June 1, 2024, and hasn’t left the chart. Further, it never went lower than No. 6 during the 2025 year-end chart eligibility year (Oct. 26, 2024, through Oct. 18, 2025). “Birds of a Feather” was equally as dominant, flying in at No. 4 on the June 1, 2024 Hot Rock & Alternative Songs chart and has perched on the list ever since. It hit No. 1 in August 2024, and it never ranked lower than No. 4 during the chart year.
For the top 10 of both lists, scroll below. The full depth of both rankings (beyond the top 10 of each) will be posted Dec. 9 alongside the complete menu of Billboard’s 2025 year-end charts.
Take a look at the top 10s below.
Billboard’s year-end music charts represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 26, 2024, through Oct. 18, 2025. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the entries appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.
2025 Year-End Top Rock & Alternative Albums: 10. Olivia Rodrigo, Guts
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As Aerosmith and YUNGBLUD’s collaborative album One More Time debuts at No. 9 on the Billboard 200 (dated Dec. 6), Aerosmith becomes the second group — and fifth act overall — with a newly-charting top 10 in each of the last six decades (1970s through 2020s).
One More Time also marks the first top 10 for YUNGBLUD (after four earlier charting titles) and the 10th top 10 for Aerosmith. The latter was last in the top 10 with its last full-length studio album, 2012’s Music From Another Dimension!, which debuted and peaked at No. 5.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 6, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 2. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Aerosmith notched its first top 10 on the Billboard 200 in 1976 (and only top 10 of the ‘70s) with Rocks (peaking at No. 3). The band then scored one top 10 in the ‘80s (1989’s No. 5-peaking Pump), three in the ‘90s (Get a Grip, No. 1; Big Ones, No. 6 and Nine Lives, No. 1), three in the 2000s (Just Push Play, No. 2; O, Yeah! Ultimate Aerosmith Hits, No. 2 and Honkin’ On Bobo, No. 5), one in the ‘10s (Music From Another Dimension!, No. 5) and now one in the ’20s with One More Time.
Aerosmith is the second group, following The Rolling Stones, with at least one newly-charting top 10 in every decade from the 1970s through the 2020s. Among all acts, there are just five with a new top 10 in each decade in that span: Aerosmith, Paul McCartney, The Rolling Stones, Bruce Springsteen and James Taylor.
The five-track One More Time was preceded by its first single, “My Only Angel,” which debuted at No. 1 on Hot Hard Rock Songs in October and climbs 7-6 (a new peak) on the most recently published Mainstream Rock Airplay chart (dated Dec. 6). On the latter ranking, “My Only Angel” marked the 25th top 10 for Aerosmith and the first for YUNGBLUD. “My Only Angel” is the first top 10 for Aerosmith on the Mainstream Rock Airplay chart since 2004’s “Baby, Please Don’t Go” reached No. 7, and the band’s highest-charting hit since “Jaded” spent five weeks at No. 1 in 2001.
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Stray Kids claim their eighth No. 1 on the Billboard 200 albums chart as DO IT debuts atop the ranking dated Dec. 6. The set earned 295,000 equivalent album units in the United States in the week ending Nov. 27, according to Luminate. Of that sum, traditional album sales comprise 286,000.
All eight of the group’s Billboard 200 chart entries have debuted at No. 1, beginning with ODDINARY in 2022. In September of this year, when KARMA opened atop the list, Stray Kids became the first act to debut at No. 1 with their first eight entries in the 69-year history of the chart. With DO IT’s debut, they extend that record. The Billboard 200 began publishing on a regular, weekly basis in March 1956.
In addition, with an eighth No. 1, Stray Kids extend their record for the most No. 1s among groups this century (since 2000).
Also in the top 10 on the latest Billboard 200 chart, the Wicked: For Good soundtrack debuts at No. 2, Taylor Swift’s The Life of a Showgirl falls from No. 1 for the first time (dipping 1-3 in its eighth week), Tate McRae’s So Close to What surges 21-6 following a deluxe reissue with additional songs, the Hazbin Hotel: Season Two soundtrack jumps 70-8 after its first full week of chart activity and Aerosmith and YUNGBLUD’s collaborative set One More Time arrives at No. 9.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 6, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 2. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of DO IT’s 295,000 first-week equivalent album units, album sales comprise 286,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 9,000 (equaling 13.98 million on-demand official streams of the sets songs) and TEA units comprise a negligible sum.
DO IT nets the seventh-largest debut week for an album, by units earned, in 2025. The year’s seven biggest debut weeks are: The Life of a Showgirl (4.002 million), Morgan Wallen’s I’m the Problem (493,000), The Weeknd’s Hurry Up Tomorrow (490,000), Sabrina Carpenter’s Man’s Best Friend (366,000), KARMA (313,000), Playboi Carti’s MUSIC (298,000) and DO IT (295,000).
In traditional album sales, DO IT logs the fourth-largest week of 2025 (debut or otherwise). The four biggest sales weeks in 2025 are the opening frames of: The Life of a Showgirl (3.48 million), Hurry Up Tomorrow (359,000), KARMA (296,000) and DO IT (286,000).
DO IT’s album sales were aided by its availability across seven CD variants (all containing collectible items such as photocards, posters and stickers, with some items randomized), including a signed edition.
As DO IT is mostly in the Korean language, it is the 30th mostly non-English-language album to hit No. 1, and the third of 2025 (following Bad Bunny’s Spanish-language DeBÍ TiRAR MáS FOToS and KARMA). Four mostly non-English titles topped the list in 2024, and all were mostly Korean-language efforts. Of the 30 mostly non-English-language albums to reach No. 1, 20 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.
The Wicked: For Good film soundtrack, led by Cynthia Erivo and Ariana Grande, debuts at No. 2 on the Billboard 200 (the highest debut for a soundtrack in 2025) with 122,000 equivalent album units earned. Of that sum, album sales comprise 85,000 (it debuts at No. 2 on Top Album Sales, aided by seven vinyl variants and four CD variants, including one signed by Erivo and Grande), SEA units comprise 36,000 (equaling 47.27 million on-demand official streams of the set’s songs; it debuts at No. 6 on Top Streaming Albums) and TEA units comprise 1,000.
Wicked: For Good premiered in movie theaters on Nov. 21 and has earned over $270 million at the U.S. and Canada box office. It follows the first Wicked film, which was released in 2024. The first Wicked soundtrack also debuted (and peaked) at No. 2 on the Billboard 200, launching with 139,000 equivalent album units.
After seven straight weeks at No. 1, Swift’s The Life of a Showgirl falls from the top, dipping 1-3 in its eighth week on the list (86,000 equivalent album units earned, down 5%). Two former No. 1s trail Swift, as I’m the Problem descends 3-4 (75,000, down less than 1%) and the KPop Demon Hunters soundtrack is stationary at No. 5 (67,000, down 2%).
Tate McRae’s chart-topping So Close to What surges 21-6 with 64,000 equivalent album units earned (up 202%) following its deluxe reissue on Nov. 21 with five additional tracks added to the set’s digital download and streaming editions. Among the new cuts: “Tit for Tat,” which peaked at No. 3 on the Billboard Hot 100 (dated Oct. 11).
Olivia Dean’s The Art of Loving is a non-mover in the top 10 on the latest Billboard 200, holding at No. 7 (49,000 equivalent album units earned, down 2%).
The Hazbin Hotel: Season Two soundtrack flies 70-8 on the Billboard 200 after its first full week of chart activity, marking the first top 10 from the popular Prime Video animated series. The set zooms up the list with nearly 46,000 equivalent album units earned (up 250% from its debut at No. 70 with 13,000 units from only two days of activity). The soundtrack was released on Wednesday, Nov. 19; most albums are released on Friday. The tracking week for the Billboard 200 runs Friday through Thursday each week.
In the tracking week ending Nov. 27, the Hazbin Hotel: Season Two album tallied 32,000 SEA units (equaling 46.58 million on-demand official streams for its tracks; it debuts at No. 8 on Top Streaming Albums), 13,500 in traditional album sales (it jumps 32-8 on Top Album Sales) and 500 TEA units.
The Season Two soundtrack surpasses the No. 13 debut and peak of the Hazbin Hotel: Season One soundtrack in February 2024.
With Wicked: For Good, KPop Demon Hunters and Hazbin Hotel: Season Two at Nos. 2, 5 and 8, respectively, there are three soundtracks in the top 10 of the Billboard 200 for the first time in more than six years. It last happened on the April 6, 2019-dated chart, when Lady Gaga and Bradley Cooper’s A Star Is Born, Queen’s Bohemian Rhapsody and Mötley Crüe’s The Dirt were at Nos. 6, 9 and 10.
Aerosmith and YUNGBLUD team up for a No. 9 debut with their collaborative project One More Time. It’s the 10th top 10 for Aerosmith and first for YUNGBLUD. The set earned 39,000 equivalent album units. Album sales comprise 37,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 2,000 (equaling 2.32 million on-demand official streams of the set’s tracks) and TEA units comprise a negligible sum. The album’s first-week sales were aided by its availability across six vinyl variants (including one signed by YUNGBLUD), four CD iterations (two signed by YUNGBLUD and one where Aerosmith’s Steven Tyler spray painted across the CD booklets en masse and then those were collated into their packaging) and a cassette tape.
While YUNGBLUD visits the top 10 for the first time (after four earlier charting titles), Aerosmith clocks its first top 10 since 2012’s Music From Another Dimension! debuted and peaked at No. 5 that year. Further, Aerosmith is the second group, and fifth act overall, to have earned new top 10s in the 1970s, ‘80s, ‘90s, 2000s, ‘10s and ‘20s. Aerosmith notched its first top 10 in 1976 (and only top 10 of the ‘70s) with Rocks (peaking at No. 3). The band then scored one top 10 in the ‘80s (1989’s No. 5-peaking Pump), three in the ‘90s (Get a Grip, No. 1; Big Ones, No. 6 and Nine Lives, No. 1), three in the 2000s (Just Push Play, No. 2; O, Yeah! Ultimate Aerosmith Hits, No. 2 and Honkin’ On Bobo, No. 5), one in the ‘10s (Music From Another Dimension!, No. 5) and now one in the ’20s with One More Time.
Aerosmith is the second group, following The Rolling Stones, with at least one newly-charting top 10 in every decade from the 1970s through the 2020s. Among all acts, there are just five with a new top 10 in each decade in that span: Aerosmith, Paul McCartney, The Rolling Stones, Bruce Springsteen and James Taylor.
The five-track One More Time was preceded by its first single, “My Only Angel,” which debuted at No. 1 on Hot Hard Rock Songs in October and climbs 7-6 (a new peak) on the most recently published Mainstream Rock Airplay chart (dated Dec. 6). On the latter ranking, “My Only Angel” marked the 25th top 10 for Aerosmith and the first for YUNGBLUD. “My Only Angel” is the first top 10 on the Mainstream Rock Airplay chart for Aerosmith since 2004’s “Baby, Please Don’t Go” reached No. 7, and the band’s highest-charting hit since “Jaded” spent five weeks at No. 1 in 2001.
Closing out the top 10 on the latest Billboard 200 is Summer Walker’s Finally Over It, which falls 2-10 in its second week (37,000 equivalent album units earned, down 52%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Trending on Billboard Taylor Swift continues her reign over the U.K.’s Official Singles Chart, landing her sixth non-consecutive week at No. 1 with “The Fate of Ophelia” (Nov. 28). Explore See latest videos, charts and news The track appears on the superstar’s 12th studio album The Life of a Showgirl, and first hit the summit […]
Trending on Billboard Horns up! Yungblud and Aerosmith have hit No. 1 with their new collaborative project on this week’s Official U.K. Albums Chart (Nov. 28). The achievement marks a major milestone for both acts. One More Time sees U.S. rock legends Aerosmith hit the summit on the chart for the first time, while also […]
