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Gracie Abrams continues her reign over the U.K.’s Official Singles Chart, landing her eighth week at No. 1 with “That’s So True.”
The track, from the U.S. songwriter’s second LP The Secret Of Us, first hit the top spot in November, where it remained for five consecutive weeks until Wham!’s festive classic “Last Christmas” reached the summit. “That’s So True” marked Abrams’ first No. 1 in the U.K., and has stayed in the top spot following the holiday season.

Abrams’ closest challengers also maintain the same chart positions as the tally datedJan. 10. ROSÉ and Bruno Mars team-up “APT.” stands at No. 2, while Lola Young’s “Messy” comes in once again at No. 3. 

Gigi Perez’ previous chart-topper “Sailor Song” lands at No. 4, while “The Days” from Bolton-born DJ and producer Chrystal rounds out the top five.

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2025 BRITs Rising Star winner Myles Smith continues his hot streak with “Nice to Meet Ya” rising to No. 6. It marks his second top 10 single in recent months, with silvery pop anthem “Stargazing” having peaked at No. 4 last year before being named by the Official Charts Company as the biggest single by a British act of 2024. 

Sabrina Carpenter’s “Bed Chem” (No. 10) returns to the top 10 for the first time since November, while Chappell Roan’s “Pink Pony Club” is also enjoying a comeback moment, leaping six places back into the top 20 (No. 16). 

Elsewhere on the chart, Hozier’s BBC Live Lounge cover of Arctic Monkeys’ “Do I Wanna Know?” – initially released in 2014 – enters at No. 26, having recently taken off on TikTok. This marks the fifth top 40 single from the Irish musician. “Push 2 Start” from Afrobeat superstar Tyla, meanwhile, earns a brand new peak this week (No. 23). Notably, influential alt-pop artist Imogen Heap earns a major career first, as she gains her first-ever U.K. top 40 entry as a solo act with “Headlock” (No. 37). Originally featuring on 2005 LP Speak for Yourself, the track’s resurgence is thanks to its inclusion in the 2024 horror game Mouthwashing.

ROSÉ and Bruno Mars’ “APT.” is now solely the highest charted song by an act prominent in K-pop (Korean pop) on Billboard’s Pop Airplay chart, as it ascends a spot to No. 4 on the latest, Jan. 25-dated ranking. The song surpasses BTS’ “Dynamite,” which peaked at No. 5 on the radio ranking in December […]

This week’s ARIA Charts are brimming with milestones, with Sabrina Carpenter and Rosé breaking records while global superstar Bad Bunny makes a splash on the Albums Chart.

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Sabrina Carpenter’s Short N’ Sweet is proving to be a sugar rush for fans, holding strong at No. 1 on the ARIA Albums Chart for 10 non-consecutive weeks. The pop star’s addictive blend of catchy tracks has turned the album into a chart staple since its release in late August.

With 11 of its 12 songs cracking the top 40—including No. 1 hits like “Espresso,” “Please Please Please,” and “Taste”—Sabrina’s got the secret ingredient for success. Even “Bed Chem,” the album’s fourth single, hit No. 10, proving she can keep the hits coming. Short N’ Sweet is truly the gift that keeps on giving.

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Over on the Singles Chart, Rosé and Bruno Mars are holding court with their duet, “APT.” The infectious track secured its 10th non-consecutive week at No. 1, firmly establishing itself as the song of the summer Down Under.

The success of “APT.” extends beyond just the Australian charts. Globally, the track has been a powerhouse, topping the Billboard Global 200 and Billboard Global Excl. U.S. charts for an 11th week each. In November, the song debuted as the stars’ second leader on each list.

For Rosé, it’s her first solo chart-topper, adding to her success with BLACKPINK’s 2022 No. 1, “Pink Venom.” Bruno Mars, meanwhile, continues to rack up accolades, with “APT.” marking his fourth No. 1 single in Australia and his longest-running yet.

Puerto Rican superstar Bad Bunny is also making noise on the ARIA Albums Chart with his seventh studio album, Debi Tirar Más Fotos.

The record skyrocketed from No. 99 to No. 16, marking Bunny’s first appearance in the ARIA Top 50. A three-time GRAMMY winner and Spotify’s most-streamed artist from 2020 to 2022, Bad Bunny’s influence knows no bounds. His latest album has already made a mark on the Billboard Charts, debuting at No. 2 on the US Billboard 200, marking Bad Bunny’s seventh top-ten entry.

Mrs. GREEN APPLE’s “Lilac” holds at No. 1 on the Billboard Japan Hot 100, dated Jan. 15, extending its reign atop the chart to four weeks.
The Oblivion Battery opener saw an increase in streams, video views and karaoke plays this week. Streaming and video both gained by around 20% compared to last week, and the song dominated downloads, streaming, video and karaoke, while coming in at No. 19 for radio. 19 songs by the three-man band are charting on the Japan Hot 100 this week, including three more in the top 10 — “Que Sera Sera” at No. 3, “Bitter Vacances” at No. 5, and “Soranji” at No. 10.

Rosé & Bruno Mars’ “APT” also holds at No. 2. Streams for the long-running hit, which topped the Billboard Global 200 for the 11th week, increased 30% from the week before, and charts in the top 5 for the seventh week. The track comes in at No. 7 for downloads, No. 2 for streaming, No. 15 for radio airplay, No. 2 for video, and No. 27 for karaoke. 

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Kis-My-Ft2’s “Curtain call’ debuts at No. 4. The boy band’s 32nd single launched with 121,351 copies to rule sales, while coming in at No. 45 for radio. Lienel’s fifth single “Go Around The World” also bows at No. 6, selling 73,952 copies to hit No.2 for sales and also coming in at No. 26 for radio.

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The song that ruled the radio metric this week was “Sakura, Hirari” by veteran band Southern All Stars, which held the top spot for a second week. The lead single off their upcoming new album THANK YOU SO MUCH, due in March, gained about 70% in radio airplay from the week before. Streams and video views also increased and the song rises 28-25 on the Japan Hot 100.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 6 to 12, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

01/16/2025

A look at 25 unprecedented chart achievements from BTS and beyond from the past quarter century.

01/16/2025

The latest No. 1 on the Top Gabb Music Songs chart is a fitting one: Jelly Roll’s “Run It,” from the Sonic the Hedgehog 3 soundtrack, debuts atop the December 2024 ranking as the most-played song on Gabb Wireless phones that month.

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Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

“Run It” is the first song to debut at No. 1 on Top Gabb Music Songs, coming in the tally’s third iteration; Benson Boone’s “Beautiful Things” led the inaugural list, while KSI’s “Thick of It,” featuring Trippie Redd, paced November 2024, having risen two spots from its No. 3 rank on the October 2024 chart.

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Jelly Roll’s coronation comes after the song was released Nov. 21, a month ahead of Sonic the Hedgehog 3’s Dec. 20 theatrical release.

The song reigns over previous No. 1 “Thick of It,” which falls to No. 2, while ROSE and Bruno Mars’ duet “APT.” leaps to a new best of No. 3, a month after debuting at No. 24 on the November 2024 chart. “APT.” is currently the top-charting song on the Billboard Hot 100 that’s also on the December 2024 Top Gabb Music Songs ranking; it appears at No. 5 on the most recent Hot 100 dated Jan. 18.

Inaugural leader Boone’s “Beautiful Things” drops two positions to No. 4 on Top Gabb Music Songs, while Luke Combs’ “Ain’t No Love in Oklahoma” again rounds out the top five.

After “Run It,” the latest list’s next-highest debut belongs is another tune from a film soundtrack: Ariana Grande’s “Popular,” from Wicked, which bows at No. 7. It’s joined on the 25-position survey by fellow Wicked tracks “Defying Gravity,” by Cynthia Erivo and featuring Grande (No. 11), and the Grande/Erivo collaboration “What Is This Feeling?” (No. 17).

The top non-movie-related debut? Billie Eilish’s “Wildflower,” which starts at No. 20.

See the full top 25 below.

Top Gabb Music Songs, December 2024

“Run It,” Jelly Roll (debut)

“Thick of It,” KSI feat. Trippie Redd (-1)

“APT.,” ROSE & Bruno Mars (+21)

“Beautiful Things,” Benson Boone (-1)

“Ain’t No Love in Oklahoma,” Luke Combs (=)

“Face 2 Face,” Juice WRLD (+2)

“Popular,” Ariana Grande (debut)

“Deja Vu,” Olivia Rodrigo (+1)

“Please Please Please,” Sabrina Carpenter (+3)

“Slow It Down,” Benson Boone (-7)

“Defying Gravity,” Ariana Grande feat. Cynthia Erivo (debut)

“Stargazing,” Myles Smith (+6)

“Golden Hour,” JVKE (re-entry)

“God’s Plan,” Drake (-10)

“Butterfly Effect,” Travis Scott (-9)

“Love Somebody,” Morgan Wallen (+1)

“What Is This Feeling,” Ariana Grande & Cynthia Erivo (debut)

“Too Sweet,” Hozier (+5)

“Stressed Out,” Twenty One Pilots (+3)

“Wildflower,” Billie Eilish (debut)

“Let You Down,” NF (-14)

“Bones,” Imagine Dragons (-12)

“Enemy,” Imagine Dragons (-2)

“Eyes Closed,” Imagine Dragons (-4)

“Jealousy, Jealousy,” Olivia Rodrigo (debut)

DROPS FROM NOVEMBER 2024: NF, “Hope”; NF, “Motto”; Maddox Batson, “X’s”; Mariah Carey, “All I Want for Christmas Is You”; 24KGoldn feat. Iann Dior, “Mood”; Justin Bieber, “Ghost”; Imagine Dragons, “Radioactive”

Bad Bunny’s “DTMF” becomes the first song to debut at No. 1 on the TikTok Billboard Top 50 chart since August 2024, bowing atop the Jan. 18-dated survey.
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Jan. 6-12. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

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“DTMF” starts at No. 1 after the release of its parent album, Debi Tirar Mas Fotos, on Jan. 5. It’s the fifth song since the ranking’s inception to debut atop the tally, following FamousSally and YB’s “Wassup Gwayy” (Sept. 23, 2023), Playboi Carti’s “Sky” (Oct. 7, 2023), Bobby Caldwell’s “What You Won’t Do for Love” (Feb. 24, 2024) and Clean Bandit’s “Symphony,” featuring Zara Larsson (Aug. 31, 2024).

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It’s also Bad Bunny’s first No. 1 on the TikTok Billboard Top 50, which began in September 2023. His previous best, “Monaco,” peaked at No. 5 in November 2023.

“DTMF” benefits from uploads referencing the song’s lyrics (DTMF is an acronym for the album’s title, which translates to “I should take more photos”), with users lamenting the losses of relatives, pets and relationships with photos and videos of their own. Bad Bunny himself posted a video on TikTok reacting to the trend.

“DTMF” concurrently debuts at No. 38 on the Billboard Hot 100 despite just five days of tracking (Jan. 5-9), earning 11 million official U.S. streams in that span, according to Luminate. It’s expected to sport a sizable gain on the Billboard charts dated Jan. 25 (Jan. 10-16), following its first full week of tracking.

The song reigns over a pair of previous TikTok Billboard Top 50 No. 1s in Stepz’s “Rock” and M.I.A.’s “Paper Planes” at Nos. 2 and 3, respectively, while the top four is rounded out by a newcomer to the region in Braelyn Rankins, Theo Somolu, Aaron Pierre and Kelvin Harrison Jr.’s “I Always Wanted a Brother” from the Mufasa: The Lion King film.

After debuting at No. 10 on the Jan. 11 ranking, “I Always Wanted a Brother” lifts six spots as creators continue to hone in on the “What did you say about my brother?” verse, sung by Taka/Scar voice actor Harrison, and the way the word “brother” is sung, though some instead utilize the eponymous “I always wanted a brother” refrain.

The scene has spawned lip synchs, animation edits and dances, with the song rising another 44% in streams to 4.5 million in the week ending Jan. 9.

G3, the artist name of basketball player LiAngelo Ball, snags the other top 10 debut on the TikTok Billboard Top 10 dated Jan. 18 with “Tweaker,” which bows at No. 6. Released Jan. 10, “Tweaker” became Ball’s first Hot 100 appearance, debuting at No. 29 on the Jan. 18 list via 12.4 million streams.

There’s not yet a highly centralized trend surrounding “Tweaker” on TikTok; users are generally quoting its “I might swerve, bend that corner, whoa” chorus, featuring dances, reaction videos, lip synchs, car footage and more.

There’s one other newcomer to the TikTok Billboard Top 50’s top 10: Flawed Mangoes’ “Dramamine,” which vaults 20-7 in its fifth week on the survey.

“Dramamine” is a cornerstone of what’s known as Hopecore TikTok, which generally consists of inspirational messages/quotes, videos and the like.

Ethel Cain’s “Strangers” is looming directly outside the top 10, starting at No. 11. Despite Cain releasing a new album, Perverts, on Jan. 8, “Strangers” is actually from her previous album, 2022’s Preacher’s Daughter. The TikTok-viral edition of the song is a pitched-up edit, with many users ranking the ways in which Cain sings the lyric “Am I making you feel sick?” toward the end.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 

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This week: Fan support for a 2000s TV icon has resulted in her 15-year-old album likely recharting next week, while a soundtrack synch sets off a revival of a late-’80s pop classic and TikTok embraces a Rihanna hit that never was.

Heidi Montag’s ‘Superficial’ Goes Viral to Aid Recovery From Palisades Fire

Reality star Heidi Montag can now add pop star to her resume. Montag and husband Spencer Pratt, best known for their roles on hit reality TV show The Hills, lost their home in the Palisades wildfire last week. Pratt took to TikTok to share the devastating news, and to direct viewers to stream and purchase Montag’s 15-year-old album Superficial to help the family generate income in the wake of the disaster.

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Followers certainly showed up for the couple, pushing Superficial to No. 1 on the iTunes chart over the weekend and into this week with over 6,000 in album sales for the weekend of Jan. 10-12 (up from a negligible number of sales the weekend prior). It also picked up massively on streaming services, growing 740.6% in U.S. on-demand streams to over 800,000 from the first weekend of January to the second. If it maintains its performance, it could make a bow on the Billboard 200 next week — which would be Superficial‘s first appearance on the chart. — KRISTIN ROBINSON

‘Babygirl’ Milk Drinkers are Lapping Up George Michael’s ‘Father Figure,’ Too

Babygirl, Halina Reijn’s new erotic thriller/dark comedy starring Nicole Kidman as a powerful CEO who indulges in her sexual fantasies with her intern (played by Harris Dickinson), has not only served as Kidman’s latest bravura turn with Oscar buzz, but is also being meme’d ad nauseam by cinephiles who are sick of talking about the turtle in Conclave. One particular sequence that has been hoisted up by the Internet involves Dickinson dancing shirtless to “Father Figure,” the iconic No. 1 smash by George Michael, in a hotel room, while Kidman watches from afar.

Following the film’s wide release on Christmas Day, “Father Figure” has not only picked up steam on streaming services thanks to the Babygirl scene, but also with Michael’s 1987 smash soundtracking various TikTok mash-ups, from those trying to recreate Dickinson’s dance moves to others who want to anoint Pedro Pascal as the ultimate “father figure” (read: zaddy). In any event, “Father Figure” earned 358,000 U.S. on-demand streams during the week ending Dec. 26, according to Luminate, and that weekly streaming total had more than doubled two weeks later, to 984,000 streams in the week ending Jan. 9. Who knows? With the film’s pivotal scene of Kidman’s character drinking a glass of milk, maybe U.S. dairy sales are on the rise, too. – JASON LIPSHUTZ

Nearly 18 Years Later, Rihanna’s ‘Good Girl Gone Bad’ Is Still Churning Out Hits 

Even though she’s popped up for a Black Panther song or two, it’s still been nearly nine years since Anti – Rihanna‘s last studio album. Like most Rihanna album’s, Anti produced a plethora of hits, and that’s a trend Riri began with 2007’s Good Girl Gone Bad. That album housed “Umbrella” (No. 1, seven weeks); “Shut Up And Drive” (No. 15); “Hate That I Love You” (No. 7); “Don’t Stop the Music” (No. 3); “Rehab” (No. 18); “Take A Bow” (No. 1) and “Disturbia” (No. 1). Now, nearly 18 years later, another Good Girl track is looking to join those ranks: the Christopher “Tricky” Stewart-produced, The-Dream-penned “Breakin’ Dishes.” 

According to Luminate, “Breakin’ Dishes” has steadily risen in streams over the past month. In the week preceding Christmas (Dec. 13-19, 2024), the track pulled over 2.37 million official on-demand U.S. streams. Though streaming activity dipped during the holiday week (Dec. 20-26) — earning 2.25 million streams, down 5.2% — the following week produced its biggest week-over-week streaming increase of the month. During the week of Dec. 27-Jan. 2, streams for “Dishes” soared 22% to over 2.7 million streams. By the following week (Jan. 3-9), streams rose by a furter 5.7% to just over 2.9 million streams. 

Although “Breakin’ Dishes” — like the bulk of RiRi’s catalog – isn’t available on TikTok as an official sound, fan uploads have kept the song in near-constant circulation on the platform. Across three different sounds ranging from 40,000 to 280,000 posts each, users have hopped on three distinct trends attached to “Dishes.” First, some users use the song’s “A man, a man, a ma-e-a-a-an” refrain to show off their boyfriends’ strength by having them lift them up on one shoulder. Another set of users have used the song to make edits of their favorite characters from media like Squid Game and various Disney films; other users have used “Dishes” sounds to explain that the song is about “female rage” and not love.

Regardless of how they found their way to “Breakin’ Dishes,” fans are discovering Rihanna’s deep cuts and falling in love with them as if they’re new singles. — KYLE DENIS

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 albums chart dated Jan. 25, 2025, we look at whether a new growing blockbuster from Bad Bunny will claim the top spot, or whether it will be lapped by the shipment of a beloved Taylor Swift live set. 

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Bad Bunny, Debí Tirar Más Fotos (Rimas): The latest LP from Puerto Rican global superstar Bad Bunny might have already been the No. 1 album in the country had it enjoyed a full tracking week. But due to its Sunday release (Jan. 5), two days into tracking, it pulled up just short, posting 122,000 first-week units and falling behind Lil Baby’s WHAM set, which bowed at No. 1 with 140,000 units.  

The good news for Fotos is that it keeps growing. While the album’s first-day numbers on streaming were solid but unexceptional, they’ve ballooned nearly every day since – an extremely unusual trajectory for a new release by an established superstar – to the point where the album now claims the top three spots on both the Apple Music real-time chart and the Spotify Daily Top Songs USA listing. (Both rankings are led by the viral smash “DtMF,” which could also challenge for a top spot on the Billboard Hot 100 next week.)  

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The runaway streaming success of Fotos, combined with it now getting the benefits of a full week of tracking (as well as a heavy week of promo, including a recent Subway Busking performance with Jimmy Fallon) means that the set should have an even better showing in its second frame – perhaps more in line with the opening week of Bunny’s previous album, 2023’s Nadie Sabie Lo Que Va a Pasar Mañana, which managed 184,000 units in its Billboard 200-topping debut week.

Taylor Swift, Lover (Live in Paris) (Republic): The City of Lover live show that Taylor Swift played in Paris in 2019 has long held a special place in the hearts of Swifties – both for its intimate acoustic versions of many highlights from 2019’s Lover set, and for the fact that it was one of the final full live shows Swift performed for some years, after her planned Lover Fest mini-tour was canceled in the wake of the 2020 COVID pandemic and she was forced to regroup for 2023-24’s world-conquering Eras Tour. In 2020, the set was aired as an ABC live special, followed by the limited-edition release a double-LP version of the set in 2023, entitled Lover (Live From Paris), collecting eight performances from the gig.  

That release was limited to 13,000 copies, and of course sold out, resulting in a No. 58 bow on the Billboard 200. The set was re-released this Jan. 7, however, as a 72-hour webstore exclusive, and is expected to sell a whole lot more than that this time around. The impact it has on this upcoming Billboard 200 will depend on when the copies of it officially ship – her webstore noted that all copies would ship “on or before Jan. 20,” but with many Swifties apparently having already received their copies, it seems likely to be a real contender for next week.  

Could it beat out Bad Bunny’s burgeoning blockbuster? Despite her 14 career No. 1s on the Billboard 200, Swift has never reached the apex with a live set – with 2020’s No. 3-peaking Folklore: The Long Pond Studio Sessions coming closest. But with the combination of the set’s reputation among Swifties, those fans’ love for collecting her records (with Taylor claiming five of the top 10 best-selling vinyl LPs of 2024) the half-decade wait since the special initially aired and how she’s gotten exponentially bigger in the last few years… as with nearly everything Taylor Swift-related in 2025, it’s probably not a great idea to bet against her.  

Lil Baby, WHAM (Quality Control/Motown): Last week’s No. 1 seems pretty sure for some degree of fall-off in its second frame. Its opening number of 140,000 got a big lift from direct-to-consumer album sales (in CD and digital download form), helping it get 50,000 of those first-week units, which is almost always much lower in an album’s second week. And on streaming, Lil Baby‘s set is clearly slipping – it’s still littering the Apple Music chart, but with only one song (the Future- and Young Thug-featuring “Dum, Dumb and Dumber”) in the top 20, and it claims just two total entries in Spotify’s 200-position Daily Top Songs USA chart. That’s not shocking by any means – most big streaming albums do experience a big drop-off in week two – but it just shows how remarkable it is that Fotos is still expanding like it is. (WHAM should still get a small boost on streaming from the Friday release of its deluxe edition – featuring four bonus tracks – to DSPs, having previously been available only for purchase as part of the deluxe on the Motown webstore.)  

Alejandro Fernández claims the first new No. 1 of 2025 on Billboard’s Regional Mexican Airplay chart as “No Me Sé Rajar” advances 3-1 to lead the Jan. 18-dated ranking.

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“No Me Sé Rajar” was originally written by Mexican guitarist and composer José Carmen Frayle Castañón in 1981 and recorded by the late Vicente Fernández, Alejandro’s father. The new version of the song, a more modern take to the original mariachi tune, was produced by Eden Muñoz and released by Alejandro Fernández Oct. 25 on Universal Music Latino/UMLE.

The song’s coronation on Regional Mexican Airplay comes after a 14% gain in audience impressions, to 7.7 million, logged in the tracking week of Jan. 3-9, according to Luminate. Thanks to the surge, Fernández adds an 11th No. 1 among 30 total entries since the tally begun in 1994. He extends his third-most champs streak among soloists, behind Christian Nodal (17 No. 1s) and Gerardo Ortiz (13).

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Notably, out of Fernández’s 30 career entries on Regional Mexican Airplay, all his No. 1s have arrived in the 2020s decade, dating back to the one-week ruler “Caballero” in January 2020. With 11 rulers since, he claims the record for the most No. 1s by a solo artist this decade.

While Vicente Fernández’s version of “No Me Sé Rajar” didn’t make it to the charts as it was released before the 31-year-old ranking launched, the late mariachi star scored seven No. 1s among his 47 entries on Regional Mexican Airplay, dating to “Nos Estorbo La Ropa” in 1998 and placing his last champ with “El Último Beso” in 2009.

“No Me Sé Rajar” also gains territory on the overall Latin Airplay ranking, where it jumps 5-3 with a 10% gain in impressions, to 8 million.

Karol G Ties Shakira for Most Weeks At No. 1

Elsewhere on Latin Airplay, Shakira’s “La Tortura,” featuring Alejandro Sanz, has company as Karol G’s “Si Antes Te Hubiera Conocido” adds a 25th week atop the overall Latin radio ranking, which puts both songs into a tie for the all-time record for the most weeks at No. 1 since the chart launched in 1994.

“Si Antes Te Hubiera Conocido” ties the record through continued strong performance on Latin Airplay, with 25 weeks at the summit among its 29-week run. Despite not gaining audience, the song holds solidly atop with 11.8 million total impressions.

Beyond its new mark, “Si Antes Te Hubiera Conocido” adds a 27th week at No. 1 on Tropical Airplay, extending its second-most weeks atop, only two weeks short from the record held by Prince Royce’s “Carita de Inocente,” which continues to lead with 29 weeks in charge.