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Lady Gaga and Bruno Mars’ “Die With a Smile” leads the Top Gabb Music Songs chart for a third month in a row as the most-played songs on Gabb Wireless phones, but a challenger appears on the March 2025 tally in the form of Benson Boone, whose “Sorry I’m Here for Someone Else” debuts at No. 2.
Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

“Die With a Smile” became the first song in the now-six-month history of Top Gabb Music Songs to stay at No. 1 for more than one month when it reigned on the February 2025 survey; now, it’s the inaugural track to do so for at least three editions.

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After enjoying five weeks at No. 1 on the multimetric Billboard Hot 100 earlier this year, “Die With a Smile” spent the entirety of March 2025 in the top three of the ranking and appears at No. 3 on the latest chart, dated April 19.

Boone’s “Sorry I’m Here for Someone Else,” however, continues to establish the singer-songwriter as a formidable presence on Top Gabb Music Songs as one of three Boone songs in the top 10 of the March 2025 list. “Sorry I’m Here for Someone Else” was released on Feb. 27 and debuted at No. 44 on the Hot 100 dated March 15; it’s at No. 47 on the latest chart.

“Beautiful Things,” which led the inaugural Top Gabb Music Songs in October 2024, and “Slow It Down” rank at Nos. 3 and 9, respectively. That makes Boone the second act to occupy at least three positions in the chart’s top 10 at once, following NF, whose “Let You Down,” “Hope” and “The Search” were Nos. 5, 7 and 10, respectively, on the October 2024 tally.

The February 2025-dated chart featured just one debut among its 25 positions. Not so for March 2025; the artist behind that lone bow, Forrest Frank (via “DROP!,” at No. 19), returns again with the second-biggest start after Boone’s “Sorry I’m Here for Someone Else”: “Nothing Else,” featuring Thomas Rhett, at No. 7. Like Boone’s new entry, “Nothing Else” was also a late-February release (Feb. 28); it enjoyed a No. 4 debut on Billboard’s Hot Christian Songs chart dated March 15.

The third and final debut of the month belongs to Lady Gaga, whose “Abracadabra” bows at No. 17. “Abracadabra” was also released in February, albeit much earlier (Feb. 3). It reached a peak so far of No. 13 on the Hot 100 dated Feb. 22 and ranks at No. 38 on the most recent tally.

See the full top 25 below.

Top Gabb Music Songs

“Die With a Smile,” Lady Gaga & Bruno Mars (=)

“Sorry I’m Here for Someone Else,” Benson Boone (debut)

“Beautiful Things,” Benson Boone (=)

“APT.,” ROSE & Bruno Mars (-2)

“God’s Plan,” Drake (+2)

“Deja Vu,” Olivia Rodrigo (+6)

“Nothing Else,” Forrest Frank feat. Thomas Rhett (debut)

“Golden Hour,” JVKE (+3)

“Slow It Down,” Benson Boone (-1)

“Butterfly Effect,” Travis Scott (+3)

“Face 2 Face,” Juice WRLD (-6)

“Stargazing,” Myles Smith (-2)

“Thick of It,” KSI feat. Trippie Redd (-9)

“Please Please Please,” Sabrina Carpenter (-5)

“Ain’t No Love in Oklahoma,” Luke Combs (-1)

“Love Somebody,” Morgan Wallen (=)

“Abracadabra,” Lady Gaga (debut)

“Heat Waves,” Glass Animals (-1)

“Too Sweet,” Hozier (-4)

“Run It,” Jelly Roll (-14)

“Let You Down,” NF (-3)

“Bones,” Imagine Dragons (-1)

“Stressed Out,” Twenty One Pilots (-3)

“Saturn,” SZA (-1)

“Hope,” NF (=)

DROPS FROM FEBRUARY 2025: “DROP!,” Forrest Frank; “Enemy,” Imagine Dragons; “Wildflower,” Billie Eilish

Sleep Token earns its first No. 1 debut on Billboard’s Hot Hard Rock Songs chart, bowing atop the April 19-dated survey with “Caramel.” Released April 4, the track drew 11.2 million official U.S. streams, 30,000 in radio airplay audience and sold 3,000 downloads in the week ending April 10, according to Luminate. Sleep Token tallies […]

Muni Long extends her hitmaking run on Billboard’s Adult R&B Airplay chart (dated April 19) as “Superpowers” climbs one spot to reach No. 1 on the radio ranking. The single ascends after its 1% gain in weekly plays made it the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of April 4-10, according to Luminate.
As “Superpowers” asserts its supremacy, it replaces Chris Brown’s “Residuals” after a two-week stint. The former champ slides to No. 2 with an 8% decline in plays for the week.

Thanks to “Superpowers,” Muni Long achieves her third No. 1 on Adult R&B Airplay, after “Make Me Forget,” a one-week leader in August 2024, and “Ruined Me,” which logged two weeks on top last November.

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Further, with all three singles from her Revenge album, the set is the first to produce a trio of champs since Tank’s R&B Money launched three leaders in 2021-2022 from its standard edition – “Can’t Let It Show,” “I Deserve,” and “Slow,” featuring J. Valentine – and another from its 2024 deluxe reissue, “See Through Love,” featuring Chris Brown.

Among albums by women, Revenge becomes just the third set with three No. 1s in the 31-year history of the Adult R&B Airplay chart. It joins Toni Braxton’s self-titled debut, which spawned four leaders, “Another Sad Love Song,” “Breathe Again,” “Seven Whole Days” and “You Mean the World to Me” in 1993-94, and Alicia Keys’ The Diary of Alicia Keys, which sent “You Don’t Know My Name,” “If I Ain’t Got You” and “Diary,” feat. Tony! Toni! Tone! to the summit in 2004.

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Elsewhere, “Superpowers” slips 14-13, dropping one rung from its peak, on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track registered 7 million in audience for the week, down 3% from the prior week’s total.

Beyond its radio results, “Superpowers” debuts at No. 25 on Hot R&B Songs, a multi-metric chart that combines radio airplay with streaming and sales data for its rankings. The arrival gives Muni Long her 12th entry on the list, a count that includes three top 10s: the three-week No. 1 “Hrs and Hrs” in 2022, and a pair of 2024 hits, “Made for Me” (No. 2) and “Ruined Me” (No. 10).

Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.

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This week on charts dated April 19, Skrillex, 2hollis, PinkPantheress and others achieve new feats. Check out key movers below.

Skrillex

The influential DJ-producer dropped his fourth studio album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!

Natti Natasha earns her first No. 1 as a soloist, unaccompanied by another artist, on Billboard’s Tropical Airplay chart with “Desde Hoy” which jumps 2-1 for its first week atop the April 19-dated ranking. It’s her first return to the summit in over five years.

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“Desde Hoy” takes the lead on Tropical Airplay, with the week’s Greatest Gainer honors, after a 9% gain in audience impressions, up 6.6 million, earned in the U.S. during the April 4-10 tracking week, according to Luminate. The song is the opening track off Natti’s fourth studio album, Natti Natasha En Amargue, her maiden entrance and first top 10 on the Tropical Albums chart (No. 6 debut and peak, Feb. 22 dated list).

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“Desde Hoy” marks Natti Natasha’s first No. 1 on Tropical Airplay in over five years. Her previous chart-topping hit, “La Mejor Versión de Mí,” her first collaboration with Romeo Santos as a co-billed artist, ruled the chart for 15 weeks between 2019-2020. Rewind to 2019, and her featured role on Don Omar’s “Dutty Love” reigned for one week then.

Notably, with “Desde Hoy” reaching No. 1, Natti joins an elite group of female artists who have topped the Tropical Airplay chart as soloists, unaided by any other act, during the 2020s decade. Before Natti, Rosalía’s “Despechá” reigned for four weeks in 2022, while Karol G most recently made history with “Si Antes Te Hubiera Conocido.” The latter broke the longest-leading record by surpassing Prince Royce’s 29-week reign with “Carita de Inocente” (chart dated Feb. 8). Ultimately, “Si Antes” dominated Tropical Airplay for 31 weeks between 2024-25.

With the new No. 1 by a woman, let’s review all the female artists who have led Tropical Airplay this decade, either as solo acts or through collaborations;

Title, Artist, Peak Date“La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, Oct. 26, 2019“Víctimas Las Dos,” Víctor Manuelle & La India, May 29, 2021“La Fama,” Rosalía Featuring The Weeknd, May 14, 2022“Te Espero,” Prince Royce & Maria Becerra, May 28, 2022“Despechá,” Rosalía, Oct. 1, 2022“Monotonía,” Shakira + Ozuna, Dec. 3, 2022“El Pañuelo,” Romeo Santos & Rosalía, Feb. 4, 2023“Así Es La Vida,” Enrique Iglesias & Maria Becerra, Dec. 9, 2023“Si Antes Te Hubiera Conocido,” Karol G, July 20, 2024“Desde Hoy,” Natti Natasha, April 19, 2025

“Desde Hoy” also makes progress son the overall Latin Airplay chart, where it climbs 9-5

This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week continues here with a look back at the Billboard Hot 100 chart’s top songs from that year, to go with the list of staff favorites our editorial team published earlier this week.

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Fifteen years into her Billboard chart career, Mariah Carey was still achieving firsts.

In 2005, the superstar’s smash “We Belong Together” spent 14 weeks at No. 1 on the Billboard Hot 100 songs chart, between that June and September, and went on to top the year-end survey – Carey’s first title to rule the annual recap.

Carey had dominated the 1990s like no act in any previous decade, becoming the first artist to lead the Hot 100 in every year of a decade (1990-99; she expanded her record chart-topping streak to 11 years, through 2000). By 2005, she was back in familiar triumphant territory thanks to the sultry second single from her album The Emancipation of Mimi. The set debuted at No. 1 on the Billboard 200 in April 2005 and logged 74 weeks on the chart, the most for an album of hers since Daydream a decade earlier.

“My real fans have always been with me through great times and not-so-great times,” Carey shared in the 2005 year-end Billboard print issue. “That’s why I think we have a really close, special connection.”

Carey’s command was just one of the highlights on the 2005 year-end Hot 100. Elsewhere, 50 Cent boasts four entries in the top 20; Carrie Underwood places with her American Idol coronation ballad, “Inside Your Heaven”; and hits dot the ranking from the debut solo albums from No Doubt’s Gwen Stefani and Matchbox Twenty’s Rob Thomas.

As Billboard celebrates 2005 Week, revisit the 2005 year-end Hot 100 chart, as originally revealed in the Dec. 24, 2005, publication. The recap is based on performance on the weekly Hot 100 charts dated Dec. 4, 2004, through Nov. 26, 2005. (You can also check out every year-end Hot 100 Songs chart since 2006 here.)

“Give Me That,” Webbie feat. Bun B

Bobby Vinton turns 90 today, having made his mark on the Billboard charts over the years. The singer, who gained the nickname “The Polish Prince,” had four No. 1 hits on the Billboard Hot 100 and three top 10 albums on the Billboard 200. Vinton holds a special footnote in pop culture history: He had […]

Neither country star Bailey Zimmerman or rap hitmaker BigXthaPlug had ever hit the top five of the Billboard Hot 100 before — but now they both have together, with their new team-up “All the Way.”

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The relationship-gone-bad trap ballad bows at No. 4 on the Hot 100 (Apr. 19) this week, and features BigX taking on the rap verses in between Zimmerman’s sweet-and-sour sung hook. The combination has proven particularly irresistible for streaming audiences, with the song debuting atop the Streaming Songs chart this week.

Whose career does the song’s early success mean more for? And what other country-rap star pairs could do even bigger things on the charts? Billboard answers these questions and more below.

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1. BigXthaPlug and Bailey Zimmerman’s new collab “All the Way” debuts at No. 4 on the Hot 100 – higher than either artist has ever peaked before. On a scale from 1-10, how surprised are you by the song’s immediate success?

Christopher Claxton: In terms of surprise, I would rate my level at a 2. The fusion of country music and hip-hop is not a new phenomenon, and its popularity is well-established and is making a comeback. For example, consider the chart success of Shaboozey’s “A Bar Song (Tipsy)” — a genre-blending track that is neither strictly hip-hop nor country, but a crossover that resonated strongly with American audiences, which spent a record-tying 19 weeks atop the Hot 100.

Kyle Denis: 8. On paper, this collaboration makes complete sense. My surprise stems from the fact that I didn’t know this song was even coming out last week – and I certainly didn’t expect such a splashy first week since neither artist is known for lofty single debuts. 

Elias Leight: 4 — while BigXthaPlug had never hit the top half of the Hot 100 before, he’s quietly been earning more than 50 million on-demand streams a week in the U.S. for most of the last two months. When an artist has that kind of dedicated fan base, he’s poised for this kind of explosive moment. It doesn’t hurt that he teamed up with Zimmerman, who is already an established country hitmaker. 

Jason Lipshutz: A 9. Obviously popular music is preoccupied with the intersection of country and hip-hop right now — we’re only a few months removed from one country-rap hybrid, Shaboozey’s “A Bar Song (Tipsy),” tying the all-time Hot 100 record set by another country-rap hybrid, Lil Nas X and Billy Ray Cyrus’ “Old Town Road” — but neither of those smashes scored a top 5 debut on the chart, instead riding to the upper tier. “All the Way” is an anomaly, not just because of its high-powered debut but because BigXThaPlug had never scored a top 10 hit before, while Bailey Zimmerman had once before with a song that sounds nothing like this collaboration. I could have foreseen “All the Way” eventually growing into a crossover hit, but a No. 4 debut is genuinely startling.

Andrew Unterberger: An 8. I certainly thought there would be a good chance for BigX to score his biggest hit with one of the country collabs he’d teased, but I thought it would be with a slightly more proven crossover hitmaker than Bailey Zimmerman. But I’m sure that in retrospect it won’t actually seem that surprising at all.

2. Which of the two artists do you think the song’s impressive debut means more to, BigX or Zimmerman? 

Christopher Claxton: The chart success of “All the Way” likely holds greater significance for Zimmerman. While he currently has seven tracks on the Hot 100 not including “All the Way”, only two are from 2024, with the others dating back to 2022 and 2023. In contrast, BigX has experienced substantial momentum, charting five tracks on the Hot 100 in 2024 alone. That said, BigX still has reason to celebrate — this marks his first top 10 hit, whereas it is Zimmerman’s second.

Kyle Denis: Probably BigX. Zimmerman at least has a handful of Hot 100 top 40 hits – including the No. 10-peaking “Rock And a Hard Place.” BigX has only hit the Hot 100 thrice before, and none of those entries broke the chart’s top 60. Your first top 40 hit doubling as a No. 4 debut must feel pretty special. 

Elias Leight: For BigX, who’s been flying under the radar despite his enviable streaming numbers, “All the Way” is a mainstream breakthrough — a level-up moment. And while Zimmerman has already had a top 10 hit with “Rock and a Hard Place,” “All the Way” shows that wasn’t a one-off, while also introducing him to an audience of hip-hop fans that probably hadn’t heard him previously. 

Jason Lipshutz: BigX — simply because, unlike Zimmerman, “All the Way” is now by far his biggest hit. “Mmhmm” served as a breakthrough for the Dallas native, but that single only peaked at No. 63 on the Hot 100, a hip-hop radio staple that couldn’t quite muster a full-blown pop crossover. While that moment could have defined his career for a bit, the No. 4 debut for “All the Way” suggests that BigX is quickly moving on to bigger hits and a greater national profile; Zimmerman will continue to rise in the country world, but BigXThaPlug might have just punched his ticket to rap stardom. 

Andrew Unterberger: I think it might actually be Zimmerman — it introduces him to a new audience and proves he has the juice in a way beyond what people probably expected of him. Though I guess you could say the same of BigX, so it’s pretty close to a draw here.

3. Does this single’s runaway success tell you something new or interesting about the commercial potential of hip-hop and country collabs right now – or is it more just about these artists and this song? 

Chris Claxton: The strong debut of “All the Way” further supports the idea that the fusion of hip-hop and country is making a resurgence — one that has been building momentum over time. We witnessed a major breakthrough with Lil Nas X and Billy Ray Cyrus’ “Old Town Road” remix, which spent 19 weeks at No. 1 in 2019, mirroring the success of Shaboozey’s “A Bar Song (Tipsy).” Even in the early 2000s, we saw the success of the fusion in tracks like Nelly’s “Country Grammar (Hot S**t).” The data reflects what listeners are gravitating toward, and it seems likely that we’ll see a continued rise in this hybrid sound — especially with the upcoming release of BigX’s hip-hop-country project, which has strong potential for success.

Kyle Denis: I’m inclined to say it’s just these artists and this song. It’s hard to tell how invested consumers are in country crossovers after such a jam-packed 2024. Chappell Roan’s “The Giver” isn’t exactly lighting the charts on fire and Lana Del Rey’s “Henry, Come On” didn’t have an explosive debut, but Shaboozey and Morgan Wallen still have songs in the Hot 100’s top 10. I think BigX and Zimmerman are both buzzy artists with a lot of social media pull and relatively young fanbases – and Bailey’s backwards cap-over-cowboy hat style pairs well with BigX’s Texan rap bravado. Their union just made sense, and it doesn’t hurt that the song is catchy. 

Elias Leight: Hip-hop country collaborations have been commercially potent for more than a decade. Many of these are one-offs — Tim McGraw and Nelly, Moneybagg Yo and Morgan Wallen — or the work of newcomers: Lil Nas X and Billy Ray Cyrus, Breland and Sam Hunt. BigX’s trajectory is more unusual, in that he is a successful rapper pivoting to put out a project dedicated to country hip-hop fusions. Considering that the two longest running Hot 100 hits both have one foot in rap and one in country, it’s clear that this combination remains formidable. 

Jason Lipshutz: Five years separated the chart runs of “Old Town Road” and “A Bar Song (Tipsy),” with some country-rap hits in between but nothing close to those songs’ respective scales. The top 5 debut of “All the Way” hints that a greater wave is about to crash down, though, to satisfy a wide swath of listeners that is clearly interested in the combination of rap verses and country hooks. BigXThaPlug and Zimmerman were both on upward trajectories upon the release of “All the Way,” but its immediate success has less to do with their journeys and more to do with what pop listeners are generally looking for at the top of their streaming playlists these days. I’d expect an influx of songs like this over the next 6-12 months.

Andrew Unterberger: I think the song’s success does demonstrate the potency of a rap-country combo right now — though I would caution artists and execs from putting too much stock in there being a consistent X + Y = Z formula here. We will see some rappers and country singers team up to great returns in the next couple years, I believe, but not as many as we’ll see making similar attempts and ending up just looking kinda silly and desperate.

4. If you had to guess one of these two artists to have another top 10 Hot 100 hit before the end of the year, which would it be? 

Christopher Claxton: BigXthaPlug is the obvious pick for me. As previously mentioned, he has a country-inspired project on the way, featuring notable artists such as Shaboozey, Jelly Roll, Morgan Wallen and more. BigX has already collaborated with Shaboozey on the track “Drink Don’t Need No Mix,“ which I personally enjoy. The song charted on both Billboard’s Hot Country Songs and Hot R&B/Hip-Hop Songs charts — not quite the Hot 100, but still a noteworthy first collaboration. The performance of that track could serve as valuable feedback to help shape a true Hot 100 hit in the future. Plus, with several other unrevealed collaborations on the upcoming project, there’s no telling what surprises might be in store.

Kyle Denis: The smart bet is probably Zimmerman given his track record, but I feel like BigX has one or two more eye-popping collabs in the tuck. 

Elias Leight: BigX: The high-flying debut of “All the Way” gives him a lot of momentum as he moves towards the release of the full project, and last year, he said he was recruiting other heavy-hitters as collaborators, including Luke Combs, Jelly Roll and Post Malone. 

Jason Lipshutz: BigXThaPlug because, while Zimmerman has proven to be adept at connecting with casual country listeners, songs like “Mmhmm” and “All the Way” demonstrate that BigX has a canny sense of pop sizzle. His rumbling flow can be magnetic even when he’s not trying to engineer a hit single, but BigX has a keen ear for flashy production and major hooks, understanding exactly how to fit his delivery into a song that could take off outside of his core listenership. “All the Way” may center Zimmerman’s chorus, but BigX knows exactly what he’s accomplishing with a track like this.

Andrew Unterberger: Definitely BigX with all those collabs coming — but I’m also pretty bullish on Zimmerman’s stock, so I’d say it’ll likely be both by the end of 2025.

5. Without naming either Kendrick Lamar or Morgan Wallen, who would be your perfect star rap/country pairing in 2025 for maximum commercial impact?Christopher Claxton: This may be a hot take, but I would love to see a collaboration between A$AP Rocky and Jessie Murph. Jessie has already demonstrated her ability to flow on hip-hop–influenced production, as seen in her collaboration with Jelly Roll on “Wild Ones,” which was an exceptionally well-executed track. Her work with BigX on “Holy Ground” further proves her versatility. A$AP Rocky, known for his adaptability and consistent delivery, could bring a unique energy to a country-inspired beat. He’s proven time and again that he’s a skilled rapper, and a country-hip-hop blend could offer a refreshing, playful twist to his sound, and offer him a moment to have fun with his music.

Kyle Denis: Drake and Jelly Roll – let’s hope it never happens. 

Elias Leight: Doechii and Megan Moroney.

Jason Lipshutz: Let’s go with Tyler, The Creator and Kacey Musgraves, a pair of A-listers who have a long history of coloring outside of their respective genre lines. A Musgraves hook on a Tyler song, a la “Like Him” with Lola Young, would absolutely crackle.

Andrew Unterberger: J. Cole and Zach Bryan.

Billboard’s Producer Spotlight series highlights an artist who is currently charting on one of Billboard’s producer rankings. Whether they are new to the industry, or have been churning out hit-after-hit, the intention is to showcase where they are here and now, and the music that’s having a chart impact.

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BandPlay and Charley Cooks each have dozens of production credits to their names, but they reached new heights on Billboard’s latest charts (dated April 19, 2025), thanks to their work on BigXThaPlug’s “All the Way,” featuring Bailey Zimmerman.

The pair co-produced the song together, and are also listed as co-writers, alongside BigXThaPlug, Ben Johnson, KK Johnson and Jenna Johnson.

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Released April 4 via Atlantic/UnitedMasters, the song debuts at No. 1 on the Hot Country Songs chart and No. 4 on the Billboard Hot 100 with 24.1 million streams, 30,000 in airplay audience and 8,000 sold in its first week of release, according to Luminate. It debuts as both the top-streaming and top-selling song of the week, starting atop the Streaming Songs and Digital Song Sales charts. The genre-blending hit earns BigXThaPlug and Zimmerman their first top 5s on the Hot 100, and first No. 1s on Hot Country Songs.

Thanks to their production work, BandPlay (real name: Krishon Gaines) debuts at No. 14 on the Hot 100 Producers chart, while Charley Cooks (real name: Charles Forsberg) opens at No. 21. While chart points for “All the Way” are split evenly between both producers, BandPlay has one additional production credit on the latest Hot 100, helping boost his ranking on the chart—BigXThaPlug’s “The Largest” (which BandPlay co-produced with Tony Coles) re-enters at No. 92.

Cooks and BandPlay also debut and tie at No. 7 on the Country Producers chart.

“All the Way” is a landmark moment for both producers, as the track becomes the highest-charting song in their careers.

Here’s a look at Charley Cooks’ production history on the Hot 100:

BigXThaPlug, “Mmhmm,” No. 63, 2024 (BandPlay)

BigXThaPlug, “Change Me,” No. 79, 2024 (BandPlay, Tony Coles)

And here’s a look at BandPlay’s production history on the Hot 100:

Key Glock, “Proud,” No. 73, 2022

Gucci Mane ft. Key Glock & Young Dolph, “Blood All On It,” No. 98, 2022 (Doughboy Beatz)

Megan Thee Stallion ft. Key Glock, “Ungrateful,” No. 82, 2022

BigXThaPlug, “Mmhmm,” No. 63, 2024 (Charley Cooks)

BigXThaPlug, “Leave Me Alone,” No. 96, 2024 (Aimonmyneck)

BigXThaPlug, “Change Me,” No. 79, 2024 (Charley Cooks, Tony Coles)

NLE Choppa, “Gang Baby,” No. 82, 2024 (Tgrc, Tate Kobang)

BigXThaPlug, “The Largest,” No. 71, 2025 (Tony Coles)

Outside of the charts, Charley Cooks has produced songs for Nino Paid, Ravyn Lenae, Kevin Gates, Prof and more. BandPlay has also worked with 50 Cent, French Montana, and Upchurch, among others.

Billboard launched the Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019, while alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.

The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Billboard Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

Malcolm Todd is officially a Billboard Hot 100-charting artist for the first time thanks to his breakthrough single, “Chest Pain (I Love).” Released in December on Columbia Records, the song debuts at No. 68 almost entirely from 7.7 million official U.S. streams (up 45%) April 4-10, according to Luminate. It also reaches the top 10 […]