Chart Beat
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Stray Kids’ ROCK-STAR debuts at No. 1 on the Billboard 200 albums chart (dated Nov. 25), scoring the Korean pop ensemble its fourth chart-topper. The set launches with 224,000 equivalent album units earned in the U.S. in the week ending Nov. 16, according to Luminate, largely powered by traditional album sales.
The act — who is performing on the 2023 Billboard Music Awards Nov. 19, and is a finalist in two categories — previously opened at No. 1 with 5-STAR (earlier in 2023), MAXIDENT and ODDINARY (both in 2022).
Also in the top 10 of the new Billboard 200, the latest releases from Chris Stapleton and Chris Brown debut.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 25, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 21. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of ROCK-STAR’s 224,000 equivalent album units earned in the week ending Nov. 16, album sales comprise 213,000 (with 98% of that sum driven by CD sales and 2% via digital downloads), SEA units comprise 11,000 (equaling 15.68 million on-demand official streams of the set’s eight tracks) and TEA units comprise a negligible sum.
ROCK-STAR was issued in 11 collectible CD editions, all with the same tracklist but alternative packaging, with different merchandise (some randomized) contained inside. Among the variants were retail-exclusives sold through Barnes & Noble, Target and Walmart. ROCK-STAR was also available to purchase across four different digital download editions: a standard version and three alternative cover versions (with the latter titles sold exclusively in the act’s webstore).
All four of Stray Kids’ chart entries have debuted at No. 1 on the Billboard 200, making them the first act to see their first four chart entries debut at No. 1 since Alicia Keys in 2001-07. She bowed at No. 1 with Songs in A Minor (2001), The Diary of Alicia Keys (2003), the live set Unplugged (2005) and As I Am (2007). Honorable mention (and looking at groups) goes to One Direction, who debuted at No. 1 with its first chart entry, the studio album Up All Night in 2012. Later that year, in October 2012, the iTunes Store-exclusive six-song live set iTunes Festival: London 2012 debuted and peaked at No. 140. And then the act logged three No. 1s in a row with Take Me Home in December 2012, Midnight Memories in December 2013 and Four in December 2014.)
Stray Kids logged its first No. 1 on the Billboard 200 on the April 2, 2022-dated chart, with ODDINARY debuting atop the list. They followed it with MAXIDENT (Oct. 22, 2022), 5-STAR (June 17, 2023) and now ROCK-STAR.
With nearly 20 months separating Stray Kids’ four No. 1 albums, the act has the fastest accumulation of four No. 1s since Taylor Swift notched four leaders in just under 16 months with Folklore, Evermore, Fearless (Taylor’s Version) and Red (Taylor’s Version) between August of 2020 and November of 2021.
As the ROCK-STAR album is mostly in the Korean language, it is the 22nd mostly non-English language album to hit No. 1, and the sixth of 2023. The other five are Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana, NewJeans’ 2nd EP ‘Get Up,’ Stray Kids’ 5-STAR, Karol G’s Mañana Será Bonito and TOMORROW X TOGETHER’s The Name Chapter: Temptation.
Taylor Swift’s 1989 (Taylor’s Version) falls to No. 2 with 159,000 equivalent album units earned (down 35%) after spending its first two weeks at No. 1.
Chris Stapleton notches his fifth consecutive top three-charting album – the entirety of his charting efforts – as Higher bows at No. 3 on the Billboard 200 with 90,500 equivalent album units earned. Of that sum, album sales comprise 57,000 (boosted by its availability across six vinyl variants), SEA units comprise 32,000 (equaling 41.54 million official on-demand streams of the set’s songs) and TEA units comprise 1,500.
Drake’s former No. 1 For All the Dogs falls 3-4 on the new Billboard 200 with 72,000 equivalent album units earned (down 11%). The album should see a gain on next week’s chart, dated Dec. 2, following the release of a deluxe edition of the album on Nov. 17 which added six additional songs. The new iteration is dubbed For All the Dogs: Scary Hours Edition. (All versions of For All the Dogs are combined for tracking and charting purposes.)
Morgan Wallen’s chart-toping One Thing at a Time dips 4-5 on the Billboard 200 with 68,000 equivalent album units earned (up 4%). Jung Kook’s Golden falls 2-6 in its second week with 56,000 units (down 73%). Taylor Swift’s former leader Midnights rises 9-7 with nearly 52,000 (up 19%), while Bad Bunny’s chart-topping Nadie Sabe Lo Que Va a Pasar Mañana falls 5-8 with 49,000 (down 19%).
Chris Brown earns his 12th top 10-charting album on the Billboard 200 as his latest studio effort 11:11 debuts at No. 9 with just over 45,000 equivalent album units earned. Of that sum, SEA units comprise 38,000 (equaling 50.97 million official on-demand streams of the set’s songs), album sales comprise 6,000 and TEA units comprise 1,000.
Rounding out the new top 10 is Zach Bryan’s self-titled chart-topper, which dips 8-10 with 45,000 equivalent album units earned (up 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Green Day hits No. 1 on Billboard’s Mainstream Rock Airplay chart for the eighth time, as “The American Dream Is Killing Me” jumps 3-1 on the ranking dated Nov. 25. It reigns in its fourth week on the list, making it the third song to reach No. 1 in four weeks or fewer in 2023, […]
Dan + Shay, the duo of Dan Smyers and Shay Mooney, bank their 11th top 10 on Billboard’s Country Airplay chart as “Save Me the Trouble” lifts to No. 8 on the list dated Nov. 25. During the Nov. 10-16 tracking week, the single increased by 6% to 19.2 million impressions, according to Luminate. With […]
Ado’s “Show” holds at No. 1 for the seventh week on the Billboard Japan Hot 100, dated Nov. 15, breaking the singer’s personal record for weeks at No. 1 on the list.
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On its 10th week on the Japan Hot 100, “Show” surpasses the six-week record set by “New Genesis” (as Uta from One Piece Film Red). The USJ Halloween event theme is at No. 1 for streaming and video views, No. 2 for downloads, No. 6 for karaoke, and No. 15 for radio. Among these, points for radio increased by about 2.4 percent from the previous week, indicating that the song is steadily expanding its reach to the general public outside Ado’s core fan base. Overall points totaled 11,812, down by approximately 15 percent, but remains 1.2 times higher than the song at No. 2 this week.
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The top 10 is dominated by songs by boy bands this week. IMP.’s “CRUISIN’” leads the pack, bowing at No. 2. This song was released digitally worldwide on Aug. 18 and topped downloads on the chart dated Aug. 30 with 14,259 units on its first week. The physical version of the group’s first single dropped Nov. 8 and sold 98,780 copies, hitting No. 2 for sales. While the digital version has been out for a while now, it was downloaded 3,801 times this week to come in at No. 12 for the metric, and the track also rules radio airplay, collectively powering the track to its No. 2 spot on the Japan Hot 100.
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King & Prince’s “Aishi Ikirukoto” bows at No. 3. The title track off the group’s 14th single is the theme song for the legal thriller Houteiyuugi starring member Ren Nagase. After going on sale Nov. 8, the song sold 353,077 CDs in its first week, falling short of the 546,829 first-week sales of the group’s previous single, “Nanimono,” but still hits No. 1 for the metric by a wide margin over its competitors.
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THE RAMPAGE from EXILE TRIBE’s “Katasumi” rockets 80-5 this week following its physical release, also on Nov. 8. The theme song for the movie MY (K)NIGHT launched with 58,937 copies — not quite on the level of the group’s personal best of 229,498 first-week copies achieved by its previous release “Summer Riot ~Nettaiya~/Everest” — to come in behind IMP. at No. 3 for sales.
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The last of this week’s top 10 boy band debuts is BE:FIRST’s “Glorious,” which bows at No. 7. Released digitally Nov. 6, the track will be featured as the anthem for the 102nd All Japan High School Soccer Tournament. The song was downloaded 20,392 times in its first week to hit the top spot for the metric, and also racked up 3,254,749 weekly streams to come in at No. 29 — the highest among the tracks that debuted this week. The song is off to a good start, coming in at No. 6 for video and No. 9 for radio.
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The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 6 to 12, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Never mind 15 minutes of fame. How about four or more decades?
An elite 13 artists have achieved top 10 placements on the Billboard Hot 100 songs chart in four or more decades, led by Andy Williams and Michael Jackson, with top 10 ranks in five decades each.
Williams extended his top 10 Hot 100 run (1950s, ’60s, ’70s, 2010s and ’20s) thanks to his holiday perennial “It’s the Most Wonderful Time of the Year,” while Jackson (’70s, ’80s, ’90s, 2000s and ’10s) most recently ranked in the region via his featured turn on Drake‘s “Don’t Matter to Me” in 2018. (Jackson also appeared in the top 10 for a week in the ’60s, although not as a soloist; The Jackson 5, with him as a member, first reached the bracket with “I Want You Back” on the chart dated Dec. 27, 1969.)
Six acts have added a fourth distinct decade of appearing in the Hot 100’s top 10 in the ’20s (in addition to Williams’ haul stretching to a fifth decade): Mariah Carey, Jay-Z, Elton John, Snoop Dogg, Britney Spears and, most recently, The Beatles, whose aptly titled “Now and Then,” upon its No. 7 debut on the Nov. 18, 2023, chart, enhances their résumé to top 10s in the ’60s, ’70s, ’90s and ’20s.
Notably, Cher inaugurated the honor, when “Just Like Jesse James” held at its No. 8 Hot 100 high on the chart dated Jan. 6, 1990, earning the iconic entertainer top 10s in the ’60s, ’70s, ’80s and ’90s.
With acts encompassing every decade of the Hot 100’s existence, dating to the chart’s start in August 1958, here’s a look at each enduring artist that has ranked in the top 10 in four or more distinct decades.
’50s, ’60s, ’70s, ’10s, ’20s: Andy Williams
Image Credit: GAB Archive/Redferns
Tate McRae wrapped the sold-out Are We Flying Tour in October, but she’s busier than ever. After launching her next cycle with “Greedy,” she will be performing this weekend (Nov. 18) on NBC’s Saturday Night Live, en route to the release of the album Think Later in December. Next year, McRae takes the new album on tour on the biggest stages of her career.
The Are We Flying Tour grossed $2.2 million and sold 60,000 tickets between Sept. 5 and Oct. 15, according to figures reported to Billboard Boxscore. Expect those numbers to triple (and then some) next year, as McRae levels up from clubs and small theaters to boutique amphitheaters, and in one major case, an arena.
At its most extreme, McRae’s level-up expands her audience almost five times over. After selling out Dallas’ House of Blues at 1,674 tickets on Oct. 15, she’s scheduled to play the 8,000-capacity Toyota Music Factory in July. After playing House of Blues in Boston to a crowd of 2,705 fans on Sept. 16, she’ll play two nights at the MGM Music Hall at Fenway, to a potential combined crowd of more than 10,000. Similar jumps follow in Minneapolis, Nashville and San Francisco.
Of the 16 North American markets that line up with shows from her recent tour, McRae is playing a venue at least twice the size in 12. The only market with a dip in capacity is Los Angeles: She sold out two nights at the Hollywood Palladium (7,671 tickets on Oct. 4-5) and is scheduled to play the Greek Theatre (6,162 capacity) on July 11.
While McRae could move 10,000 tickets in Boston and at the Walmart Arkansas Music Pavilion in Rogers, Ark., two markets could break 15,000. In Toronto, she’ll play the Budweiser Stage, a 16,000-capacity amphitheater that has recently hosted sold-out concerts by Morgan Wallen, Post Malone, Janet Jackson and more. Hailing from Calgary, Alberta, it’s the only home-country show on the tour.
And after clearing two nights at The Rooftop at Pier 17 (7,494 tickets on Sept. 19-20), McRae is scheduled to close out the North American leg at New York’s Madison Square Garden, which has hosted A-list pop stars from Harry Styles to Madonna. Assuming she doesn’t play in-the-round, she could sell as many as 15,000 tickets.
With every show on McRae’s 2023 tour sold out, the upgrade in 2024 is warranted. There’s also her forthcoming album, already sporting the biggest single of her career. “Greedy” is No. 11 on the Nov. 18-dated Billboard Hot 100, bringing her closer to a top 10 hit than ever before. Previously, “You Broke Me First” slow-burned its way to No. 17. She has five other Hot 100 entries to her name, including collaborations with Khalid, Troye Sivan and Tiesto.
And while McRae can anticipate tripling her North American audience, and potentially expand her grosses further with accelerated demand, The Think Later World Tour will be her first major trip outside North America. The trek begins with 25 shows in Europe and ends with nine in Australia and New Zealand.
Without any Boxscore history on either continent, projections are tricky. But McRae’s international chart history bodes well for her live prospects. While “You Broke Me First” clawed its way to the top 20 of the Hot 100 in March of 2021, it got there five months sooner on the global stage, reaching No. 17 on the Billboard Global Excl. U.S. list in October 2020, and then peaking at No. 15 in November. Further, “Greedy” has spent its first eight weeks on the Global Excl. U.S. chart in the top 10, returning to its so-far high of No. 3 this week. On Billboard’s Hits of the World chart, “Greedy” already hit No. 1 in Australia, Austria, Denmark, Luxembourg, Norway, and the Netherlands. It’s a top 10 hit in 16 more territories.
Live Nation will promote the Think Later World Tour, with Presley Regier as support in North America, and charlieonafriday in Europe and Australia.
McRae, who is the latest Billboard cover star, is set to perform for the 2023 Billboard Music Awards, which streams Sunday (Nov. 19) at 8 p.m. ET via BBMAs.watch and the Billboard and the BBMAs’ social channels.
Jack Harlow is lovin life at the top of Australia’s singles chart.
With “Lovin on Me” (Atlantic/Warner), the Louisville rapper debuts at No. 1 on the ARIA Singles Chart, published Friday, Nov. 17, for his fifth top 10 on the national chart, and second leader after “First Class” logged two weeks at the top last year.
Harlow holds off Tate McRae’s “Greedy” (up 3-2 via RCA/Sony) and Doja Cat’s “Paint The Town Red” (down 2-3 via RCA/Sony), while a pair of Taylor Swift songs complete the top 5, “Is It Over Now? (Taylor’s Version) [From The Vault]” and “Cruel Summer” (both via Universal), respectively.
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Also new to the top frame this week is Dua Lipa’s “Houdini” (Atlantic/Warner), which performs its magic trick by appearing at No. 7.
“Houdini” becomes the U.K. pop star’s 11th top 10 single in Australia, a growing collection that includes her contribution to Elton John’s “Cold Heart,” remixed by PNAU, which reigned for 10 weeks in 2021 and 2022. Tame Impala honcho Kevin Parker is credited as a producer on “Houdini,” which will appear on Lipa’s forthcoming third studio album.
Over on the ARIA Albums Chart, Taylor Swift locks on for a third week at No. 1 with 1989 (Taylor’s Version), which places ahead of two debutants.
Stray Kids roll in at No. 2 with Rock-Star (ING/Universal), the K-pop outfit’s fifth charting LP or EP in Australia. Rock-Star matches the No. 2 peak for Stray Kids’ 5-Star from earlier in 2023.
Close behind is The Kid Laroi, whose first solo LP The First Time (Columbia/Sony) arrives at No. 3 on the Australian tally. Born and raised in inner-city Sydney, Laroi (real name Charlton Howard) ruled the ARIA Chart in 2021 for a single week with his mixtape F*ck Love (Savage). The Kid is coming home next year for his first stadium tour on home soil, presented by TEG Live and announced earlier this week.
The Beatles’ revolution is in full swing, as 1967-1970 (The Blue Album) (Capitol/Universal) returns to the top 10, at No. 8, matching its original peak position from 1973. 1967-1970 (The Blue Album) includes the Fab Four’s “last” song, “Now And Then,” which bowed at No. 6 on the Australian chart last week. Further down the fresh list, the Beatles’ 1962-1966 (The Red Album) returns at No. 15.
Jung Kook’s first solo album, Golden, debuts atop Billboard’s Top Album Sales chart (dated Nov. 18), selling 164,800 copies in the U.S. in the week ending Nov. 9, according to Luminate.
Also in the top 10 of the new Top Album Sales chart, the late Jimmy Buffett’s new studio album Equal Strain On all Parts bows at No. 3, Jason Aldean’s latest effort Highway Desperado starts at No. 6, anniversary reissues of Dave Matthews Band’s Before These Crowded Streets and Coheeed and Cambria’s The Second Stage Turbine Blade prompt their re-entries, while the physical release of Caroline Polachek’s Desire, I Want to Turn Into You pushes the album to a No. 9 debut.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of the 164,800 copies sold of Golden, physical sales comprise 128,500 (all CD sales) and digital downloads comprise 36,500. As with many major K-pop releases, Golden was issued in 16 collectible CD editions, all with the same tracklist, but alternative packaging and covers, with different merchandise (some randomized) contained inside. Among the variants were retail-exclusive sold through Barnes & Noble, Target and Walmart. Golden was also available to purchase across nine different digital download editions: a standard version, one with three music videos, a version with a “digitally signed” cover, two alternative cover versions, and four “voice memo” versions (each of the four came with a different short voice memo recorded by the artist as a bonus track).
Taylor Swift’s 1989 (Taylor’s Version) slips to No. 2 with 122,000 copies sold (down 91%) after debuting at No. 1 the week previous.
The late Jimmy Buffett, who died on Sept. 1, debuts at No. 3 on Top Album Sales with the final studio album he completed during his lifetime: Equal Strain On all Parts. It launches with 51,000 copies sold. The set was issued as a standard digital album, a standard CD and in two vinyl editions – a widely available Key West Blue-colored version, and an indie store exclusive Paradise Blue-colored version that contains a poster inside. Of the album’s 51,000 sold, CD sales comprise 26,000, digital album sales comprise 15,000 and vinyl sales comprise 10,000.
SEVENTEEN’s SEVENTEENTH Heaven: 11th Mini Album falls 2-4 on Top Album Sales with 22,000 (down 77%) while The Rolling Stones’ Hackney Diamonds dips 3-5 with 17,000 (down 48%).
Jason Aldean’s new studio album Highway Desperado drives in at No. 6 in its first week, selling 16,500 copies. It’s the 11th top 10, all consecutive, for the country star. He first visited the region with Relentless, hitting No. 4 in 2007.
Dave Matthews Band’s former No. 1, Before These Crowded Streets, re-enters Top Album Sales at No. 7 with nearly 15,000 sold, following a new 25th anniversary pressing on vinyl. (Essentially all of its sales for the week were on vinyl.) It was available in four vinyl variants: a standard black-colored edition, with clear, yellow and red/blue marbled version.
Another anniversary vinyl pressing brings an album back to the chart, as Coheed and Cambria’s The Second Stage Turbine Blade reaches the top 10 for the first time, as it re-enters at No. 8 with 13,000 sold (its best sales week ever). Nearly all of that sum is driven by vinyl sales, as the album garnered a new vinyl pressing for its 20th anniversary. It was available in five color variants: black transparent, yellow opaque, white with black splatter, yellow with white and black splatter and green with white and yellow splatter. Second Stage now marks the ninth top 10-charting effort for the act on Top Album Sales.
Caroline Polachek’s Desire, I Want to Turn Into You, debuts at No. 9 on Top Album Sales with a little over 11,000 copies sold (up from a negligible sum the week previous), following the album’s release on physical formats on Nov. 3. It was available in four vinyl variants, a CD and cassette tape. The album was initially released as a digital download and via streaming services in February.
Rounding out the new top 10 is TOMORROW X TOGETHER’s former leader The Name Chapter: Freefall, which drops 5-10 with 10,000 sold (down 31%).
In the week ending Nov. 9, there were 2.074 million albums sold in the U.S. (down 33.1% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.651 million (down 38.6%) and digital albums comprised 423,000 (up 2.5%).
There were 796,000 CD albums sold in the week ending Nov. 9 (down 35.5% week-over-week) and 845,000 vinyl albums sold (down 41%). Year-to-date CD album sales stand at 30.041 million (up 1.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 39.430 million (up 18.4%).
Overall year-to-date album sales total 85.832 million (up 6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 69.947 million (up 10.3%) and digital album sales total 15.885 million (down 9.7%).
Emilia and TINI unite atop the Billboard Argentina Hot 100 chart as their team-up, “La_Original.Mp3,” bursts in at No. 1 on the Nov. 18-dated ranking. It’s the second song to launch at the summit in 2023, after another Emilia collaborative track, “Los Del Espacio,” with the all-star team comprising LIT killah, Maria Becerra, FMK, Rusherking, Duki, Tiago PZK and Big One (seven weeks in charge).
“La_Original.Mp3” sends Luck Ra’s “La Morocha,” featuring BM, to No. 2 after the latter’s seven-week domination.
“La Original,” which also scores the Hot Shot Debut of the week, belongs to Emilia’s sophomore album, .Mp3.
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Further, three other .Mp3 tracks debut this week. With those new recruits, Emilia boasts 10 concurrent tracks on the tally this week — seven from her new set, including a re-entry. Here’s a look at her song collection on this week’s Billboard Argentina Hot 100.
No. 1, “La_Original.Mp3”, along with TINI (debut)No. 5, “GTA.Mp3”No. 13, “Los del Espacio”, along with LIT Killah, Tiago PZK, Maria Becerra, Duki, Rusherking, Big OneNo. 22, “No_Se_Ve.Mp3”, along with Ludmilla and ZeccaNo. 35, “Salgo a Bailar”, along with FMKNo. 36, “Exclusive.Mp3” (debut)No. 41, “En la Intimidad,” with Big One and Callekero FinoNo. 58, “Jagger.Mp3”No. 67, “Iconic.Mp3” (debut)No. 71, “Facts.Mp3” (debut)
The Greatest Gainer honors goes to Tan Bionica’s “La Melodía De Dios,” which climbs 25 places from No. 88 to No. 63.
Finally, one other song debuts: Jung Kook’s “Standing Next to You” at No. 97.
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Farruko returns to the top of Billboard’s Latin Pop Airplay chart as a soloist as “Pasajero” lifts 3-1 on the Nov. 18-dated list. The song, released June 15, entered the ranking at No. 23 in June and wraps the longest journey to No. 1. “Pasajero” leads with 7.1 million audience impressions earned in the U.S. […]