Chart Beat
Page: 19
Less than two years after first appearing on a Billboard chart, Sleep Theory hits No. 1 on a ranking for the first time, jumping three spots to the top of the Mainstream Rock Airplay list dated Feb. 22 with “Stuck In My Head.”
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The four-piece reigns with its third charted song on Mainstream Rock Airplay, following “Fallout” (No. 2 peak last August) and “Numb” (No. 9, January 2024).
Sleep Theory, which formed in Memphis in 2020, is the first act to land an inaugural Mainstream Rock Airplay since The Funeral Portrait led with “Suffocate City,” featuring Spencer Charnas, in November.
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Concurrently, “Stuck In My Head” becomes Sleep Theory’s first song to reach Alternative Airplay, debuting at No. 38.
On the all-rock-format, audience-based Rock & Alternative Airplay chart, the single lifts 15-13 with 2.6 million audience impressions, up 6%, in the week ending Feb. 13, according to Luminate. It’s a new best rank for the band, eclipsing the No. 14 peak of “Fallout.”
On the most recently published multimetric Hot Hard Rock Songs chart (dated Feb. 15, reflecting data accrued Jan. 31-Feb. 6), “Stuck In My Head” ranked at No. 8, after reaching No. 6 in January. In addition to its radio airplay, the song earned 728,000 official U.S. streams.
“Stuck In My Head” is the third single from Afterglow, Sleep Theory’s debut full-length, due May 16 via Epitaph. The band is set to follow with more than 30 U.S. tour dates between May 18 and July 18.
All Billboard charts dated Feb. 22 will update Tuesday, Feb. 18, on Billboard.com.
The charity album Good Music to Lift Los Angeles makes a chart-topping debut, as the 90-track set arrives atop Billboard’s Compilation Albums chart (dated Feb. 22).
The effort — which boasts acts such as Dawes, R.E.M. and Perfume Genius — was sold for 24 hours only through Bandcamp as a digital download on Feb. 7. The price of the album was $20.25, but customers could choose to pay more. Proceeds from the project benefit the Los Angeles Regional Food Bank and California Community Foundation’s Wildfire Fund, both supporting individuals impacted by the January wildfires in the Los Angeles area.
In total, the Good Music to Lift Los Angeles album sold just over 10,000 copies in the week ending Feb. 13 in the U.S., according to Luminate. The last non-soundtrack compilation to sell more in a single week was another benefit project, Cardinals at the Window: A Benefit for Flood Relief in Western North Carolina, which sold nearly 12,000 and debuted atop the Compilation Albums chart dated Oct. 19, 2024.
The 90-track project is comprised entirely of previously unreleased recordings, including new songs, covers, remixes, live versions and unreleased demos. Other acts featured on the collection include K.Flay, Faye Webster, Death Cab for Cutie, The Postal Service, Mac DeMarco, Neko Case and TV On the Radio.
Good Music to Lift Los Angeles also launches at No. 5 on the Top Album Sales chart and in the top 40 on Top Alternative Albums (No. 16), Independent Albums (No. 20), Top Rock Albums (No. 20), Top Rock & Alternative Albums (No. 26). It was also the top-selling digital download album in the U.S. in the week ending Feb. 13.
As Good Music to Lift Los Angeles opens at No. 5 on the Top Album Sales chart, let’s take a look at the rest of the chart’s top 10. Kendrick Lamar’s GNX reenters the list at No. 1 for its first week on top (116,000; up 10,100%) after its physical release on CD, vinyl and cassette; The Weeknd’s Hurry Up Tomorrow falls 2-1 in its second week (29,000; down 92%), Dream Theater’s Parasomnia starts at No. 3 (16,000) and Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess dips 3-4 (14,000; up 24%).
Closing out the top 10: Sabrina Carpenter’s Short n’ Sweet slips 5-6, Billie Eilish’s Hit Me Hard and Soft is steady at No. 7, the Wicked film soundtrack falls 6-8, Stray Kids’ former No. 1 HOP descends 4-9 and Lamar’s Good Kid, M.A.A.d City jumps 18-10.
Myke Towers secures his 13th No. 1 on Billboard’s Latin Airplay chart as “Otra Noche,” featuring Darell, surges 13-1 for its first week atop on the chart dated Feb. 22. It’s the biggest jump of 2025 so far, out of the four songs that have ruled the tally.
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“Otra Noche” rallies to the top after a 36% surge in audience impressions, to 7.8 million, earned in the U.S. in the Feb. 7-13 tracking week, according to Luminate.
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The recent airplay boost for “Otra Noche” is perhaps due in part to Towers’ upcoming participation at SBS’ Calibash festival on March 7, with SBS’ WSKQ (New York) among the biggest supporters of the song, with the most plays for the tracking week, while Univision’s WXNY (New York), KAMA (Houston) and KDXX (Dallas), and SBS’ WMEG (Puerto Rico) round up the top five stations by spin count.
As “Otra Noche” takes the lead, it ejects Bad Bunny’s “El Clúb” from No. 1 after two weeks in charge. The latter drops 4-1 with a 17% dip in impressions.
“Otra Noche” gives Towers his 13th No. 1 on Latin Airplay in 2025. He previously reigned with “La Capi” in May 2024. Darell, meanwhile, returns to the summit after five years; “Otra Trago,” with Sech, Nicky Jam, Ozuna and Anuel AA, ruled for one week in 2019.
As “Noche” surges 13-1, it becomes the largest jump out of the four songs that have ruled Latin Airplay, and the only one to jump more than one slot to the top. Shakira’s “Soltera,” Bad Bunny’s “El Clúb” and Karol G’s “Si Antes Te Hubiera Conocido” all rose 2-1. The last song to have a larger jump to No. 1 came on the July 20, 2024, chart, when “Perdonarte Para Qué?” by Los Angeles Azules y Emilia climbed 15-1.
“Otra Noche” was the fourth single from Towers’ fifth studio album, La Pantera Negra, released August 2024 on Warner Latina. The album debuted at Nos. 7 and 2 on Top Latin Albums and Latin Rhythm Albums, respectively, last September.
Maverick City Music lands its fifth No. 1 on Billboard’s Top Gospel Albums chart, and its eighth top 10 on Top Christian Albums (No. 2), with the debut of Live at Maverick City (on lists dated Feb. 22). The 36-song set from the Atlanta-based Christian and gospel music collective earned 5,000 equivalent album units in […]
Farruko is back atop Billboard’s Latin Pop Airplay chart as “Cables Cruzados” lifts 2-1 to rule the Feb. 22-dated tally. The Puerto Rican returns with his first song to rule in over a year.
“Cables Cruzados” was the focus track on Farruko’s 26-track studio album Cvrbon Vrmor (2024), his first full-length since the No. 1 set La 167 (2021). The song was a full embrace of the pop side he periodically showcased on past releases and arrived following his transformative spiritual conversion.
“Cables Cruzados” lands at No. 1 on Latin Pop Airplay, where it vaults 5.8 million audience impressions across U.S. pop radio stations in the tracking week ending Feb. 13, according to Luminate; that’s a 22% boost in weekly plays from last week.
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The song dethrones Shakira’s “Soltera” from its 18-week-straight coronation, the third-longest reign in the 2020s decade (Rauw Alejandro’s “Todo De Ti” and Karol G’s “Provenza” dominated for 28 and 21 weeks, respectively, in 2021 and 2022).
“Cables” becomes Farruko’s eighth win on Latin Pop Airplay among 40 career entries. The single also gives him a first champ since 2023, when “Pasa_je_ro” seized the No. 1 slot for five consecutive weeks in 2023, his longest-leading song there.
Farruko’s winning streak began with 2016’s “Obsesionado” (two weeks in charge). That same year, “Chillax,” featuring Ky-Mani Marley, led for one week.
As it has become a norm for Farruko’s leading songs on Latin Pop Airplay, “Cables” lands at No. 1 in its 17th week, a two-digit run to the penthouse as the rest of his eight champs. Let’s take a closer look at those eight winners and their journey to No. 1, from least to most:
Weeks to No. 1, Song, Weeks at No. 1, Year11, “Obsesionado,” two (2016)13, “Perfecta,” with Luis Fonsi, two (2020)13, “Me Pasé,” with Enrique Iglesias, one (2021)16, “Si Me Dices Que Sí,” with Reik & Camilo, two (2020)17, “Cables Cruzados,” (2025)21, “Chillax,” featuring Ky-Mani Marley, one (2016)22, “Pasa_je_ro,” five (2023)25, ‘Calma,” with Pedro Capo, one (2019)
Thanks to a winning performance across radio pop stations, “Cables Cruzados” delivers its first top 10 appearance on the overall Latin Airplay chart, where it climbs 18-10, Farruko’s 18th top 10 there.
All charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Banda Los Sebastianes De Saúl Plata wins big this week achieving its seventh No. 1 on Billboard’s Regional Mexican Airplay chart (dated Feb. 22), as “Voy a Levantarme” climbs 4-1 for its first week atop the ranking following a 10-week run in the top 10.
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“My people, we are very happy to be No. 1 on Billboard with ‘Voy a Levantarmé,’ how cool, honestly!” Armando “Choco” Celis, one of Los Sebastianes vocalists, tells Billboard. “Excited and happy, really, thank you for sharing our music, because this entire song is symbolic, about personal improvement.”
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“Voy a Levantarme” advances to the summit on Regional Mexican Airplay despite a 5% dip in airplay in the U.S. — that’s 5.8 million audience impressions logged in the tracking week of Feb. 7-13, according to Luminate. The song unseats Gerardo Coronel’s “CHSM El Hígado” from the lead. The latter manages to remain in the top 10 despite a 37% decline in plays. It drops to No. 9 with 4.1 million impressions across regional Mexican stations.
“Voy a Levantarme,” released Sept. 13, 2024, on Fonovisa/UMLE, gives Fonovisa its first win of 2025. So far, Universal Music Latin’s sublabel has reached a No. 9 high through Banda El Recodo de Cruz de Lizárrga’s “Coqueto Tazo Dorado” (chart dated Feb. 8). Fonovisa last secured a No. 1 when Los Tigres del Norte’s “Aquí Mando Yo” ruled Regional Mexican Airplay for one week last August.
As mentioned, Banda Los Sebastianes achieves its seventh No. 1 on Regional Mexican Airplay. Before the latest coronation, the Sinaloans placed one champ in 2024. The collaboration with Edgardo Nuñez, “El Humo de Mi Gallo,” held at No. 1 for one week in 2024. The reigning champ became the group’s only win through a co-lead billing.
“We love you very much and all this work is for you,” adds Javier Larrañaga, the group’s second vocalist. “Thank you very much for everything. We’re on!”
Kendrick Lamar’s “Not Like Us” adds another honor to a triumphant February for the artist, breaking the record for the most weeks at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart. The culture-shaping hit re-enters directly at the summit on the list dated Feb. 22 after its high-profile inclusion at Lamar’s Super Bowl LIX halftime show (Feb. 9) and five wins at the Grammy Awards (Feb. 2), including record and song of the year.
With its recovery, “Not Like Us” picks up an unprecedented 22nd week atop Hot R&B/Hip-Hop Songs. It breaks from a tie with SZA’s “Kill Bill” to stand alone as longest-leading No. 1 in the chart’s history, which dates to 1958. The returning champ, which debuted in May and charted through November, is the first track to re-enter at No. 1; the previous return high was a No. 3 comeback for Juice WRLD’s “Lucid Dreams” on the list dated Dec. 21, 2019, following the rapper’s death that month.
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“Not Like Us” wins its record week at No. 1 through a combination of 49 million official U.S. streams, 20.5 million in airplay audience and 33,000 digital download sales in the Feb. 7-13 tracking week, according to Luminate. The single surged by 156%, 31% and 432% in the metrics, respectively, compared with its results last week.
As the record of the year winner rewrites the record books, here’s a look at the longest-running No. 1 hits on the Hot R&B/Hip-Hop Songs chart:
22, “Not Like Us, Kendrick Lamar, 2024-25
21, “Kill Bill,” SZA, 2022-23
20, “Old Town Road,” Lil Nas X feat. Billy Ray Cyrus, 2019
18, “Industry Baby,” Lil Nas X & Jack Harlow, 2021-22
18, “One Dance,” Drake feat. WizKid & Kyla, 2016
16, “Blurred Lines,” Robin Thicke feat. T.I. + Pharrell, 2013
15, “Be Without You,” Mary J. Blige, 2006
15, “Lovin on Me,” Jack Harlow, 2023-24
Elsewhere, “Not Like Us” re-enters at No. 1 on the Hot Rap Songs chart to secure a record-extending 26th week in charge, while it flies 15-1 on the all-genre Billboard Hot 100 for a third leading week.
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“Not Like Us” leads a parade of 17 Lamar tracks on the 50-position Hot R&B/Hip-Hop Songs chart, including a full occupation of the top six slots. Former champs “Luther,” with SZA, “TV Off,” featuring Lefty Gunplay, and “Squabble Up” book Nos. 2-4, respectively, and each gains in all three tracking metrics after their inclusion in the halftime show set.
Another SZA-Lamar collab, “30 for 30,” climbs 6-5 despite not being performed at the Super Bowl, though as a current single, it continues to grow at radio and earns gains in other metrics from fans’ wider streaming of SZA and Lamar’s larger catalogs. Finally, yet another team-up from the pair, 2018’s “All the Stars,” re-enters at No. 6 following its halftime show presence.
With 11 of Lamar’s songs this week from his GNX album, it’s little surprise that the set rebounds 3-1 for a fifth week at No. 1 on the Top R&B/Hip-Hop Albums chart. The album, released last November, earned 236,000 equivalent albums in the tracking week, up 264%. The sum also powers it 4-1 on the all-genre Billboard 200, where it captures the summit for the first time since its debut week.
Kendrick Lamar’s “Not Like Us” resurges to No. 1, from No. 20, on the Billboard Global 200 chart (dated Feb. 22), fueled by his performance of the song during the Super Bowl LIX halftime show Feb. 9. He also boasts five of the chart’s top 10.
Meanwhile, Lady Gaga and Bruno Mars’ “Die With a Smile” rebounds for a ninth week atop the Billboard Global Excl. U.S. chart.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Not Like Us” drew 113.2 million streams (up 176%) and sold 39,000 (up 424%) worldwide Feb. 7-13. The seething diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Global 200. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks in the top 15. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video. The song’s 30-week break between No. 1 from July to this week marks the longest excluding holiday fare in the chart’s history.
Lamar also soars back to the Global 200’s top 10 with “Luther,” with SZA (12-4, as it returns to its best rank); “TV Off,” featuring Lefty Gunplay (27-8, after hitting No. 5); and 2018’s “All the Stars,” with SZA (74-10 for its first week in the tier, becoming Lamar’s 12th top 10 and SZA’s eighth). All four songs were also part of his halftime performance.
Lady Gaga and Bruno Mars’ “Die With a Smile” dips to No. 2 after nine weeks at No. 1 on the Global 200 starting last September and ROSÉ and Mars’ “APT.” backtracks 2-3 following 12 weeks on top beginning in October.
Plus, Gaga’s “Abracadabra,” unveiled (through a MasterCard commercial) during the Grammy Awards Feb. 2, bounds 10-5 in its second week on the Global 200 led by 78.4 million streams worldwide in its first full tracking week (Feb. 7-13); it drew 47.7 million from its release through Feb. 6.
“Die With a Smile” rebounds 2-1 for its ninth week atop Global Excl. U.S., with 107.7 million streams (up 3%) and 5,000 sold (down 8%) outside the U.S. Feb. 7-13.
“APT.” descends to No. 2 after a record 15 weeks at No. 1 on Global Excl. U.S. beginning in November.
“Not Like Us” leaps 27-3 on Global Excl. U.S., surpassing its prior No. 5 best; “Abracadabra” vanishes from No. 9 and reappears at No. 4 in its second week on the chart; and Billie Eilish’s “Birds of a Feather” falls 4-5, after three weeks on top last August. Plus, “Luther” leaps 19-7, after reaching No. 6.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Kendrick Lamar’s “Not Like Us” blasts back to No. 1, from No. 15, on the Billboard Hot 100 songs chart (dated Feb. 22), sparked by his performance of the song during the Super Bowl LIX halftime show Feb. 9.
The scathing diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Hot 100. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks between Nos. 2 and 6. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video.
“Not Like Us” leads the Hot 100 again after a break of 29 chart weeks (and 30 total, encompassing a week off the chart while holiday hits decorated the ranking) – the third-longest break between time at No. 1 in the chart’s 66-year history (surpassing two hits that waited nine weeks each between stays on top: Olivia Rodrigo’s “Vampire,” in 2023, and Miley Cyrus’ “Wrecking Ball,” in 2013).
Among all songs, the only longer breaks between No. 1 Hot 100 runs belong to Chubby Checker’s “The Twist” and Mariah Carey’s “All I Want for Christmas Is You.” The former returned to the top after a record wait of a year, three months and three weeks, between 1960 and 1962, after it re-entered the chart thanks to new popularity among adult audiences; Carey’s Yuletide anthem has led for 18 total weeks, via annual reigns since December 2019.
Meanwhile, “Not Like Us” becomes the first non-holiday song to top the Hot 100 three separate times with breaks of two or more months in between each domination.
Lamar additionally ties his longest Hot 100 command, as he first led for three weeks last April with “Like That,” with Future and Metro Boomin. He has earned five No. 1s, also ruling for a week each with “Squabble Up” in December (thus, in between his second and third turns at No. 1 with “Not Like Us”); “Humble.” in 2017; and as featured on Taylor Swift’s “Bad Blood” in 2015.
Additionally, two songs reach the Hot 100’s top 10 for the first time, led by Chappell Roan’s “Pink Pony Club” (18-9), after she performed the song on the Grammys and won for best new artist and has drawn continued attention for her acceptance speech calling for improvements in artists’ healthcare. Plus, SZA’s “30 for 30,” featuring Lamar, leaps 22-10 after she guested during Lamar’s halftime show performance.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Not Like Us’ Streams, Airplay & Sales
Following the 2025 Super Bowl halftime show (Feb. 9), headliner Kendrick Lamar sees his GNX album return to No. 1 on the Billboard 200 for a second nonconsecutive week (rising 4-1 on the Feb. 22-dated chart), while his special guest SZA climbs 3-2 with her former leader SOS. With Lamar and SZA at Nos. 1 […]