Chart Beat
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As Taylor Swift’s 1989 (Taylor’s Version) ties up a fifth nonconsecutive week at No. 1 on the Billboard 200 (dated Jan. 6, 2024), Swift also carves out a new piece of chart history.
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Swift’s total weeks at No. 1 on the Billboard 200 — across all 13 of her chart-topping releases — now climb to 68 weeks, surpassing Elvis Presley for the most weeks at No. 1 by a soloist. He logged 67 weeks at No. 1 across 10 chart-topping albums spanning 1956-2002. Only The Beatles have more weeks at No. 1, with 132 weeks on top, across 19 No. 1 albums in 1964-2001.
Swift’s first No. 1 album came with Fearless, which spent 11 weeks atop the list in late 2008 and early 2009. She followed it with the chart-toppers Speak Now (six weeks at No. 1, 2010-11), Red (seven, 2012-13), 1989 (11, 2014-15), Reputation (four, 2017-18), Lover (one, 2019), Folklore (eight, 2020-21), Evermore (four, 2020-21), Fearless (Taylor’s Version) (two, 2021), Red (Taylor’s Version) (one, 2021), Midnights (six, 2022-23), Speak Now (Taylor’s Version) (two, 2023) and 1989 (Taylor’s Version) (five, 2023-24).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 30, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 27, one day later than normal due to the Christmas Day holiday on Dec. 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Taylor Swift’s 1989 (Taylor’s Version) locks up a fifth nonconsecutive week atop the Billboard 200 albums chart (dated Jan. 6, 2024), as the set earned 98,000 equivalent album units in the U.S. in the week ending Dec. 28 (down 28%), according to Luminate. With a fifth week at No. 1, 1989 (Taylor’s Version) equals the total combined weeks at No. 1 of Swift’s three previous re-recorded albums. The Taylor’s Version editions of Fearless, Red and Speak Now notched two weeks, one week and two weeks on top, respectively.
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In addition, Swift’s total weeks at No. 1 — across all 13 of her chart-topping releases — climbs to 68 weeks, surpassing Elvis Presley for the most weeks at No. 1 by a soloist. He logged 67 weeks at No. 1 across 10 chart-topping albums spanning 1956-2002. Only The Beatles have more weeks at No. 1, with an overall record 132 weeks on top, across 19 No. 1 albums in 1964-2001.
Swift’s first No. 1 album came with Fearless, which spent 11 weeks atop the list in late 2008 and early 2009. She followed it with the chart-toppers Speak Now (six weeks at No. 1, 2010-11); Red (seven, 2012-13); 1989 (2014-15); Reputation (four, 2017-18); Lover (one, 2019); Folklore (eight, 2020-21); Evermore (four, 2020-21); Fearless (Taylor’s Version) (two, 2021); Red (Taylor’s Version) (one, 2021); Midnights (six, 2022-23); Speak Now (Taylor’s Version) (two, 2023); and 1989 (Taylor’s Version) (five, 2023-24).
Also in the top 10 of the new Billboard 200, half of the region consists of holiday albums for the first time since a year ago this week, led by Michael Bublé’s former No. 1 Christmas, which rises 4-2.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 6, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 3, one day later than normal due to the New Year’s Day holiday on Jan. 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of 1989 (Taylor’s Version)’s 98,000 equivalent album units earned in the week ending Dec. 28, album sales comprise 61,000 (down 36%), SEA units comprise 36,000 (down 10%, equaling 48.5 million on-demand official streams of the set’s songs) and TEA units comprise 1,000 (up 31%).
Bublé’s chart-topping Christmas climbs 4-2 with 78,000 equivalent album units earned (up 11%). It’s the highest rank for the title in two years, since it spent two weeks in a row at No. 2 on the Jan. 1 and 8, 2022-dated charts. Christmas was released in 2011 and spent five consecutive weeks at No. 1 in 2011-12.
Christmas is the first of five holiday titles in the top 10 of the Billboard 200, the most seasonal sets in the region in a year. The top 10 last hosted five holiday albums on the Jan. 7, 2023 ranking.
Nicki Minaj’s former No. 1 Pink Friday 2 dips 2-3 with 66,000 equivalent album units earned (down 35%), while Nat King Cole’s The Christmas Song hits a new peak, rising 8-4 with 64,000 units (up 15%). The album previously topped out at No. 5 a year ago, on the Jan. 7, 2023, chart. The set includes Cole’s classic title track, along with Billboard Holiday 100-charting favorites including “Deck the Halls,” “O Come All Ye Faithful,” “Joy to the World” and “Caroling, Caroling.”
Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 5 with 60,000 equivalent album units earned (down 7%), while Drake’s former No. 1 For All the Dogs is stationary at No. 6 with 57,000 units (down 10%).
The classic multi-artist holiday album A Christmas Gift for You From Phil Spector jumps 14-7 — a new peak — with 56,000 equivalent album units earned (up 17%). The album, first released in 1963, previously peaked at No. 8 a year ago (on the Jan. 7, 2023, chart). It first reached the top 10 on the Jan. 8, 2022, chart, when it stepped 11-10. The album, produced by Spector, includes familiar favorites heard during the holiday season that were initially recorded for the project. Among them are Holiday 100-charting hits including The Ronettes’ “Sleigh Ride” and Darlene Love’s “Christmas (Baby Please Come Home)” and “Winter Wonderland.”
Mariah Carey’s Merry Christmas jingles 10-8 with 56,000 equivalent album units (up 7%) and Swift’s Midnights falls 3-9 with 53,000 (down 29%).
Rounding out the top 10 of the new Billboard 200 is Pentatonix’s The Greatest Christmas Hits, which vaults 60-10, a new peak, with 51,000 equivalent album units earned (up 147%). The 31-song set is the vocal group’s latest release, and it includes 23 previously-released holiday favorites, along with eight new recordings.
The Greatest Christmas Hits marks Pentatonix’s 11th top 10-charting set, and its first since the group’s last compilation, 2019’s The Best of Pentatonix Christmas, peaked at No. 7 on the Dec. 28, 2019, chart.
Here’s a recap of Pentatonix’s 11 top 10-charting albums on the Billboard 200, six of which are holiday sets: PTXmas (No. 7, 2013); PTX: Vol. II (No. 10, 2013); PTX: Vol. III (No. 5, 2014); That’s Christmas to Me (No. 2, 2014); Pentatonix (No. 1, 2015); A Pentatonix Christmas (No. 1 for two weeks, 2017); PTX Vol. IV: Classics (No. 4); PTX Presents: Top Pop, Vol. 1 (No. 10, 2018); Christmas Is Here! (No. 7, 2018); The Best of Pentatonix Christmas (No. 7, 2019); and The Greatest Christmas Hits (No. 10, 2024).
As The Greatest Christmas Hits houses songs by Pentatonix that are on multiple albums by the act, SEA and TEA for those songs contribute to whichever Pentatonix album containing those songs sells the most in traditional album sales in a week. A song such as “Mary, Did You Know?” appears on three Pentatonix albums: the studio set That’s Christmas To Me, and the later-released compilations The Best of Pentatonix Christmas and The Greatest Christmas Hits. SEA and TEA for “Mary” is assigned on the chart to whichever of those three albums sells the most in a given week. In the tracking week ending Dec. 28, The Greatest Christmas Hits sold nearly 2,500 copies, more than any other Pentatonix album. Thus, Greatest is assigned all of the SEA and TEA on the chart for any songs it shares across other Pentatonix albums.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Noah Kahan earns his second No. 1 on Billboard’s Adult Alternative Airplay chart in 2023, and Hozier his third, as the pair’s “Northern Attitude” rises to the top of the tally dated Jan. 6, 2024.
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The song was originally recorded by Kahan solo, while Hozier joined as a featured artist on the collaborative version released Nov. 10.
The new No. 1 marks two in a row for Kahan, after “Dial Drunk” reigned for two weeks in September, becoming his first leader.
Hozier now boasts five total Adult Alternative Airplay No. 1s, dating to 2014’s “Take Me to Church.” Previously in 2023, he led with “Eat Your Young” in May and “Francesca” in September. He also reached the summit with “Nina Cried Power,” featuring Mavis Staples, in 2018.
Concurrently, “Northern Attitude” jumps 27-22 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.4 million audience impressions, according to Luminate. Both acts have earned top 10s on the chart in 2023: Kahan with “Dial Drunk” (No. 3, September) and Hozier with “Eat Your Young” (No. 7, June).
“Northern Attitude” is the latest single from Stick Season, Kahan’s third studio album, which was released in October 2022, followed by a deluxe version this June. The title-track lead single peaked at No. 2 on Adult Alternative Airplay in November 2022, followed by “Homesick” (No. 7, May) and the aforementioned “Dial Drunk.”
On the most recently published, Dec. 30-dated Hot Rock & Alternative Songs chart, which incorporates streaming, radio airplay and sales data, “Northern Attitude” ranked at No. 12 (after reaching No. 7 in November following the new version’s release). In addition to its radio airplay, the song earned 4.7 million official U.S. streams and sold 1,000 downloads Dec. 15-21.
Stick Season has led the Top Rock & Alternative Albums chart for two weeks to date and earned 1.3 million equivalent album units through Dec. 21.
All Billboard charts dated Jan. 6, 2024, will update on Billboard.com on Tuesday, Jan. 2.
Mexican social media superstar and singer Kim Loaiza earns her first entry on a Billboard album chart as her debut set, X Amor, opens at No. 9 on the Latin Pop Albums chart (dated Dec. 30). X Amor released Dec. 14 via Warner Latina, debuts in the top 10 with 2,000 equivalent units earned in […]
Conan O’Brien has already had plenty of success in his career, but now he has one more reason to celebrate: he’s officially a Billboard-charting artist for the first time.
His new limited-edition vinyl release Conan O’Brien Needs a Friend: Quinquennial Celebration debuts at No. 3 on the latest Comedy Albums chart (dated Dec. 30) with 1,000 copies sold in the U.S. in the Dec. 15-21 tracking week, according to Luminate, becoming his first-ever Billboard chart entry.
The album is a compendium to his hit podcast Conan O’Brien Needs a Friend. The collection was curated by O’Brien and his trusty co-hosts Matt Gourley and Sona Movsesian in honor of the podcast’s fifth anniversary. According to a press release, the set finds the trio “reflecting on the last five years of recording their hit podcast,” including never-before-heard backstories and original comedy surprises.
SiriusXM, which acquired the podcast and the Team Coco digital media business in May, announced the news of the release on Nov. 7. “This is a historic achievement — listening to a podcast on vinyl will tear a hole in the hipster spacetime continuum,” O’Brien said in a statement. The project was produced by SiriusXM’s Team Coco in collaboration with New England-based comic/music retailer Newbury Comics.
O’Brien launched his Conan O’Brien Needs a Friend podcast in November 2018 after retiring from his Conan late-night show on TBS. In addition to chatting with callers from around the globe on the spin-off Conan O’Brien Needs a Fan, the show has featured a wide variety of guests, including Will Ferrell, Malcolm Gladwell, Lin-Manuel Miranda, Barack and Michelle Obama, Adam Sandler, David Sedaris, Bruce Springsteen, Howard Stern and Neil Young, plus a recent special-event interview with former Nirvana bandmates Dave Grohl and Krist Novoselic.
O’Brien, a four-time Primetime Emmy Award winner, hosted NBC’s Late Night With Conan O’Brien from 1993-2009 and The Tonight Show With Conan O’Brien from 2009-10. Before that, the Brookline, Mass., native was a writer for Saturday Night Live and The Simpsons.
O’Brien isn’t the first late-night host to chart a song or album on BIllboard. Jimmy Fallon’s Blow Your Pants Off spent three weeks at No. 1 on Comedy Albums in 2012. His album The Bathroom Wall also reached No. 47 on the Billboard 200 in 2002, while his song “Ew!” featuring will.i.am peaked at No. 26 on the Billboard Hot 100 in 2014 — his new holiday song with Meghan Trainor, “Wrap Me Up” also rises to No. 2 on the current Adult Contemporary chart (dated Dec. 30). Craig Ferguson has charted two entries on Comedy Albums: A Wee Bit O’ Revolution (No. 6 peak in 2009) and I’m Here To Help (No. 6, 2013). Jimmy Kimmel reached No. 27 on Hot Rock & Alternative Songs and No. 83 on the Holiday 100 in 2014, thanks to his featured appearance on the Killers’ holiday song “Joel the Lump of Coal.” Trevor Noah’s African American LP peaked at No. 6 on Comedy Albums in 2015. Arsenio Hall — as alter ego Chunky A — hit No. 26 on Hot R&B/Hip-Hop Songs and No. 77 on the Hot 100 in 1989 with his novelty rap track “Owww!” His comedy rap album Large and in Charge also reached No. 71 on the Billboard 200 in 1990. And Steve Allen, the inaugural host of The Tonight Show in 1954-57, charted on the Hot 100 in 1963 with his song “Gravy Waltz” (No. 64 peak).
JENNIE and Lily-Rose Depp each visit the Billboard Hot 100 for the first time thanks to their collaboration with The Weeknd, “One of the Girls,” from HBO’s The Idol.
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The song, released in June via HBO/XO/Republic Records, debuts at No. 100 with 6 million U.S. streams and 1.5 million radio audience impressions Dec. 15-21, according to Luminate.
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While the song earns JENNIE her first solo entry on the Hot 100, she’s made nine trips to the chart as a member of BLACKPINK. Here’s a recap of the group’s history on the ranking, listed by peak position:
BLACKPINK’s Hot 100 Chart Hits:“Ice Cream,” with Selena Gomez, No. 13 peak, 2020“Pink Venom,” No. 22, 2022“Shut Down,” No. 25, 2022“How You Like That,” No. 33, 2020“Sour Candy,” with Lady Gaga, No. 33, 2020“Kill This Love,” No. 41, 2019“DDU-DU DDU-DU,” No. 55, 2018“Lovesick Girls,” No. 59, 2020“Kiss and Make Up,” with Dua Lipa, No. 93, 2018
BLACKPINK has also charted four albums on the Billboard 200, including two top 10s: The Album (No. 2 peak in 2020) and Born Pink (No. 1, 2022).
Outside of BLACKPINK, JENNIE has charted two other solo songs on Billboard’s charts. “Solo” spent a week at No. 1 on the World Digital Song Sales chart in 2018 and “You & Me” crowned Billboard Global Excl. U.S. for week this October. The latter also peaked at No. 7 on the Billboard Global 200.
As for Lily-Rose Depp, “One of the Girls” became her first overall chart hit in July when it debuted at No. 14 on the Hot R&B Songs chart—it now ranks at No. 7 on the latest list, after reaching No. 6.
The song is featured in the fourth episode of The Idol and was released after the episode premiered June 23. Depp starred in the series as the Jocelyn, an up-and-coming pop star, while The Weeknd (credited under his real name, Abel Tesfaye) starred as Tedros, a nightclub owner and talent scout. JENNIE portrayed Dyanne, a backup dancer and friend of Jocelyn. The series aired five episodes on HBO and Max this June and July and was canceled in August after one season.
Despite the show’s cancellation, the song has continued to surge thanks in part to growing popularity on TikTok. The track has soundtracked over 80,000 clips on the platform, while another version has been used in over 90,000. On Dec. 8, the trio released four additional mixes of the song: sped-up, slowed, instrumental and a cappella versions.
Prior to starring in The Idol, Depp starred in the films The King, Silent Night and Voyagers, among others. This isn’t her first foray into music; she sang three songs for the soundtrack of the 2016 Kevin Smith comedy-horror film Yoga Hosers, in which she starred with Harley Quinn Smith. Depp’s parents – Johnny Depp and Vanessa Paradis – also star in the movie.
After scaling Billboard‘s charts for over a year, George Birge’s breakthrough single “Mind on You” finally arrives on the Billboard Hot 100. The song, released in 2021 on RECORDS Nashville, debuts at No. 88 on the Dec. 30-dated Hot 100 with 31.6 million radio airplay audience impressions (up 14%) and 1.1 million U.S. streams in […]
The Red Clay Strays are officially Billboard Hot 100-charting artists, thanks to the group’s breakthrough single “Wondering Why.”
The song, which the band self-released in 2022 ahead of its debut full-length LP Moment of Truth (released that April), debuts on the Dec. 30-dated ranking at No. 93, becoming its first entry on the chart. It enters with 5.7 million U.S. streams (up 5%), 418,000 radio airplay audience impressions and 1,000 downloads sold in the Dec. 15-21 tracking week, according to Luminate.
The song has also become a hit on several other Billboard charts. It holds at its highs on Hot Rock Songs (No. 7) and Hot Rock & Alternative Songs (No. 10) and rises 19-18 on Hot Country Songs. Radio-wise, it jumps 33-26 in its second week on Adult Alternative Airplay.
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Recent gains for the song can be partially attributed to TikTok, where it has soundtracked over 60,000 clips on the platform to date. One video on the group’s profile, posted Dec. 1, has garnered over 500,000 views. Another — of the group performing a live version that was posted on the @_realcountrymusic account on Sept. 3 — has generated nearly 2 million views. The song’s newfound popularity has also resulted in many singers posting their own covers of the track on the platform.
The Red Clays Strays, from Mobile, Ala., are new to Billboard’s charts. “Wondering Why” became their first overall chart entry when it debuted on two rock tallies in November.
The band is currently on the road on its headlining The Way Too Long Tour, which runs through March 2024. The act has previously opened for Dierks Bentley, Brothers Osborne, Eric Church, Elle King and Old Crow Medicine Show, among others. In May, the group made its debut at the Grand Ole Opry in Nashville. The quintet comprises Brandon Coleman (lead vocals/guitar), Drew Nix (vocals/electric guitar/harmonica), Zach Rishel (electric guitar), Andrew Bishop (bass) and John Hall (drums).
Taylor Swift dominates Billboard’s Top Album Sales chart (dated Dec. 30), as she holds the entire top four titles. That marks the first time any act has claimed the entire top four at the same time, since the chart bowed in May of 1991. For good measure, Swift has five of the top six titles, and six out of the top 10, as her titles populate Nos. 1-4, 6 and 10. Swift tops the list with 1989 (Taylor’s Version), which rises 2-1 for a third nonconsecutive week on top.
Swift leads a busy Top Album Sales chart, as the latest tally reflects the tracking week of Dec. 15-21 — capturing pre-Christmas Day shopping activity. Many titles see increases thanks to general holiday purchases, retailer promotions and sale pricing. On the 50-position chart, of the 49 non-debuts, a total of 44 titles boast weekly sales gains. Only five titles see weekly declines.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
The Swift parade in the top 10 of the chart is led by 1989 (Taylor’s Version), which climbs 2-1 for its third nonconsecutive week at No. 1 (95,000 copies sold; up 47%). Swift’s Midnights rises 5-2 (43,000; up 79%), Lover ascends 8-3 (30,000; up 55%) and Speak Now (Taylor’s Version) steps 6-4 (29,000; up 32%). The latter three are also former No. 1s.
Swift is also found in the top 10 at No. 6 with her chart-topping Folklore (falling two spots with 25,000; though up 4%) and at No. 10 with former leader Fearless (Taylor’s Version) (up from No. 16 with 19,000; up 70%).
Rounding out the non-Swift titles in the top 10 are these former No. 1s: Olivia Rodrigo’s Guts (9-5 with 26,000; up 37%), Stray Kids’ ROCK-STAR (holding at No. 7 with 24,000; up 20%), ATEEZ’s The World EP.Fin: Will (down 3-8 with 22,000; down 29%) and Dolly Parton’s Rockstar (10-9 with 19,000; up 8%).
In the week ending Dec. 21, there were 3.553 million albums sold in the U.S. (up 15.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 3.219 million (up 18.7%) and digital albums comprised 334,000 (down 7.6%).
There were 1.150 million CD albums sold in the week ending Dec. 21 (up 8.7% week-over-week) and 2.055 million vinyl albums sold (up 25.3%). Year-to-date CD album sales stand at 36.072 million (up 2.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 48.203 million (up 15.1%).
Overall year-to-date album sales total 102.809 million (up 5.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 84.823 million (up 9.4%) and digital album sales total 17.986 million (down 9.3%).
She wasn’t the queen of Christmas this year, though Mariah Carey does reign over Australia’s final chart of 2023 with “All I Want For Christmas Is You” (via Columbia/Sony).
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Carey’s holiday classic lifts 2-1 to close out the festive season Down Under, leading an all-Christmas top 5 on the ARIA Chart, published Friday, Dec. 29.
Last week, “All I Want For Christmas Is You” was pipped for the Christmas No. 1 by Jack Harlow’s “Lovin On Me” (Atlantic/Warner). By completing its chart climb, the hit from 1994 boasts a sixth successive year reaching No. 1.
The top five on the latest tally is rounded out by Brenda Lee’s “Rockin’ Around the Christmas Tree” (up 5-2 via Warner/Universal), Wham’s “Last Christmas” (up 4-3 via Sony), Michael Bublé’s “It’s Beginning To Look A Lot Like Christmas” (up 10-4 via Reprise/Warner) and Ariana Grande’s “Santa Tell Me” (up 7-5 via Universal), respectively.
Harlow’s “Lovin On Me” dips 1-7, ending a six-week stint at the summit. It’s one of just two non-Christmas titles in the current ARIA Top 20, the other being Tate McRae’s “Greedy” (RCA/Sony), down 3-15.
A handful of new tracks impact the survey, all of them Christmas-themed. Among them is Cher’s “DJ Play a Christmas Song” (at No. 45 via Warner Music), which has already established chart records for the pop icon in the U.S. and U.K. Its parent LP Christmas, Cher’s 27th studio album, is the top new release of the week, opening at No. 40 on the ARIA Albums Chart.
Meanwhile, Taylor Swift’s 1989 (Taylor’s Version) (via Universal) holds at No. 1 for the ninth consecutive week, extending its lead as the longest running No. 1 LP of the year in Australia.
Swift owns every title in the top 5 on the ARIA Chart, with the exception of Bublé’s double-diamond certified Christmas (Reprise/Warner), up 4-2. Count them up, Swift has seven of the top 10 albums.