Chart Beat
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Dolly Parton’s 30-song set Rockstar, released Nov. 17, blasts in atop Billboard’s Top Country Albums and Top Rock & Alternative Albums charts (dated Dec. 2). The legend adds her ninth No. 1 on the former and her first on the latter.
The rock-influenced LP earned 128,000 equivalent album units, with 118,000 in album sales, in the week ending Nov. 23, according to Luminate.
The album opens at No. 3 on the all-genre Billboard 200, marking Parton’s third top 10 and highest career rank. She previously visited the tier with Blue Smoke (No. 6 in 2014) and Trio, a collaborative set with Linda Ronstadt and Emmylou Harris (No. 16 in 1987).
Rockstar additionally debuts at the summit on the all-genre Top Album Sales chart, becoming Parton’s first No. 1. Its first-week sales were bolstered by its availability at outlets including Barnes & Noble, Cracker Barrel, Dollar General and Target.
The set more than doubles Parton’s previous biggest sales week for an album, notched when Slow Dancing With the Moon sold 50,500 copies in its second chart week (March 20, 1993).
The star-studded Rockstar is being promoted as Parton’s first rock album, its recording initiated following her induction into the Rock & Roll Hall of Fame in 2022. She initially declined the honor but after entering being enshrined went all-in with the release of Rockstar.
The collection mixes original songs and covers and boasts a long list of prominent credited guests, including Pat Benatar, Miley Cyrus, Melissa Etheridge, Mick Fleetwood, Peter Frampton, Joan Jett and The Blackhearts, Elton John, Lynyrd Skynyrd, Paul McCartney, Stevie Nicks, Chris Stapleton, Ringo Starr, Sting and Steven Tyler.
Parton first reached Top Country Albums with the aptly named Hello, I’m Dolly in November 1967. She scored the first of her 49 top 10s with Just Between You and Me, with Porter Wagoner (No. 8, March 1968), and her first No. 1 with her 34th entry, 1977’s New Harvest…First Gathering, which led for a week that May.
Rockstar is Parton’s first Top Country Albums No. 1 since A Holly Dolly Christmas in 2020. “I am so proud and humbled to have my album reach No. 1 on the Billboard country and holiday charts,” she beamed to Billboard that week. “Boy, what a great early Christmas present for me!”
Meanwhile, Parton leads Top Rock & Alternative Albums in her first appearance on the chart. (Rockstar also rules Top Rock Albums, likewise marking her first visit to the survey.)
The new album’s “World On Fire” debuted and peaked at No. 26 on Hot Rock & Alternative Songs in May.
Plus, Parton’s cover of Prince and the Revolution’s “Purple Rain” enters the Rock Digital Song Sales chart at No. 14 (1,000 sold). It’s the sixth song from Rockstar to make the ranking, with three having hit the top 10 prior to the album’s release. “World On Fire” led for a week in May and her versions of The Beatles’ “Let It Be” (featuring McCartney and Starr) and Cyrus’ “Wrecking Ball” (featuring Cyrus) hit Nos. 2 and 6 in September and November, respectively.
P!nk played 10 shows, split between two separate tours, in October. In all, those dates grossed $51.2 million and sold 271,000 tickets, according to figures reported to Billboard Boxscore. That’s enough to rule Billboard’s monthly Top Tours chart, marking her third month at No. 1 since the charts launched in February 2019.
P!nk began the month in San Diego, playing an Oct. 3 show at Snapdragon Stadium. After three more stadium shows on the Summer Carnival tour, she transitioned to the arena-focused Trustfall Tour, playing dates in California, Denver, and Kansas City. She’s the first artist to lead the Top Tours list via multiple tours. It’s rare enough for an artist to play two tours within a year of one another, but it does happen, per recent treks by Bad Bunny and Post Malone, among others. Both tours’ setlist, personnel and staging are relatively similar, though the Trustfall Tour puts an extra accent on its namesake album.
The October Summer Carnival shows earned $30.9 million and sold 190,000 tickets, while the six Trustfall shows brought in $20.2 million and 81,100 tickets. That means that on average, P!nk’s stadium dates averaged more than twice as much revenue as her arena concerts, at $7.7 million and $3.4 million, respectively.
The transition from stadiums to arenas, particularly in North America, makes sense as the weather shifts and outdoor concerts become less viable. Still, with active stadium tours in Oceania and South America, P!nk’s monthly gold medal in (primarily) arenas is significant.
In fact, P!nk is the first artist to crown the Top Tours chart while touring arenas in 2023 – though she did so with the help of four stadium performances. Trans-Siberian Orchestra staged the last arena win in December of last year. Before that, Bad Bunny was tops in February and March of 2022, before ruling the chart in stadiums later that year.
P!nk was No. 2 in August, when she and Beyoncé became the first women to ever rank Nos. 1-2 together. She previously topped the chart in March and July of 2019, while barreling toward the end of the Beautiful Trauma World Tour. That trek grossed $397.3 million and sold 3.1 million tickets, standing tall as the third highest-grossing tour by a woman in the Boxscore archives, behind Beyoncé’s Renaissance World Tour ($579.8 million in 2023) and Madonna’s Sticky & Sweet Tour ($407.7 million in 2008-09).
P!nk is one of just three woman-identifying acts to lead the Top Tours chart. She follows Beyoncé, who ran the ranking in four of the previous five months. Plus, the Spice Girls were No. 1 in June 2019. Both in terms of unique artists, and in total months, women have been No. 1 for less than 20% of the time since the monthly chart premiered.
Including the Summer Carnival Tour from earlier this year, and current through the Nov. 14 Trustfall show in Miami, P!nk has grossed $309.4 million and sold just over 2 million tickets in 2023.
Eight of P!nk’s October dates appear on the Top Boxscores chart, at No. 7 with $9 million from Las Vegas’ Allegiant Stadium on Oct. 7, and at No. 10 with $8.1 million from the SoFi Stadium in Inglewood, Calif. on Oct. 5. Unsurprisingly, the stadium shows come up first, even above double-header arena engagements in San Francisco and Kansas City.
Top Boxscores is led by RBD. The Latin pop group grossed $19.5 million over four nights at Los Angeles’ BMO Stadium (Oct. 18-20, 22). Without any other reported shows in October, it’s enough to make the venue No. 1 on Top Stadiums.
Those dates power RBD’s No. 2 finish on Top Tours with $39.4 million overall, scoring a second consecutive month in the runner-up position. Through Nov. 19, the Soy Rebelde Tour has grossed $182.6 million and sold 1.1 million. It’ll likely cross $200 million before the end of the year, becoming the second tour by a Latin act to ever do so. Bad Bunny’s World’s Hottest Tour grossed $314.1 million last year.
Last month, RBD joined Beyoncé, Coldplay, Drake and Morgan Wallen in the top five, making the most genre-diverse top five ever. October’s ranking isn’t quite as spread-out – SZA and The Weeknd double up for R&B, and Luis Miguel adds more Latin star-power – but it does block rock, the most traditionally steady genre on the touring circuit, from the upper echelon altogether.
Paul McCartney, the Eagles, John Mayer and Depeche Mode follow at Nos. 6-9, giving rock its due in the top 10. Still, October marks only the third month since the charts’ 2019 beginning without a rock act in the top five. Previously, KISS was held off at No. 6 in April 2019, and Elton John in the same spot in October ’19.
The Top Tours chart is spiked with four co-headline billings. Enrique Iglesias, Pitbull & Ricky Martin kicked off The Trilogy Tour on Oct. 14, earning $20.9 million from the first eight shows. Iglesias had previously toured with Pitbull and Martin, though these are the first concerts for the trio as a group. Elsewhere, Billy Joel and Stevie Nicks grossed $10.5 million from one date at Baltimore’s M&T Bank Stadium, at No. 3 on Top Boxscores.
The other two co-headline pairs are blink-and-you’ll-miss-it team-ups. Ben Gibbard pulls double duty as the lead of Death Cab for Cutie and The Postal Service, each celebrating a 20th anniversary of landmark 2003 albums. Their collaborative – or split-personality – tour brought in $11.5 million in October, finishing with a total of $22.1 million since its September kick-off.
Finally, Ms. Lauryn Hill & The Fugees are No. 30 with $7.8 million and 61,500 tickets from five shows, showcasing Hill’s run of ‘90s R&B and hip-hop, alongside Wyclef Jean and Pras. While we noted that P!nk and Beyoncé achieved a first-time top-two finish for women only a couple months ago, Hill is part of an even-more-sparse Boxscore history: She is just the second female rap artist to ever appear on the chart, following Cardi B via her co-headline appearance with Bruno Mars on the inaugural February 2019 list.
The Holiday 100 dashes back to Billboard’s charts menu, ranking the top seasonal songs of all eras via the same formula used for the Billboard Hot 100, blending streaming, airplay and sales data.
Mariah Carey‘s “All I Want for Christmas Is You” – which surges from No. 17 to No. 4 on the Billboard Hot 100 – rules the Holiday 100 for a 58th week of the chart’s 63 total weeks since the list launched in 2011; it has topped the seasonal survey for 43 consecutive weeks, dating to the start of the 2015-16 holiday season.
The only other Holiday 100 No. 1s to date: Justin Bieber’s “Mistletoe” for a week in the 2011-12 holiday season; Pentatonix’s “Little Drummer Boy” (one, 2013-14) and “Mary, Did You Know?” (two, 2014-15); and Ariana Grande’s “Santa Tell Me” (one, 2014-15).
Carey’s 1994 carol reigns with 22 million streams (up 57%), 15.6 million radio airplay audience impressions (up 105%) and 3,000 sold (up 70%) in the United States Nov. 17-23, according to Luminate.
Carey performed “Christmas” on an awards show for the first time as part of the 2023 Billboard Music Awards (Nov. 19). She was also honored with the Billboard Chart Achievement Award for the song, presented to her by her 12-year-old twins, Monroe and Moroccan.
The song also boasts top honors on Billboard’s Greatest of All Time Holiday 100 Songs chart.
“When I wrote [it], I had absolutely no idea the impact the song would eventually have worldwide,” Carey marveled of “Christmas” in 2021. “I’m so full of gratitude that so many people enjoy it with me every year.”
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Rounding out the Holiday 100’s top five are more classics, released between the 1950s and ‘80s: Brenda Lee’s “Rockin’ Around the Christmas Tree” (No. 2); Bobby Helms’ “Jingle Bell Rock” (No. 3); Wham!’s “Last Christmas” (No. 4); and Burl Ives’ “A Holly Jolly Christmas” (No. 5).
Meanwhile, two songs newly released this holiday season debut on the Holiday 100, both Amazon Music Original exclusives: Chloe’s version of “Winter Wonderland” (No. 57, led by 3.5 million streams, up 130%) and Stephen Sanchez’s “Silver Bells” (No. 85; 2.2 million, up 92%).
The entire latest Holiday 100, and all other seasonal charts – Top Holiday Albums, Holiday Streaming Songs, Holiday Airplay, Holiday Digital Song Sales, Holiday 100 Songwriters and Holiday 100 Producers – along with all additional rankings, will update on Billboard.com Tuesday (Nov. 28).
Tate McRae’s “Greedy” rules both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 2), leading the former for a second week and the latter for the first time.
Two seasonal chestnuts return to the Global 200’s top 10: Mariah Carey’s “All I Want for Christmas Is You,” up 17-3, and Wham!’s “Last Christmas” (26-9). Carey’s carol also rebounds to the Global Excl. U.S. top 10 (29-8), where three songs are new to the region: Tyla’s “Water” (11-6), LE SSERAFIM’s “Perfect Night” (13-9) and Jack Harlow’s “Lovin On Me” (20-10).
The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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McRae Scores Second Week Atop Global 200
Tate McRae’s “Greedy” spends a second week at No. 1 on the Global 200, with 59.4 million streams (up 7%) and 4,000 sold (up 26%) worldwide Nov. 17-23. A week earlier, the song became the first leader on the list for the singer-songwriter from Calgary, Alberta, now based in Los Angeles. During the tracking week, McRae performed for the first time on both NBC’s Saturday Night Live (Nov. 18) and the 2023 Billboard Music Awards (Nov. 19).
Jack Harlow’s “Lovin on Me” lifts 4-2 in its second week on the Global 200.
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Mariah Carey’s “All I Want for Christmas Is You” jingles 17-3 on the Global 100, with 48.8 million streams (up 49%) and 4,000 sold (up 59%) worldwide Nov. 17-23. Carey performed “Christmas” on an awards show for the first time as part of the 2023 Billboard Music Awards (Nov. 19). She was also honored with the Billboard Chart Achievement Award for the song.
The song, originally released in 1994, has spent 13 weeks atop the Global 200 (four weeks in both the 2020 and 2021 holiday seasons and five frames over last year’s holidays).
Rounding out the Global 200’s top five, Taylor Swift’s “Cruel Summer” rises 5-4, following a week at No. 1 earlier in November, and Jung Kook’s “Standing Next to You” falls 2-5, two weeks after it debuted at the summit.
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Additionally, Wham!’s “Last Christmas” returns to the Global 200’s top 10 (26-9) with 40.4 million streams and 2,000 sold (up 61%) worldwide. The song, from 1984, has spent six weeks at its No. 2 high (one, two and three weeks over the 2020, 2021 and 2022 holidays, respectively). (The pair’s George Michael became a Rock & Roll Hall of Fame inductee posthumously Nov. 3.)
McRae Gets ‘Greedy’ to No. 1 on Global Excl. U.S.
Tate McRae’s “Greedy” ascends 2-1 for its first week atop the Billboard Global Excl. U.S. chart, with 45.3 million streams (up 4%) and 2,000 sold (up 7%) outside the U.S. Nov. 17-23.
McRae, who hit a prior No. 15 Global Excl. U.S. best with her first entry, “You Broke Me First.,” in 2021, becomes the fourth Canadian – and first Canadian woman – to top the chart, following Justin Bieber (two No. 1s), Daniel Caesar and The Weeknd (one each).
Jung Kook’s “Seven,” featuring Latto, rebounds 3-2 on Global Excl. U.S., following nine weeks at No. 1 beginning in July, and his “Standing Next to You” drops to No. 3 after spending its first two weeks on the tally at the top spot; Iñigo Quintero’s “Si No Estás” holds at No. 4, following two weeks at No. 1 earlier in November; and Taylor Swift’s “Cruel Summer” climbs 7-5, after reaching No. 4.
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Tyla’s “Water” flows 11-6 on Global Excl. U.S. with 33.6 million streams (up 10%) and 2,000 sold (up 15%) outside the U.S. The song marks the first top 10 for the singer-songwriter born and raised in South Africa, in her first visit to the chart.
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LE SSERAFIM’s “Perfect Night” bounds 13-9 on Global Excl. U.S., led by 26.1 million streams (up 3%) outside the U.S. The South Korean quartet notches its first top 10 on the ranking, after reaching a previous No. 14 high with “Unforgiven” – featuring Nile Rodgers – in May.
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Plus, Jack Harlow’s “Lovin on Me” surges 20-10 in its second week on Global Excl. U.S. (20-10; 23.7 million streams, up 27%). The Louisville, Ky., native posts his fourth top 10, after “3D,” with Jung Kook (No. 1 debut and peak, for one week in October), “First Class” (No. 2 peak, 2022) and “Industry Baby,” with Lil Nas X (No. 2, 2021).
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 2, 2023) will update on Billboard.com tomorrow (Nov. 28). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Ado’s “Show” continues to break its own record for weeks at No. 1 on the Billboard Japan Hot 100, now in its eighth week atop the chart dated Nov. 22.
On the week ending Nov. 19, the “New Genesis” singer’s latest hit dominates downloads, streaming, and video views, while coming in at No. 16 for radio and No. 6 for karaoke. Overall points totaled 10,532, down 10 percent from the week before but still 1.4 times higher than the song at No. 2.
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Naniwa Danshi‘s “I Wish” debuts at No. 2 this week. The boy band’s sixth single is being featured as the theme for the drama series My Second Aoharu starring member Shunsuke Michieda. Released Nov. 15, the CD launched with 395,722 copies to hit No. 1 for sales, while also coming in at No. 17 for video and No. 43 for radio.
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STU48’s “Kimi wa nani o koukai surunoka” (“What will you regret?”) bows at No. 4 on the Japan Hot 100, coming in at No. 2 for sales with 231,972 copies sold in its first week after its release on Nov. 15. The girl group’s tenth single features member Yumiko Takino in center position of the choreography and is slated to be her last, as she will be graduating the group.
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Stray Kids’ “LALALALA” soars 33-9 to break into the top 10 this week. The boy band performed the song during the 2023 Billboard Music Awards presented by Marriott Bonvoy that took place Nov. 19, where the group’s album 5-STAR won the award for Top K-Pop Album. Streams surged 153 percent from the week before to rack up 6,610,148 weekly streams, jumping 43-6 for the metric. Video also increased by 25 percent and climbed 9-5. The South Korean group is set to perform on NHK’s annual year-end music extravaganza, the 74th Kohaku Uta Gassen, which often results in the performing acts’ songs to linger for a while on the Japan charts in the new year.
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LE SSERAFIM’s “Perfect Night” also rises a notch to hit No. 10. The girl group’s first English-language digital single comes in at No. 7 for streaming (6,447,007 streams), No. 27 for downloads (1,730 units), No. 16 for video, and No. 37 for radio, performing in a balanced way overall.
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The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 13 to 19, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Tyla joins the Hot 100 top 10 for the first time as Jack Harlow’s “Lovin On Me” continues to climb. Can Taylor Swift hold onto the No. 1 spot? Alyssa Caverley:This is the Billboard Hot 100 Top 10 for the week dated December 2nd. Tyla enters the Top 10 for the first time at the […]
Jack Harlow “Lovin on Me” lifts to No. 1 on the Billboard Hot 100 songs chart, a week after it debuted at No. 2. The song becomes the rapper’s third leader on the list.
Plus, two holiday classics return to the Hot 100’s top 10: Mariah Carey’s “All I Want for Christmas Is You,” up 17-4, and Brenda Lee’s “Rockin’ Around the Christmas Tree,” which re-enters at No. 8.
Also in the Hot 100’s top 10, Tyla makes her first visit to the tier with her breakout hit “Water,” which jumps 15-10.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 2, 2023) will update on Billboard.com tomorrow (Nov. 28). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Jack Harlow’s “Lovin on Me,” released on Generation Now/Atlantic, becomes the 1,160th No. 1 in the Hot 100’s 65-year history. It drew 23.6 million streams (up 6%) and 20.8 million radio airplay audience impressions (up 71%) and sold 11,000 downloads (down 10%) in the Nov. 17-23 tracking week, according to Luminate. (The song entered a week earlier at No. 2, with 22.2 million streams, 12.2 million in radio audience and 12,000 sold, following its Nov. 10 release.)
The single scores a second week at No. 1 on the Streaming Songs chart; holds at its No. 2 high on Digital Song Sales; and debuts at No. 32 on Radio Songs.
Harlow achieves his third Hot 100 leader, following “First Class” (No. 1 for three weeks in April-May 2022) and “Industry Baby,” with Lil Nas X (No. 1, one week, October 2021).
Notably, Harlow is one of just three artists to tally at least one new Hot 100 No. 1 in each of the last three years, joining Drake and Taylor Swift (whose streaks both date to 2020).
“Lovin on Me” concurrently tops the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a second week each.
“Lovin on Me” is currently a standalone single from Harlow, whose most recent album, Jackman., debuted at No. 8 on the Billboard 200 in May, becoming his third top 10 set. The song’s hook samples singer Delbert “Dale” Greer’s 1995 cut “Whatever” (which to date has never hit a Billboard chart).
Taylor Swift’s “Cruel Summer” falls to No. 2 on the Hot 100 following four nonconsecutive weeks at No. 1. It rules Radio Songs for a sixth week (68.8 million, down 7%).
Doja Cat’s “Paint the Town Red” holds at No. 3 on the Hot 100, after it led for three nonconsecutive weeks beginning in September.
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Mariah Carey’s “All I Want for Christmas Is You” – the No. 1 hit on Billboard’s Greatest of All Time Holiday 100 Songs retrospective – dashes 17-4 on the Hot 100, with 22 million streams (up 57%), 15.6 million airplay audience impressions (up 105%) and 3,000 sold (up 70%) Nov. 17-23.
Carey performed “Christmas” on an awards show for the first time as part of the 2023 Billboard Music Awards (Nov. 19). She was also honored with the Billboard Chart Achievement Award for the song, presented to her by her 12-year-old twins, Monroe and Moroccan.
The song, originally released in 1994, hit the Hot 100’s top 10 for the first time in December 2017. In December 2019, it ascended to the summit at last, for three weeks that holiday season. It became the second holiday song ever to reign, after “The Chipmunk Song,” by The Chipmunks with David Seville, spent four weeks at No. 1 beginning in December 1958.
“Christmas” led the Hot 100 for two more weeks in the 2020 holiday season, thus, passing “The Chipmunk Song” for the most for a Yuletide song. It added three more weeks at No. 1 over the 2021 holidays and a single-season-best four frames during the 2022 season, upping its total to 12 weeks at No. 1.
With its 2019 coronation, Carey claimed her 19th Hot 100 No. 1, extending her mark for the most among soloists and moving to within one of The Beatles’ overall record 20.
“Christmas” concurrently crowns the multi-metric Holiday 100 chart, which returns for the season this week, for a 58th week, of the list’s 63 total frames since the chart began in 2011.
SZA’s “Snooze” slips 4-5 on the Hot 100, after reaching No. 2, as it leads the multi-metric Hot R&B Songs chart for a 17th week.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, keeps at No. 6 on the Hot 100, after it led for a week upon its debut in September, as it tops the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 13th week each and Hot Country Songs for a ninth frame.
Tate McRae’s “Greedy” rises 8-7 on the Hot 100, a week after it became her first top 10. During the tracking week, McRae performed for the first time on both NBC’s Saturday Night Live (Nov. 18) and the 2023 Billboard Music Awards (Nov. 19).
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Brenda Lee dances merrily back onto the Hot 100 at No. 8 with “Rockin’ Around the Christmas Tree,” which re-enters with 22 million official streams (up 57%), 15.4 million in airplay audience (up 83%) and 2,000 sold (up 308%). It has spent nine weeks at its No. 2 high since it first reached the rank in December 2019; it was originally released in 1958 and hit a prior No. 14 peak in 1960.
For its 65th anniversary, the song received its first official video (featuring cameos from Tanya Tucker and Trisha Yearwood) Nov. 3. Plus, Lee is set to perform it on NBC’s Christmas at the Opry, airing Dec. 7.
With the carol’s latest week in the Hot 100’s top 10, Lee claims the record for the longest span of an act appearing in the tier to 63 years, eight months and two weeks, dating to her first week in the top 10 with “Sweet Nothin’s” in March 1960. (She passes the late Andy Williams, with a span of nearly 63 years and three months from his first week in the top 10 with “Lonely Street” in October 1959 through the most week in the region for his “It’s the Most Wonderful Time of the Year” last holiday season; the latter re-enters the chart at No. 28, so the record is in line to revert to Williams, should the song return to the top 10.)
Swift’s “Is It Over Now? (Taylor’s Version) [From the Vault]” slides 5-9 on the Hot 100, three weeks after it debuted as her 11th No. 1.
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Rounding out the Hot 100’s top 10, Tyla earns her first visit to the region with her first entry on the chart, “Water,” which rises 15-10. The song drew 38.4 million in airplay audience (up 24%) and 14.4 million streams (up 49%) and sold 2,000 (up 19%) Nov. 17-23, helped by two remixes, with Marshmello and Travis Scott, respectively, released Nov. 17.
“Water” concurrently tops the Billboard U.S. Afrobeats Songs chart for a seventh week.
“This hasn’t happened in so long for a South African artist, born and raised in South Africa, with an African song, with an African dance style,” Tyla recently told Billboard. (The song has also received a 2024 Grammy nomination in the new best African music performance category.) “Everything is so authentic, and the fact that all of that managed to translate overseas is crazy. I always wanted to be the biggest pop star in general. I didn’t want to be the biggest African pop star. I just want to be the biggest pop star that was born and raised in Africa. And the fact that I’m already getting a good response from the world [means] I’m one step closer to that dream.”
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Dec. 2), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Nov. 28).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Dolly Parton’s Rockstar blasts in at No. 1 on Billboard’s Top Album Sales chart (dated Dec. 2), scoring the music legend her first leader on the 32-year-old tally.
Rockstar bows with 118,500 copies sold in the U.S. in the week ending Nov. 23, according to Luminate. That marks biggest sales week for an album in the modern era, since Luminate began electronically tracking sales in 1991. She more than doubles her previous biggest week, notched in 1993 when Slow Dancing With the Moon sold 50,500 copies in its second week on the chart (rising 54-19 on the March 20, 1993-dated list).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new Dec. 2, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 28. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
As previously reported, Rockstar also debuts at No. 3 on the Billboard 200 – Parton’s highest charting album ever, and her third top 10 on that list.
Of Rockstar’s first-week sales of 118,500, physical sales comprise a little more than 96,000 (78,000 on CD, 18,000 on vinyl and a negligible sum on cassette) and download album sales comprise a little over 22,000.
The star-studded Rockstar was promoted as Parton’s first rock album, and its recording was sparked by Parton’s induction into the Rock & Roll Hall of Fame in 2022. Parton has primarily released country music in her nearly 60-year career, through has taken detours (with albums and/or songs) into such genres as Americana/folk, bluegrass, children’s music, Christian, dance/electronic and pop.
The 30-song Rockstar set has a mix of original songs and covers, and boasts a cavalcade of guest stars – 40 in all. Among them are Pat Benatar, Miley Cyrus, Melissa Etheridge, Joan Jett and The Blackhearts, Elton John, Lynyrd Skynyrd, Paul McCartney, Stevie Nicks, Chris Stapleton, Ringo Starr, Sting and Steven Tyler.
Rockstar’s first-week sales were bolstered by its availability across a variety of editions and formats, in addition to some non-traditional music retailers including Cracker Barrel, Dollar General and HSN. The album’s CD edition was available in four editions – a standard version and three variants, each with alternative cover art: for HSN, with three bonus tracks; a Dallas Cowboys version, and a Tennessee Volunteers edition with a bonus track. The latter two were tied to a pair of high-profile live TV performances from Parton: during the Georgia Bulldogs vs. Tennessee Volunteers football game on Nov. 19, and during halftime of the Washington Commanders vs. Dallas Cowboys football game on Thanksgiving Day (Nov. 23).
Rockstar was pressed on more than 10 vinyl variants, including exclusive editions (all in different colors, some with different cover art) for Amazon, Barnes & Noble, independent record stores, Parton’s webstore, the Rock & Roll Hall of Fame store, Target and Walmart. Parton’s webstore also carried a deluxe digital download version of the album with three exclusive bonus tracks. Rockstar was also offered in multiple deluxe boxed sets, sold through Parton’s webstore, containing either a vinyl or CD version of the album with a branded T-shirt of various designs.
Christmas songs are coming, fast, but for now Jack Harlow has the hottest single in the U.K.
The Louisville singer and songwriter leads the U.K. chart blast with “Lovin On Me,” which has already clocked up two weeks at No. 1.
Based on sales and streaming data captured by the Official Charts Company, “Lovin On Me” has the advantage after the first weekend of the chart cycle.
Meanwhile, bouncing EDM track “Prada” (Ministry of Sound) by cassö, RAYE & D-Block Europe is forecast to hold at No. 2, while singer and songwriter Noah Kahan continues to climb with “Stick Season” (Republic Records), his breakout song. It’s up 4-3 on the First Look chart, and, if it holds its position, would mark a new career high for the U.S. artist.
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Brits love a Christmas song, and this year is proving no different. Less than a month before Santa hands out the presents, three holiday themed numbers should get the gift of a top 10 appearance when the Official U.K. Singles Chart is published late Friday, Dec. 1.
Leading the way is Wham’s “Last Christmas” (Epic) at No. 6 on the chart blast, ahead of Mariah Carey’s “All I Want For Christmas Is You” (Columbia), while Sam Ryder is on the brink of his second top 10 appearance with his Amazon Music Original “You’re Christmas To Me” (East West/Rhino), flying 50-10 on the chart blast. Ryder is something of a national hero after he represented the U.K. in the Eurovision Song Contest 2022 with “Space Man,” which finished first in the jury vote and second overall, behind the Ukraine’s entry, Kalush Orchestra’s “Stefania”. “Space Man” is Ryder’s only U.K. top 10 appearance to date, peaking at No. 2.
Further down the chart blast, Brenda Lee’s “Rockin’ Around The Christmas Tree” (MCA) is set to climb 31-17 and Jorja Smith’s cover of East-17’s “Stay Another Day” (FAMM), also an Amazon Music Original, could fly 75-18, a new peak. “Stay Another Day” should give Smith a sixth U.K. top 40 hit.
As previously reported, Christmas came early to the U.K. singles chart earlier this month as those evergreen records by Wham! and Carey made their earliest annual appearance on the chart.
The chart race for the coveted Christmas No. 1 starts Dec. 15.
The Brits are still lovin on Jack Harlow. The Louisville rapper’s latest hit “Lovin On Me” (via Atlantic) enters a second week at No. 1 on the U.K. chart, racking up a market-leading 6 million streams in the latest cycle, the Official Charts Company confirms. The leader at the midweek stage, “Lovin On Me” is […]