Chart Beat
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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard 200 dated Dec. 2), a South Korean group hopes to get the early holiday gift of its first No. 1 album, with the debut of its fourth studio LP. Â
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ATEEZ, The World Ep.Fin : Will (KQ/RCA/Hello82): Eight-piece South Korean boy band ATEEZ has been swelling in stateside popularity since its 2019 debut. Though it has yet to find major airplay or streaming success in the U.S., the group has scored three top 10 albums on the Billboard 200 â most recently reaching No. 2 on the chart with Julyâs The World EP.2 Outlaw, held off only by Morgan Wallenâs One Thing at a Time blockbuster in the midst of its non-continuous 16-week run atop the chart. Â
Next week, the group may get its chance at the top spot. Ep.Fin is available for purchase in a whopping 33 different physical editions â 26 CD packages and seven vinyl packages â all with collectible branded merchandise inside. Among the 33 iterations are exclusive CDs and vinyls for Barnes & Noble, Target and Walmart, â all with retail-exclusive randomized photo cards inside. â Of the seven vinyl LPs, six are color vinyls (four âboneâ colored, one magenta and one light blue, while one is a picture disc). Â
The group will again face stiff competition from a strong reigning champion: Taylor Swift, whose 1989 (Taylorâs Version) has spent three of the last five weeks atop the Billboard 200, and which is still posting weekly unit totals well into the six digits. Still, the time is now for ATEEZ. With a long-anticipated Nicki Minaj album due this Friday (Dec. 8) and the holiday season kicking into full swing shortly after, this upcoming chart week is likely its best remaining chance of finishing the year with a No. 1 album. Â
Michael BublĂ©, Christmas (143/Reprise/Warner): BublĂ©âs holiday perennial always starts to make noise on the charts around this time of year â and indeed, on the current weekâs Billboard 200 (dated Dec. 9), the album pokes its head into the top 10 for the first time, jumping 24-9. BublĂ© leads the Christmas rush of albums expected to storm the chart in the weeks to come â but unlike on the Billboard Hot 100, where Mariah Carey (and now Brenda Lee) have ruled each year since 2019, a holiday album has not actually reached the No. 1 spot on the Billboard 200 since Pentatonixâs A Pentatonix Christmas reigned for two weeks in January 2017.
Speaking of Pentatonix, along with some of the usual returning suspects â Mariah Careyâs Merry Christmas, Nat King Coleâs The Christmas Song, Vince Guaraldi Trioâs A Charlie Brown Christmas â thereâs also a new collection from the a cappella group, The Greatest Christmas Hits, which may challenge its usual holiday contender, The Best Pentatonix Christmas. (The former rates at No. 23 on this weekâs chart.) Thereâs also Cherâs new Christmas album, up 66-46 this week, which should benefit from perhaps the closest thing this holiday season has to a new breakout hit: âDJ Play a Christmas Love Song,â which has performed well on streaming, while also topping both radio and sales charts. Â
Peter Gabriel, I/O (Real World): Peter Gabrielâs days as a major pop hitmaker are now about 30 years in the rearview, but the Rock and Roll Hall of Famer (both solo and as part of Genesis) still commands attention with his new album releases â and I/O is his first since 2011âs New Blood. The album is available in 2CD, digital download and 2CD/blu-ray editions, as well as separate vinyl LP offerings of its âbright-sideâ and âdark-sideâ mixes. Gabriel also employed the unusual strategy of releasing a new song from the album every full moon in the 11 months leading up to its release â ultimately releasing all 12 tracks in advance. Â
After their first collab reached the top 20 on Billboardâs Hot Latin Songs chart, Kali Uchis and Karol G linked up for âLabios Mordidos,â which debuts at No. 10 on the chart dated Dec. 9. Karol G extends her record for the most female pairings to debut in the top 10 in the listâs 37-year-old history, with five all-women collaborations.
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âLabios Mordidosâ is the third preview from Uchisâ fourth studio album OrquĂdeas, the all-Spanish-language set due Jan. 12. The Colombian now repays the favor, after âMe Tengo Que Irâ â from Karol Gâs No. 1 album Mañana SerĂĄ Bonito (Bichota Season) â placed the pair at No. 19 on Hot Latin Songs last August.
âLabios Mordidosâ which translates to âBitten Lips,â arrives at No. 10 on the strength of streaming activity. The song logged 5.6 million official U.S. streams on latest tracking week of Nov. 24-30, according to Luminate. The seven-figure sum sparks a No. 9 start on the Latin Streaming Songs chart.
Further, âLabiosâ also begins with 500 downloads sold in the same period, enough for a No. 3 arrival on Latin Digital Song Sales.
With âLabios,â Uchis ups her career top 10 count on Hot Latin Songs to two and her first equal-billed top 10 debut. The new top 10 follows the eight-week ruler âTelepatĂaâ (2021). The ranking blends weekly streaming, sales, and radio airplay data.
Karol, meanwhile, collects her 25th top 10, extending her second-most among women, trailing only Shakira who leads with 35 top 10s. Plus, asâLabiosâ debuts on the upper tier, la bichota captures her fifth all-women pair-up top 10 debut, the most by a woman in the history of Hot Latin Songs, which dates to 1986. Only one other female pair has racked up a top 10 launch without Karol G as one of the collaborators, Becky G and Natti Natasha with âSin Pijamaâ in May 2018.
Hereâs the full list of top 10 debuts by two co-billed women:
Debut Date, Debut Position, Title, ArtistMay 5, 2018, 10, âSin Pijama,â Becky G & Natti NatashaNov. 23, 2019, No. 1, âTusa,â Karol G & Nicki MinajApril 10, 2021, No. 9, âEl Makinon,â Karol G & Mariah AngeliqFeb. 26, 2022, No. 1, âMAMIII,â Becky G & Karol GMarch 11, No. 1, âTQG,â Karol G & ShakiraDec. 9, No. 10, âLabios Mordidos,â Kali Uchis & Karol G
Elsewhere, âLabiosâ gives Uchis her second all-Spanish-language entry on the all-genre Billboard Hot 100, at No. 97. For Karol, it becomes her 29th career entry â still the most for a Latin female artist with all-Spanish-language songs.
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Busta Rhymes bounds back onto Billboardâs Top R&B/Hip-Hop Albums chart as his new effort, Blockbusta, debuts at No. 10 on the list dated Dec. 9. The set, released on The Conglomerate/Epic Records, becomes the rapperâs 10th top 10 album and extends his perfect streak among his original studio albums.
Blockbusta, which dropped on Nov. 24, earned just under 23,000 equivalent album units in the tracking week of Nov. 24 â 30, according to Luminate. Traditional album sales contribute 14,000 of the first-week total, with streaming activity in second place, at a little below 8,000 units â equaling 11.1 million official on-demand audio and video streams of the albumâs tracks. The remaining 1,000 units come from track-equivalent album units (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)
As Blockbusta launches, it secures Busta Rhymesâ 10th top 10 on Top R&B/Hip-Hop Albums. Of his 14 charted titles, the only set to miss the top tier was, perhaps ironically, the compilation The Best of Busta Rhymes, which charted for one week at No. 97 in 2001. With the list updating this week, hereâs a full review of Busta Rhymesâ top 10 projects on Top R&B/Hip-Hop Albums:
Album Title, Peak Position, Peak DateThe Coming, No. 1 (one week), April 13, 1996When Disaster Strikes, No. 1 (one week), Oct. 4, 1997E.L.E.: Extinction Level Event: The Final World Front, No. 2, Jan. 2, 1999Anarchy, No. 1 (one week), July 8, 2000Genesis, No. 2, Dec. 15, 2001It Ainât Safe No MoreâŠ, No. 10, May 3, 2003The Big Bang, No. 1 (one week), July 1, 2006Back on My B.S., No. 2, June 6, 2009ELE 2: The Wrath of God, No. 4, Nov. 14, 2020Blockbusta, No. 10 (to date), Dec. 9, 2023
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The new album has already spun off two singles that have charted on some Billboard radio charts. âBeach Ball,â with BIA, reached No. 29 on the Mainstream R&B/Hip-Hop Airplay chart in September, while âLuxury Life,â featuring Coi Leray, did one better, peaking at No. 28 on the same radio ranking last month.
Elsewhere, Blockbusta debuts at No. 6 on the Top Rap Albums chart and at No. 42 on the all-genre Billboard 200. Part of the latterâs fortunes are due to timing, with 10 Christmas or holiday-themed albums parked above it as the chartâs annual rush of holiday titles picks up steam as the season approaches.
Bobbi Storm debuts at No. 1 on Billboardâs streaming-, airplay- and sales-based Hot Gospel Songs chart (dated Dec. 9) with âWe Canât Forget Him.â Itâs the Detroit nativeâs first entry on Hot Gospel Songs and the chartâs first No. 1 arrival in over a year since DJ Khaledâs âUse This Gospel (Remix)â featuring Kanye West […]
Three weeks after Victoria Monet claimed her first No. 1 single on a Billboard chart, the singer-songwriter adds a second chart-topper to her ledger as âOn My Mamaâ tops the R&B/Hip-Hop Airplay list. The track, which led the Mainstream R&B/Hip-Hop Airplay tally for two weeks in November, ascends from the runner-up spot to lead the […]
Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. This week, we are breaking down the yearâs biggest tours, genre by genre. Today, we begin with Latin.
Throughout the 2010s, Latin acts â here, defined as artists who primarily perform in Spanish â were consistently supporting players on the Boxscore charts. Strong supporting players, with generally a combined 3-6% share of the yearly top 100 toursâ total gross, but supporting, nonetheless. But as the many subgenres that comprise Latin musicâs growing global footprint gained international recognition and popularity, acts from Puerto Rico, Colombia, Mexico and more returned from the pandemic with a strengthened touring audience.
Latinâs top-100 share rose from 5.3% in 2019 to 12.1% in 2022. That was thanks, in large part, to Bad Bunnyâs record-breaking year atop the year-end Top Tours chart, plus fumes from Daddy Yankeeâs farewell tour. In 2023, the genre dips to 11.5% in 2023. But in the absence of Bad Bunnyâs $373.5 million from last year, Latinâs deepening bench picked up the slack to remain relatively steady, signaling the potential for even more growth in the years to come.
While reggaetĂłn and pop acts continued to power Latin touring, 2023 marked the rise of regional Mexican music, on streaming services and on stages. Eslabon Armado, Fuerza Regida and Peso Pluma conquered Billboardâs global charts, while those acts, Grupo Firme and others were selling out arenas across the U.S. and Central America.
Scroll to check out the top 10 highest grossing tours by Latin artists, according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 â Sept. 30, 2023 are eligible.
Carin Leon
Image Credit: Kevin Winter/Getty Images for Latin Recording Academy
Enrique Iglesias and Maria Becerra unite atop Billboardâs Tropical Airplay chart as âAsĂ Es La Vidaâ advances from No. 2 to lead the Dec. 9-dated ranking. The move brings back Iglesias to the lead after a nine-year break, for his eighth champ. Becerra captures her second No. 1.
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âAsĂ Es La Vidaâ leads Tropical Airplay with a 14% improvement in audience impressions, to 4.8 million, earned in the U.S. in the week ending Nov. 30, according to Luminate.
The song was released Sept. 28 via Sony Music Latin and lands at No. 1 on Tropical Airplay in its ninth week. It unseats Chayanneâs âBailando Bachataâ from the penthouse after 15 weeks in charge, the third-most this decade and the longest-leading song in 2023.
âAsĂ Es La Vidaâ propels Iglesias back to the top spot after âBailando,â featuring Descemer Bueno and Gente de Zona, hit No. 1 in 2014. With over nine years to take over Tropical Airplay, it becomes the third-longest gap between No. 1s. Chayanne holds the second-longest span with a 15-year break between âAmor Inmortalâ (2008) and âBailando Bachataâ (August 5-dated list). Jennifer Lopez continues to lead with the longest-break between champs â both Marc Anthony collaborations â with a 17-year wait between âNo Me Amesâ (1999) and âOlvĂdame y Pega La Vueltaâ (2016).
Thanks to the new champ, Iglesias collects his eighth No. 1 on Tropical Airplay. Hereâs his collection:
Peak, Title, Artist, Weeks at No. 1May 31, 2003, âPara Que La Vida,â oneJune 2, 2007, âDo You Know? (The Ping Pong Song),â oneDec. 19, 2009, âGracias A Ti,â with Wisin & Yandel, oneSept. 11, 2010, âCuando Me Enamoro,â featuring Juan Luis Guerra, sixDec. 31, 2011, âAyer,â oneMarch 22, 2014, âEl Perdedor,â featuring Marco Antonio Solis, oneJuly 5, 2014, âBailando,â featuring Descemer Bueno & Gente De Zona, fourDec. 9, 2023, âAsĂ Es La Vida,â with Maria Becerra
For Becerra, the new achievement gives her a second No. 1 on the tropical ranking. The Argentinian earned her No. 1 in her first chart visit through another bachata, âTe Espero,â with Prince Royce, in May 2022.
Beyond its Tropical Airplay coronation, âVidaâ makes progress on the overall Latin Airplay tally, pushing 24-17.
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A short 65 years after its 1958 release, Brenda Leeâs âRockinâ Around the Christmas Treeâ finally hits the No. 1 spot on the Billboard Hot 100 this week.
The Christmas classic, which rose to No. 2 each of the last four holiday seasons but was previously unable to unseat Mariah Careyâs beloved âAll I Want for Christmas is You,â gets all the way to the Hot 100âs apex on the chart dated Dec. 9 â making Leeâs third career No. 1, after âIâm Sorryâ and âI Want to Be Wantedâ both reached pole position in 1960. It comes after a major promotional push from both Lee and her UMG Nashville label, including a new music video, a new holiday EP, and a whole lot of new Lee TikToks, all timed to the songâs 65th birthday celebration this year.
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What was it that finally got the song over the top? And is the No. 1 spot now Leeâs to lose? Billboard staffers discuss these questions and more below.
1. After 65 years â and four years of finishing in the runner-up spot on the Hot 100 to âAll I Want for Christmas Is Youâ every December â Brenda Leeâs âRockinâ Around the Christmas Treeâ finally claims the No. 1 spot this week. On a scale of 1-10, how would you rate the historical long-delayed triumph of âRockinââ topping the Hot 100 in 2023?
Katie Atkinson:Â Iâll go with a 5, only because it was the most likely non-Mariah Christmas song to get to No. 1 next so it felt inevitable. But I also wouldnât have been surprised if Mariah had just never ceded the top spot every December from here for years to come. But I love that this opens up the possibility of a revolving door of holidays hits that shift places in and out of the top spots every year. Justice for Bobby Helms!
Kyle Denis: 7. This is fun! Itâs cool to see that âAll I Want for Christmas Is Youâ really did a break a glass ceiling for the Hot 100 performance of holiday tracks in the streaming era.
Jason Lipshutz: A 10. As astonishing as it was when Mariah Careyâs âAll I Want for Christmas Is Youâ finally reached No. 1 a few years ago, âRockinâ Around the Christmas Treeâ surpassing that season-defining juggernaut â even for one week â is even more shocking to me. I would have expected a newer Christmas song to become the next non-Mariah holiday single to top the Hot 100; instead, we have Brenda Leeâs 65-year-old standard getting over the hump. This is as improbable as chart feats get.
Taylor Mims: I would rate it a 7. December on the charts has become a lot more interesting since the Hot 100 rules changed to allow holiday music on the main popular chart. The holidays tend to be a slow time for the music industry, but with Mariah Carey and now Brenda Lee vying for those top spots, thereâs certainly more to discuss. Carey has really made a holiday meal out of her Christmas song success, but to see a track like Leeâs standard reach the pinnacle is fun to watch and gives everyone an underdog to root for this year. Â
Andrew Unterberger: At least a 9. Four years ago I would have assumed the race between âAll I Wantâ and âRockinâ would prove essentially asymptotic, with Leeâs song always getting closer but never actually catching Careyâs. Last year was the first year it seemed like there was even a real chance that âRockin’â would eventually capture the top spot â and I still wouldâve assumed it was several years away at the nearest. This year⊠Iâm still having a little trouble believing it, to be honest. Kudos to Lee and UMG for achieving the near-impossible.
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2. Many factors went into this chart race â but most of all, do you think âRockinââ finally getting past âAll I Wantâ was more a matter of public sentimentality, promotion from Lee and her label, or just good timing?
Katie Atkinson: Iâm going to go with timing here. There were some steps taken this year â like Lee releasing her first music video for the song in early November â but I think it really came down to âRockinâ Around the Christmas Treeâ being the most popular song in that first full Christmas week this year. Yes, Mariah has the recent track record, but Brenda Lee has a 30-year head start on Christmas nostalgia. Thereâs also the possibility of fa-la-la-fatigue (sorry) for âAll I Want for Christmas.â I have no doubt it will go back to No. 1 at some point, but itâs nice to give Brenda her moment.
Kyle Denis: I think itâs a combination of good timing and promotion from Lee and her label. In terms of timing, we arenât in the midst of an incredibly dominant weekslong run atop the Hot 100, so reaching the summit proved a bit more feasible. Between a new music video, her active TikTok presence, and a promo run that has included collaborations with Kelly Clarkson and Dolly Parton as well as upcoming live performances, Lee and her team were clearly gunning for that No. 1 â and they got it.Â
Jason Lipshutz: I think the extra promotion from Lee pushed âRockinââ to No. 1 this year, after years of running a competitive race but coming up short against âAll I Want.â The song has always been a major holiday hit, but this yearâs not-so-subtle campaign â including a long-overdue official music video and TikTok appearances from Lee â boosted âRockinââ just enough to give it a shot at No. 1. Public sentimentality and timing was on its side, but without that promo push, I doubt weâre talking about it finally reaching the top spot.
Taylor Mims: âRockinââ hitting the top spot seems primarily the work of really good promotion from Lee and her label. Thatâs not to say it isnât a great song: Itâs fantastic and has absolutely stood the test of time and millions have been and will be playing the song all month. But Lee and her team made a concerted effort to push this song over the threshold on this anniversary and with a star who is incredibly endearing. They got public sentimentality on their side, which is saying a lot considering how crowded the month is with holidays, shopping and general end-of-the-year stress. It shows that people are still interested in these personal profiles and good storytelling.
Andrew Unterberger: The promotion is probably the biggest factor, turning the race into something even non-obsessive Hot 100 watchers were aware of and making Leeâs hunt for the No. 1 one of the feel-good stories of the chart year. But you also canât count out good old-fashioned playlisting, as Leeâs older holiday classic is privy to some coveted lean-back-listening territory that Careyâs modern standard is still deemed too new for. At this time of year, when a lot of folks are just reaching for the nearest, most-familiar and most-comforting set of Christmas songs available, that advantage is not to be overlooked.
3. Now that âRockinââ has overtaken âAll I Wantâ for one week, do you see it staying on top indefinitely, trading back and forth with âAll I Wantâ week-to-week, or giving the top spot back up to âAll I Wantâ and resuming its runner-up position?
Katie Atkinson:Â I see the two songs trading spots â and maybe even allowing for some other holiday favorites to slip in to No. 1 as well. I donât think there would be anything that embodies the holiday season more than gifting a revolving door of legendary artists an unprecedented chart-topper decades into their careers or even after theyâve passed. Letâs shake it up!
Kyle Denis: Iâm inclined to think it will probably concede the top spot to âAll I Wantâ for a few weeks, but the points will be close. At this rate, I wouldnât be surprised to see a third holiday song sneak a week in at No. 1.Â
Jason Lipshutz: Hard to say exactly â Iâm still shocked that Brenda surpassed Mariah for a single week this year â but my guess would be that âAll I Wantâ resumes its status as the biggest Christmas song on the charts and âRockinââ dips back to No. 2. I respect Mariah Careyâs classic single as a culture-dominating holiday behemoth too much to entertain notions of âAll I Wantâ staying in the runner-up spot, at least for the foreseeable future. While Iâm very happy that Brenda Lee finally made it to No. 1, I suspect that this will be a one-week flare-up, and Mariah ascends to the top spot next week.
Taylor Mims: That all depends on how much work Lee and her team plan on putting in to this endeavor. âRockinââ is officially a No. 1 Hot 100 hit, and I am not sure what a few more weeks at the top spot will mean for the track. I think it would take a lot more resources to keep pushing ahead of Carey and her well-oiled âQueen of Christmasâ machine. As the month progresses, I also think it will be harder and harder to sustain attention on the subject and folks will go back to playing generic holiday music playlists. Without a PR push, I think it will go back to a close runner up position and thereâs nothing wrong with that.
Andrew Unterberger: It seems like âRockin’â might still have the advantage for this upcoming chart week, and with all this attention and momentum fully behind her, it seems possible that Lee might be able to hang on for the rest of the holiday season â though I certainly wouldnât count out âAll I Wantâ reclaiming the throne for a week or two. The bigger question will be who starts on top next year, and if itâll be Careyâs time to turn up the anniversary-celebrating volume; next year will be the 30th birthday of âAll I Want,â after all.
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4. With âAll I Wantâ finally proving deposable, do you think more artists and/or their labels will be getting actively involved in trying to power their holiday staples up the charts? If so, is there anything they can learn from the success of âRockinââ?
Katie Atkinson: Absolutely, but itâs pretty hard to take lessons from the decades of legacy âRockinââ brings to the table. I mean, in addition to everyone growing up with the song, whether purposely or passively, it also has major moments in holiday movies like Home Alone, so youâre going to get your Brenda fix somewhere in the season whether youâre trying or not. But I think just providing a glimmer of hope that itâs possible to (temporarily) dethrone the reigning Queen means other artists, veterans and rookies alike, should shoot their shot.
Kyle Denis: I think weâll absolutely see more artists trying to fashion chart contenders outs of their holiday originals. From the success of âRockin,ââ artists should take note of the effectiveness of relentless promotion thatâs strategically spaced out to maximize chart timing. In the tracking week that ultimately culminated in the âRockinââ reaching No. 1, Lee provided âpart twoâ of an exclusive BTS music video set tour with appearances from Trish Yearwood and Tanya Tucker, stopped by the Bobby Bones show and visited Talk Shop Live. And this all happened about four weeks after she debuted the trackâs official music video, which featured a 78-year-old Lee lip-syncing to her 13-year-old voice! Content is king!
Jason Lipshutz: No â if âRockinââ hitting No. 1 decades after its release demonstrates anything, itâs that the holiday-song market is darn near impossible to game, especially when it comes to new singles trying to make a dent in the stronghold of the long-running classics. âAll I Wantâ may be perceived as slightly more fallible now than it was last week, but itâs not like a recent holiday song upended its chart run; âRockinââ is a beloved, generations-spanning single, and those are impossible to replicate within the music industry.
Taylor Mims: Artists and labels will absolutely be coming for Careyâs throne. Lee and her team had a great plan, took their time executing it and triumphed (please, everyone go watch the beautiful video of Lee finding out âRockinââ hit No. 1). There is now a blueprint for challenging Carey for that No. 1 spot over the holiday season and I think she has a lot of adversaries ahead. Do I think they will all succeed? No. Do I think the public will get tired of holiday chart competitions? Yes. But when something succeeds as well as Leeâs campaign did, there will be copycats.
Andrew Unterberger: In all honesty, I think thereâs only one song that has anywhere near the juice to properly challenge either of these songs anytime soon: Wham!âs âLast Christmas,â which is another undeniable classic that also seems to grow in public esteem every year (particularly after frontman George Michaelâs death during the 2016 holiday season). If the duoâs Sony label label wanted to follow the âRockin’â blueprint and do a big promotional push in time for a major anniversary â the songâs 40th anniversary is next year, though they might be better off waiting for the 10th anniversary of Michaelâs passing in 2026 â I think the door is at least slightly ajar.
5. Ignoring all chart-related concerns: on another scale from 1-10, how much would you say âRockinââ still rocks 65 years after its release?
Katie Atkinson:Â Itâs a 10 for me. Itâs just so cute and fun, and Iâve somehow never gotten sick of it. I still canât believe a 13-year-old sang this stone-cold classic.
Kyle Denis: 6. Itâs aight.
Jason Lipshutz: An 8. Itâs not my favorite Christmas song, as is not as enthralling as âAll I Want,â but I always enjoy hearing it on a holiday playlist, on the radio or within a too-crowded shopping mall, and get immediately transported back to the holiday listening sessions of my childhood. You could even say that when I hear it, I get a sentimental feeling.
Taylor Mims: Thatâs an easy 10. âRockinââ is one of the most upbeat and cheerful Christmas standards and it is impossible to get out of your head after youâve heard it once. It is the potato chip of holiday music â you canât listen to it just once. Itâs got guitar, a raspy voice, a touch of brass and a whole lot of heart. Every year we start hearing it earlier and earlier (pre-Thanksgiving now) and it warms the spirits in the cold months. Undoubtedly, âRockinââ has another 65 years in it.
Andrew Unterberger: A 7. Itâs not quite in the top tier to me, but I never really mind hearing it â which, after 65 years of annual overplay (37 of which Iâve been alive for), is still fairly impressive.
As Brenda Leeâs classic holiday hit âRockinâ Around the Christmas Treeâ hits No. 1 on the Billboard Hot 100 (dated Dec. 9), Johnny Marks and Owen Bradley, the late songwriter and producer behind the song, respectively, each achieve their first-ever No. 1 on Billboardâs charts.
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Marks wrote âRockinâ Around the Christmas Treeâ in 1958 for a then-13-year-old Lee. He previously penned other holiday favorites, including Gene Autryâs âRudolph, the Red-Nosed Reindeer,â released in 1949. After âRockinâ,â he wrote Burl Ivesâ 1964 classics âA Holly Jolly Christmasâ and âSilver and Gold.â Marks is also credited as a co-writer on Chuck Berryâs âRun Rudolph Runâ due to his trademark on the Rudolph character.
âHe was such a gentle soul,â Lee recalled to Billboard of the late songwriter Dec. 4, upon learning of her new Hot 100 coronation. âHe was Jewish and didnât even believe in Christmas, and all that would come out of him was Christmas music. He told me he was laying on the beach in New York and I guess he took a nap or something and when he woke up, he saw the pine trees were kind of swaying. I said, âYou got pine trees on the beach in New York?â He said, âYeah, and I thought the pine trees are rocking, and he went home and came up with âRockinâ Around the Christmas Tree.ââ
Marks died in 1985 at age 75. Last week, he returned to No. 1 on Billboardâs Hot 100 Songwriters chart for a 20th week on top. Heâs led the chart annually since the ranking launched in 2019, as holiday hits return to the Hot 100 each season.
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âRockinâ â producer Owen Bradley also scores his first No. 1 on the Hot 100. He also produced Bobby Helmsâ 1957 classic âJingle Bell Rock.â
In addition to his work on those holiday perennials, the Tennessee native and Country Music Hall of Fame inductee is also considered one of the architects of the âNashville sound,â the style of country music that incorporates pop elements with soft strings and smooth tempos. He helped establish the subgenre through his production work on hits by Patsy Cline, including âCrazy,â âI Fall to Piecesâ and âWalkinâ After Midnight,â as well as songs by Loretta Lynn, Conway Twitty and Kitty Wells. He started his career working at legendary Nashville radio station WSM-AM and later rose to become vice president of the Decca record labelâs Nashville division.
Bradley died in 1998 at age 82. Similar to Marks, Bradley has topped the Hot 100 Producers chart every year since Billboard launched the rankings in 2019. He leads the latest list for a 13th total week.
Taylor Swift spends a record-extending 88th week at No. 1 on the Billboard Artist 100 chart (dated Dec. 9), thanks to 10 albums on the Billboard 200 â including a landmark five in the top 10 â as well as six songs on the Billboard Hot 100. 1989 (Taylorâs Version) leads Swiftâs titles on the […]