Chart Beat
Page: 151
Beyoncé strides ahead in the U.K. chart race with “Texas Hold ‘Em,” the first cut from her forthcoming project Renaissance Act II (via Columbia/Parkwood Ent).
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Based on midweek sales and streaming data published by the Official Charts Company, “Texas Hold ‘Em” has an advantage of fewer than 1,500 combined sales over the second-ranked single, Dua Lipa’s “Training Season” (Warner Records).
If “Texas Hold ‘Em” plays its cards right, Bey will bag a sixth U.K. No. 1 single.
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Teased during a Verizon Super Bowl LVIII advertisement, “Texas Hold ‘Em” opened at No. 9 on the Official Chart last week, for the top debut of the cycle and Bey’s 22nd solo U.K. top 10 hit.
The Houston, TX-raised artist chalked up another 12 top 10 singles as a member of Destiny’s Child, including two leaders (“Independent Women, Pt. 1” from 2000 and “Survivor” from 2001).
As Bey bounces up the midweek tally, Dua Lipa’s “Training Ground” gives good fight. It’s at No. 2 on the Official Chart Update, and should earn Lipa her 15th U.K. top 10 single. One of those is “Houdini,” which peaked at No. 2 and is currently sat at No. 12.
As it stands, Washington-born singer and songwriter Benson Boone’s “Beautiful Things” (Warner Records) appears likely to hold at No. 3, its peak position.
Noah Kahan‘s reign with “Stick Season” (Republic Records) appears set to come to an end. Following a seven-week stay at No. 1, the folky hit is predicted to dip to No. 5.
After “Training Ground,” the next best new entry should belong to “Lovers In A Past Life” (Columbia), the latest collaborative track by Scottish EDM hitmaker Calvin Harris and deep-voiced English singer Rag’n’Bone Man. It’s new at No. 19 on the chart update. Rag’n’Bone Man has a perfect two-from-two No. 1 albums in the U.K., and five top 40 singles. Harris has also notched two chart-leading albums, and a whopping 42 solo U.K. top 40 singles. The pair teamed up on 2019’s “Giant,” which peaked at No. 2.
All will be revealed when the Official U.K. Singles Chart is published Friday, Feb. 23.
The Guardians of the Galaxy soundtrack franchise and Taylor Swift unspooled big numbers on cassette tape in 2023, as the combined sales of the two accounted for 29% of all cassette albums sold in the U.S. last year, according to data tracking firm Luminate. Further, the top five-selling cassette albums of 2023, as well as six of the top 10, were all Swift and Guardians titles (see list, below).
2023’s top-selling cassette album in the U.S. was the Guardians of the Galaxy: Awesome Mix Vol. 1 soundtrack, released in 2014, with 18,000 sold. Swift’s 1989 (Taylor’s Version), released last October, was the No. 2-seller, with 17,500 sold.
TOP 10-SELLING CASSETTE ALBUMS OF 2023 IN U.S.
Soundtrack, Guardians of the Galaxy: Awesome Mix Vol. 1 (18,000)
Taylor Swift, 1989 (Taylor’s Version) (17,500)
Soundtrack, Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 (16,000)
Soundtrack, Guardians of the Galaxy, Vol. 3: Awesome Mix Vol. 3 (13,000)
Taylor Swift, Speak Now (Taylor’s Version) (11,500)
Nirvana, Bleach (8,000)
Metallica, 72 Seasons (7,500)
Soundtrack, Guardians of the Galaxy: Cosmic Mix, Vol. 1 (6,000)
Soundtrack, Barbie: The Album (5,500)
Phoebe Bridgers, Punisher (5,500)
Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.
In total, 436,400 cassette albums were sold in the U.S. in 2023, down just 0.75% as compared the configuration’s volume in 2022 (439,700).
Cassettes accounted for a mere 0.41% of the total 105.32 million albums sold in the U.S. across all configurations combined – cassette, vinyl, CD, digital download, etc. Cassettes were once the leading configuration for all album purchases in the U.S. – from the early 1980s until the early ‘90s. In 1994, for example, 40% of all albums sold were on cassette – with 246 million cassettes sold that year of an overall 615 million albums. Though the configuration now accounts for a tiny slice of total album sales, cassettes have staged a mini-comeback in the last decade. The once nearly dead cassette went from just 50,000 copies sold in the U.S. in 2014 to over 400,000 in each of the last two years. Once widely available at retail stores, cassette tapes are now frequently sold exclusively on an artist’s webstore and in collectible editions.
‘Guardians’ & Swift Sizzle on Tape
In 2023, the four Guardians soundtracks available on cassette (three film soundtracks and one TV soundtrack) sold 52,500 copies. As literal mixtapes factor into the story of Guardians of the Galaxy films, it’s not surprising that Guardians’ soundtracks on cassette sell well.
As for Swift, her catalog of albums available on cassette sold 74,500 in 2023.
Combined, the cassette sales of the Guardians albums and Swift’s albums totaled 127,000 in 2023 – accounting for just over 29% of all cassette album sales last year (127,000 of 436,400).
The Guardians albums have been consistent sellers on cassette tape since the first Guardians album, Awesome Mix Vol. 1, was released in 2014. Overall, the four Guardians albums have sold 295,000 copies on cassette, through Feb. 15, 2024.
When Drake first debuted at No. 92 on the Billboard Hot 100 dated May 23, 2009 with breakthrough hit “Best I Ever Had,” few could’ve guessed that it would mark the start of one of the successful careers the chart has ever seen. But a little over a decade and a handful of historic chart runs later, the artist born Aubrey Graham has again etched his name in the Billboard record books — as the artist with the most hits in the Hot 100’s 60-plus-year lifespan.
As if that wasn’t enough, “First Person Shooter,” Drake’s blockbuster collaboration with J. Cole from his For All The Dogs album topped the Hot 100 on October 21, 2023. The accolade gave the OVO head honcho the same amount of number ones as the legendary Michael Jackson. It’s a feat many thought would never be topped, but Drake’s career has been a showcase of broken records.
Of course, with Drake’s chart ascent coinciding with the rise of streaming, it’s not like all 328 of these songs were “Drake hits,” at least in the old-fashioned, single-oriented sense. The majority of these entries are album cuts that charted along with the rest of their parent sets, while featured appearances that Drake lent to trusted collaborators like Rick Ross, DJ Khaled, Future, and (of course) Nicki Minaj and Lil Wayne over the years are equally numerous.
Yet despite the staggering number of entries Drake has notched on the Hot 100 over his chart run — an average of nearly 20 a year since his mid-2009 chart debut — the rapper’s entire catalog is hardly represented here. Missing of course is anything from pre-fame mixtapes Room For Improvement or Comeback Season, along with such early fan favorites as “Houstatlantavegas,” “Fear,” “Karaoke,” “Lord Knows,” “The Ride” and “Draft Day.” (Also worth noting that despite prominently featuring Aubrey, Travis Scott’s Hot 100-topping “SICKO MODE” does not technically list him on its official artist credit, nor does Young Money’s No. 2-peaking crew cut “BedRock” — thus neither is included here.)
Still, the great majority of the singer-rapper’s best-known work can be found here, spanning from his first pop breakthroughs to his diaristic deep cuts to his harder mixtape tracks to his meme-courting later smashes. Read on below and see how we rank an already unprecedented chart run — one that, by all indications, is still far from over.
“Charged Up” (Hot 100 Peak: No. 78, Date of Peak: 8/22/15)
Usher lands his fifth No. 1 on Billboard’s Top Album Sales chart (dated Feb. 24) as his new studio album, Coming Home, arrives atop the list. The set sold 53,000 copies in the U.S. in the week ending Feb. 15, according to Luminate. Usher previously topped the list with Looking 4 Myself (in 2012), Raymond V Raymond (2010), Here I Stand (2008) and Confessions (2004).
Elsewhere in the top 10 of the new Top Album Sales chart, the latest albums from P1Harmony, Kanye West and Ty Dolla $ign, and iTZY arrive.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new Feb. 24, 2024-dated chart will be posted in full on Billboard‘s website on Feb. 21, one day later than usual, owed to the Presidents’ Day holiday in the U.S. on Feb. 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Of Coming Home’s 53,000 copies sold, digital sales comprise 47,500 and physical sales comprise 5,500 (4,000 on CD and 1,500 on vinyl). Its start marks the largest sales week for an R&B album in more than four years, since Lionel Richie’s live set Hello From Las Vegas sold 65,000 copies in its first week (on the list dated Aug. 31, 2019). Richie’s first-week sales were boosted by a concert ticket/album sale redemption offer. Ticket/album bundles ceased to count toward chart sales as of Oct. 9, 2020. (R&B albums are defined as those that have charted on Billboard’s Top R&B Albums chart.)
Coming Home was available to purchase in its first week as a standard digital download, a standard CD, five different vinyl variants, two deluxe boxed sets and a deluxe digital album with a bonus track and alternative cover art. The latter was promoted as a SKIMS exclusive (alongside Usher’s new starring role in a SKIMS campaign) and sold for a limited time via SKIMS’ official store and Usher’s own webstore. Both versions of the digital album were deeply discounted during the set’s opening week.
Coming Home was released on Feb. 9, two days before Usher took the stage as the 2024 Super Bowl halftime headliner. The 2024 Super Bowl was the most-watched broadcast in American TV history, with 123.4 million viewers across CBS and the game’s simulcasts across Nickelodeon, Univision, Paramount+ and other digital platforms. Usher didn’t perform any material from the new album during the halftime show, focusing instead on familiar favorites from the past, such as “My Boo” (with Alicia Keys), “U Got It Bad” (with H.E.R.) “OMG” (with Will.i.am) and the show-closing “Yeah!” (with Lil Jon and Ludacris).
P1Harmony’s Killin’ It debuts at No. 2 on Top Album Sales with 18,000 copies sold – nearly all from CD sales. Like many K-pop projects, the set was issued in collectible CD packages, 16 in total, each containing branded merchandise and randomized elements. It’s the best sales week for P1Harmony, its highest-charting effort, and second top 10.
Ye (formerly known as Kanye West) and Ty Dolla $ign’s collaborative album Vultures 1 starts at No. 3 with 18,000 sold – all from digital downloads.
Vultures 1, released on Feb. 10, was initially only available to purchase as a digital download. The original 16-track set sold through leading digital retailers, as well as Ye’s own official webstore. Physical versions of the album on CD and vinyl are expected to be released at a later date, and Ye’s store is accepting pre-orders for both presently. The set’s first-week sales were boosted by aggressive sale pricing. Vultures 1 is the 12th top 10 for Ye and first for Ty.
Taylor Swift’s 1989 (Taylor’s Version) falls 1-4 with 15,000 copies sold (though up 28%).
iTZY’s Born to Be bows at No. 5 with 14,000 copies sold, largely from CD sales. It’s the fifth top 10-charting effort for the Korean pop act. As is customary for many K-pop project, the album was available in multiple collectible CD editions – 10 in total – all containing branded merchandise with randomized elements.
Swift has three more albums in the top 10, as Lover falls 3-6 (12,000; up 13%), Midnights dips 2-7 (11,000; down less than 1%) and Folklore rises 10-8 (9,000; up 57%). Toby Keith’s 35 Biggest Hits drops 4-9 with 7,000 sold (down 35%) and Noah Kahan’s Stick Season climbs 14-10 with nearly 7,000 (up 48%) following its deluxe reissue on Feb. 9 with additional tracks.
In the week ending Feb. 15, there were 1.258 million albums sold in the U.S. (up 7.8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 906,000 (up 9.3%) and digital albums comprised 353,000 (up 4%).
There were 435,000 CD albums sold in the week ending Feb. 15 (up 11.3% week-over-week) and 467,000 vinyl albums sold (up 7.7%). Year-to-date CD album sales stand at 2.933 million (down 31.5% compared to the same time frame a year ago) and year-to-date vinyl album sales total 3.314 million (down 46.7%).
Overall year-to-date album sales total 8.341 million (down 35.5% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 6.279 million (down 40.5%) and digital album sales total 2.062 million (down 12.7%).
Beyoncé holds all the cards as “Texas Hold ‘Em” blasts into the U.K. top 10.
The new single, the first from Bey’s forthcoming Renaissance Act II (Columbia/Parkwood Ent) project, bows at No. 9 on the Official U.K. Singles Chart, published Friday, Feb. 16.
With that fast start, the pop superstar bags a 22nd U.K. top 10 single. Act II will mark Bey’s eighth studio record, four of which have gone to No. 1 in the U.K.
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Three cuts from Kanye West and Ty Dolla $ign’s Vultures 1 (YZY) fly into the Official Chart – the maximum allowed from any one album. All crack the top 20, led by “Carnival” (at No. 12), “Burn” (No. 17) and “Back To Me” (No. 18).
At the top of the tally is Noah Kahan’s “Stick Season” (Republic Records), which logs a seventh straight week at No. 1. With its parent album climbing to the summit of the Official U.K. Albums Chart, Kahan has his first career U.K. chart double. A new edition of the Stick Season album yields the track “Forever,” which arrives at No. 31 for his fifth U.K. top 40 single.
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Sophie Ellis-Bextor’s Saltburn-powered “Murder On The Dancefloor” (Polydor) holds at No. 2 on the Official Singles Chart, less than 600 combined units ahead of Benson Boone’s “Beautiful Things” (Warner Records), the OCC reports. “Beautiful Things” lifts 5-3, a new peak position for the 21-year-old Washington-born singer-songwriter.
Also on the rise is YG Marley’s “Praise Jah in the Moonlight” (YG Marley Music), up 9-5. That’s a career high for Marley, the grandson of the late, great Bob Marley and son of Ms. Lauryn Hill.
English singer and TV presenter Wes Nelson enjoys a top 40 debut with “Abracadabra” (Moor), his collaboration with homegrown R&B favorite Craig David. It’s new at No. 37, following the pair’s live performance on ITV’s Love Island All Stars, for Nelson’s fourth U.K. top 40 single and David’s 26th.
Finally, Tracy Chapman’s “Fast Car” (Rhino) returns to the top 40 following her rare performance of the ‘80s hit at the 2024 Grammy Awards. “Fast Car” reenters at No. 38, after Chapman and country star Luke Combs performed the song on the Grammys on Feb. 4, marking Chapman’s first live television appearance since 2015. Originally released in 1988, “Fast Car” reached its peak of No. 4 in 2011, and has been introduced to country audiences by Combs’ faithful rendition which appeared on 2023’s Gettin’ Old and became a U.S. hit.
Noah Kahan scores his first U.K. chart double as “Stick Season” holds at No. 1 on the national singles chart, and his LP of the same name rises to the summit of the albums tally.
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It’s taken 36 weeks (including 10 weeks in the top 10) for Stick Season (via Republic Records) to complete its first stint atop the Official U.K. Albums Chart, doing so in a tight finish. Stick Season lifts 3-1.
The collection enjoys a late flurry, thanks to the release of the deluxe edition, Stick Season (Forever), a string of in-store signings, and the buzz around his U.K. arena tour this August.
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With his chart feat, Kahan joins some elite company. According to the Official Charts Company, the last artist to swing the U.K. chart double was Taylor Swift, who, in November 2023, simultaneously landed her 11th No. 1 album with 1989 (Taylor’s Version) and third U.K. singles single leader “Is It Over Now? (Taylor’s Version)”.
Coming in at No. 2 on the Official Chart is Kanye West and Ty Dolla $ign’s Vultures 1 (YZY), the most streamed album of the week, the OCC reports. The No. 1 album in the U.S. and Australia this week, Vultures 1 becomes Ty Dolla $ign’s career high and first U.K. top 40 appearance. Kanye has 11 solo U.K. top 40s, including seven top 10s and three No. 1s.
Stick Season and Vultures 1 overpower Declan McKenna’s What Happened to the Beach? (via Columbia), the leader at the midweek point. It’s the best-selling album during the chart cycle, for a No. 3 debut, for the London-born singer and songwriter second top 10 spot, following 2020’s Zeros, which peaked at No. 2.
Also making a splash on the latest tally is Zara Larsson’s Venus (Black Butter/Sommer House), new at No. 15 for the Swedish singer-songwriter’s third U.K. top 40, after 2017’s So Good (No. 7) and 2021’s Poster Girl (No. 11).
And finally, Usher enjoys a post-Super Bowl score as Coming Home (Mega Gamma) lands at No. 24, for his eighth U.K. top 40, while former Mercury Prize winning British rapper Dizzee Rascal is close behind with Don’t Take It Personal (Big Dirte3), new at No. 27. That’s Dizzee Rascal’s eighth top 40.
Ye (formerly known as Kanye West) and Ty Dolla $ign’s joint project Vultures 1 debuts at No. 1 on the Billboard 200 albums chart (dated Feb. 24), giving Ye his 11th leader and Ty his first. The set earned 148,000 equivalent album units in the U.S. in the week ending Feb. 15, according to Luminate, following its release on Feb. 10.
Plus, Usher scores his highest charting album on the Billboard 200 in over a decade, as his latest studio release Coming Home bows at No. 2 with 91,000 units earned.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 24, 2024-dated chart will be posted in full on Billboard‘s website on Feb. 21, one day later than usual, owed to the Presidents’ Day holiday in the U.S. on Feb. 19. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Vultures 1’s 148,000 units earned in the tracking week ending Feb. 15, SEA units comprise 129,000 (equaling 167.78 million on-demand official streams of the set’s songs), album sales comprise 18,000 and TEA units comprise 1,000.
Vultures 1 was only initially available via streaming services and as a digital download album for purchase. The original 16-track set was available through all major streamers, and sold through leading digital retailers, as well as Ye’s own official webstore. Physical versions of the album on CD and vinyl are expected to be released at a later date, and Ye’s store is accepting pre-orders for both presently. The set’s first-week sales were boosted by aggressive sale pricing.
The album boasts appearances from collaborators Travis Scott, Playboi Carti and Chris Brown, though none are given billed artist credit on the tracklist. Ye’s 10-year-old daughter North also contributes vocals to the set’s “Talking.”
Vultures 1 is the first studio album for both Ye and Ty released outside of the major label system, and arrived on Feb. 10 via Ye’s own label YZY after a number of delays (it was originally slated for release last October). Vultures 1 is Ye’s first album since his string of hate speech and antisemitic remarks, which resulted in companies like Adidas and Def Jam Recordings distancing themselves from Ye. (Def Jam released all of Ye’s previous studio albums, including his last widely released album, 2021’s Donda.)
Vultures 1 was issued on Feb. 10 and had a bumpy first-week in the marketplace. Its initial independent distributor, FUGA, took down the project on Feb. 15. The set then found a home with another indie, Label Engine (part of Create Music Group), that same day.
Meanwhile, one of tracks initially included on the Vultures 1 — “Good (Don’t Die)” — was removed from the streaming edition of the album on Feb. 14 on Spotify, and then other streamers and digital retailers on Feb. 15. The song appears to interpolate elements of Donna Summer’s 1977 single “I Feel Love,” which Summer’s estate claimed West used without permission and alleged “copyright infringement.” On Feb. 15, with “Good” removed from the album’s tracklist, the album was no longer purchasable in digital retailers like the iTunes Store and Amazon. (It was, however, still available to buy, with “Good” intact, through Ye’s official webstore.)
Ye ties Bruce Springsteen and Barbra Streisand with 11 No. 1s each. Ahead of them are only The Beatles (a record 19 No. 1s), Jay-Z (14), Drake and Taylor Swift (each with 13). Vultures 1 is Ye’s 11th consecutive charting album to debut at No. 1, the most of any artist. (Overall, Jay-Z has the most debuts at No. 1, with 14, but they were not consecutive.)
For Ty, Vultures 1 brings him his first leader and second top 10-charting effort. He’s logged a total of eight entries on the list, going as high as No. 4 in 2020 with Featuring Ty Dolla $ign.
Vultures 1 was preceded by the single “Vultures,” featuring Bump J, which reached No. 38 on the Hot R&B/Hip-Hop Songs chart in December.
At No. 2 on the Billboard 200, Usher achieves his highest-charting album in over a decade, as his new studio set Coming Home starts in the runner-up slot. The album was released on Feb. 9 and earned 91,000 equivalent album units in the U.S. in the week ending Feb. 15. Of that sum, album sales comprise 53,000, SEA units comprise 34,500 (equaling 45.82 million official on-demand streams of the set’s songs) and TEA units comprise 3,500.
Coming Home’s release date was announced last September, hot on the heels of news that Usher would headline the 2024 Super Bowl halftime show on Feb. 11.
The 2024 Super Bowlitself was the most-watched broadcast in American TV history, with 123.4 million viewers across CBS and the game’s simulcasts across Nickelodeon, Univision, Paramount+ and other digital platforms. Usher didn’t perform any material from the new album during the halftime show, focusing instead on familiar favorites from the past, such as “My Boo” (with Alicia Keys), “U Got It Bad” (with H.E.R.) “OMG” (with will.i.am) and the show-closing “Yeah!” (with Lil Jon and Ludacris).
Coming Home marks Usher’s ninth top 10-charting album on the Billboard 200 and his highest-ranking set since Looking 4 Myself debuted at No. 1 in June of 2012. He then charted with Hard II Love (No. 5 in 2016) and the collaborative set A with Zaytoven (No. 31 in 2018).
Coming Home is Usher’s first independently distributed album after a career with majors BMG and Sony (through the labels LaFace, Arista and RCA). The new project was released via mega (Usher’s own company in partnership with L.A. Reid) and Gamma (helmed by Larry Jackson), and distributed by Vydia (part of the Gamma organization).
Coming Home was available to purchase in its first week as a standard digital download, a standard CD, five different vinyl variants, two deluxe boxed sets and a deluxe digital album with a bonus track and alternative cover art. The latter was promoted as a SKIMS exclusive (alongside Usher’s new starring role in a SKIMS campaign) and sold for a limited time via SKIMS’ official store and Usher’s own webstore. Like Vultures 1, the Coming Home digital album was deeply discounted during its first week.
Coming Home was preceded by the single “Good Good,” with Summer Walker and 21 Savage. The track peaked at No. 25 on the all-genre Billboard Hot 100 in November, marking Usher’s first top 40 since 2017, and highest-charting track since 2015, when “I Don’t Mind,” featuring Juicy J, reached No. 11.
Noah Kahan’s Stick Season climbs 5-3 on the Billboard 200, matching its peak rank, spurred by the release of its new deluxe edition. Stick Season surges with 85,000 equivalent album units earned (up 74% — its best week yet by units earned), following the bow of a deluxe edition of the album on Feb. 9 with nine additional tracks. That deluxe iteration is dubbed Stick Season (Forever) and added collaborations with Post Malone, Kacey Musgraves and others. The original Stick Season album debuted in 2022 with 14 tracks, was deluxed last June with an additional seven tracks (which prompted its jump from No. 100 to No. 3), and then deluxed again on Feb. 9 with nine more tracks. All versions of the album are combined for tracking and charting purposes.
The rest of the top 10 on the new Billboard 200 is comprised of former No. 1s: Morgan Wallen’s One Thing at a Time falls 2-4 (64,000 equivalent album units earned; down 1%); SZA’s SOS dips 3-5 (51,000; down 4%); Taylor Swift’s 1989 (Taylor’s Version) rises 8-6 (50,000; up 3%); Swift’s Lover moves 9-7 (48,000; up 7%); Swift’s Midnights falls 5-8 (46,000; down 9%); Toby Keith’s 35 Biggest Hits tumbles 1-9 (46,000; down 31%); and Drake’s For All the Dogs descends 6-10 (45,000; down 8%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Papa Roach notches its 10th career No. 1, and its fourth from its 2022 album Ego Trip, on Billboard’s Mainstream Rock Airplay chart, as “Leave a Light On” leaps 4-1 on the Feb. 24-dated survey.
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Papa Roach becomes the 11th act to achieve 10 of more rulers in the chart’s 43-year history. Shinedown leads all acts with 19 No. 1s.
Speaking of Shinedown, Papa Roach joins the band as one of only seven acts with at least four Mainstream Rock Airplay No. 1s from a single album. Eight sets in all have reached the milestone, with two belonging to Shinedown. The Black Crowes first did so in 1992 via The Southern Harmony and Musical Companion. Prior to Papa Roach, Linkin Park joined the elite club thanks to a fourth No. 1 from its 2003 album Meteora, with “Lost” leading from the set’s 20th-anniversary deluxe version.
Albums With Four or More Mainstream Rock Airplay No. 1s:5, The Sound of Madness, Shinedown, 2008-11: “Devour,” “Second Chance,” “Sound of Madness,” “The Crow & the Butterfly,” “Diamond Eyes (Boom-Lay Boom-Lay Boom)” (the lattermost song was added for the album’s 2010 deluxe release)4, Ego Trip, Papa Roach, 2021-24: “Kill the Noise,” “No Apologies,” “Cut the Line,” “Leave a Light On”4, Meteora, Linkin Park, 2003-04; 2023: “Somewhere I Belong,” “Numb,” “Lying From You,” “Lost” (the lattermost song was added for the album’s 2023 20th anniversary reissue)4, F8, Five Finger Death Punch, 2020-21: “Inside Out,” “A Little Bit Off,” “Living the Dream,” “Darkness Settles In”4, When Legends Rise, Godsmack, 2018-20: “Bulletproof,” “When Legends Rise,” “Under Your Scars,” “Unforgettable”4, Attention Attention, Shinedown, 2018-20: “Devil,” “Get Up,” “Monsters,” “Attention Attention”4, Immortalized, Disturbed, 2015-16: “The Vengeful One,” “The Light,” “The Sound of Silence,” “Open Your Eyes”4, The Southern Harmony and Musical Companion, The Black Crowes, 1992: “Remedy,” “Sting Me,” “Thorn in My Pride,” “Hotel Illness”
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Papa Roach first topped Mainstream Rock Airplay in 2009, for six weeks with “Lifeline.” The band’s history on the chart stretches back to 2000, when its debut entry “Last Resort” hit No. 4.
“Leave a Light On” is the sixth song from Ego Trip to reach Mainstream Rock Airplay. In addition to its four rulers, “Swerve” peaked at No. 35 in September 2021 and “Stand Up” reached No. 12 in April 2022.
Concurrently, “Leave a Light On” lifts 25-22 on Alternative Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it ranks at No. 12, after hitting No. 10, with 3.3 million audience impressions, up 2%, Feb. 9-15, according to Luminate.
Ego Trip, Papa Roach’s 11th studio LP, debuted at No. 6 on the Top Hard Rock Albums chart in April 2022 and has earned 125,000 equivalent album units to date.
All Billboard charts dated Feb. 24 will update on Billboard.com Wednesday, Feb. 21, a day later than usual due to the Presidents’ Day holiday (Feb. 19) in the U.S.
Paul McCartney and Wings’ Band on the Run stages a return to Billboard’s charts (dated Feb. 17) following the set’s 50th anniversary reissue on Feb. 2. The album re-enters the Top Album Sales chart at No. 5, debuts at No. 7 on the Vinyl Albums tally, re-enters at No. 6 on Tastemaker Albums and debuts at No. 37 on Top Rock & Alternative Albums. On the overall Billboard 200 chart, where the album hit No. 1 in 1974, the set re-enters at No. 156 – its first appearance on the chart since Jan. 1, 2011.
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Band on the Run was reissued in a variety of formats, including a single-LP vinyl release cut at half-speed, a double-LP vinyl set at half-speed with a bonus “underdubbed” version of the album, and as a double-CD set (also with the underdubbed mixes). The 50th anniversary reissues are combined with the original album for sales tracking and charting purposes.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Top Rock & Alternative Albums ranks the week’s most popular rock and alternative albums by equivalent album units. Vinyl Album tallies the week’s top-selling vinyl releases. Tastemaker Albums measures the top-selling titles at independent and small chain record stores.
Band on the Run sold 8,000 copies in the U.S. in the week ending Feb. 8 (up 14,681%) according to Luminate.
Elsewhere on Top Album Sales, Taylor Swift’s 1989 (Taylor’s Version) returns to No. 1 for a seventh nonconsecutive week, climbing two spots with 12,000 copies sold (up 18%). Swift has a clean sweep of the top three, as former No. 1 Midnights bolts 8-2 (11,000; up 91%) following its double win at the Grammy Awards (Feb. 4) for album of the year and best pop vocal album, plus Swift’s chart-topping Lover rises 4-3 with nearly 11,000 sold (up 51%).
Toby Keith’s 35 Biggest Hits re-enters at No. 4 on Top Album Sales with nearly 11,000 sold (up 3,251%) following his death on Feb. 5 of stomach cancer.
Phish’s Round Room, originally released in 2002, re-enters at No. 6 with 6,000 sold (up 2,789%) following its release on vinyl on Feb. 2.
Stray Kids’ chart-topping ROCK-STAR is steady at No. 7 with 6,000 (down 1%).
The soundtrack to The Hunger Games: The Ballad of Songbirds & Snakes debuts at No. 8 with 6,000 sold following its release on CD and vinyl on Feb. 2. The album was initially released via digital download and streaming services on Nov. 17, 2023.
Rounding out the top 10 is Green Day’s former leader Saviors, slipping 5-9 with nearly 6,000 (down 20%) and Swift’s chart-topping Folklore, rising 15-10 with almost 6,000 (up 48%).
In the week ending Feb. 8, there were 1.168 million albums sold in the U.S. (up 4.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 829,000 (up 0.2%) and digital albums comprised 339,000 (up 16.6%).
There were 391,000 CD albums sold in the week ending Feb. 8 (down 3.2% week-over-week) and 433,000 vinyl albums sold (up 3.6%). Year-to-date CD album sales stand at 2.499 million (down 31.7% compared to the same time frame a year ago) and year-to-date vinyl album sales total 2.847 million (down 46.3%).
Overall year-to-date album sales total 7.082 million (down 35.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 5.373 million (down 40.4%) and digital album sales total 1.709 million (down 15.8%).
Billy Joel is back in the top 10 of Billboard’s Adult Contemporary chart (dated Feb. 24) as “Turn the Lights Back On” – his first single release in 17 years – rises to No. 10.
Joel achieves his 24th Adult Contemporary top 10 and first since his version of Bob Dylan’s “To Make You Feel My Love” hit No. 9 in August 1997.
Notably, Joel logs his latest Adult Contemporary top 10 a week shy of the 50th anniversary of his first appearance on the chart: On the list dated March 2, 1974, he debuted at No. 48 with his breakthrough classic “Piano Man,” which went on to become his first top 10, peaking at No. 4 that April.
Among Joel’s 24 Adult Contemporary top 10s, he has sent eight songs to No. 1, from “Just the Way You Are” in 1978 to “The River of Dreams” in 1993.
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Following its release at 7 a.m. ET Feb. 1 on Columbia Records, “Turn the Lights Back On” debuted at No. 11 on the Adult Contemporary chart (dated Feb. 10) and held at the rank in its second week on the survey. As previously reported, the piano ballad, which Joel performed on the Grammy Awards Feb. 4, returned him to the Billboard Hot 100 (dated Feb. 17) for the first time as a recording artist since 1997.
The song’s official video arrived Feb. 16.
“Turn the Lights Back On” was written by Joel, Arthur Bacon, Wayne Hector and Freddy Wexler.
“I started the song with Arthur and Wayne,” Wexler told Billboard. “Billy and I met some time later in Sag Harbor, NY. We became close friends, and we started quietly working on his unfinished material from over the years. This period was about a year and a half during which Billy, unbeknownst to nearly anyone, started to dip his toe into writing again. I travelled with him to many of his shows and, eventually, I showed him ‘Turn the Lights Back On.’ He helped me finish it at a studio and, as I suspect he does with anything, he made it much better.”
Below (and mirroring the time-travel effects of his new video), browse all 24 of Joel’s Adult Contemporary top 10 hits.
“Piano Man”