Chart Beat
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Ariana Grande is on track for another week atop the U.K. chart with Eternal Sunshine (via Republic Records). Though she has competition.
Based on midweek sales and streaming data captured by the Official Charts Company, Eternal Sunshine has a slim edge and should clinch a second week at No. 1. Eternal Sunshine became Grande’s fifth U.K. leader when it debuted at the zenith of the national chart last Friday, March 15.
As it stands, less than 1,000 chart units separate Grande’s seventh studio album with U.S. country artist Kacey Musgraves’ sixth LP, Deeper Well (Interscope).
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Deeper Well is predicted to bow at No. 2, giving Musgraves a third U.K. top 10 after 2018’s Golden Hour (No. 6 peak) and 2021’s Star-Crossed (No. 10).
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There’s another challenger in this race: Caity Baser and her 13-track mixtape Still Learning (EMI). The collection is just 1,500 behind the leader in third place on the OCC‘s chart blast. Baser was shortlisted for the BRITs Rising Star 2024 award, won by The Last Dinner Party.
Meanwhile, Justin Timberlake’s solo comeback album Everything I Thought I Was (RCA) should yield the U.S. pop star a sixth U.K. top 10. It’s new at No. 4 on the Official Chart Update.
U.S. rock veterans the Black Crowes could nab a third U.K. top 10 album, and first in 30 years, with Happiness Bastards (Silver Arrow), set to open at No. 7.
As AC/DC celebrates 50 years rocking, the legendary Australian band releases its full set of albums on vinyl. The first nine reissues in the “AC/DC 50” collection dropped March 15, powering several classics up the midweek chart. Among them, the rockers’ 1980 blockbuster Back in Black (Epic), their first U.K. No. 1, which rebounds to No. 10 on the midweek chart, while 1979’s Highway to Hell drives to No. 22, against an historic peak of No. 8.
Finally, new releases from electronic music producer Four Tet (Three at No. 25 via Text), teenage Manchester rapper Nemzzz (Do Not Disturb at No. 31 via Nemzzz), and Hastings, England punk outfit Kid Kapichi (There Goes The Neighbourhood at No. 36 via Spinefarm) are on track for top 40 debuts.
All will be revealed when the Official Albums Chart is published Friday, March 22.
Ariana Grande is back with another big week on Billboard’s charts (dated March 23), thanks to her new album, Eternal Sunshine.
The set soars in at No. 1 on the Billboard 200, marking her sixth career leader, with 227,000 equivalent album units earned in the U.S. in its opening week (March 8-14), according to Luminate – the biggest one-week sum of 2024.
All 12 chart-eligible songs from the album also land on the Billboard Hot 100, led by “We Can’t Be Friends (Wait for Your Love),” which launches at No. 1, marking her ninth career leader.
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Here’s a recap of Grande’s Hot 100 entries on the latest chart (all songs are debuts except for lead single “Yes, And?,” released before Eternal Sunshine).
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Rank, Title:No. 1, “We Can’t Be Friends (Wait for Your Love)”No. 10, “Yes, And?” (up from No. 31; debuted at No. 1 on the chart dated Jan. 27)No. 16, “The Boy Is Mine”No. 17, “Supernatural”No. 23, “Eternal Sunshine”No. 25, “Bye”No. 28, “Don’t Wanna Break Up Again”No. 30, “True Story”No. 37, “Imperfect for You”No. 38, “Intro (End of the World)”No. 39, “I Wish I Hated You”No. 55, “Ordinary Things,” feat. Nonna
“We Can’t Be Friends” earns Grande her ninth Hot 100 No. 1, and second from Eternal Sunshine, following “Yes, And?”
With 11 debuts, Grande ups her total to 85 career Hot 100 entries. She ties Beyoncé for the third-most among solo women in the chart’s history, after only Taylor Swift (232) and Nicki Minaj (148). Grande first hit the Hot 100 with her debut hit, and first of 22 top 10s, “The Way,” featuring Mac Miller, in April 2013.
Notably, Grande’s grandmother, Marjorie Grande, scores her first career Hot 100 entry thanks to her featured billing – as Nonna – on “Ordinary Things.” At 98 years old, she makes history as the oldest living person to have appeared on the chart.
One other member of the Grande family has also reached Billboard’s charts: Frankie Grande, Ariana’s brother (and, thus, Nonna’s grandson), spent a week at No. 35 on the since-shuttered Billboard Twitter Top Tracks survey in July 2017 with “Queen.”
One week after her arrival on Billboard’s charts, Dasha becomes a Billboard Hot 100-charting artist, thanks to her breakthrough viral single “Austin.”
The song, released in November via Version III, debuts at No. 74 on the March 23-dated Hot 100 with 6.7 million official streams (up 65%), 84,000 in radio airplay audience (up 173%) and 2,000 downloads sold (up 116%) in the U.S. March 8-14, according to Luminate.
The track also jumps 31-17 on Hot Country Songs, which uses the same multi-metric methodology as the Hot 100.
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Dasha is based in Nashville, via San Luis Obispo, Calif. Gains for “Austin” have been sparked by TikTok, where she boasts over 400,000 followers. Seemingly boosted by the rising wave behind Beyoncé’s “Texas Hold ‘Em” – which tops Hot Country Songs for a fifth week – “Austin” soundtracks a line-dance trend started by Dasha. The song has been featured in over 300,000 videos on the platform. Billboard reported that in the tracking week ending Feb. 15, in which Beyoncé released “Texas Hold ‘Em” midway through, “Austin” vaulted from 82,000 official on-demand streams the week before to over 830,000 – up 916%. The next week (ending Feb. 22), the song grew 182% to 2.3 million.
Airplay-wise, SiriusXM is championing the song on TikTok Radio and its country-formatted The Highway. Terrestrially, Country Airplay chart reporter KBAY San Francisco leads in early exposure for the track.
“Austin” is on Dasha’s new eight-track LP What Happens Now?, released Feb. 16. Before that, she released the collection Dirty Blonde in January 2023, via Quadio Records, and her six-track EP $hiny Things in 2021.
Dasha, who co-wrote “Austin,” also surges from No. 29 to No. 11 on Billboard’s Emerging Artists chart.
Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” debuts at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. Grande achieves her fourth leader on the former and her third on the latter.
The song is the second single from Grande’s seventh studio album, Eternal Sunshine, which premieres at No. 1 on the Billboard 200 chart. “Yes, And?,” the lead single from the set, released on Republic Records, debuted atop both global surveys in January.
The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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‘Friends’ First on Global 200
Released March 8 on Eternal Sunshine, followed by the premiere of its official video the same day, Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” begins atop the Billboard Global 200 with 97.5 million streams and 14,000 sold worldwide through March 14. (It bests the streaming start of “Yes, And?,” which drew 94.4 million globally in its first frame.)
Grande earns her fourth Global 200 No. 1, after “Yes, And?” led for its first two weeks; “Save Your Tears,” with The Weeknd, reigned for a week in May 2021; and “Positions” bowed atop the chart and ruled for two weeks in November 2020. She ties Bad Bunny and Taylor Swift for the most leaders among soloists; only BTS boasts more (seven) overall.
Benson Boone’s “Beautiful Things” drops to No. 2 on the Global 200 after four weeks at No. 1 beginning in February; Ye (the artist formerly known as Kanye West) and Ty Dolla $ign’s “Carnival,” featuring Rich the Kid and Playboi Carti, falls to No. 3 from its No. 2 high; Teddy Swims’ “Lose Control” holds at its No. 4 best; and Djo’s first entry on the chart, “End of Beginning,” enters the top five (6-5).
Grande Also No. 1 on Global Excl. U.S.
Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” concurrently launches atop the Billboard Global Excl. U.S. chart, with 65.5 million streams and 5,000 sold outside the U.S. March 8-14.
Grande tops Global Excl. U.S. with a third title, after “Yes, And?” led in its first two weeks and “Positions” spent its debut week at No. 1 in November 2020. As on the Global 200, she ties for the most leaders among soloists, matching Bad Bunny and Jung Kook’s totals. BLACKPINK has also scored three No. 1s; among all acts, only BTS has more (seven).
Benson Boone’s “Beautiful Things” retreats to No. 2 after four weeks at No. 1 on Global Excl. U.S. beginning last month.
Creepy Nuts’ “Bling-Bang-Bang-Born” rebounds 6-3 on Global Excl. U.S., after hitting No. 2. As on Global Excl. U.S., the song becomes the Japanese duo’s first top 10 on the Global 200 (13-8), with 53.9 million steams (up 72%) and 19,000 sold (up 48%) worldwide in the tracking week.
Plus, Djo’s first Global Excl. U.S. hit, “End of Beginning,” reaches the top five (7-4) and Teddy Swims’ “Lose Control” slips to No. 5 from at its No. 3 high.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated March 23, 2024) will update on Billboard.com tomorrow, March 19. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Ariana Grande’s grandmother – Nonna, formally Marjorie Grande – makes history on the Billboard Hot 100 (dated March 23), as “Ordinary Things” debuts at No. 55.
With the arrival of the song (from Grande’s album Eternal Sunshine, which launches at No. 1 on the Billboard 200), Nonna, 98, becomes the senior-most artist ever to have appeared on the Hot 100, dating to the chart’s Aug. 4, 1958, start.
Nonna, billed as a featured artist on “Ordinary Things,” claims the record from the late Fred Stobaugh, who was 96 when “Oh Sweet Lorraine,” billed as by Green Shoe Studio featuring Jacob Colgan (the song’s vocalist) and Stobaugh (its writer), spent a week on the Hot 100 dated Sept. 14, 2013, at No. 42.
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Late legend Tony Bennett now ranks third among acts with the most life experience on the Hot 100. Bennett was 85 when “Body and Soul,” with Amy Winehouse, logged a week on the list, at No. 87, dated Oct. 1, 2011. Bennett passed the late George Burns, who was 84 when, aptly per the subject matter, “I Wish I Was Eighteen Again” wrapped its chart run the week of March 22, 1980.
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“Ordinary Things” closes with a clip of Nonna imparting advice, as she reflects on her late husband, Frank. “Never go to bed without kissin’ goodnight,” Nonna – also credited as a co-writer of the song – shares. “That’s the worst thing to do; don’t ever, ever do that. And if you don’t feel comfortable doing it, you’re in the wrong place – get out.”
“I always record my Nonna, because you never know what she’s going to say,” Grande told Apple Music 1’s Zane Lowe March 7. “I had this 30-minute voice note of her and her friend Shirley talking.”
Following the soundbite in the song, Grande laughs, closing the track, and Eternal Sunshine. She explained to Lowe of its inclusion, “I think it’s a little bit of, ‘Wow, our loved ones, our friends and our family have the ability to instantly just sort of soothe and calm and simplify things that are so complicated and heavy at times.’”
Grande’s grandmother has also been heard, although not credited with an artist billing, on “Daydreamin’,” from Grande’s 2013 debut album Yours Truly, and “Bloodline,” from 2019’s Thank U, Next. The latter song hit No. 22 on the Hot 100.
Eternal Sunshine, released on Republic Records, begins with 227,000 equivalent album units earned in the U.S. in its first week (March 8-14), according to Luminate – the largest frame for any set so far in 2024.
“Ordinary Things” enters the Hot 100 with 8.8 million official streams in its first frame.
As previously reported, the new album’s “We Can’t Be Friends (Wait for Your Love)” opens atop the Hot 100, marking Grande’s ninth No. 1. Lead single “Yes, And?” premiered at the summit in January.
Meanwhile, as Nonna makes her unprecedented entrance on the Hot 100, who is the youngest artist ever to reach the chart? While The Five Stairsteps, “a quintet of siblings, were joined by a sixth Stairstep, their 18-month-old brother Cubie, for several singles, beginning with ‘Something’s Missing’ in 1967,” Billboard reported in 1993, the youngest soloist remains Jordy, who was 5 years old when “Dur Dur D’être Bébé! (It’s Tough To Be a Baby)” first reached the survey, on its way to a No. 58 peak, dated June 19, 1993.
Ariana Grande wouldn’t remember Jordy’s debut. She made her own arrival when she was born one week later, on June 26, 1993.
Elsewhere, Teddy Swims’ “Lose Control” is steady at its No. 2 Hot 100 best, as it adds a third week atop Digital Song Sales (12,000, down 52%).
Benson Boone’s “Beautiful Things” rebounds to its No. 3 Hot 100 high, from No. 4.
“Carnival,” by Ye (formerly known as Kanye West) and Ty Dolla $ign and featuring Rich the Kid and Playboi Carti, falls to No. 4 on the Hot 100 after a week at No. 1. It logs a third week atop both the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts.
Jack Harlow’s “Lovin on Me” descends 3-5 on the Hot 100, following six nonconsecutive weeks at No. 1 beginning last December, as it notches a ninth week atop the Radio Songs chart (75.2 million, down 2%).
Beyoncé’s “Texas Hold ‘Em” dips 5-6 after two weeks atop the Hot 100 earlier this month. It leads the Hot Country Songs chart for a fifth week.
Below “Act II: Date @ 8” on the Hot 100, Tate McRae’s “Greedy” falls 6-8, after reaching No. 3.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, backtracks 7-9 on the Hot 100, after it led for a week upon its debut last September. It tops the Hot Rock & Alternative Songs and Hot Rock Songs charts for a 29th week each.
Rounding out the Hot 100’s top 10, Grande’s “Yes, And?” rebounds 31-10, led by its 110% gain 17.3 million streams.
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated March 23), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (March 19).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Cardi B has always prided herself on being a “regular shmegular girl” from The Bronx. That authenticity and unapologetically wearing her heart on her sleeve has ingratiated Cardi to millions of rap fans across the globe since she burst onto the scene with “Bodak Yellow.”
It doesn’t matter if Cardi’s ranting on Instagram or dishing out fiery rhymes in the studio, she’s long been must-watch TV before she ever starred on Love & Hip-Hop in the 2010s.
Cardi B carried her “Bodak” momentum into Invasion of Privacy in 2018 and the critically-acclaimed debut won best rap album honors at the 2019 Grammy Awards. By 2022, every song from Invasion was at least certified platinum by the RIAA, and IOP spawned a pair of Hot 100-toppers in “Bodak Yellow” and “I Like It” featuring Bad Bunny and J Balvin.
The calendar has turned to 2024 and it’s approaching six years since Invasion which has the Bardi Gang starving for another LP. Cardi heated up the stove with a pair of singles to kick off the year with “Like What (Freestyle),” which debuted inside the Hot 100’s top 40, and “Enough (Miami),” which arrived on Friday (March 15).
However, the 31-year-old is promising her next announcement to be regarding her anticipated sophomore album.
“I took a little break, I came back on social media. I dropped a little freestyle and everything, y’know just to wet my feet. A week later, I’m dropping this single, and the next announcement is not going to be a single, it’s gonna be an album,” she told Billboard Canada. “I’m back outside, I’m tired of sh-t holding me back. It’s been six years since l’ve dropped an album, so I’m gonna drop an album this year.”
Even with the extended break between albums, Cardi has been a Billboard chart staple. To date, she’s compiled 46 entries and has five No. 1 Hot 100 hits — the most of any woman rapper ever. Below, find Cardi B’s 10 biggest Billboard Hot 100 entries.
Cardi B’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 through March 16, 2024. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.
“Money”
Miley Cyrus’ “Flowers” adds a record-extending 39th week at No. 1 on Billboard’s Adult Contemporary chart (dated March 23), and makes history in the process.
As it rebounds to the summit, “Flowers” has now totaled 88 weeks atop all the Billboard radio charts that it has led. In addition to its 39 frames atop Adult Contemporary, the song, released on Columbia Records in January 2023, ran up reigns of 18 weeks on the all-format Radio Songs chart, 17 weeks on Adult Pop Airplay, 10 weeks on Pop Airplay and four weeks on Dance/Mix Show Airplay.
“Flowers,” which this February won the Grammy Award for record of the year, one-ups The Weeknd’s “Blinding Lights,” which posted 87 combined weeks atop Billboard airplay charts. The latter, released in 2019, dominated Adult Contemporary for 35 weeks, Radio Songs for a record 26 weeks, Adult Pop Airplay for 20 weeks and Pop Airplay for six weeks.
“Flowers” is one of 21 smashes that have spent at least 52 weeks, or a full year, combined at No. 1 on Billboard airplay charts. Billboard boasts 25 currently-active radio airplay charts, dating to the Adult Contemporary tally’s July 17, 1961, launch. Country Airplay became the first airplay chart ranked by electronically-monitored data as of the list dated Jan. 20, 1990; all current airplay charts (over half of which began in the ‘90s) are based on data monitored by Mediabase and provided to Billboard by Luminate.
The 25 such surveys: Adult Alternative Airplay, Adult Contemporary, Adult Pop Airplay, Adult R&B Airplay, Alternative Airplay, Christian AC Airplay, Christian Airplay, Country Airplay, Dance/Mix Show Airplay, Gospel Airplay, Holiday Airplay, Latin Airplay, Latin Pop Airplay, Latin Rhythm Airplay, Mainstream R&B/Hip-Hop Airplay, Mainstream Rock Airplay, Pop Airplay, R&B/Hip-Hop Airplay, Radio Songs, Rap Airplay, Regional Mexican Airplay, Rhythmic Airplay, Rock & Alternative Airplay, Smooth Jazz Airplay and Tropical Airplay.
Below browse the 21 songs – with a leading three by Mariah Carey, followed by two by Adele – that have blanketed radio and spent the most cumulative weeks atop Billboard’s airplay charts. They’re some of the most familiar hits still prominent on airwaves – as Cyrus playfully asked the Grammys crowd when she performed “Flowers,” “Why are you acting like you don’t know this song?!”
88 weeks, “Flowers,” Miley Cyrus
Beyoncé’s “Texas Hold ‘Em” (via Columbia/Parkwood Ent) is still the one to beat in the U.K., where it clocks a fourth consecutive week at No. 1.
That’s a personal best streak for Bey, improving on the three-week peaks of 2003’s “Crazy In Love” with Jay-Z and 2007’s “Beautiful Liar” with Shakira. It also bests the two No. 1 singles she earned as a member of Destiny’s Child — 2000’s “Independent Women” and 2001’s “Survivor,” which both logged one week at the top.
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The leader at the midweek point, “Texas Hold ‘Em” is Bey’s sixth U.K. leader, and is housed by her forthcoming LP Cowboy Carter, due out March 29.
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The chart race had a tight finish, with Benson Boone’s “Beautiful Things” (Warner Records) finishing in second place, falling 1,700 chart units short.
Meanwhile, Ariana Grande completes the podium as Eternal Sunshine cut “We Can’t Be Friends (Wait For Your Love)” (via Republic Records), new at No. 3 for the week’s top debut. It’s Grande’s 22nd U.K. top 10 appearance.
With Eternal Sunshine debuting at No. 1 on the Official U.K. Albums Chart, Grande lands a maximum three songs from it on the national singles survey, published Friday, March 15. Lead single “Yes, And?” lifts 11-6 while “Bye” bows at No. 13.
After claiming the Academy Award for best original song, and performing the song on the night, Billie Eilish former leader “What Was I Made For?” (Interscope) re-enters the top 40 at No. 16.
Up-and-coming U.S. R&B singer-songwriter 4batz makes his Official U.K. Chart debut with “act ii – date @ 8” (via 4batz OVO Sound) featuring Drake, new at No. 18, while California artist Dasha makes her U.K. top 40 debut country track “Austin,” up 57-25.
Also cracking the top 40 for the first time is Colorado indie-folk act Richy Mitch & the Coal Miners with “Evergreen” (via Richy Mitch & the Coal Miners) up 41-37.
Ariana Grande’s Eternal Sunshine (via Republic Records) enjoys the brightest possible start in the U.K., where it opens its account at No. 1.
The leader at the halfway mark, Eternal Sunshine is the U.S. pop star’s fifth U.K. chart-topper after 2016’s Dangerous Woman, 2018’s Sweetener, 2019’s thank u, next and 2020 LP Positions, a feat that places her equal with the likes of Celine Dion, Prince and Green Day, each with five leaders.
The only Grande titles to miss the U.K. chart throne are her 2013 debut Yours Truly (No. 7 peak) and her sophomore album from 2014, My Everything (No. 3). Eternal Sunshine was the best-seller on wax during the chart week, the Official Charts Company reports.
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Meanwhile, British heavy metal juggernauts Judas Priest nab a new chart best with Invincible Shield (Columbia), their 19th studio album. That result eclipses the No. 4 peak for their 1980 collection British Steel.
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Also scoring a new personal best in the U.K. is Bleachers, with their self-titled fourth studio album via Dirty Hit. Jack Antonoff’s New Jersey alternative rock act land at No. 5 with their new album, for Bleachers’ first U.K. chart appearance.
Leicester, England protest singer and songwriter Grace Petrie scores her own highest-charting album with Build Something Better ( Robots Need Home). It’s new at No. 28 for her second top 40 appearance, besting 2021’s Connectivity which peaked at No. 37.
It’s a glorious seventh top 40 appearance for British girl group Bananarama on the Official U.K. Albums Chart, published Marc. 15. Their career retrospective Glorious – The Ultimate Collection (Polydor/UMR) starts at No. 30.
Finally, Girls Aloud return to the top 40, at No. 35, following the re-issue of 2004 set What Will The Neighbours Say. The LP is packaged with five previously-unreleased cuts, including works featuring the vocals of late bandmate Sarah Harding. The group’s second studio, What Will The Neighbours Say peaked at No. 6 following its initial release. The surviving members of Girls Aloud will support the 20th anniversary release with an arena tour of the U.K. and Ireland.