Chart Beat
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Jordan Adetunji debuts on the Billboard Hot 100 with his breakthrough viral hit, “Kehlani.” Released May 19 on Indigo Kid/300 Entertainment, the song enters the Hot 100 (dated July 6) at No. 70 with 8.1 million U.S. streams (up 46%) and 510,000 all-format radio audience impressions June 21-27, according to Luminate. It also opens at […]
Ella Langley is officially a Billboard Hot 100-charting artist, as the singer-songwriter arrives with her viral duet, “You Look Like You Love Me,” with Riley Green.
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Released June 21 via SAWGOD/Columbia Records, the track debuts at No. 53 on the Hot 100 (dated July 6) with 8.6 million official U.S. streams, 14,000 in radio airplay audience and 3,000 downloads sold in its first week, according to Luminate. It also opens at No. 15 on the Hot Country Songs chart, where it’s Langley’s second entry, after “Strangers,” with Kameron Marlowe (No. 43 peak, February).
“You Look Like You Love Me” (which marks Green’s fifth Hot 100 hit) was boosted by activity on TikTok leading up to its official release. Before releasing the song, Langley and Green shared snippets on TikTok, as well as live performances of it on their joint tour. One version of the song has soundtracked over 225,000 clips on TikTok, while another has been used in over 100,000 videos. Their teasing of the track helped it debut at No. 9 on last week’s TikTok Billboard Top 50 chart (dated June 29).
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Langley first appeared on Billboard’s charts dated June 3, 2023, when her debut EP, Excuse the Mess, entered at No. 19 on Heatseekers Albums (which ranks the top-selling albums each week by new or emerging acts). The set includes a collaboration with fellow recent Hot 100 First-Timer Koe Wetzel.
Langley recently concluded a supporting stint on Green’s Ain’t My Last Rodeo Tour, as well as Hardy’s Quit!! Tour. She has other supporting gigs lined up on Morgan Wallen’s One Night at a Time Tour, Luke Bryan’s Mind of a Country Boy Tour and Dierks Bentley’s Gravel & Gold Tour.
“You Look Like You Love Me” is slated to appear on Langley’s debut full-length, Hungover, due Aug. 2.
Sabrina Carpenter is in the midst of a major battle, and her fiercest competitor is none other than herself.
As the U.K.’s Official Singles Chart reaches its midweek point, Carpenter’s smash hit “Espresso” remains piping hot and is neck-and-neck with “Please Please Please” (both via Island Records) as both singles vie for the coveted No. 1 spot.
“Espresso” debuted straight in at No. 6 on the Official U.K. Singles Chart upon its release, and on May 3, 2024, it became Carpenter’s very first U.K. leader. It also marked the highest-charting U.K. No. 1 about caffeine in 24 years, since All Saints’ 2000 hit “Black Coffee.”
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Meanwhile “Please Please Please,” the second single from Carpenter’s sixth studio album Short ‘n’ Sweet, toppled Eminem‘s “Houdini” back in late June to secure Sabrina her second U.K. No. 1 single in less than two months, while “Espresso” stayed at No. 2. In doing so, Sabrina set a new Official Chart record, becoming the youngest female artist in history to hold the No. 1 and No. 2 spots on the Official Singles Chart in the same week.
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In other U.K. singles chart news, rising star Chappell Roan is also making waves. Her catchy and heartfelt single “Good Luck, Babe!” (via Island) is poised to hit a new peak at No. 4, up from its debut in the top 10 last week.
Based on midweek sales and streaming data published by the Official Charts Company, Taylor Swift’s “Cruel Summer” (via EMI) is expected to re-enter the top 10 at No. 10, riding the wave of excitement from her The Eras Tour. Swift’s ability to keep her music relevant and engaging is once again on full display, as fans continue to support her timeless hits.
Dua Lipa, fresh off her headline performance at Glastonbury Festival, is seeing her track “Illusion” (via Warner Records) re-enter the top 20, currently at No. 13. The festival’s influence is also boosting Coldplay, with their new song “feelslikeimfallinginlove” (via Atlantic) set to reach a new peak at No. 21. Both acts have clearly benefited from their standout performances, drawing renewed attention to their latest releases.
BTS icon Jimin is aiming for his third top 40 U.K. single with “Smeraldo Garden Marching Band” (via Big Hit Music) featuring rapper Loco, with the track projected to land at No. 18. Inspired by The Beatles‘ iconic Sgt. Pepper’s Lonely Hearts Club Band, the K-Pop star’s latest solo effort sees him once again collaborate with renowned producers Pdogg, GHSTLOOP, and EVAN, who previously worked on his debut solo album, FACE.
Stay tuned for the final chart results at the end of the week to see which tracks secure their positions.
Imagine Dragons and Dua Lipa are locked in a close race for the U.K.’s Official Albums Chart No. 1 spot this week, each experiencing significant midweek chart momentum.
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Imagine Dragons’ sixth studio album, LOOM, is currently on track to debut at No. 1. This would be the band’s second No. 1 album in the U.K., following their 2015 release Smoke & Mirrors. Known for hits like “Radioactive” and “Believer,” Imagine Dragons have a strong chart history with four other top 10 albums: Night Visions (No. 2) in 2013, Evolve (No. 3) in 2017, Origins (No. 9) in 2018, and Mercury – Act 1 (No. 7) in 2021.
Dua Lipa, fresh off a headline performance at Glastonbury 2024, sees her album Radical Optimism surging up the chart. The former No. 1 album is projected to jump 25 places to No. 2, fueled by the buzz from her Pyramid Stage set. Additionally, Dua’s earlier albums are experiencing renewed interest, with Future Nostalgia (No. 9) and her self-titled debut Dua Lipa (No. 13) expected to re-enter the top 40.
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Camila Cabello’s latest project, C,XOXO, is also making a splash, currently tracking to secure the No. 7 spot. This would be Cabello’s third U.K. top 10 album, adding to her successful discography which includes Camila (No. 2) in 2018, Romance (No. 14) in 2019, and Familia (No. 9) in 2022.
Johnny Cash’s posthumous album Songwriter, featuring unreleased tracks from 1993, is expected to debut at No. 11. Beyoncé’s COWBOY CARTER is also making a notable return, climbing 85 places to No. 14 following its vinyl release.
Shania Twain’s Greatest Hits is experiencing a revival, aiming for the No. 18 spot after her highly anticipated performance at Glastonbury. This would mark the album’s first time in the top 40 since its initial release in 2005.
Elsewhere on the midweek chart, Madness’ 2023 No. 1 album Theatre of the Absurd presents C’est La Vie could re-enter the top 40 at No. 26 thanks to a new deluxe reissue. Mexican rock band The Warning is poised to earn their first-ever Official Albums Chart placement with their fourth album, Keep Me Fed, debuting at No. 37.
Stay tuned for the final chart results late Friday (July 5) to see which albums come out on top.
Gracie Abrams notches her first No. 1 on Billboard’s Top Album Sales chart (dated July 6) with her largest sales week ever, as The Secret of Us arrives atop the tally. The set, her second full-length studio effort, sold 50,000 copies in the U.S. in the week ending June 27, according to Luminate.
Abrams’ previous high-water mark came when her first full-length release, Good Riddance, peaked at No. 7 on the July 1, 2023-dated chart with 10,000 sold – powered by its arrival on vinyl that week. That same week also marked her best sales week until the debut of The Secret of Us.
The first-week sales of The Secret of Us was supported by the album’s availability across seven vinyl variants (all color variations, two of which were signed and exclusive to Abrams’ webstore, as well as one that was exclusive to Target with an alternative cover). Vinyl sales accounted for 41,000 of the album’s total sales for the week – her best week on vinyl, and the sixth-largest week for a vinyl set in 2024. Secret also starts at No. 1 on the Vinyl Albums chart.
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Also in the top 10 of the new Top Album Sales chart: Ariana Grande’s chart-topping Eternal Sunshine re-enters at No. 3 thanks to sales of a signed edition, a 50th anniversary reissue of Grateful Dead’s From the Mars Hotel arrives, the all-star covers tribute to Tom Petty, Petty Country, debuts, and The Story So Far’s new album I Want to Disappear enters.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 6, 2024-dated chart will be posted in full on Billboard‘s website on July 2. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Taylor Swift’s chart-topping The Tortured Poets Department holds at No. 2 with 28,000 copies sold (down 16%).
Ariana Grande’s former leader Eternal Sunshine re-enters at No. 3 with 17,000 copies sold (up 598%). Its surge is owed largely to sales of a signed CD sold exclusively in Grande’s webstore for a limited time.
Chappell Roan’s buzzy The Rise and Fall of a Midwest Princess hits a new peak, vaulting 14-4 with 15,000 sold (her best sales week yet). The sales are largely from the vinyl edition of the album (9,000 sold – up 131%, it’s No. 2 on Vinyl Albums), which continues to be available in four variants (a standard black vinyl, a “collector’s edition” in expanded packaging [also in black vinyl], and two color editions).
Grateful Dead’s 50th anniversary expanded reissue of its 1974 live album From the Mars Hotel enters at No. 4 on Top Album Sales at No. 5 with 14,000 sold (up from a negligible sum the week prior). The set was remastered and reissued across four vinyl variants, a three-CD set and a deluxe digital download (the latter two included a bevy of bonus tracks). All versions of the album, old and new, are combined for charting and tracking purposes. The original release of the album peaked at No. 16 on the Billboard 200 in August of 1974.
Billie Eilish’s Hit Me Hard and Soft slips 5-6 on Top Album Sales with 13,000 sold (down 21%).
The all-star compilation album Petty Country: A Country Music Celebration of Tom Petty, starts at No. 7 on Top Album Sales with nearly 11,000 sold. The 20-track Petty Country collection boasts country covers of Petty tunes, including Chris Stapleton’s “I Should Have Known It,” Dolly Parton’s “Southern Accents” and Luke Combs’ “Runnin’ Down a Dream.”
With almost 11,000 sold, Petty Country collects the biggest-selling week for any compilation album in well over a year, since A Philly Special Christmas shifted about 100 copies more on the Jan. 7, 2023-dated chart. In terms of country music compilations, no compilation has sold as much as Petty Country in a single week in six years, since Now That’s What I Call Country, Volume 11, debuted with 12,000 copies on the June 23, 2018 chart.
Petty Country was issued on across four vinyl variants (all color variations), CD and digital download.
ATEEZ’s chart-topping Golden Hour: Part.1 rises 10-8 on Top Album Sales with 10,000 (down 13%) while NAYEON’s NA falls 1-9 in its second week with just over 9,000 (down 78%).
The Story So Far rounds out the top 10, as its new album I Want To Disappear debuts at No. 10 with 9,000. It’s the second top 10-charting effort for the rock band, and fifth entry overall. The new set’s sales was bolstered by its availability across five color vinyl variants, in addition to a standard CD and digital download album.
Sabrina Carpenter’s “Please Please Please” spends a second week at No. 1 on the Billboard Global 200, while her “Espresso” rebounds to No. 1 for a sixth week atop the Billboard Global Excl. U.S. chart.
Carpenter becomes the first artist to rule the Global 200 and Global Excl. U.S. simultaneously with different songs and no billed collaborators. One other act, Peso Pluma, has led the lists with different songs at the same time, via a pair of co-billed hits: For a week in June 2023, “Ella Baila Sola,” with Eslabon Armado, topped the Global 200 as “Bzrp Music Sessions, Vol. 55,” with Bizarrap, ruled Global Excl. U.S.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Please Please Please” logs a second week atop the Global 200, two weeks after it debuted at No. 2, with 100.3 million streams (down 16%) and 8,000 sold (down 10%) worldwide June 21-27.
The song is the first to notch three weeks of at least 100 million global streams in 2024, as its latest frame follows its 119.2 million the week before and 104.6 million in its debut week. (Four songs boast multiple weeks of 100 million or more streams in a single week this year, with Carpenter the only act to claim two such titles, as “Espresso” earned the honor over the two previous weeks. Tommy Richman’s “Million Dollar Baby” in May-June and Kendrick Lamar’s “Not Like Us” in June also reached the threshold for two weeks each.)
“Espresso” keeps at No. 2 on the Global 200, two weeks after it led the list – as Carpenter becomes the first artist to hold the chart’s top two spots for three consecutive weeks. (She surpasses Peso Pluma, who earned the honor for two weeks in a row in June 2023.)
Meanwhile, Shaboozey’s “A Bar Song (Tipsy)” rises 4-3 for a new Global 200 high; Lamar’s “Not Like Us” soars 11-4, after it led in its debut week in May, up 35% to 78.1 million streams worldwide, sparked by his Juneteenth The Pop Out: Ken & Friends concert – in which he performed the track five times; and Billie Eilish’s “Birds of a Feather” dips to No. 5 from its No. 3 best.
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On Global Excl. U.S., “Espresso” reheats 2-1 for a sixth week at the summit, with 68.4 million streams (down 1%) and 4,000 sold (up 3%) outside the U.S. June 21-27.
“Please Please Please” falls to No. 2 after a week atop Global Excl. U.S. – as Carpenter becomes the first artist to claim the chart’s top two spots simultaneously for two consecutive weeks. (Among all acts, Jung Kook ranked in the top two for two weeks in 2023, although not in back-to-back weeks.)
Carpenter also becomes the first act to place at Nos. 1 and 2 on both the Global 200 and Global Excl. U.S. concurrently for two weeks.
The rest of the Global Excl. U.S. chart’s top five holds in place: Billie Eilish’s “Birds of a Feather,” at its No. 3 high; FloyyMenor and Cris Mj’s “Gata Only,” at No. 4 after reaching No. 3; and Benson Boone’s “Beautiful Things,” at No. 5 following eight weeks at No. 1 beginning in February.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 6, 2024) will update on Billboard.com tomorrow, July 2. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Post Malone’s “I Had Some Help,” featuring Morgan Wallen, rebounds from No. 2 for a sixth week at No. 1 on the Billboard Hot 100 songs chart. The song, Post Malone’s sixth leader and Wallen’s second, spent its first five weeks on the list at No. 1 beginning upon its debut in May.
The collaboration is the first to log six weeks at No. 1 on the Hot 100 in 2024, surpassing the five weeks on top, of six total dating to late 2023, for Jack Harlow’s “Lovin on Me.” No song has led longer since Wallen’s “Last Night” rang up 16 weeks, nonconsecutively, at No. 1 in March-August last year.
“I Had Some Help” also hits No. 1 on the Radio Songs chart, becoming a rare title that has topped the all-format airplay tally as well as the Country Airplay survey.
Plus, Shaboozey’s “A Bar Song (Tipsy)” rises to a new No. 2 Hot 100 high; Kendrick Lamar’s former leader “Not Like Us” jumps 6-3, and returns to No. 1 on the Streaming Songs chart, following his Juneteenth The Pop Out: Ken & Friends concert – in which he performed the track five times; and Sabrina Carpenter claims two songs in the Hot 100’s top five for a third week.
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The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 6, 2024) will update on Billboard.com tomorrow, July 2. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Below is a rundown of the latest Hot 100’s top 10.
‘Help’ Tops Hot 100, Radio Songs
Gracie Abrams has secured her first-ever No. 1 album on the Official UK Albums Chart with her sophomore release, The Secret Of Us.
The Californian singer-songwriter’s second studio album follows her debut Good Riddance, which peaked at No. 3 in 2023.
Abrams celebrated her chart-topping success after a surprise appearance at Taylor Swift’s The Eras Tour at London’s Wembley Stadium, where they performed “us.” from her new album.
“Thank you, from the bottom of my heart, for somehow making my album The Secret Of Us No. 1 in the UK. I can’t wrap my head around that. This is the first time that anything I’ve ever done, ever, anywhere has gone No. 1.”
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“Thank you for believing in the album, thank you for listening to it, and thank you for letting it into your lives. This means so much to me, and to the people I’m lucky enough to have made these songs with. I can’t wait until we’re all in the same place, to sing these songs together at a show and to dance. I’ll be crying! I love you, thank you so much,” Abrams told Official Charts.
The Secret Of Us also tops the Official Record Store Chart and the Official Vinyl Albums Chart, making it the best-selling record of the week on vinyl in the U.K.
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Meanwhile, Taylor Swift’s The Tortured Poets Department drops to No. 2 after seven non-consecutive weeks at the top, bolstered by her U.K. tour dates. Six of Swift’s albums, including Lover (No. 7), 1989 (Taylor’s Version) (No. 9), Midnights (No. 12), reputation (No. 15), folklore (No. 16), and Red (Taylor’s Version) (No. 37), remain within the U.K. top 40.
Chappell Roan’s debut album, The Rise and Fall of a Midwest Princess, reaches a new peak at No. 6. Alt-rock band The Mysterines secure their second Top 40 entry with Afraid Of Tomorrows, landing at No. 11.
Foo Fighters’ hits collection The Essential climbs to No. 13, driven by their ongoing U.K. stadium tour. Dua Lipa’s Radical Optimism rises to No. 27 ahead of her Glastonbury Pyramid Stage performance, while Benson Boone’s debut Fireworks & Rollerblades ascends to No. 28 following his support slot on Taylor Swift’s tour.
Green Day’s 2017 compilation Greatest Hits: God’s Favorite Band re-enters the U.K. top 40 at No. 29. Avril Lavigne’s Greatest Hits returns to the Top 40 at No. 33, ahead of her own Glastonbury set. Ed Sheeran’s X (Multiply) leaps 97 spots to No. 34 following its 10th anniversary reissue.
Sabrina Carpenter’s hit single “Please Please Please” (via Island) holds strong at the top of the Official UK Singles Chart for the second consecutive week, logging an impressive 8.6 million streams and remaining the most-streamed song in the country.
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The track, produced by Jack Antonoff, is the second single from Carpenter’s sixth studio LP, Short ‘n’ Sweet, which was released June 6, following her previous U.K. No. 1 hit with “Espresso.”
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Following her record-breaking ascent last week, Carpenter has again set a new milestone, becoming the youngest female artist to achieve two consecutive weeks at No. 1 and No. 2, with “Espresso” holding steady at No. 2. This surpasses Ariana Grande’s previous record.
Another rising star, indie-pop sensation Chappell Roan, makes her debut in the U.K. top 10 with “Good Luck, Babe!” landing at No. 7.
Additionally, two more singles from her debut album, The Rise and Fall of a Midwest Princess, have entered the Top 40: “HOT TO GO!” at No. 33 and “Red Wine Supernova” at No. 40.
U.S. viral sensation Tommy Richman secures his second U.K. top 40 single with “DEVIL IS A LIE,” debuting at No. 21. Coldplay’s latest single, “feelslikeimfallinginlove,” produced by Max Martin, is this week’s highest new entry at No. 25, marking the band’s 28th U.K. top 40 hit. Chris Martin and Co. made history at Glastonbury Festival on Saturday by becoming the first band to headline the event for a fifth time, besting the Cure’s old mark of four.
Meanwhile, Charli XCX continues to climb the charts with “girl, so confusing,” entering at No. 28, boosted by a viral remix featuring Lorde. This gives Charli her 17th U.K. top 40 hit and Lorde her fifth. Jordan Adetunji’s “KEHLANI” becomes the Belfast alt-hip-hop star’s first-ever Top 40 entry, landing at No. 29.
Post Malone and Blake Shelton’s collaboration “Pour Me A Drink” debuts at No. 34, marking Posty’s 23rd U.K. top 40 single and Shelton’s first.
Gracie Abrams, fresh off her first U.K. No. 1 album, adds another accolade with “us..,” her duet featuring Taylor Swift, entering the chart at No. 37.
Finally, Ariana Grande’s “the boy is mine” makes a significant leap, climbing 25 places to enter the top 40 at No. 39, following the release of a remix featuring Brandy and Monica. This marks Grande’s 35th U.K. top 40 single.
Six different women are in the top 10 on the latest Billboard 200 albums chart (dated July 6), marking the first time that’s happened in nearly five years — and the first time this decade. Taylor Swift’s The Tortured Poets Department holds at No. 1 for a 10th consecutive week, Gracie Abrams‘ The Secret of […]