Chart Beat

11 Nov 2024

Jimmy Fallon Jingles Onto Billboard Charts With Festive New ‘Holiday Seasoning’ Album

Jimmy Fallon’s first festive album, ‘Holiday Seasoning,’ debuts at No. 2 on Billboard’s Top Holiday Albums chart and at No. 1 on the Comedy Albums chart (both dated Nov. 16). It’s the entertainer’s first album release since 2012.

The star-studded set launches with nearly 13,000 equivalent album units earned in the U.S. in the week ending Nov. 7, according to Luminate. Traditional album sales comprise nearly 12,000 of that sum. On Comedy Albums, Holiday Seasoning is the Grammy Award and Emmy Award-winner’s second No. 1 on the 20-year-old ranking. The NBC Tonight Show host previously led the list with Blow Your Pants Off in 2012.

Holiday Seasoning also bows at No. 3 on Top Album Sales and No. 9 on Vinyl Albums (dated Nov. 16).

All Nov. 16-dated charts will refresh to Billboard’s website on Tuesday, Nov. 12.

Holiday Seasoning includes some previously released collaborations, including “It Was a… (Masked Christmas),” featuring Ariana Grande and Megan The Stallion, and “Almost Too Early for Christmas” with Dolly Parton. Among the new tracks on the set: “Holiday” with Jonas Brothers, “You’ll Be There” with Justin Timberlake and “New Year’s Eve Polka (5-4-3-2-1)” with “Weird Al” Yankovic and The Roots.

At No. 1 on Top Holiday Albums is a familiar festive face, as Michael Bublé’s Christmas jumps 3-1 for its 53rd nonconsecutive week atop the ranking with just over 13,000 equivalent album units earned (up 190%).

On the all-genre Billboard 200, five holiday albums dot the tally. Bublé’s former leader Christmas re-enters at No. 72, Fallon bows at No. 84, Mariah Carey’s Merry Christmas re-enters at No. 93, Bing Crosby’s new compilation Ultimate Christmas debuts at No. 150 (his first debut on the list since 2012) and Vince Guaraldi Trio’s TV soundtrack to A Charlie Brown Christmas re-enters at No. 170.

Top Holiday Albums will continue to be compiled and published weekly through the season, until it dashes away in early January 2025. It typically returns to Billboard’s weekly chart menu in late October each year.

11 Nov 2024

Eden Muñoz Takes ‘Traigo Saldo y Ganas de Rogar’ to No. 1 on Regional Mexican Airplay Chart

Just a month after Eden Muñoz ruled Billboard’s Regional Mexican Airplay chart with “Mi Eterno Amor Secreto,” the singer, songwriter and producer is back at the summit with “Traigo Saldo y Ganas de Rogar,” as the single jumps 3-1 to lead the Nov. 16-dated ranking. It’s the second song to enter the tally from his second-studio album, Eden.

“Extremely happy to land, once again, atop the chart with a song as important as ‘Traigo Saldo,’” Muñoz tells Billboard. “Not only for representing my roots; I’m talking about banda music. Congratulations to the entire team and of course, grateful for all who continue to trust my music.”

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“Traigo Saldo y Ganas de Rogar” takes the lead on Regional Mexican Airplay with a 38% increase in audience impressions, to 8.1 million, earned on U.S. monitored stations during the Nov. 1-7 tracking week, according to Luminate. With the gain, Muñoz sends Joss Favela and Luis R. Conriquez’s “Con Todo Respetillo” to No. 2, after the latter’s one week in charge.

Thanks to “Traigo Saldo y Ganas de Rogar,” Muñoz picks up his sixth No. 1 on Regional Mexican Airplay since “ Chale!” his longest-leading song, ruled for three weeks in 2022. Plus, Muñoz secures his third champ of the year, along with Alejandro Fernández, the most for any solo singer in 2024.

Here’s a recap of Muñoz’s collection of No. 1 hits, dating to his first as a soloist, in 2022:

Peak, Title, Artist, Weeks at No. 1
May 21, 2022, “Chale!” three
July 2, 2022, “Hay Que Hacer Dinero,” with Banda Ms, two
Nov. 11, 2023, “Amor Clandestino,” with Mana, one
Jan. 27, “Como En Los Viejos Tiempos,” one
Oct. 12, “Mi Eterno Amor Secreto,” with Yuridia, one
Nov. 16, “Traigo Saldo Y Ganas De Rogar”

Elsewhere, “Traigo Saldo” impresses one other main Billboard chart: it moves 9-3 on the overall Latin Airplay ranking, with 8.2 million audience impressions.

The song, released Aug. 19 on EMC/Sony Music Latin, was composed by Muñoz and Michelle Maciel.

All charts (dated Nov. 16, 2024) will update on Billboard.com tomorrow, Nov. 12). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

11 Nov 2024

‘Goodbye Joe’ & ‘God Bless the U.S.A.’ Nos. 1 & 2 on Digital Song Sales Chart After Election

Two election-related tracks head up Billboard’s Digital Song Sales chart dated Nov. 16, as Tom MacDonald and Nova Rockafeller’s “Goodbye Joe” debuts at No. 1 and a new version of Lee Greenwood’s “God Bless the U.S.A.” with Drew Jacobs opens at No. 2.

In the week ending Nov. 7, “Goodbye Joe” sold 12,000 downloads in the U.S., according to Luminate. “God Bless the U.S.A.” sold 11,000.

“Goodbye Joe” is MacDonald’s fourth Digital Song Sales No. 1, following “Fake Woke” in 2021, “Ghost” in 2023 and “You Missed” this July. Rockafeller’s previous best was alongside MacDonald and Brandon Hart on “No Good Bastards,” which peaked at No. 15 in 2021.

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“Goodbye Joe,” which also debuts at No. 1 on the Country Digital Song Sales chart, finds the pair celebrating the upcoming end of President Joe Biden’s term in office after he withdrew his candidacy for a second term in July. Former President Donald Trump won a second term on Election Day, Nov. 5, four days after the song’s release.

“God Bless the U.S.A.,” meanwhile, is a rock redo of Greenwood’s 1984 patriotic single, which hit No. 7 that year on Hot Country Songs. He’s joined by Jacobs, who previously reigned on Digital Song Sales as part of a cover of Blake Shelton’s “God’s Country” alongside State of Mine in 2021.

In addition to its No. 2 bow on Digital Song Sales, “God Bless the U.S.A.” bows at No. 1 on Rock Digital Song Sales, marking Greenwood’s first leader and Jacobs’ second, following “God’s Country.” It also starts at No. 2 on Country Digital Song Sales. Greenwood’s original “God Bless the U.S.A.” led Digital Song Sales for a week in July 2020.

Concurrently, the new version of “God Bless the U.S.A.” debuts at No. 28 on the multimetric Hot Rock & Alternative Songs chart. In addition to its song sales, the tune earned 371,000 official U.S. streams. “Goodbye Joe,” meanwhile, starts at No. 49 on Hot Country Songs, with 1.6 million streams in addition to its sales.

Both “Goodbye Joe” and “God Bless the U.S.A.” were released Nov. 1, capitalizing on the then-imminent U.S. presidential election. Greenwood’s solo original version concurrently re-enters Digital Song Sales at No. 13 (3,000 sold, up 267%).

All Billboard charts dated Nov. 16 will update on Billboard.com on Tuesday, Nov. 12.

11 Nov 2024

Shaboozey’s ‘A Bar Song (Tipsy)’ Logs Landmark 17th Week at No. 1 on Billboard Hot 100

Shaboozey’s “A Bar Song (Tipsy)” holds at No. 1 for a 17th total week atop the Billboard Hot 100. Over the chart’s 66-year history, the song is now outright the longest-leading No. 1 ever by an artist with no accompanying acts, surpassing the 16-week command of Morgan Wallen’s “Last Night” in 2023.

Overall, “A Bar Song (Tipsy)” now trails only Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, in 2019, for the longest No. 1 run – 19 weeks – in the Hot 100’s archives.

Meanwhile, “A Bar Song (Tipsy),” which became Shaboozey’s first Hot 100 leader in July, one-ups “Last Night” for the longest reign of the 2020s.

“A Bar Song (Tipsy)” additionally extends the longest rule this year, 21 weeks, on the multimetric Hot Country Songs chart. It’s one of only eight titles to reach the milestone since the survey became the genre’s all-encompassing songs chart in 1958. Plus, of hits that have topped both the Hot 100 and Hot Country Songs, “A Bar Song (Tipsy)” is now solely the longest-leading ever on the former, passing “Last Night.”

Elsewhere in the Hot 100’s top 10, Tyler, The Creator’s “Sticky,” featuring GloRilla, Sexyy Red and Lil Wayne, jumps 14-10. It’s Tyler, The Creator’s third career top 10, all tallied in the past two weeks from his new album, Chromakopia, which posts a second week at No. 1 on the Billboard 200 chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 16, 2024) will update on Billboard.com tomorrow, Nov. 12). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

11 Nov 2024

Gracie Abrams Nabs First U.K. No. 1 Single With ‘That’s So True’

Gracie Abrams has notched her first ever No. 1 song in the U.K. with “That’s So True” topping the Official Singles Chart.

The U.S. singer-songwriter has had a breakout year following the release of her sophomore album, The Secret Of Us, as well as an opening slot on Taylor Swift’s massive Eras Tour. The Secret Of Us debuted at No. 1 on the U.K.’s Official Albums Chart back in June and at No. 2 on the Billboard 200.

“That’s So True”, which recently peaked at No. 25 on the Billboard Hot 100, faced a stiff challenge from Gigi Perez’s “Sailor Song,” which held the top spot prior to this week’s battle. The Official Charts Company says that fewer than 1,200 chart units across downloads, streaming and physicals came between the pair. Another Abrams single, “I Love You, I’m Sorry,” is currently placed at No. 4.

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Chappell Roan secured her second top five hit with “Hot To Go!” which rises to No. 5. The Missouri-born musician, who Billboard reported recently split from her management company, previously peaked at No. 2 on the Official Singles Chart with “Good Luck, Babe!” back in August.

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Elsewhere there’s success for KSI and Trippie Redd as their collaboration “Thick Of It” reaches a new height of No. 6, while Sabrina Carpenter follows at No. 7 with “Bed Chem,” while her previous chart-topper “Taste” lands at No. 9.

Billie Eilish’s “Wildflower” rises seven from its previous position to No. 11, its highest position yet. The Weekend and Anitta’s “São Paulo” lands at No. 22, the latter’s first top 40 entry in the U.K.

Following his maiden U.K. No. 1 Album with Chromakopia, Tyler, The Creator secures his eighth top 40 hit with Lola Young-featuring “Like Him” landing at No. 33.

See the full Official Singles Chart here.

11 Nov 2024

The Cure Earns First U.K. No. 1 Album in 32 Years With ‘Songs of a Lost World’

The Cure have landed their first No. 1 on the U.K. Albums Chart since 1992 with their new album Songs of a Lost World.

The band’s 14th studio album was their first LP in over 16 years following 2008’s 4:13 Dream, and their first to land at No. 1 in the U.K. since 1992’s Wish, previously their only chart topper in the U.K.

The Official Charts Company reports that the band outsold the rest of the top five combined as they soared to victory and amassed 50,000 units during release week.

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Speaking to the OCC, frontman Robert Smith said: “It is enormously uplifting, genuinely heartwarming to experience such a wonderful reaction to the release of the new Cure album. To everyone who has bought it, listened to it, loved it, believed in us over the years – THANK YOU!”

Songs of a Lost World was celebrated with a number of shows in London and performances across the BBC’s TV and radio stations and has seen the band’s 2001 Greatest Hits compilation return to the top 40.

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Elsewhere in the top 10, Ed Sheeran’s compilation record +–=÷× (Tour Collection) rebounds to No.5 following the release of physical editions, matching its previous high achieved in September.

Following his maiden No. 1 LP in the U.K., Tyler, The Creator’s Chromakopia holds solid on the chart to finish at No. 3. The rapper’s seventh studio album also landed at the summit of the Billboard 200 upon release, giving him his third consecutive No. 1 studio album on that chart.

Charli XCX’s Grammy-nominated Brat continues its massive commercial success and rises one spot to No. 4, while Sabrina Carpenter’s Short n’ Sweet jumps back up to No. 2. The pair will go head-to-head in the album of the year category among others at the ceremony in February 2025.

See the full Official Albums Chart here.

10 Nov 2024

Tyler, The Creator’s ‘CHROMAKOPIA’ Nabs Second Week at No. 1 on Billboard 200

Tyler, The Creator’s CHROMAKOPIA secures a second consecutive and total week atop the Billboard 200 chart (dated Nov. 16). It’s the rapper’s first album to spend two consecutive weeks at No. 1, and second set to log at least two frames in the lead. He previously notched two nonconsecutive weeks at No. 1 with Call Me If You Get Lost — separated by nine months — in 2021-22. He ruled the list with one other album, Igor, which logged one frame at No. 1 in 2019.

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CHROMAKOPIA earned 160,000 equivalent album units in the United States in the week ending Nov. 7 (down 47% in its second week), according to Luminate. It’s the set’s first full seven-day tracking week on the chart, following an abbreviated debut frame of only four days, as the album was released on an off-cycle Monday (Oct. 28; most albums are released on Fridays).

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Also in the top 10 of the new Billboard 200 chart, Lil Uzi Vert scores their fifth top 10 set with the No. 3 debut of Eternal Atake 2, while The Cure achieves its highest charting album over 30 years, and first top 10 in over 20 years, with the No. 4 debut of Songs of a Lost World.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 16, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 12). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of CHROMAKOPIA’s 160,000 equivalent album units earned in its second week, SEA units comprise 115,500 (down 27%, equaling 160.31 million on-demand official streams of the album’s songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 44,500 (down 69%; it falls to No. 2 on Top Album Sales) and TEA units comprise a negligible sum (down 3%). The set’s sales were aided in its second week by the continued sturdy sales of six deluxe collectible boxed sets (each containing a CD, poster and another branded merch item). The album’s second week got a sales boost from the release of its stand-alone CD and two additional boxed sets. All physical variants of the album are exclusively sold via Tyler, The Creator’s official webstore.

Sabrina Carpenter’s chart-topping Short n’ Sweet steps 3-2 with 68,000 equivalent album units earned (down 9%).

Lil Uzi Vert’s Eternal Atake 2 bows at No. 3 on the Billboard 200, marking the fifth top 10-charting set for the rapper (all of which have reached the top three). The set launches with 59,000 equivalent album units earned, of which SEA units comprise 56,000 (equaling 76.43 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise a negligible sum.

The album was announced Oct. 24 and released on Nov. 1. Its first-week sales were aided by the album’s availability across seven CD variants (five with a randomized branded trading card; one with a branded T-shirt and a CD in a collectible box; and a standard CD) and a digital download.

The Cure debuts in the top five on the Billboard 200 with Songs of a Lost World, bowing at No. 4, marking the band’s highest charting album since 1992 and first top 10 since 2004. Songs of a Lost World is the group’s first album of new material since 2008. The new album is the act’s third top 10-charting set on the Billboard 200, following its self-titled effort (No. 7 in July 2004) and Wish (No. 2 in May 1992).

Songs of a Lost World bows with 57,000 equivalent album units earned (the act’s best week by units). Of that sum, album sales comprise 53,000 (The Cure’s biggest sales week since 2004, when its self-titled album launched with 91,000), SEA units comprise 4,000 (equaling 5.02 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum. Songs of a Lost World also debuts at No. 1 on Top Album Sales; the first leader for The Cure on the 33-year-old chart. The new album’s first-week sales were bolstered by its availability across five vinyl variants (which sold a combined 23,000 copies; the band’s best week on vinyl since Luminate began tracking sales in 1991), a standard CD, a CD/blu-ray audio package, two cassettes, a standard digital download and a deluxe digital download with five bonus live tracks (exclusive to the band’s webstore).

Songs of a Lost World was released on Nov. 1, and cryptically announced in early September. The set’s title and release date were confirmed on Sept. 26, alongside the release of the album’s first cut (and first new song in 16 years), “Alone.” On Oct. 9, a second song from the set, “A Fragile Thing,” arrived. The latter track climbs 25-22 (a new peak) on Alternative Airplay and 12-10 on Adult Alternative Airplay. It’s the first charting hit for The Cure on Alternative Airplay since 2008 and the band’s highest-charting song since 2004’s “The End of the World” reached No. 19. On the Adult Alternative Airplay ranking, “Fragile” is the act’s third charting song ever (dating to the chart’s 1996 start), and first to reach the top 10.

Gracie Abrams’ The Secret of Us rises 7-5 on the Billboard 200 with 50,000 equivalent album units (up 2%).

Chappell Roan’s The Rise and Fall of a Midwest Princess pounces 12-6 with 46,000 equivalent album units earned (up 5%), following the singer’s performance on NBC’s Saturday Night Live (Nov. 2). On the show, she sang the album’s “Pink Pony Club” and a new track, “The Giver.” Princess was last in the top 10 on the Oct. 26-date list when it ranked at No. 6.

Billie Eilish’s Hit Me Hard and Soft climbs 9-7 on the Billboard 200 (44,000 equivalent album units; down 4%); Rod Wave’s Last Lap falls 5-8 (44,000; down 15%); Taylor Swift’s chart-topping The Tortured Poets Department ascends 11-9 (43,000; down 2%); and Morgan Wallen’s former leader One Thing at a Time falls 8-10 (nearly 43,000; down 7%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

08 Nov 2024

INI Shoots to No. 1, Creepy Nuts Holds at No. 2 on Japan Hot 100

INI’s “WMDA (Where My Drums At)” shoots to No. 1 on the Billboard Japan Hot 100, dated Nov. 6.

The lead track off the eleven-member group’s seventh single “The View” dropped on Oct. 30 and launched with 796,758 copies, which is the second highest first-week sales for the boy band following its previous single, “The Frame.” “WMDA” tops sales and comes in at No. 2 for radio No. 3 for downloads, and No. 67 for video views.

Creepy Nuts’ “Otonoke” holds at No. 2. The Dandadan opener leads downloads, streaming and video this week although points for each metric are down.

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Rosé & Bruno Mars’ “APT.” rises two notches to No. 3. Downloads for the track are up 125% and streaming up 135% week-over-week. “APT.” has ruled Billboard’s Global 200 and Global 200 Exc. US charts for two consecutive weeks. The catchy pop number is spreading throughout the world through TikTok and other channels.

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THE RAMPAGE from EXILE TRIBE’s “Endless Happy-Ending” bows at No. 4. The track featured as the opener for the anime series FAIRY TAIL 100 Years Quest sold 71,223 copies to come in at No. 3 for sales, No. 4 for radio airplay, and No. 92 for streaming.

aespa’s “Whiplash” rises 13-7. Streams for the title track off the girl group’s mini-album have increased 142% compared to the previous week, and radio is also up 199%.

AKASAKI’s “Bunny Girl” rises a notch to No. 8, steadily climbing the ranks for four straight weeks. Streaming for the track is up 108%, downloads up 161%, and videos up 119%, with the growth rate for downloads being particularly large compared to the week before.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Oct. 28 to Nov. 3, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

08 Nov 2024

The Funeral Portrait Earns First No. 1 With ‘Suffocate City’

The Funeral Portrait ranks at No. 1 on a Billboard chart for the first time, as “Suffocate City,” featuring Ice Nine Kills’ Spencer Charnas, tops the Mainstream Rock Airplay tally dated Nov. 16.

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Rising a spot to No. 1, “Suffocate City” is the Atlanta-based band’s first entry on any Billboard chart. The act is the third to notch a first ruler on the ranking as a lead act in 2024, following Wage War with “Magnetic” in August and Daughtry with “Artificial” in February.

As for acts ruling with maiden-charting songs in a lead role on Mainstream Rock Airplay, The Funeral Portrait is the first since Jelly Roll led with “Dead Man Walking” in May 2022. As Jelly Roll had made songs-based Billboard charts before then, The Funeral Portrait is the first act to lead with a first charted track on any ranking since Nita Strauss, whose “Dead Inside,” alongside David Draiman, topped Mainstream Rock Airplay in January 2022.

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As for Charnas, the frontman of Ice Nine Kills, “Suffocate City” is his first leader on any chart, too. As a soloist, he reached No. 16 on Mainstream Rock Airplay in February 2023 as featured on Fame on Fire’s “Welcome to the Chaos.” Ice Nine Kills’ Mainstream Rock Airplay best is “A Grave Mistake,” which hit No. 9 in 2019.

Concurrently, “Suffocate City” bullets at No. 12 on the all-rock-format, audience-based Rock & Alternative Airplay chart, after reaching No. 11 a week earlier. It earned 2.5 million audience impressions in the week ending Nov. 7, up 6%, according to Luminate.

On the most recently published multimetric Hot Hard Rock Songs chart (dated Nov. 9, reflecting data in the week ending Oct. 31), “Suffocate City” hit a new No. 17 high. In addition to its radio airplay, it drew 156,000 official U.S. streams.

“Suffocate City” is the lead single from Greetings From Suffocate City, which was released on Sept. 13 and has earned 12,000 equivalent album units to date.

All Billboard charts dated Nov. 16 will update on Billboard.com Tuesday, Nov. 12.

08 Nov 2024

Koe Wetzel & Jessie Murph’s ‘Road’ Leads to Country Airplay Chart’s Top 10

Koe Wetzel and Jessie Murph’s “High Road” travels to the top 10 on Billboard’s Country Airplay chart as it rises two spots to No. 10 on the list dated Nov. 16. The song – each act’s first entry on the survey – increased by 17% to 17.5 million in audience Nov. 1-7, according to Luminate.

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Murph and Wetzel co-wrote “High Road” with Amy Allen, Carrie K, Josh Serrato, Gabe Simon, and Laura Veltz. It’s from Wetzel’s album 9 Lives, which became his fourth top 10 on Top Country Albums when it opened at its No. 5 best in August. It’s also on Murph’s That Ain’t No Man That’s the Devil, released in September.

On the multimetric Hot Country Songs chart, “High Road” debuted at its No. 8 peak in June, awarding Wetzel and Murph their second top 10 each.

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Wetzel recently wrapped the European leg of his Damn Near Normal World Tour 2024. Murph is set to perform next in Huntsville, Ala., on Nov. 23.

He’s on a Roll

“I Am Not Okay” by Jelly Roll dominates Country Airplay for a second week (32.3 million impressions, down 5%). Of his six straight No. 1s from his start at the format, the song marks his third multi-week ruler. “Need a Favor” led for four weeks starting in August 2023 and “Save Me,” with Lainey Wilson, notched two weeks on top last December.

Jelly Roll, who hoisted the trophy for best new artist at the 2023 Country Music Association (CMA) Awards, is up for three awards this year, including the coveted entertainer of the year crown. This year’s ceremony airs Nov. 20 on ABC and will be available to stream the following day on Hulu.