Chart Beat
Page: 10
Mrs. GREEN APPLE’s “KUSUSHIKI” rises 6-1 on the Billboard Japan Hot 100, on the chart released April 16.
The three-man band’s latest single is being featured as the opener for the anime series The Apothecary Diaries Season 2 Part 2. The song was digitally released on April 5 and debuted on the chart last week at No. 6 despite having only two days to count towards the chart week. Looking at each metric, the track rules streaming (313% week-over-week) and comes in at No. 2 for downloads (92%) and video views (275%), and No. 4 for radio airplay. Other songs by the hitmakers also only saw slight decreases in points and 17 continue to chart on the Japan Hot 100.
HANA’s “ROSE” drops a notch to No. 2 after bowing atop the chart last week. Downloads and video views for the brand-new girl group’s debut single are down to 42% and 78%, respectively, but streaming and radio have gained to 131% and 168% week-over-week. Perhaps due to the impact of its debut at No. 1 last week, the track is spreading across various platforms.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Mrs. GREEN APPLE’s “Lilac” slips to No. 3. Logging its 53rd week on the Japan Hot 100, downloads for the Oblivion Battery opener have gained to 112% and only show slight decreases in other metrics: streaming at 99%, radio at 73%, video at 94%, and karaoke at 87% compared to the week before.
Trending on Billboard
NMB48’s “Chu Strike” bows at No. 4. The group’s 31st single launches with 253,080 CDs, more than its predecessor, to rule sales this week and comes in at No. 63 for radio.
Sakanaction’s “Kaiju” follows at No. 5. Radio airplay for the track is up to 114% compared to last week and karaoke to 118%. The Orb: On the Movements of the Earth opener comes in at No. 14 for downloads, No. 5 for streaming, No. 22 for radio, No. 4 for video, and No. 18 for karaoke.
Snow Man unleashed its catalog on digital platforms during the chart week (April 7) and six tracks by the popular boy band have charted. “Brother Beat” currently leads the pack, hitting No. 48 on the Japan Hot 100 (No. 12 for downloads, No. 51 for streaming), “Tapestry” is at No. 52 (No. 8 for downloads, No. 62 for streaming, No. 93 for video), “Dangerholic” is at No. 64 (No. 23 for downloads, No. 66 for streaming), “D.D.” is at No. 77 (No. 26 for downloads, No. 79 for streaming), “EMPIRE” is at No. 87 (No. 19 for downloads, No. 88 for streaming), and “SBY” is at No. 98 (No. 21 for downloads, No. 57 for streaming).
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from April 7 to 13, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Ethel Cain’s Preacher’s Daughter debuts at No. 1 on Billboard’s Top Alternative Albums chart dated April 19 nearly three years after the album, her debut, was first released.
Preacher’s Daughter earned 39,000 equivalent album units in the U.S. in the week ending April 10, according to Luminate. Of that sum, 37,000 units are via album sales, begetting a No. 1 debut on the all-genre Top Album Sales list.
In fact, nearly all of its sales are vinyl copies, as Preacher’s Daughter benefits from its first-ever vinyl release, 35 months after it first premiered on May 12, 2022. That count also leads to the set debuting at No. 1 on the Vinyl Albums chart.
Cain becomes the first act to rule Top Alternative Albums in their first appearance on the tally since Olivia Rodrigo’s Guts premiered atop the Sept. 23, 2023, list. As Rodrigo’s was not her debut album, Cain is the first to do so with a first release since The Smile, with A Light for Attracting Attention, in July 2022.
Preacher’s Daughter also begins at No. 2 on the Top Rock & Alternative Albums and Top Rock Albums charts, and on the all-genre Billboard 200, it bows at No. 10.
In addition to its album sales, Preacher’s Daughter also earned a total of 2.8 million official U.S. streams in the week ending April 10.
The chart-related activity around Cain is her first, with the majority centered around Preacher’s Daughter, though she also debuts on the Billboard Artist 100 chart at No. 4.
Cain followed Preacher’s Daughter with the nine-song ambient/drone release Perverts earlier this year, with a new album, Willoughby Tucker, I’ll Always Love You, also expected in 2025.
Tracy Chapman’s 1988 self-titled debut album comes charging back onto Billboard’s album charts (dated April 19), following its vinyl reissue on April 4. The Billboard 200 chart-topper and Grammy Award-winning effort had been out-of-print on vinyl in the United States since at least the early 1990s.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
In the week ending April 10 in the U.S., Tracy Chapman sold 14,000 copies across all configurations, with about 13,500 on vinyl.
On the Top Album Sales chart, which launched in 1991, the set reenters at a new peak of No. 4. It also debuts on Vinyl Albums (No. 2) and Indie Store Album Sales (No. 3); and reenters Americana/Folk Albums (No. 4), Top Rock Albums (No. 10), Top Rock & Alternative Albums (No. 11, new peak), Catalog Albums (No. 12) and the Billboard 200 (No. 51). On the latter chart, the set – which spent a week atop the list in 1988 – reaches its highest position since 1989.
Trending on Billboard
Tracy Chapman yielded three Billboard Hot 100-charting songs in 1988: the Grammy-winning “Fast Car” (No. 6), “Talkin’ Bout a Revolution” (No. 75) and “Baby Can I Hold You” (No. 48).
The new vinyl reissue was prepared for release by Chapman and the album’s original producer, David Kershenbaum and sourced from an analogue master. It was released as a widely-available 180 gram black vinyl edition, along with three retailer-exclusive color variants (opaque deep red for Walmart, transparent orange for indie stores, and opaque orange for Urban Outfitters).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Chapman’s album is one of seven debuts or reentries in the top 10 on the latest Top Album Sales chart, which is led by the debuting Preacher’s Daughter from Ethel Cain at No. 1. It’s her first No. 1 and chart entry. The 2022 album was released on vinyl for the first time on April 4, and in total, the set sold 37,000 copies for the week – nearly all from vinyl purchases.
Elton John and Brandi Carlile’s Who Believes in Angels? enters at No. 2 with 36,500 sold; ZEROBASEONE’s Blue Paradise starts at No. 3 with nearly 20,500 and Ariana Grande’s eternal sunshine rounds out the top five, falling 1-5 with 10,500 (down 83%).
Black Country, New Road’s Forever Howlong debuts at No. 6 (nearly 9,000), Djo’s The Crux starts at No. 7 (8,000), xikers’ House of Tricky: Spur bows at No. 8 (nearly 8,000), Sabrina Carpenter’s former leader Short n’ Sweet slips 6-9 (a little over 7,500; down 16%) and Kendrick Lamar’s chart-topping GNX falls 5-10 (about 7,500; down 19%).
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 dated April 26, we look at the chances of rap sensation Ken Carson to depose his mentor in raging on the Billboard 200.
Explore
See latest videos, charts and news
See latest videos, charts and news
Ken Carson, More Chaos (Opium/Interscope): It’s a week without a major charts-proven superstar releasing either a new album, or reissuing an old one – so that opens the door for a newer artist to sneak in and grab their first-ever No. 1 on the Billboard 200. That artist next week might end up being rapper Ken Carson, whose visceral rage rap has made him one of the rising stars of his generation since his emergence in the early 2020s.
Carson’s last album, 2023’s A Great Chaos, brought him to the top 10’s doorstep, reaching No. 11 on the Billboard 200. Follow-up More Chaos, released last Friday (Apr. 11), should get him to the region for the first time – helped by a streaming friendly 21-song tracklist, which littered the real-time Apple Music chart and Spotify’s Daily Top Songs USA listing upon its release, although a major breakout hit has yet to emerge from the set. It could even contend for the top spot – which could make for some (extremely minor) drama behind the scenes at Opium Records, as labelhead and emerging hip-hop superstar Playboi Carti currently holds pole position with his Music set, in its third week at No. 1.
Trending on Billboard
If Carson can’t get over the top this week, it might not be his last shot at doing so with More Chaos. The album is currently available for pre-order in his website in a variety of physical forms – including in standard-issue CD and vinyl, and in also multiple box sets also featuring an Ed Hardy collab T-shirt. Those physical editions are all scheduled to ship next Monday (Apr. 21) – which means their numbers would count towards the album’s second-week tally, likely giving it a considerable boost, and possibly putting it back in contention for the top spot if the release schedule once again proves light.
Bon Iver, SABLE, fABLE (Jagjaguwar): The only other album likely to make a major Billboard 200 next week comes from longtime indie favorite Bon Iver. The 2012 Grammy winner for best new artist is back this week with his fifth studio LP, SABLE, fABLE – a 13-track set, unevenly split into a folkier SABLE first side and the more R&B- and pop-influenced fABLE second side. While Bon Iver has collaborated with plenty of pop and hip-hop A-listers over the years, the only guests on his latest are more indie-oriented – Dijon and Flock of Dimes, who both appear on “Day One,” and Danielle Haim (of sister band HAIM) who features on “If Only I Could Wait.”
The album’s streaming profile should be relatively minimal, but it is expected to sell well – and is available on his website in vinyl, CD and cassette. His website also includes a variety of unusual complementary items to go with the new release, including a fABLE “Mood Mist” spray and candle, as well as SABLE, fABLE “Field Notes” notebooks and even a “Smoked Salmon Duo,” featuring “smoky, tender Atlantic salmon sourced from Kvarøy Arctic and hand-packed in Washington by a fifth-generation cannery” – though the latter product is already listed as sold out.
Lady Gaga and Bruno Mars’ “Die With a Smile” leads the Top Gabb Music Songs chart for a third month in a row as the most-played songs on Gabb Wireless phones, but a challenger appears on the March 2025 tally in the form of Benson Boone, whose “Sorry I’m Here for Someone Else” debuts at No. 2.
Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.
“Die With a Smile” became the first song in the now-six-month history of Top Gabb Music Songs to stay at No. 1 for more than one month when it reigned on the February 2025 survey; now, it’s the inaugural track to do so for at least three editions.
Trending on Billboard
After enjoying five weeks at No. 1 on the multimetric Billboard Hot 100 earlier this year, “Die With a Smile” spent the entirety of March 2025 in the top three of the ranking and appears at No. 3 on the latest chart, dated April 19.
Boone’s “Sorry I’m Here for Someone Else,” however, continues to establish the singer-songwriter as a formidable presence on Top Gabb Music Songs as one of three Boone songs in the top 10 of the March 2025 list. “Sorry I’m Here for Someone Else” was released on Feb. 27 and debuted at No. 44 on the Hot 100 dated March 15; it’s at No. 47 on the latest chart.
“Beautiful Things,” which led the inaugural Top Gabb Music Songs in October 2024, and “Slow It Down” rank at Nos. 3 and 9, respectively. That makes Boone the second act to occupy at least three positions in the chart’s top 10 at once, following NF, whose “Let You Down,” “Hope” and “The Search” were Nos. 5, 7 and 10, respectively, on the October 2024 tally.
The February 2025-dated chart featured just one debut among its 25 positions. Not so for March 2025; the artist behind that lone bow, Forrest Frank (via “DROP!,” at No. 19), returns again with the second-biggest start after Boone’s “Sorry I’m Here for Someone Else”: “Nothing Else,” featuring Thomas Rhett, at No. 7. Like Boone’s new entry, “Nothing Else” was also a late-February release (Feb. 28); it enjoyed a No. 4 debut on Billboard’s Hot Christian Songs chart dated March 15.
The third and final debut of the month belongs to Lady Gaga, whose “Abracadabra” bows at No. 17. “Abracadabra” was also released in February, albeit much earlier (Feb. 3). It reached a peak so far of No. 13 on the Hot 100 dated Feb. 22 and ranks at No. 38 on the most recent tally.
See the full top 25 below.
Top Gabb Music Songs
“Die With a Smile,” Lady Gaga & Bruno Mars (=)
“Sorry I’m Here for Someone Else,” Benson Boone (debut)
“Beautiful Things,” Benson Boone (=)
“APT.,” ROSE & Bruno Mars (-2)
“God’s Plan,” Drake (+2)
“Deja Vu,” Olivia Rodrigo (+6)
“Nothing Else,” Forrest Frank feat. Thomas Rhett (debut)
“Golden Hour,” JVKE (+3)
“Slow It Down,” Benson Boone (-1)
“Butterfly Effect,” Travis Scott (+3)
“Face 2 Face,” Juice WRLD (-6)
“Stargazing,” Myles Smith (-2)
“Thick of It,” KSI feat. Trippie Redd (-9)
“Please Please Please,” Sabrina Carpenter (-5)
“Ain’t No Love in Oklahoma,” Luke Combs (-1)
“Love Somebody,” Morgan Wallen (=)
“Abracadabra,” Lady Gaga (debut)
“Heat Waves,” Glass Animals (-1)
“Too Sweet,” Hozier (-4)
“Run It,” Jelly Roll (-14)
“Let You Down,” NF (-3)
“Bones,” Imagine Dragons (-1)
“Stressed Out,” Twenty One Pilots (-3)
“Saturn,” SZA (-1)
“Hope,” NF (=)
DROPS FROM FEBRUARY 2025: “DROP!,” Forrest Frank; “Enemy,” Imagine Dragons; “Wildflower,” Billie Eilish
Sleep Token earns its first No. 1 debut on Billboard’s Hot Hard Rock Songs chart, bowing atop the April 19-dated survey with “Caramel.” Released April 4, the track drew 11.2 million official U.S. streams, 30,000 in radio airplay audience and sold 3,000 downloads in the week ending April 10, according to Luminate. Sleep Token tallies […]
Muni Long extends her hitmaking run on Billboard’s Adult R&B Airplay chart (dated April 19) as “Superpowers” climbs one spot to reach No. 1 on the radio ranking. The single ascends after its 1% gain in weekly plays made it the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of April 4-10, according to Luminate.
As “Superpowers” asserts its supremacy, it replaces Chris Brown’s “Residuals” after a two-week stint. The former champ slides to No. 2 with an 8% decline in plays for the week.
Thanks to “Superpowers,” Muni Long achieves her third No. 1 on Adult R&B Airplay, after “Make Me Forget,” a one-week leader in August 2024, and “Ruined Me,” which logged two weeks on top last November.
Trending on Billboard
Further, with all three singles from her Revenge album, the set is the first to produce a trio of champs since Tank’s R&B Money launched three leaders in 2021-2022 from its standard edition – “Can’t Let It Show,” “I Deserve,” and “Slow,” featuring J. Valentine – and another from its 2024 deluxe reissue, “See Through Love,” featuring Chris Brown.
Among albums by women, Revenge becomes just the third set with three No. 1s in the 31-year history of the Adult R&B Airplay chart. It joins Toni Braxton’s self-titled debut, which spawned four leaders, “Another Sad Love Song,” “Breathe Again,” “Seven Whole Days” and “You Mean the World to Me” in 1993-94, and Alicia Keys’ The Diary of Alicia Keys, which sent “You Don’t Know My Name,” “If I Ain’t Got You” and “Diary,” feat. Tony! Toni! Tone! to the summit in 2004.
[embedded content]
Elsewhere, “Superpowers” slips 14-13, dropping one rung from its peak, on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track registered 7 million in audience for the week, down 3% from the prior week’s total.
Beyond its radio results, “Superpowers” debuts at No. 25 on Hot R&B Songs, a multi-metric chart that combines radio airplay with streaming and sales data for its rankings. The arrival gives Muni Long her 12th entry on the list, a count that includes three top 10s: the three-week No. 1 “Hrs and Hrs” in 2022, and a pair of 2024 hits, “Made for Me” (No. 2) and “Ruined Me” (No. 10).
Billboard’s Dance Moves roundup serves as a guide to the biggest movers and shakers across Billboard’s many dance charts — new No. 1s, new top 10s, first-timers and more.
Explore
See latest videos, charts and news
See latest videos, charts and news
This week on charts dated April 19, Skrillex, 2hollis, PinkPantheress and others achieve new feats. Check out key movers below.
Skrillex
The influential DJ-producer dropped his fourth studio album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!!
Natti Natasha earns her first No. 1 as a soloist, unaccompanied by another artist, on Billboard’s Tropical Airplay chart with “Desde Hoy” which jumps 2-1 for its first week atop the April 19-dated ranking. It’s her first return to the summit in over five years.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“Desde Hoy” takes the lead on Tropical Airplay, with the week’s Greatest Gainer honors, after a 9% gain in audience impressions, up 6.6 million, earned in the U.S. during the April 4-10 tracking week, according to Luminate. The song is the opening track off Natti’s fourth studio album, Natti Natasha En Amargue, her maiden entrance and first top 10 on the Tropical Albums chart (No. 6 debut and peak, Feb. 22 dated list).
Trending on Billboard
“Desde Hoy” marks Natti Natasha’s first No. 1 on Tropical Airplay in over five years. Her previous chart-topping hit, “La Mejor Versión de Mí,” her first collaboration with Romeo Santos as a co-billed artist, ruled the chart for 15 weeks between 2019-2020. Rewind to 2019, and her featured role on Don Omar’s “Dutty Love” reigned for one week then.
Notably, with “Desde Hoy” reaching No. 1, Natti joins an elite group of female artists who have topped the Tropical Airplay chart as soloists, unaided by any other act, during the 2020s decade. Before Natti, Rosalía’s “Despechá” reigned for four weeks in 2022, while Karol G most recently made history with “Si Antes Te Hubiera Conocido.” The latter broke the longest-leading record by surpassing Prince Royce’s 29-week reign with “Carita de Inocente” (chart dated Feb. 8). Ultimately, “Si Antes” dominated Tropical Airplay for 31 weeks between 2024-25.
With the new No. 1 by a woman, let’s review all the female artists who have led Tropical Airplay this decade, either as solo acts or through collaborations;
Title, Artist, Peak Date“La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, Oct. 26, 2019“Víctimas Las Dos,” Víctor Manuelle & La India, May 29, 2021“La Fama,” Rosalía Featuring The Weeknd, May 14, 2022“Te Espero,” Prince Royce & Maria Becerra, May 28, 2022“Despechá,” Rosalía, Oct. 1, 2022“Monotonía,” Shakira + Ozuna, Dec. 3, 2022“El Pañuelo,” Romeo Santos & Rosalía, Feb. 4, 2023“Así Es La Vida,” Enrique Iglesias & Maria Becerra, Dec. 9, 2023“Si Antes Te Hubiera Conocido,” Karol G, July 20, 2024“Desde Hoy,” Natti Natasha, April 19, 2025
“Desde Hoy” also makes progress son the overall Latin Airplay chart, where it climbs 9-5
This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week continues here with a look back at the Billboard Hot 100 chart’s top songs from that year, to go with the list of staff favorites our editorial team published earlier this week.
————————————————
Fifteen years into her Billboard chart career, Mariah Carey was still achieving firsts.
In 2005, the superstar’s smash “We Belong Together” spent 14 weeks at No. 1 on the Billboard Hot 100 songs chart, between that June and September, and went on to top the year-end survey – Carey’s first title to rule the annual recap.
Carey had dominated the 1990s like no act in any previous decade, becoming the first artist to lead the Hot 100 in every year of a decade (1990-99; she expanded her record chart-topping streak to 11 years, through 2000). By 2005, she was back in familiar triumphant territory thanks to the sultry second single from her album The Emancipation of Mimi. The set debuted at No. 1 on the Billboard 200 in April 2005 and logged 74 weeks on the chart, the most for an album of hers since Daydream a decade earlier.
“My real fans have always been with me through great times and not-so-great times,” Carey shared in the 2005 year-end Billboard print issue. “That’s why I think we have a really close, special connection.”
Carey’s command was just one of the highlights on the 2005 year-end Hot 100. Elsewhere, 50 Cent boasts four entries in the top 20; Carrie Underwood places with her American Idol coronation ballad, “Inside Your Heaven”; and hits dot the ranking from the debut solo albums from No Doubt’s Gwen Stefani and Matchbox Twenty’s Rob Thomas.
As Billboard celebrates 2005 Week, revisit the 2005 year-end Hot 100 chart, as originally revealed in the Dec. 24, 2005, publication. The recap is based on performance on the weekly Hot 100 charts dated Dec. 4, 2004, through Nov. 26, 2005. (You can also check out every year-end Hot 100 Songs chart since 2006 here.)
“Give Me That,” Webbie feat. Bun B