Chart Beat
Taylor Swift secures her 15th No. 1 on Billboard‘s Top Album Sales chart (dated Jan. 25), as her 2023 set Lover: Live From Paris reenters the list following its reissue on vinyl, as well as its first release as a download album. Explore Explore See latest videos, charts and news See latest videos, charts and news […]
After reality TV stars Heidi Montag and husband Spencer Pratt lost their home in the Pacific Palisades wildfire in Los Angeles, an outpouring of support drives Montag’s 2010 album Superficial and its songs to debuts across a range of Billboard’s charts (all dated Jan. 25) – including the Billboard 200, Top Album Sales, Top Dance […]
Imogen Heap has been releasing music for nearly three decades, winning two Grammy Awards and influencing a generation of music stars. As of this week, she’s officially a Billboard Hot 100-charting artist, thanks to a streaming revival for her 2005 song “Headlock.”
The song, which appears on Heap’s 2005 sophomore LP, Speak for Yourself, debuts at No. 100 on the Hot 100 (dated Jan. 25) almost entirely from its streaming sum: 5.9 million official U.S. streams (up 11%) in the Jan. 10-16 tracking week, according to Luminate. It also holds at its No. 10 high on the Hot Rock & Alternative Songs chart.
The song has been generating renewed interest in recent weeks thanks to a viral social media trend involving the psychological horror thriller video game Mouthwashing. Fans use the song to soundtrack various edited compilations of gameplay footage. The track has been particularly active on TikTok, where it has soundtracked over 135,000 clips on the platform to date.
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Speak for Yourself became Heap’s breakthrough album. The set also includes “Hide and Seek,” which gained traction at the time via its sync in the climactic scene in the second-season finale of The O.C., in which Marissa Cooper shoots Trey Atwood. The scene and the song were later parodied in a 2007 Saturday Night Live digital short by the Lonely Island, helping broaden its reach and turning the song into a meme. The cut was later used in other dramatic scenes in Degrassi: The Next Generation and Normal People. The song’s familiar bridge (“mmm, whatcha say”) culminated in a prominent sample – as the main hook – in Jason Derulo’s 2009 hit “Whatcha Say,” which spent a week at No. 1 on the Hot 100; Heap is credited as a co-writer on Derulo’s song.
Though “Headlock” is now Heap’s first charting Hot 100 hit as a recording artist, the U.K. native has earned one additional entry on the survey as both a co-writer and co-producer: Taylor Swift’s “Clean (Taylor’s Version),” from her 1989 (Taylor’s Version), reached No. 30 in November 2023. Heap also co-wrote and co-produced the original “Clean,” from Swift’s 1989 in 2014, but that version didn’t hit the Hot 100.
Speak for Yourself debuted at No. 182 on the Billboard 200 in November 2005. It climbed to No. 145 the following February, fueled in part by the popularity of “Hide and Seek.” The album’s influence expanded to its track “Just for Now.” The song was sampled on A$AP Rocky’s “I Smoked Away My Brain (I’m Gods x Demons Mashup),” featuring Heap and Clams Casino, in 2018. The collab hit No. 35 on the Hot R&B/Hip-Hop Songs chart.
Heap has charted two additional albums on the Billboard 200 in her career: Ellipse – which soared to No. 5 in 2009 – and Sparks (No. 21; 2014). Her instrumental cast recording The Music of Harry Potter and The Cursed Child: Parts One and Two reached No. 2 on the Classical Albums chart in 2018.
“Headlock” isn’t Heap’s only song currently charting on Billboard’s lists: She also appears as half of electronic duo Frou Frou (with Guy Sigsworth) on the pair’s “A New Kind of Love,” which ranks at No. 35 on Hot Rock & Alternative Songs, a week after reaching No. 30.
Eden Muñoz adds a seventh No. 1 on Billboard’s Regional Mexican Airplay chart, as “Mi Lugar Favorito” jumps from No. 4 to lead the list dated Jan. 25. It’s the second No. 1 on the chart from Eden, Muñoz’s third studio album as a soloist.
“I’m thrilled and grateful to see that ‘Mi Lugar Favorito’ has hit No. 1 on Billboard,” Muñoz tells Billboard. “This song has a special value to me, both personally and socially. It’s a song I wrote for my children, but it’s also a tribute to my inner child.”
“Mi Lugar Favorito” is the No. 1 song on this week’s Regional Mexican Airplay chart with 7 million audience impressions, accrued in the U.S. during the Jan. 10-16 tracking week, according to Luminate. That’s a solid 27% gain from the week prior, when the song held at its No. 4 high then for a second week.
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The single becomes Muñoz’s seventh champ on the chart and first of 2025. Previously, “Traigo Saldo y Ganas de Rogar” ruled Regional Mexican Airplay for two weeks last November. The latter also from parent album Eden, released Aug. 15, 2024, via Sony Music Latin.
Muñoz’s No. 1 collection dates back to less than three years ago, when he made his Regional Mexican Airplay debut as a solo singer with “Chale!,” for three weeks in charge in 2022. Since then, the Mexican singer/songwriter and producer has landed 10 top 10s and seven career No. 1s, four through non-collaborations and three through pair-ups.
Over on the overall Latin Airplay chart, “Favorito” pushes 9-4 with 7.1 million impressions.
“Qué Pasaría” If Rauw Alejandro & Bad Bunny Paired Up a No. 1 Hit? Elsewhere, Rauw Alejandro and Bad Bunny team up for their second No. 1 song on the Latin Rhythm Airplay chart, as “Qué Pasaría” (meaning “what would happen”) lifts 2-1 for its first week command. The song arrives almost two years after “Party,” the pair’s previous champ, spent two weeks at the summit in February 2023.
For its coronation, “Qué Pasaría” registered 6 million audience impressions earned in the U.S. in Jan. 10-16 tracking week. The new win adds Rauw his 12th No. 1 on Latin Rhythm Airplay, and Benito his 26th.
“Qué Pasaría” is the fourth singe from Rauw Alejandro’s No. 1 album, Cosa Nuestra, a six-week dominator on Top Latin Albums between November 2024-January 2025.
The new Jan. 25, 2025-dated charts will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
ROSÉ and Bruno Mars’ “APT.” tops the Billboard Global Excl. U.S. chart for a 12th week. In November, the song debuted as the stars’ second leader on each list.
Plus, Bad Bunny charts five Global Excl. U.S. top 10s, all from his new LP, DeBÍ TiRAR MáS FOToS, which ascends to No. 1 on the U.S.-based Billboard 200 albums chart. (The set reigns following its first full tracking week of activity, Jan. 10-16; it was released Jan. 5.) With three new top 10s, he pushes his total to a record-breaking 23 since the survey began in September 2020.
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.” tops Global Excl. U.S. with 119.6 million streams (essentially even week-over-week) and 11,000 sold (up 5%) outside the U.S. Jan. 10-16. The only songs that have led the list longer are Mariah Carey’s “All I Want for Christmas Is You” (14 weeks, since 2020) and Miley Cyrus’ “Flowers” (13 weeks, 2023) and Harry Styles’ “As It Was” (13 weeks, 2022).
Bad Bunny boasts five songs in the Global Excl. U.S. top 10: “DtMF” (9-2), “BAILE INoLVIDABLE” (12-4), “NUEVAYoL” (10-5), “VOY A LLeVARTE PA PR” (15-8) and “VeLDÁ” (21-10).
With three new Global Excl. U.S. top 10 hits, Bad Bunny ups his total to 23 top 10s – breaking out of a tie with Taylor Swift (20) for the most since the chart began.
Elsewhere in the Global Excl. U.S. top five, Lady Gaga and Mars’ “Die With a Smile” slips 2-3, following eight weeks at No. 1 starting in September.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow, Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Bad Bunny’s “DtMF” blasts to No. 1, from No. 12, on the Billboard Global 200 chart. The song becomes the superstar’s fifth leader on the list, tying Taylor Swift for the second-most, and the most among soloists, since the survey began in September 2020. BTS leads all acts with seven No. 1s.
Bad Bunny scores five simultaneous Global 200 top 10s, all from his new LP, DeBÍ TiRAR MáS FOToS, which ascends to No. 1 on the U.S.-based Billboard 200 albums chart. The set reigns following its first full tracking week of activity (Jan. 10-16; it was released Jan. 5).
The Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“DtMF” rules the Global 200 with 130.5 million streams and 3,000 sold worldwide Jan. 10-16. Bad Bunny previously hit No. 1 with “Monaco,” for a week upon its debut in October 2023; “Where She Goes” (in its debut week in June 2023); “Un x100to,” with Grupo Frontera (two weeks, May 2023); and “Dakiti,” with Jhay Cortez (now Jhayco; three, November-December 2020).
Bad Bunny also infuses the Global 200’s top 10 with “BAILE INoLVIDABLE” (10-4), “NUEVAYoL” (9-5), “VOY A LLeVARTE PA PR” (14-8) and “VeLDÁ” (22-9). With three new top 10 hits, he swells his count to 24 top 10s since the chart began. Only Drake (35) and Swift (33) have more.
Also in the Global 200’s top five, ROSÉ and Bruno Mars’ “APT.” descends to No. 2, following 11 weeks at No. 1 beginning upon its debut in November, and Lady Gaga and Mars’ “Die With a Smile” dips 2-3, following eight weeks at No. 1 beginning in September.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow, Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Lady Gaga and Bruno Mars’ “Die With a Smile” secures a third total and consecutive week at No. 1 on the Billboard Hot 100 songs chart.
The ballad became Gaga’s sixth Hot 100 leader and Mars’ ninth. Gaga ties her second-longest command, as her debut smash “Just Dance,” featuring Colby O’Donis, ruled for three weeks in January 2009. She dominated for six weeks in February-April 2011 with “Born This Way.”
Mars runs up his fifth Hot 100 reign of three or more weeks, following his featured turn on Mark Ronson’s “Uptown Funk!” (14 weeks at No. 1, in 2015) and his own “Locked Out of Heaven” (six, 2012-13), “Grenade” (four, 2011) and “Just the Way You Are” (four, 2010).
Bad Bunny blasts to the Hot 100’s top 10 with three songs, all from his new album, DeBÍ TiRAR MáS FOToS, which surges to No. 1 on the Billboard 200 chart: “DtMF” (38-2), “BAILE INoLVIDABLE” (28-3) and “NUEVAYoL” (27-8). He ups his count to 15 career top 10s – extending his mark for the most all-time among acts who record primarily Latin music. He also now boasts 13 top 10 hits recorded in Spanish, the most non-English-language top 10s among all artists. “DtMF” concurrently becomes his second No. 1 on the Streaming Songs chart.
Plus, ROSÉ and Bruno Mars’ “APT.” holds at its No. 5 Hot 100 high and ascends to No. 1 on the Digital Song Sales chart, where it becomes their first and 11th leader, respectively.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 25, 2025) will update on Billboard.com tomorrow (Jan. 22, a day later than usual due to the Martin Luther King Jr. holiday Jan. 20). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Airplay, Streams & Sales
Karol G is in a league of her own as “Si Antes Te Hubiera Conocido” adds a 26th week at No. 1 on Billboard’s overall Latin Airplay chart (dated Jan. 25), breaking the record for the most weeks among all songs since the list launched in 1994.
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The merengue tune surpasses the 25-week domination by Shakira’s “La Tortura,” featuring Alejandro Sanz, a record the song held since Nov. 2005, when it outdid the 20-week mark by Son By Four’s “A Puro Dolor.”
“Si Antes Te Hubiera Conocido,” released June 21, 2024, also remains as the top performer on the Tropical Airplay chart, where it has led the list for 28 weeks (of its total 31 weeks on the chart). Karol G might also set a new record on the tropical ranking, as she is one week away from tying Prince Royce‘s record of 29 nonconsecutive weeks at No. 1 with “Carita de Inocente” in 2020. (It stepped aside for one week during its run atop the list, when Kyen?Es? sneaked-out one week atop the chart with “El Carnaval de Celia: A Tribute (La Vida Es Un Carnaval/ La Negra Tiene…)” in September 2020.
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“Si Antes Te Hubiera Conocido,” commands both Latin Airplay and Tropical Airplay despite a 13% decline in audience impressions, to 10 million, earned during the Jan. 10-16 tracking week in theU.S., according to Luminate. The global hit gave Karol her 18th No. 1 on the overall Latin radio ranking when it landed at the summit last July, the second-most among women, just behind Shakira who continues at the helm with 24 champs.
While “Si Antes” spent its last week on the multi-metric Hot Latin Songs chart on the Jan. 11-dated list (due to the colossal take over by Bad Bunny’s new album), it also left a mark in 2024, tying with Xavi’s “La Diabla” and FloyyMenor and Cris MJ’s “Gata Only” for the most weeks at No. 1, all with 14 weeks at the summit. Further, in addition to “Qlona,” with Peso Pluma (No. 5), Karol’s “Si Antes” became only the second song by a female artist to close in the top 10 on the year-end Hot Latin Songs chart in 2024, at No. 8.
The new Jan. 25, 2025-dated charts will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Following its first full week of activity, Bad Bunny’s Debí Tirar Más Fotos climbs 2-1 on the Billboard 200 albums chart (dated Jan. 25), scoring the superstar his fourth leader on the list. Bunny’s album was released on an off-cycle Sunday (Jan. 5), and, thus, it arrived on the chart a week ago with only five days of activity (as the chart’s tracking week runs Friday through Thursday).
In the tracking week ending Jan. 16, Debí Tirar Más Fotos earned 203,500 equivalent album units (up 67%) in the U.S., according to Luminate — largely driven by streaming activity. The set was only available as a standard 17-song streaming album, and as a digital download for purchase (widely through all digital retailers, as well as Bunny’s official webstore). Traditional album sales drove just under 8,000 of the album’s activity for the week.
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Bunny previously led the Billboard 200 with Nadie Sabe Lo Que Va a Pasar Mañana (in 2023), Un Verano Sin Ti (2022) and El Último Tour del Mundo (2020).
At No. 2 on the Billboard 200, Taylor Swift’s 2023 album Lover: Live From Paris reenters, with 202,500 equivalent album units earned, all from album sales, following its reissue on vinyl (161,000 sold for the week), as well as its first release as a digital download album. The album was exclusively available only to purchase as either a vinyl LP or download in Swift’s webstore. It marks the 18th top 10-charting effort for Swift and the highest-charting live album in over five years. It’s the top-selling album of the week, and also scores the single-largest sales week for a live album on vinyl since Luminate began tracking sales in 1991.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 25, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 22 (one day later than usual, owed to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 20). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 203,500 equivalent album units earned in the week ending Jan. 16, SEA units comprise 195,000 (up 72%, equaling 264.03 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart for a second week), traditional album sales comprise 7,500 (down 3%, falling 6-8 on Top Album Sales) and TEA units comprise 1,000 (up 123%).
The 264.03 million streams of the album’s songs mark the largest streaming week for any album since Kendrick Lamar’s GNX arrived with 379.72 million (Dec. 7, 2024 chart), and the largest for any Latin music album since Bunny’s own Un Verano Sin Ti debuted with 356.55 million (May 21, 2022 chart).
Like in its opening chart week, Debí Tirar Más Fotos was sale priced for $4.99 in the iTunes Store, as well as in Bunny’s webstore.
As Debí Tirar Más Fotos is mostly in the Spanish language, it is the 28th mostly non-English-language album to hit No. 1, and the first of 2025. Four mostly non-English titles topped the list in 2024, and all were Korean-language efforts. Of the 28 mostly non-English-language albums to reach No. 1, 18 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.
Taylor Swift’s Lover: Live From Paris returns to the Billboard 200, reentering at No. 2 with 202,500 equivalent album units earned (up from nothing the week previous). The eight-song set was recorded in 2019 and had a limited release on vinyl in 2023 (exclusively through Swift’s webstore), and spent one week on the Billboard 200 that March, at No. 58.
Lover: Live From Paris is the highest-charting live album on the Billboard 200 in over five years, since Lionel Richie’s Hello From Las Vegas debuted and peaked at No. 2 on the Aug. 31, 2019-dated chart. Further, as Lover: Live From Paris marks Swift’s 18th top 10-charting set, she ties with Mariah Carey for the third-most top 10s among women in the history of the Billboard 200. Only Madonna (with 23) and Barbra Streisand (34) have more among women. (Meanwhile, all 20 of Swift’s Billboard 200 chart entries, dating to her 2006 debut, have now peaked in the top 20.)
Lover: Live From Paris is Swift’s second top 10-charting live set, following Folklore: The Long Pond Studio Sessions (No. 3 in May 2023).
Of Lover: Live From Paris’ 202,500 units earned in the tracking week ending Jan. 16, album sales comprise the entire number (it reenters at No. 1 on Top Album Sales), with vinyl sales accounting for 161,000 (the largest sales week for a live album on vinyl since Luminate began tracking sales in 1991) and digital download sales accounting for the remaining sales. The set has no SEA or TEA units powering its reentry, since the album was not available on streaming services (thus, customers could not stream songs from the album directly), or through digital retailers such as iTunes, so customers couldn’t purchase songs from the album directly.
The Lover: Live From Paris album commemorates Swift’s The City of Lover live show on Sept. 9, 2019, at the Olympia in Paris. It was the only concert that Swift held to promote the 2019 album Lover, after her planned 2020 Lover Fest trek was cancelled due to COVID-19. Swift didn’t return to live shows until the career-spanning The Eras Tour kicked off in March 2023.
The City of Lover live gig was turned into an ABC-TV special on May 17, 2020 (titled Taylor Swift: City of Lover), and included only the eight songs that are also on the Lover: Live From Paris album. The album was initially released as a double-vinyl set, on heart-shaped color vinyl, in early 2023, exclusively through Swift’s webstore. The limited-pressing sold 13,500 copies in its one and only week of availability, and debuted and then-peaked at No. 58 on the Billboard 200 (March 4, 2023-dated chart).
Earlier in January 2025, Lover: Live From Paris was restocked on Swift’s webstore, for a limited time, on the same double-vinyl set, on heart-shaped color vinyl. At the time, customers were informed that the set would ship on or before Jan. 20.
In addition to the vinyl release, Lover: Live From Paris saw its debut as a digital download album, exclusively through Swift’s webstore, for a limited time. On Jan. 16, the final day of the latest chart’s tracking week, the set was made available in Swift’s store across four variants for six hours only, each priced at $4.99. One was the standard eight-song album, and the other three each contained the standard eight songs plus one unique live bonus track of a Lover album cut performed during The Eras Tour (“False God,” “I Think He Knows” and “Paper Rings”).
No version of the Lover: Live From Paris album was available during the tracking week on streaming services, nor through any digital retailer outside of Swift’s webstore. The album’s core eight songs were released as stand-alone tracks in May 2020 (the same week as the premiere of Taylor Swift: City of Lover TV special) widely through digital retailers and streamers.
As for the rest of the top 10 on the latest Billboard 200 chart, four former No. 1s are at Nos. 3-6. SZA’s SOS is steady at No. 3 (102,000 equivalent album units earned; down 10%), Kendrick Lamar’s GNX is a non-mover at No. 4 (64,000; down 4%), Lil Baby’s WHAM falls 1-5 in its second week (55,000; down 60%) and Sabrina Carpenter’s Short n’ Sweet slips 5-6 (48,000; down 6%).
Billie Eilish’s Hit Me Hard and Soft is stationary at No. 7 (40,000 equivalent album units earned; down 7%), the Wicked film soundtrack falls 6-8 (39,000; down 15%), Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (nearly 39,000; down 4%) and Gracie Abrams’ The Secret of Us descends 9-10 (36,000; down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Chappell Roan has returned to No. 1 on the U.K. Official Albums Chart with The Rise and Fall of a Midwest Princess, 15 months after its initial release in September 2023. Explore Explore See latest videos, charts and news See latest videos, charts and news The debut LP from the Missouri singer has spent 40 […]