Canada
Billboard Canada Power Players is returning in 2025, and it’s moving to Toronto’s NXNE.
The authoritative ranking of the music business’s most powerful executives — an official extension of Billboard’s Power 100 list — expanded to Canada in 2024. The event brought a who’s-who of industry leaders to a packed celebration at Toronto’s tallest building, the CN Tower. This year, the event will grow even bigger at its new home at NXNE, the beloved music festival celebrating its 30th anniversary amidst a new strategic partnership with Billboard Canada.
Nominations officially opened this week and will close on March 7, 2025.
“We’re thrilled to bring Power Players to the country’s most vibrant music conference and festival,” says Mo Ghoneim, president of Billboard Canada. “Power Players is a crucial spotlight of the executives leading the charge in Canada on a global scale, and we can’t wait to bring it to new heights in 2025.”
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Canada is home to some of the most impactful people in music, both at home and internationally. In 2024, Billboard Canada celebrated Arthur Fogel, Live Nation’s CEO of global touring, at No. 1. The Canadian industry icon who shaped the modern global touring market attended the event and spoke about the impact Canada’s live music scene had on his career.
As Canada’s market for stadium concerts and festivals continues to expand and Canadian Content regulations continue to be debated, there are many factors and stories that could play a role in this year’s Power Players list.
Billboard Canada Power Players celebrates people across the industry, including record labels, publishing, legal, streaming and radio, creative media, and more. The extremely competitive honour reflects market share, industry impact, achievements and other metrics.
The Power Players list is peer-nominated and selected by the Billboard Canada team.
Find the submissions form here. It’s also available in French here. – Richard Trapunski
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Canadian Independent Music Association Pulls Out of SXSW Amidst ‘Instability’ In the United States
One of the top showcase opportunities for Canadian musicians at SXSW will not take place this year.
The Canadian Independent Music Association (CIMA) has canceled its Canada House event at the upcoming Austin music festival amidst rising political and economic tensions between Canada and the United States.
Andrew Cash, CIMA’s president and CEO, describes the decision as a confluence of various factors, mostly related to the relationship between the two countries since Donald Trump began his second term as U.S. President.
That includes the 25% tariffs placed on goods from Canada set to kick in on March 12, which falls during the dates of this year’s SXSW (which runs from March 7-15), as well as Trump’s repeated threats to annex the country.
“The growing instability of everything in the United States right now, plus the high cost [of putting on events in the United States] and the low [Canadian] dollar — all of these things combined made it so we couldn’t feel confident or good about what we were getting ourselves into at this particular moment,” Cash tells Billboard Canada.
“The timing is not great,” he continues. “We would be going down there just after the 30-day tariff pause has expired. We’re going to have a new Prime Minister [in Canada, following the resignation of Justin Trudeau]. I just didn’t feel comfortable putting CIMA out there in that context of instability.”
For more than a decade, Canada House has been a pivotal exporting opportunity for Canadian bands and artists at the influential American music festival. Taking over the Swan Dive music venue, it offers opportunities for Canadian musicians and entrepreneurs to network and showcase at an event well-attended by members of the local and international music industry. CIMA had planned to host a one-day daytime music showcase on March 12.
CIMA made the decision to pull out of SXSW on Feb. 13, sending emails to partners and invited artists informing them that they would not be producing the event this year.
Applications opened last fall, and four Canadian and Indigenous acts had been sent offers to play CIMA’s Canada House showcase. They learned of the cancellation last week.
“We don’t know what the climate is going to be,” Cash says. “It felt potentially dissonant to be going down to Texas and hosting an event called Canada House while the President of that country is essentially stating his intent to annex our country…We made the decision based on what we could control, because there’s so much about this situation that we can’t.”
CIMA is still offering Canadian bands spots at networking events with other international music offices and export partners from Australia, England, New Zealand and other markets. And though the Canada House showcase is on pause for 2025, they could still bring it back in future years depending on the geopolitical situation.
In the meantime, Cash says CIMA will focus its resources and investments on other international markets and opportunities within Canada. This will not affect the organization’s other Canada House activations at the German festival Reeperbahn, British festival The Great Escape or SXSW Australia.
Cash says he hopes the situation in the U.S. is resolved soon, as the country is Canada’s biggest export market — not just for music but many sectors of the economy.
“I think everyone understands that we’re in unprecedented times,” says Cash. “And I think everyone is unsure exactly how to react.”
For more on the cancellation, and how it affected artists who were invited to play, head here. – Richard Trapunski
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Kendrick Lamar’s ‘Not Like Us’ Hits No. 1 In Canada for The First Time After Super Bowl Performance
Kendrick Lamar‘s “Not Like Us” is the No. 1 song in Canada this week — for the first time.
The diss track never managed to claim the top spot on the charts in Drake‘s home country like it did in the U.S. last year during the height of the stars’ heated rap beef. But after a Super Bowl halftime performance that saw record viewership, Canadians have pushed the controversial single to a new peak on the Billboard Canadian Hot 100 for the chart dated Feb. 22, 2025.
Going into the Super Bowl, it wasn’t clear if Lamar was even legally allowed to perform the track, as Drake is suing Universal Music Group, the label that released it. But after teasing it throughout the night, Lamar not only played the song, he included the lines that name-drop Drake and accuse him of predatory behaviour. Serena Williams, Drake’s ex, danced alongside Lamar on the field.
Following the success of “Not Like Us” last year, Lamar dropped a surprise album, GNX, which is at No. 2 on the Billboard Canadian Albums chart this week. Lamar is also all over the Canadian Hot 100, with 11 of his tracks charting there.
He performed his SZA collab from that album, “Luther,” at the halftime show as well, with the R&B star joining for the duet. That track also got a post-show boost, rising 18-2 on the Canadian Hot 100, as did SZA’s 2017 album Ctrl, which re-enters the Canadian Albums chart at No. 91. SZA’s SOS, meanwhile, drops from 2-3 behind GNX.
The two will perform together on the Grand National tour this summer, which stops in Toronto on June 12 and 13. – Rosie Long Decter
There’s a new category at the Juno Awards this year and for first-time nominee Lowell, it’s been a long time coming.
Lowell (Elizabeth Lowell Boland) has been in the industry for a decade, first as a performing artist and then as a songwriter and artist development expert. In the last two years, she’s helped break Canadian rockers The Beaches internationally and contributed to Beyoncé‘s first-ever album of the year win at the Grammys, co-writing several tracks on Cowboy Carter.
Now, she receives her first-ever Juno nomination, in the inaugural year of the new songwriter of the year (non-performer) category. The introduction of the category means that behind-the-scenes songwriters who would normally get squeezed out of the songwriter of the year category by big names like Abel Tesfaye (a.k.a. The Weeknd) are getting their due.
Last year, Billboard Canada and SOCAN introduced the Billboard Canada Non-Performing Songwriter Award, which Lowell won and accepted at the Billboard Canada Power Players celebration. Lowell was a fitting first winner, as she’s also been pushing the Junos to add the category for years.
Trending on Billboard
At a Junos media conference this week following the nominations announcement, Lowell spoke about how it’s been a long road to get here, but that songwriters are starting to get some recognition.
“I’m so glad that we have this category now,” Lowell said. “I think that if it didn’t exist I probably wouldn’t be nominated at the Junos — and I always said if I get Grammys before I get Junos you know there’s something wrong.”
Lowell added that in the past, Juno nominations have been bittersweet for songwriters.
“Usually we see a lot of artists that we maybe have developed or written their hits, but know that our name won’t be up there, just kind of having to live in it,” she reflected. “I’m a fighter so I kind of took the lead on it. One thing about songwriters is we’re so used to just being walked all over, we don’t often think we can do anything about it, and I refuse to think that way.”
As songwriter royalties have declined, it’s harder to make a living, Lowell pointed out, making this kind of recognition even more significant.
“All of these labels — Universal Canada, Warner Canada — we could be in L.A. but we’re here, we’re working on your artists, and we’re writing you guys hits and we’re bringing you money and allowing you to sign more artists, so the respect that we need and have earned needs to be at the Junos too,” she continued. “And here we are. It’s good — it’s a good day.”
She’s excited to be nominated in the category alongside Nate Ferraro, her songwriting partner on Beyoncé’s “Texas Hold ‘Em.” Also nominated are Evan Blair, for work with Maren Morris and Benson Boone (including co-writing the No. 1 hit “Beautiful Things”); Shaun Frank, for work with Dua Lipa and Morgan Wallen; and Tobias Jesso Jr., for work with Camila Cabello, Morris and Lipa.
Producer Aaron Paris and recording engineer/producer Hill Kourkoutis also spoke about the importance of industry recognition for those working behind the scenes. Read more here. – Rosie Long Decter
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Junos and Polaris Prize Release Statements on Buffy Sainte-Marie’s Awards Following Order of Canada Cancellation
Though most focus was on the new Juno nominees this week, one prior winner was also under the spotlight: Buffy Sainte-Marie.
The acclaimed singer-songwriter’s Order of Canada appointment was canceled last week by The Governor General of Canada, Mary Simon. The decision came a year and a half after the CBC’s investigation into her claims of Indigenous ancestry and Canadian citizenship. Since then, there has been scrutiny into other awards Sainte-Marie has earned in the country.
CARAS, the body that governs the Junos, released a statement, saying they are aware of the decision to terminate her Order of Canada.
“We continue to consult with our Indigenous Music Advisory Committee and Indigenous stakeholders on how to best proceed as it relates to Sainte-Marie’s Juno Awards,” the organization said in a statement. “We recognize the importance of Indigenous music as a category and remain deeply committed to promoting, celebrating and honouring the contributions of Indigenous artists to the Canadian music industry.”
In 2023, a group named the Indigenous Women’s Collective called on CARAS to rescind Sainte-Marie’s 2018 Juno for Indigenous album of the year, which she won for the album Medicine Songs. The group pointed to the win over artist Kelly Fraser, who died a year later.
“We invite the Juno Awards Committee to revisit this 2018 category and explore ways of righting a past wrong,” they wrote. “All Indigenous Artists in this 2018 category, including Kelly Fraser, should be reconsidered for this rightful honour.”
Sainte-Marie won the Polaris Music Prize, which awards one album as the best in Canada of the year based solely on artistic merit, for her 2015 album, Power in the Blood. For her victory, Sainte-Marie earned a cash prize of $50,000.
The Polaris Music Prize Board released a statement.
“The Polaris Board is aware of the ongoing conversation around Buffy Sainte Marie’s Canadian status,” they said in a statement. “We have and continue to follow as new information is shared.”
Sainte-Marie has said that she has never lied about her identity. – Richard Trapunski
Tate McRae and Josh Ross have received the most nominations for the 2025 Juno Awards, with five apiece. The two artists will compete against each other in single of the year, album of the year, artist of the year and TikTok fan choice award.
Shawn Mendes and The Weeknd follow with four nominations each, while Karan Aujla and AP Dhillon each score three.
McRae — the Alberta pop singer whose “Greedy” took her to global heights in 2023 — won single of the year and artist of the year at the 2024 Junos. She was not in attendance to accept either award. This year, she could sweep all the major categories except for breakthrough artist, in which she was nominated in 2021.
Trending on Billboard
Ross is a breakout country singer from Ontario, and his five nominations show the strength of the genre in Canada. He joins McRae in the artist of the year category, alongside dance music producer Kaytranada, who was up for three Grammys this year with his third LP, Timeless; Mendes, who made a highly anticipated comeback with folk album Shawn; and The Weeknd, who released several charting singles in 2024. (His Hurry Up Tomorrow doesn’t qualify for this year’s awards, so he could be primed for another big year next year.)
Ross has had a major year, with his track “Single Again” — up for single of the year — charting on the Billboard Canadian Hot 100 and topping the Canadian Country Airplay chart. He picked up five Canadian Country Music Association Awards in 2024, but if he prevails in one or more of his highly competitive categories, it would mark his first Juno win(s).
Beyond McRae’s domination and Ross’ breakthrough, the nominations show the continued rise of the Punjabi Wave in Canada. Last year, Karan Aujla took home the fan choice award, which showed belated industry recognition for the exploding genre. This year, Aujla is up for single of the year as well with the aptly-titled “Winning Speech.”
This year, the Junos are introducing a South Asian music recording category, with AP Dhillon; Chani Nattan, Inderpal Moga & Jazz B; Jonita Gandhi; and Sandeep Narayan and Yanchal Produced all up for the inaugural award alongside Aujla.
But it’s not just that category where South Asian music is shining through — Dhillon is nominated for breakthrough artist and songwriter of the year.
AR Paisley is also up for breakthrough artist, as is Sukha, who also scored a nomination in best album with Undisputed. That’s a marked increase in representation for South Asian music and, in particular, Punjabi artists, from last year, as the wave continues to crest.
Canadian pop-rock icons and Billboard Canada cover stars Sum 41 are up for group of the year, where they’ll compete against Crash Adams, Mother Mother, Spiritbox and last year’s winner, The Beaches. They also picked up a nomination for rock album of the year with their final album, Heaven :x: Hell, and they will receive a special induction into the Canadian Music Hall of Fame during the ceremony.
In the big categories, it’s not as strong a year for women nominees — McRae is the only woman nominated for single of the year, artist of the year, and fan choice (especially notable in fan choice, which has 10 total nominees). In album of the year, Inuk singer Elisapie and Quebecois artist Roxane Bruneau compete alongside McRae against Ross and Sukha.
The breakthrough artist category is where things get the most interesting. The Junos have increased that category from five to 10 nominees this year, and the move allows for a real breadth of talent to shine through, with nominees ranging from country to soul to Punjabi hip-hop and more. Palestinian-Canadian alt-pop auteur Nemahsis is up for the category (she’s also nominated in alternative album of the year), as is Vancouver emo-pop artist Ekkstacy and Montreal R&B-pop artist Zeina, who broke through with Billboard Canadian Hot 100-charting “Hooked.”
In the genre-specific categories, three categories that were reportedly in danger of disappearing did return this year. Following public outcry last fall, the Junos recommitted to the reggae recording of the year; contemporary Christian/gospel album of the year; and children’s album of the year categories.
The nominees in reggae recording include the late trailblazer Lee ‘Scratch’ Perry for his work with Bob Riddim on Destiny and Canadian reggae leader Exco Levi’s Born To Be Free. In children’s album, Lheidli T’enneh singer-songwriter Kym Gouchie is nominated for Shun Beh Nats’ujeh: We Are Healing Through Songs as well as iconic entertainer Raffi for his Good Lovelies collaboration, Penny Penguin.
The 2025 Juno Awards, hosted by Michael Bublé, will be held March 30 in Vancouver, broadcast on CBC at 8 P.M. ET.
Here’s the full list of nominations for the 2025 Juno Awards.
TikTok Juno Fan Choice
bbno$, Independent*Stem
Dean Brody, Starseed
Jade Eagleson, Starseed
Josh Ross, Universal
Karan Aujla, Independent
Les Cowboys Fringants, Les Disques de La Tribu*Propagande
Preston Pablo, Universal
Shawn Mendes, Universal
Tate McRae, RCA*Sony
The Weeknd, XO*Universal
Artist of the year
Josh Ross, Universal
Kaytranada, RCA*Sony
Shawn Mendes, Island*Universal
Tate McRae, RCA*Sony
The Weeknd, XO*Universal
Group of the year
Crash Adams, Warner
Mother Mother, Warner
Spiritbox, BMG*Universal
Sum 41, Rise/BMG*Universal
The Beaches, Independent*AWAL
Single of the year
“Single Again,” Josh Ross, Universal
“Winning Speech,” Karan Aujla, Independent
“Why Why Why,” Shawn Mendes, Island*Universal
“exes,” Tate McRae, RCA*Sony
“Timeless,” The Weeknd & Playboi Carti, XO*Universal
Album of the year
Inuktitut, Elisapie, Bonsound*Sony
Complicated, Josh Ross, Universal
Submergé, Roxane Bruneau, Disques Artic*Sony
UNDISPUTED, Sukha, GK*Universal
THINK LATER, Tate McRae, RCA*Sony
Breakthrough artist or group of the year
Alexander Stewart, FAE*The Orchard
AP Dhillon, Republic*Universal
AR Paisley, Warner
Chris Grey, Rebellion Records
EKKSTACY, Dine Alone*The Orchard
Nemahsis, Independent
Owen Riegling, Universal
Sukha, GK*Universal
Tony Ann, Decca*Universal
Zeina, Artist Partner Group
Songwriter of the year
Abel Tesfaye
AP Dhillon
Jessie Reyez
Mustafa
Nemah Hasan (Nemahsis)
Songwriter of the year (non-performer)
Evan Blair
Lowell
Nathan Ferraro
Shaun Frank
Tobias Jesso Jr.
Jack Richardson producer of the year
Aaron Paris
Akeel Henry
Evan Blair
Jack Rochon
Shawn Everett
Recording engineer of the year
George Seara
Hill Kourkoutis
Mitch McCarthy
Serban Ghenea
Shawn Everett
Classical album of the year (solo artist)
Signature Philip Glass, Angèle Dubeau & La Pietà, Analekta*Naxos/The Orchard
Messiaen, Barbara Hannigan, Alpha Classics*Naxos
freezing, Emily D’Angelo, Deutsche Grammophon*Universal
Butterfly Lightning Shakes the Earth, India Gailey, Red Shift*Believe
Williams Violin Concerto No. 1; Bernstein Serenade, James Ehnes, Pentatone*Naxos/The Orchard
Classical album of the year (small ensemble)
Known To Dreamers: Black Voices in Canadian Art Song, Canadian Art Song Project, Centrediscs*Canadian Music Centre/Naxos
Rituæls, collectif9, Analekta*Naxos/The Orchard
East is East, Infusion Baroque, Leaf*Naxos
Marie Hubert: Fille du Roy, Karina Gauvin, ATMA*Universal
Kevin Lau: Under a Veil of Stars, St. John–Mercer–Park Trio, Leaf*Naxos
Classical album of the year (large ensemble)
Ispiciwin, Luminous Voices, Leaf*Naxos
Alikeness, Newfoundland Symphony Orchestra Sinfonia, conducted by/dirigé par Mark Fewer featuring Aiyun Huang, Deantha Edmunds and Mark Fewer, Leaf*Naxos
Sibelius 2 & 5, Orchestre Métropolitain, conducted by/dirigé par Yannick Nézet-Séguin, ATMA*Universal
Schoenberg: Pelleas und Melisande & Verklärte Nacht, Orchestre symphonique de Montréal, conducted by/dirigé par Rafael Payare, Pentatone*Naxos/PIAS
Messiaen: Turangalîla-Symphonie, Toronto Symphony Orchestra, conducted by/dirigé par Gustavo Gimeno featuring Marc-André Hamelin and Nathalie Forget, Harmonia Mundi
Jazz album of the year (solo)
Montreal Jazz Series 1 (Échanges Synaptiques), André Leroux, Disques BG*Believe
The Head of a Mouse, Audrey Ochoa, Chronograph*Fontana North
Portrait of Right Now, Jocelyn Gould, Independent
Slice of Life, Larnell Lewis, Independent
The Antrim Coast, Mark Kelso, Modica
Jazz album of the year (group)
Time Will Tell, Andy Milne and Unison, Sunnyside*AMPED
Reverence, Carn Davidson 9, Independent
Harbour, Christine Jensen Jazz Orchestra, Justin Time*F.A.B./Nettwerk
Gravity, Jeremy Ledbetter Trio, Independent
Jaya, Raagaverse, Independent
Vocal jazz album of the year
Oh Mother, Andrea Superstein, Cellar*La Reserve
Hello! How Are You?, Caity Gyorgy, La Reserve*The Orchard
Winter Song, Kellylee Evans, Independent
Wintersongs, Laila Biali, Independent/Believe
Magpie, Sarah Jerrom, TPR*Outside In
Instrumental album of the year
Disaster Pony, Disaster Pony, Independent*The Orchard
Distant Places, Eric Bearclaw, Independent
Ginger Beef, Ginger Beef, Independent
memory palace, Intervals, Independent*Believe
Confluencias, Melón Jimenez & Lara Wong, Independent
Blues album of the year
This Old Life, Big Dave McLean, Cordova Bay*Fontana North
New Orleans Sessions, Blue Moon Marquee, Independent
YEAH!, David Gogo, Cordova Bay*Fontana North
Samantha King and the Midnight Outfit, Samantha King & The Midnight Outfit, Independent
One Guitar Woman, Sue Foley, Stony Plain*Fontana North
Traditional roots album of the year
Hemispheres, Inn Echo, Independent
Retro Man … More and More (Expanded Edition), Jake Vaadeland, Jayward*The Orchard Domino!, La Bottine Souriante, LABE*Sony/The Orchard
The Road Back Home (Live), Loreena McKennitt, Independent*Universal
At The End of the Day, Sylvia Tyson, Stony Plain*Fontana North
Contemporary roots album of the year
Anniversary, Abigail Lapell, Outside
For Eden, Boy Golden, Six Shooter*The Orchard
Things Were Never Good If They’re Not Good Now, Donovan Woods, End Times*The Orchard Pathways, Julian Taylor, Howling Turtle*ADA
Strange Medicine, Kaia Kate,r acronym*The Orchard
Country album of the year
The Compass Project – West Album, Brett Kissel, Independent*Universal
Dallas Smith, Dallas Smith, Big Loud*Universal
Complicated, Josh Ross, Universal
Nobody’s Born With A Broken Heart, MacKenzie Porter, Big Loud*Universal
Going Home, Tyler Joe Miller, Independent*The Orchard
Adult alternative album of the year
Inuktitut, Elisapie, Bonsound*Sony/The Orchard
Revelation, Leif Vollebekk, Secret City*F.A.B.
Healing Power, Terra Lightfoot, Sonic Unyon*Universal
We were born here, what’s your excuse?, The Secret Beach, Victory Pool*The Orchard
Never Better, Wild Rivers, Nettwerk*F.A.B./Nettwerk
Alternative album of the year
When a Thought Grows Wings, Luna Li, In Real Life*AWAL
Verbathim, Nemahsis, Independent
Magpie, Peach Pit, Columbia*Sony
What’s The Point, Ruby Waters, Independent*Dine Alone
Water the Flowers, Pray for a Garden, Valley, Universal
Rock album of the year
Pages, Big Wreck, Sonic Unyon*Universal
Vices, JJ Wilde, Black Box
Grief Chapter, Mother Mother, Warner
Set Your Pussy Free, NOBRO, Dine Alone*The Orchard
Heaven :x: Hell, Sum 41, Rise/BMG*Universal
Metal/hard music album of the year
Beyond the Reach of the Sun, Anciients, Season of Mist*The Orchard
PowerNerd, Devin Townsend, InsideOutMusic*Sony
Fire, Kittie, Sumerian*Virgin
The Fear of Fear, Spiritbox, BMG*Universal
ULTRAPOWER, Striker, Independent
Adult contemporary album of the year
Roses, Aphrose, Independent
Boundless Possibilities, Celeigh Cardinal, Independent
Transitions, Kellie Loder, Independent*Warner
Songs of Love & Death, Maddee Ritter, Independent*Universal
Lovers’ Gothic, Maïa Davies, acronym
Pop album of the year
bleeding heart, Alexander Stewart, FAE*The Orchard
if this is it…, Jamie Fine, Universal
Anywhere But Here, Preston Pablo, 31 East*Universal
Shawn, Shawn Mendes, Island*Universal
THINK LATER, Tate McRae, RCA*Sony
Dance recording of the year
UH HUH, DijahSB, Never Worry*The Orchard
No Time, Interplanetary Criminal & SadBo,i Room Two*Columbia
Give in to you, REZZ, Virtual Riot & One True God, Monstercat
Call Me When, So Sus, Independent
FOUL TASTE, WAWA, Independent
Underground dance single of the year
“Bamboo,” Ciel, Independent
“Keepsake,” Destrata, Independent
“Distant Memories,” Hernan Cattaneo, Hicky & Kalo, Independent
“La Vérité,” Jesse Mac Cormack, Charlie Houston & Brö, Secret City*F.A.B
“WTP,” Suray Sertin, Altered States*Universal
Electronic album of the year
Honey, Caribou, Merge*F.A.B
Union, ÈBONY, Independent*ADA
Love, Care, Kindness & Hope, Fred Everything, Lazy Days*Prime Direct
Timeless, Kaytranada, RCA*Sony
This but More, Priori, NAFF*One Eye Witness
Rap single of the year
“People,” Classified, Independent
“Double the Fun,” Haviah Mighty, Independent
“SHUT UP,” Jessie Reyez, FMLY/Island*Universal
“BBE,” Snotty Nose Rez Kids, Sony
“Hier encore,” Souldia & Lost, Disques 7ième Ciel
Rap album/EP of the year
96 Miles From Bethlehem, Belly, SALXCO*Universal
Luke’s View, Classified, Independent
The Flower That Knew DijahSB, Lowly
See You When I See You…, Dom Vallie, Awesome*The Orchard
RED FUTURE, Snotty Nose Rez Kids, Sony
Traditional R&B/soul recording of the year
“Limbo,” Aqyila, Sony
“The Worst,” Benita, Independent*Believe
“Cyan Blue,” Charlotte Day Wilson, Independent*The Orchard
“Halfway Broken,” Luna Elle, Hot Freestyle*Independent
“VELVET SOUL,” THEHONESTGUY, Independent*Believe
Contemporary R&B recording of the year
“Bloom,” Aqyila, Sony
“Noire,” Avenoir, Independent*LISTEN TO THE KIDS
“FOR THE BOY IN ME,” Dylan Sinclair ,Five Stone*The Orchard
“LOONY, LOONY,” Independent*AWAL
“Eastend Confessions,” Zeina, Artist Partner Group
Reggae recording of the year
“Born to Be Free,” Exco Levi, Independent
“FALLBACK,” King Cruff & Runkus, Tuff Gong*Universal
“Destiny,” Lee “Scratch” Perry & Bob Riddim, Independent
“Sky’s the Limit,” Skystar, Independent
“Rise,” Tonya P, Independent
Children’s album of the year
Shun Beh Nats’ujeh: We Are Healing Through Songs, Kym Gouchie, Independent
Penny Penguin, Raffi & Good Lovelies, Independent*Universal
Riley Rocket: Songs From Season One, Riley Rocket and Megablast, Independent
Buon Appetito, Walk off the Earth & Romeo Eats, Golden Carrot*The Orchard
Maestro Fresh Wes Presents: Young Maestro “Rhyme Travellers”, Young Maestro, Independent
Comedy album of the year
Wonder Woman, Courtney Gilmour, Comedy Records*Downtown
Honourable Intentions, Debra DiGiovanni, Independent
Popcorn, Ivan Decker, Independent
Sad Witch, Jess Salomon, Independent
Down With Tech, Nathan Macintosh, Comedy Records*Downtown
Traditional indigenous artist or group of the year
New Comings, Black Bear Singers, Independent
Winston & I, Brianna Lizotte, Independent
Travelling Home, Cree Confederation, Independent
REZilience, Northern Cree, Independent
Ostesihtowin-“Brotherhood”, Young Spirit, Independent
Contemporary indigenous artist or group of the year
Precious Diamonds, Adrian Sutherland, Independent
Boundless Possibilities, Celeigh Cardinal, Independent
Brown Man, Sebastian Gaskin, Ishkōdé*Universal
RED FUTURE, Snotty Nose Rez Kids, Sony
Pretty Red Bird, Tia Wood, Sony
Album Francophone De L’année
Aliocha Schneider, Aliocha Schneider, Les Disques Audiogramme*Sony/The Orchard
Demain il fera beau, Fredz, La Taniere*Believe
Toutes les rues sont silencieuses, Jay Scøtt, Disques 7ième Ciel*Believe
Abracadabra, Klô Pelgag, Secret City*F.A.B.
Pub Royal, Les Cowboys Fringants, Les Disques de La Tribu*Propagande/Believe
Contemporary Christian/gospel album of the year
elenee., Elenee, Independent
My Foundation, Jordan St. Cyr, Independent*The Orchard
Restore, Ryan Ofei, Independent*Platoon/Believe
Miracle in the Making, Tehillah Worship, Independent
Hymns Alive (Live), Toronto Mass Choir, Independent*Believe
Global music album of the year
Aarambh, Abby V, Sufiscore
Kanzafula, Ahmed Moneka, Lulaworld*Independent
Malak, Didon, Electrofone*Independent
Dankoroba, Djely Tapa, Independent*Believe
Niebla, Ramon Chicharron, Independent*Believe
South Asian music recording of the year
“The Brownprint,” AP Dhillon, Republic *Universal
“COOLIN,” Chani Nattan, Inderpal Moga & Jazzy B, Warner
“Love Like That,” Jonita Gandhi, Warner
“Tauba Tauba (From Bad Newz),” Karan Aujla, T-Series
“Arul,” Yanchan, Produced & Sandeep Narayan, Independent
Album artwork of the year
Erik M. Grice (Art Director), Vanessa Elizabeth Heins (Photographer); Chandler – Wyatt C. Louis, Independent*Universal
Gabriel Noel Altrows (Art Director/Illustrator); Good Kid 4 – Good Kid, Independent/The Orchard
Kee Avil, Jacqueline Beaumont (Art Director), Fatine-Violette Sabiri (Photographer); Spine – Kee Avil Constellation*Secretly Canadian
Keenan Gregory (Art Director); Altruistic – Royal Tusk MNRK
Kevin Hearn, Lauchlan Reid (Art Director), Antoine Jean Moonen (Designer), Lauchlan Reid (Illustrator); Basement Days – The Glacials Celery*IDLA
Music video of the year
“Human,” Adrian Villagomez, Apashe & Wasiu, Kannibalen*Create
“Nasty,” Jonah Haber, Tinashe, Independent
“GRAVITY,” Jorden Lee, Sean Leon, Independent
“Name of God,” Mustafa, Mustafa, Arts & Crafts*Universal
“Jump Cut,” Winston Hacking, Corridor, Bonsound*Sony/The Orchard
Classical composition of the year
“Angmalukisaa,” Deantha Edmunds, Independent*Leaf/Naxos
“the fog in our poise,” Gabriel Dharmoo, Centrediscs*Canadian Music Centre/Naxos
“L’écoute du perdu : III. « Voix jetées »,” Keiko Devaux, ATMA*Universal
“Dark Flowe,” Linda Catlin Smith, Redshift*Independent
“String Quartet No. 4 ‘Insects and Machines,’” Vivian Fung, Independent
This story was originally published by Billboard Canada.
Singer-songwriter Buffy Sainte-Marie is no longer appointed to the Order of Canada.
Her appointment to one of the country’s highest honors has been terminated by the Governor General, as announced in the Canada Gazette on Feb. 8. The termination Ordinance was signed on Jan. 3.
Sainte-Marie is one of the country’s most-celebrated musicians and has been a leader on Indigenous issues for decades, but her reputation has shifted over the last year. In the fall of 2023, a CBC Fifth Estate investigation cast doubt on her claims of Indigenous ancestry.
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Sainte-Marie had previously claimed she believed she was born on the Piapot First Nation reserve in Saskatchewan. She said she had been adopted by the Santamaria family that raised her in Wakefield, Massachusetts, attributing her adoption to the Sixties Scoop, a period in the 1960s when many Indigenous babies were taken from their parents and adopted by white families.
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CBC‘s investigation produced a birth certificate for Sainte-Marie which lists her presumed adoptive parents as her birth parents. It also features interviews with Sainte-Marie’s family members calling her claim to Indigenous identity “an elaborate fabrication,” and contextualizes Sainte-Marie’s career within a phenomenon of high-profile public figures who have fabricated Indigenous identity.
As a young adult, Sainte-Marie was adopted by Emile Piapot and Clara Starblanket Piapot of the Piapot First Nation in Saskatchewan in accordance with Cree law and customs.
Sainte-Marie issued a statement around the investigation. “For a long time, I tried to discover information about my background,” she wrote. “Through that research what became clear, and what I’ve always been honest about, is that I don’t know where I’m from or who my birth parents were, and I will never know.”
In a follow-up statement, she affirmed her truth. “I have never lied about my identity,” Sainte-Marie said, adding that the investigation included “mistakes and omissions.”
The investigation prompted calls from some Indigenous groups and artists for major organizations to rethink their celebration of Sainte-Marie.
In a career spanning six decades, Sainte-Marie has won an Oscar and a Golden Globe (both for co-writing “Up Where We Belong” from An Officer and a Gentleman), the Polaris Music Prize, seven Juno Awards (including four in categories honoring aboriginal or indigenous music), and the Governor General’s Performing Arts Award, in addition to her appointment to the Order of Canada. She was first appointed to the Order in 1997, and in 2019 was made a Companion of the Order, the highest level within the Order.
Sainte-Marie, 83, had a top 40 hit on the Billboard Hot 100 in 1972 with “Mister Can’t You See.”
A group called the Indigenous Women’s Collective called on the Junos to rescind Sainte-Marie’s 2018 award for Indigenous Album of the Year, with Cree opera singer Rhonda Head supporting the call.
The Canada Gazette provides no detail on the termination of Sainte-Marie’s Order of Canada. The Order of Canada Termination Policy states that an Advisory Council can recommend termination to the Governor General if an appointee’s conduct departs significantly from their standard of public behavior and may undermine the credibility of the Order.
CBC reports that in its 50-year history, Sainte-Marie is the ninth person to have their appointment to the Order terminated.
This story was originally published by Billboard Canada.
Canadians loomed large at Sunday’s Grammy Awards — even some who weren’t actually there in person — heading into it with many nominations for songwriting and producing.
The Weeknd’s surprise performance, ending his Grammys boycott, was probably the most notable, though Kendrick Lamar’s multiple wins for “Not Like Us” — accepted in a Canadian tuxedo, no less — made Drake a major talking point.
The most-decorated Grammy-winner of all time finally scored her white whale. Beyoncé, who holds 35 wins and 99 career nominations, had been denied album of the year four times before, losing to Taylor Swift in 2010, Beck in 2015, Adele in 2020 and Harry Styles in 2023. Each of those losses was for a culture-shaking album, from I Am…Sasha Fierce to her self-titled record, to Lemonade and Renaissance.
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This year, Beyoncé took home album of the year for her country record Cowboy Carter, also winning best country album. It was a historic win for Billboard’s greatest pop star of the 21st century, recognizing her for an album that honours the contributions of Black musicians to country as well as blurring the lines between country, pop, dance and R&B. (Not to mention, she seemed genuinely surprised by the country album win, in a reaction that has already been meme’d — a rare moment of fluster from Queen Bey).
Cowboy featured some major Canadian contributions — songwriting team Nate Ferraro, Bulow and Lowell (who also won the inaugural Billboard Canada Non-Performing Songwriter Award) wrote the album’s lead single “Texas Hold ‘Em” while Dave Hamelin of The Stills co-wrote and produced a half-dozen songs. For his work, Hamelin will also receive an album of the year Grammy.
Another Canadian songwriter did well in a different category — Toronto’s Scott Zhang picked up a win in best R&B song for his work on SZA’s “Saturn.” Conductor Yannick Nézet-Séguin was the other big Canadian winner of the night, taking home best compilation soundtrack for his work on Bradley Cooper’s Maestro.
Canadian singer and Broadway star Deborah Cox helped kick off the Premiere Ceremony, which takes place before the evening Grammy Awards. That ceremony is where the majority of awards are handed out, and Cox was nominated this year as part of the cast of Broadway musical The Wiz, up for best musical theater album.
Though the cast of Alicia Keys’ Hell’s Kitchen took home the award — Keys was also honoured during the evening ceremony with the Dr. Dre Global Impact Grammy — Cox and her Wiz co-star Wayne Brady opened up the Premiere Ceremony with a heartfelt rendition of “Bridge Over Troubled Water.”
Read all of Canada’s impact on the awards here. – Rosie Long Decter
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Charlotte Cardin Scores A New ‘Feel Good’ Hit On The Billboard Canadian Hot 100
Canadian pop singer Charlotte Cardin can feel good this week.
The Quebec star has a new entry on the Billboard Canadian Hot 100, with her 2023 single “Feel Good” arriving at No. 94 on the chart dated Feb. 8, 2025.
It marks her first new entry on the chart since last year’s “99 Nights” — and like that track, “Feel Good” enters well after it was initially released, making its chart debut a year and a half after it appeared on her 2023 EP Une semaine à Paris.
The song is a mellow dance-pop track in a similar vein to her top ten hit “Confetti,” but where that one was driven by party malaise, “Feel Good” finds thrills in pleasure.
With lyrics in both French and English, the song has taken on a new life throughout her international tours and with a global, especially French-speaking, audience on TikTok and other social media platforms.
The new chart entry gives Cardin some good momentum as 2025 kicks off, and the Canadian singer — and Billboard Canada inaugural Woman of the Year — continues to expand her reach globally.
Read more on this week’s chart here. – RLD
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Executive Turntable: UMG announced a major move at the top of its Canadian office on Friday (Feb. 7), with Julie Adam succeeding longtime CEO Jeffrey Remedios in the top leadership role. Full story from Billboard Canada here.
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Remembering Artist Manager/Musician Jane McGarrigle
(Laury) Jane McGarrigle, a Canadian songwriter, musician, music publisher, artist manager and author who worked extensively with her sisters, folk legends Kate & Anna McGarrigle, died on Jan. 24 of ovarian cancer. She was 84.
Jane McGarrigle managed her younger sisters’ music careers from the late 1970s to the mid-1990s. As well as co-writing some songs with the duo, she performed with them in the studio and on tours of Canada, the United States, Europe and Australia.
In 2015, Anna and Jane McGarrigle co-wrote Mountain City Girls, a book detailing their Quebec upbringing. Commenting on the book (published by Penguin Random House), Emmylou Harris, a longtime friend of the McGarrigle clan, wrote that “From the moment I met The Mountain City Girls, Kate, Anna and Jane, I wanted to be a part of that magical McGarrigle circle — the songs, the suppers, the families and fellow travellers, and they blessed me with it all.”
Jane McGarrigle was long active in music publishing and copyright advocacy. She served as a board member of the Society of Composers, Authors and Music Publishers of Canada (SOCAN) where she defended publishing rights for musical authors. She also served on the board of the Songwriters Association of Canada for a number of years.
McGarrigle and her family spent long periods of time living in California, and she often performed with local musicians, including s Dick Oxtot’s Golden Age Jazz Band. In recent years in Montreal, she played dobro and piano with her partner Peter Weldon in their band, The What Four. – Kerry Doole
Last Week: Live Industry Faces Venue Shortages Despite $10B Economic Impact
Universal Music Group announced on Friday (Feb. 7) that Julie Adam has been promoted to president and CEO of Universal Music Canada. She succeeds longtime chief Jeffrey Remedios, who has been named president of strategic development for REPUBLIC Collective, which includes Island, Def Jam, Mercury, and Republic Records. Both appointments are effective immediately.
Adam has served as executive vp and general manager of UMC since March 2023. In that role, she drove record-breaking success for UMG’s global and domestic artists in Canada, expanded e-commerce and direct-to-consumer initiatives, and strengthened brand partnerships. As CEO, she’ll lead the company’s overall strategy and operations. Before joining Universal, Adam spent nearly 24 years at Rogers Media. As president of news and entertainment, she led the strategy and oversaw the management and development of a portfolio of brands that spanned dozens of radio stations, podcast networks and TV channels.
“Julie is a generous, intuitive, and astute leader. Her impact since joining Universal has been transformative and can be felt industry wide: with artists, our team, and partners,” said Remedios. “Her passion and drive, coupled with her ability to laser-focus on results, all while ensuring the artist comes first, has propelled our roster to new heights. With Julie’s continued leadership, UMC is poised for the next phase of growth and evolution.”
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After a decade as chairman and CEO of UMC, Remedios will now lead high-priority growth initiatives for Republic’s labels, focusing on international A&R, Republic recording studios, brand expansion and more. He will work from both New York and Toronto, reporting to REPUBLIC Collective CEO Monte Lipman and COO Avery Lipman.
Jeffrey Remedios
Katherine Holland
During his time at UMC, Remedios redefined the company’s A&R strategy, dramatically boosting revenue for Canadian-signed artists. He also spearheaded the creation of UMC’s creative campus in downtown Toronto, establishing it as a hub for the broader music industry.
Reflecting on his tenure, Remedios stated deep pride in UMC’s evolution and appreciation for UMG leadership’s support. “I’ve dedicated my career to serving artists, and I’m incredibly proud of what we’ve built at Universal Music Canada,” he said, while also thanking Universal CEO Lucian Grainge and executive vp Michele Anthony for their mentorship. “The company I joined in 2015 and the one I leave in 2025 are vastly different—proof of our growth through creative innovation.”
“Jeffrey brings a wealth of experience as a leader and entrepreneur to the collective, said Monte Lipman. “In his new role, focused on exploring and capitalizing on opportunities in emerging areas of the industry, Jeffrey will play a critical role in scaling our business and proving new creative and commercial outlets for our artists.”
The leadership change in Toronto reflects similar actions taken by UMG approximately 700 miles south a day earlier. Following Cindy Mabe’s departure as CEO and chairman of Universal Music Group Nashville on Thursday, UMG announced the appointment of Mike Harris as CEO and producer and nine-time Grammy winner Dave Cobb as chief creative officer.
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President Donald Trump’s tariff standoff with Canada and Mexico is on hold, with observers noting his agreement to deal with both contains elements that were already in place.
On Monday evening (February 3), President Donald Trump announced that he and Canadian Prime Minister Justin Trudeau had agreed to pause tariffs coming into each other’s nations after the two spoke by phone. In a post on his Truth Social media platform, Trump wrote: “Canada has agreed to ensure we have a secure Northern Border, and to finally end the deadly scourge of drugs like Fentanyl that have been pouring into our Country, killing hundreds of thousands of Americans, while destroying their families and communities all across our Country,” adding “I am very pleased with this initial outcome, and the Tariffs announced on Saturday will be paused for a 30 day period to see whether or not a final Economic deal with Canada can be structured.” Trump reached a similar pause agreement with Claudia Sheinbaum, Mexico’s president.
News of the pauses brought relief to the financial markets and American consumers who were stressed over the economic hit they would suffer if the tariffs went through. The only problem? Trump has agreed to deals on security measures that were mostly already in effect with both nations.
Concerning his deal with Canada, Trudeau announced that Canada was already implementing a border security force worth $1.3 billion to “ensure 24/7 eyes on the border”. According to journalist Mehdi Hasan in a post on X, formerly Twitter, “Trump got played again. Canada *already* has 8,500 frontline personnel at the border.” Trudeau and former President Joe Biden had struck a similar deal in December 2024 before Biden left office. Canada had also begun patrolling the border between it and the United States with Blackhawk helicopters and committed to a “fentanyl czar” and joint task force operations.
https://x.com/mehdirhasan/status/1886534635288715571
Trump and Sheinbaum came to their agreement earlier on Monday, three days after he announced the 25% tariffs to be placed on goods from both countries entering the United States, in addition to a 10% tariff on goods entering the country from China. While Sheinbaum promised that she would immediately send 10,000 soldiers to the border to prevent the trafficking of fentanyl, she announced in her press conference that Trump agreed to do more to prevent high-powered weapons from the U.S. from falling into the hands of drug cartels. There are already 15,000 Mexican soldiers stationed at the border with America.
A new report by the Canadian Live Music Association (CLMA) reveals that live music contributes billions to the Canadian economy.
That’s over $10 billion in GDP during 2023 alone to be precise. Hear and Now: Understanding the economic power and potential of Canada’s live music industry is the first-ever economic impact assessment of Canada’s live music industry, identifying the significance of live music in Canada at the same time as it emphasizes major challenges.
The study, which is led by research firm Nordicity and commissioned by the CLMA, notes that these numbers have been achieved largely without a dedicated fiscal policy framework incentivizing live music. “$10.92B in combined impact from live music and tourism spending… without trying.”
Erin Benjamin, CLMA president & CEO, emphasizes that these numbers show the importance of supporting music venues.
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“More live music activity — an increase in live music activity at every rung of the venue ladder — will mean more folks spending their income in that space. It generates the tax revenue, it generates the labour income,” she told Billboard Canada at a press launch for the study at Allied Music Centre in Toronto this week (Jan. 30). “Live music is the vehicle that stimulates that kind of economic activity.”
Though the Canadian live industry is a big part of the country’s economy, it faces serious challenges.
In Canada, venues are closing down. Toronto saw roughly 15% of venues close permanently during 2020-2021 alone. A venue shortage especially impacts emerging artists, who need a venue ladder — a scale of increasingly-large venues they can work up to — as they grow their career. “The critical shortage of small and mid-sized venues restricts access to local live music,” the report states.
Benjamin tells Billboard Canada that on a policy level, she would love to see more support for the sustainability and growth of small venues. “The first few rungs on the venue ladder are the most vulnerable. We want to make sure we’re not losing our incubator spaces and our discovery spaces.” She mentions CLMA’s pilot initiative with FACTOR Canada, the Promoters Program, which supports companies presenting live music in Canada. She hopes to see the program made permanent.
Musicians and industry members are also facing increasingly tough conditions when it comes to making a living. The report estimates that in 2023, the average salary for a full-time employee in the Canadian live music industry was around $31,000 — putting music industry workers below the poverty line.
Read more on the report here.
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Canadian Airplay Charts Find a Home on Billboard Canada
Seven charts are debuting on Billboard Canada.
The Canadian Airplay Charts, all of which track Canadian radio airplay, have found a new exclusive home at Billboard Canada’s charts hub.
They’ll be updated every Thursday and live alongside the Billboard Canadian Hot 100 and Billboard Canadian Albums chart.
The charts cover seven different types of radio airplay, diving into what’s performing well in adult contemporary, country and rock across Canadian radio.
“Billboard Canada is the official home for Canadian music charts,” says Mo Ghoneim, President of Billboard Canada. “Making these airplay rankings available on our platform is part of our commitment to providing deeper insight into what’s shaping radio and music across the country.”
Together, the new charts provide a snapshot of the radio landscape, which provides a new angle on music distinct from the Canadian Hot 100.
While Lady Gaga and Bruno Mars hold the top spot on Canadian Hot 100 with “Die With a Smile,” Myles Smith’s “Stargazing” holds the No. 1 spot on the Canadian All Format Airplay chart at launch.
The radio charts regularly feature Canadian artists, thanks in part to Canadian content regulation. In Billboard Canada‘s breakdown of the 2024 year-end charts, radio’s influence on Canadian pop was clear, uplifting rising Canadian artists like LU KALA, Preston Pablo, Josh Ross, Alexander Stewart and Jamie Fine.
Weekly analysis of the radio charts will now accompany Billboard Canada’s regular chart beat stories tracking the Canadian Albums and Canadian Hot 100 charts.
The seven charts include: All Format Airplay, AC Airplay, CHR Airplay, Hot AC Airplay, Country Airplay, Mainstream Rock Airplay, and Modern Rock Airplay.
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AI-Generated Album Appears On Nova Scotia Musician Ian Janes’ Spotify Profile Without His Permission
Nova Scotia musician Ian Janes is speaking out against music by Ian Janes.
Janes, a Music Nova Scotia Award winner, says an AI-generated album was falsely added to his Spotify profile, under his name.
He tells CTV that he found out when Spotify sent him a notification urging him to promote his new release — but he hadn’t released anything new.
When he went to his Spotify profile, he says, there was indeed a new album, but not one he had recorded.
“It’s AI-generated music that you would listen to when you’re on hold,” he describes to Global. The album was removed from his profile but remains on Spotify under a separate profile, also using the name ‘Ian Janes.’ Janes’ lawyer says that it’s not technically a copyright violation unless the music uses Janes’ likeness or his actual compositions.
The album bears the hallmarks of fraudulent music designed to score streams. It has a title that means nothing but seems poetic, Street Alone, and a large number of tracks (20). Several of the songs are named after popular hits but are not actually covers of those songs, like “Ho Hey,” “Summertime Sadness,” and “Give Your Heart A Break.” The music sounds like it could be made entirely within Ableton or Logic Pro.
Last year, nine Canada-based music streaming sites were taken down for streaming manipulation. IFPI, the worldwide recording industry association, and Music Canada had filed a complaint stating that the sites were selling fake streams to boost play counts.
It’s not clear how the distributor who uploaded Street Alone was able to gain access to Janes’ profile. But Janes’ situation demonstrates a clear risk for independent musicians as these tactics proliferate.
“If a name isn’t proprietary, and titles aren’t proprietary, what’s going to keep an AI music company from using the name of existing musicians and using the names of the songs they’ve released?” Janes says.
Last Week: How Music Companies Are Fighting the ‘Streaming Tax’
Boi-1da and Sarah Harmer are earning special honors.
The Canadian Academy of Recording Arts and Sciences (CARAS) has announced both Canadian artists as special award recipients at this year’s Juno Awards.
Globally successful record producer Boi-1da (born Matthew Samuels) will receive the International Achievement Award during The Juno broadcast live on CBC on March 30. This award recognizes Canadian artists who have attained exemplary success on the world stage and it honors Canadian talent who have raised the profile of Canadian music around the world. Boi-1da is the first producer recipient of the award, and just the 10th in total. He won a Grammy for best rap song six years ago for co-writing Drake‘s hit “God’s Plan.” His 19 nominations include two nods for the coveted producer of the year, non-classical award, in 2019 and 2023.
Harmer will receive the 2025 Humanitarian Award at The Juno Awards Gala, on Saturday, March 29 at the Vancouver Convention Centre. This award recognizes Canadian artists or industry leaders whose work has positively enhanced the social culture of Canada. Harmer is being honored for eloquently using her voice to advocate for major environmental issues.
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“This year’s Juno Special Award Recipients exemplify the very best of what Canadian music has to offer,” Allan Reid, president and CEO of CARAS, said in a statement. “From creating superstar recordings to leading with compassion in their humanitarian efforts, we are excited to celebrate Boi-1da and Sarah Harmer for their work and profound impact.”
It is almost 20 years since Boi-1da’s first recognized production credit, for the track “Do What You Do” on Drake’s 2006 mixtape Room for Improvement. That launched a career that now boasts these impressive stats: 60+ platinum singles, 19 Grammy nominations (with one win), four RIAA-certified Diamond records and four Billboard Hot 100 No. 1 hits as both a songwriter and producer – Eminem’s “Not Afraid,” Rihanna’s “Work” (featuring Drake), Drake’s “God’s Plan” and Drake’s “First Person Shooter” (featuring J. Cole).
Boi-1da has produced tracks for superstars including Rihanna, Eminem, Jay-Z, Nicki Minaj, Kanye West and Beyoncé, among others.
“It’s a huge honour,” he says. “Canada has always been home, and its music scene shaped me into the producer I am today. To be able to take that foundation and contribute to music on a global scale means everything. I hope this inspires the next generation of Canadian artists and producers to dream big and know that the world is listening.”
Singer-songwriter Sarah Harmer began her musical career with roots-rock bands The Saddletramps and Weeping Tile, prior to launching a solo career that took off with her 2000 sophomore album, You Were Here, which went platinum. Five more full-length albums have brought her both commercial success and international critical acclaim.
Harmer’s record as an environmental activist runs long and deep. In 2005, she co-founded citizen’s organization PERL (Protecting Escarpment Rural Land) and supported it via a tour of the Niagara Escarpment region. A documentary DVD of this tour was released in 2006 as Escarpment Blues. Harmer also coauthored a book about the campaign, The Last Stand: A Journey Through the Ancient Cliff-Face Forest of the Niagara Escarpment.
She is credited with leading the successful effort to prevent an open-pit gravel mine in a UNESCO World Biosphere Reserve on the Escarpment in Ontario and has been active in different community environmental groups, including the Reform Gravel Mining Coalition, and pipeline protests.
“I truly appreciate this honour,” says Harmer of this special award. “I accept on behalf of all the people who volunteer their time to speak up to protect land, water, and the web of life in their communities, and beyond. Musicians who use their platforms to amplify these struggles give a huge boost to the collective fight. Now more than ever we need to use our powers to build community and respect the natural world that underpins our lives.”
Harmer is no stranger to recognition at the Juno Awards, having taken home 10 trophies for her solo work.
This article was originally published by Billboard Canada.
Some of the biggest streaming services in music are banding together to fight against a major piece of Canadian arts legislation – in court and in the court of public opinion.
Spotify, Apple, Amazon and others are taking action against the Canadian Radio-television and Telecommunications Commission (CRTC)’s 2024 decision that major foreign-owned streamers with Canadian revenues over $25 million will have to pay 5% of those revenues into Canadian content funds – what the streamers have termed a “Streaming Tax.”
Those funds will go towards established organizations like the non-profits FACTOR Canada and Musicaction, which financially support thousands of musicians and music companies across the country, and which have seen their own resources dramatically drop due to reduced contributions from private broadcasters. It will also go to funds supporting radio and local news.
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The CRTC decision was one of the biggest Canadian music stories of last year, and legal challenges from those services, as well as the Motion Picture Association – Canada (which includes Netflix, Disney, Prime Video and the major U.S. producers and distributors of movies and TV), have pushed it into 2025. The courts have paused the payments until the appeal is heard by the Federal Court of Appeal in June of this year.
That pause has already put at least one fund under immediate duress. The Indigenous Music Office had been directed by the CRTC to launch an Indigenous Music Fund with resources from the streamers’ base contributions, but the delay impedes the IMO’s ability to start the new fund.
The conflict over the regulation is turning into a major struggle, one that illustrates the massive changes and challenges that Canadian music is facing in an increasingly digital landscape. It’s a modern wrinkle to a debate that has spanned decades in Canadian music and media.
“At the base of it, the streamers are questioning the validity of CanCon policies,” says Leela Gilday, musician and board chair of the Indigenous Music Office.
The battle isn’t only happening in court, but in online petitions, political speeches and in Instagram posts from one of Canada’s most successful musicians.
“The Canadian government’s new music streaming tax is going to cost you more to listen to the music you love,” says Bryan Adams in a video shared on Instagram.
The “Summer of ‘69” singer, also a noted critic of Canadian Content regulations, has joined a lobby group called DIMA (the Digital Media Association) in publicly arguing against the regulation. DIMA, which represents Amazon, Apple, Spotify and YouTube, launched a campaign last fall titled “Scrap the Streaming Tax.” The campaign warns consumers that the mandated payments “could lead to higher prices for Canadians and fewer content choices” as a result of increased subscription fees.
But many within the industry have welcomed the regulation, including the membership at CIMA, the Canadian Independent Music Association.
“The question for tech companies who are making money in Canada is: is it appropriate for them to contribute to the Canadian music ecosystem?” asks Andrew Cash, president of CIMA.
Head here for much more on this story.
—Rosie Long Decter
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Canadian Music Industry Leaders Lay Out the Issues That Will Define 2025
As the music industry ramps up in the post-holiday break, the agenda is being set. A number of issues have revealed themselves as the big conversations of 2025: AI, arts funding, government policies amidst uncertainty in Ottawa, support of independent promoters and venues, mental health, the divestment of DEI budgets, and many more.
Billboard Canada gathered 10 music industry authorities from music grant FACTOR, the Canadian Independent Music Association (CIMA), Music Publishers Canada and many more to talk about the biggest challenges and opportunities facing Canadian music this year.
Here are just a few highlights:
“For the Canadian-owned sector, the ability to compete in a functioning market is paramount,” says Andrew Cash, president and CEO of CIMA. “However, market concentration among the large foreign-owned multi-nationals labels and tech platforms is now at over-reach. That is why CIMA lodged an official complaint with Canada’s competition bureau after TikTok walked away from its negotiations with Merlin. And it is why independent trade associations in Europe and Australia are raising serious concerns after Universal’s recent purchase of Downtown Music.”
“One of the biggest challenges facing the industry this year will be the divestment of DEI budgets, which have been a big part of the reason we have seen such great diverse talent enter the industry over the last five years,” says Keziah Myers, executive director of ADVANCE – Canada’s Black Music Business Collective. “Managing the shift away from Diversity, Equity, and Inclusion (DEI) and reminding the industry that Equity-focused processes should be where their efforts are will be a challenge.”
“The fundamental principles of copyright continue to be challenged by artificial intelligence and the platforms that exploit it,” says Jennifer Brown, CEO of SOCAN. “Canadian music creators stand to lose more than 20% of their annual revenue to generative AI platforms by 2028 if safeguards aren’t put in place to protect their copyrights.”
Read the whole roundtable conversation here.
—Kerry Doole and Richard Trapunski
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Big Wreck Named Record Store Day Canada Ambassadors for 2025
Big Wreck have been named 2025 Record Store Day Canada ambassadors. The Canadian rock band will also be releasing their 2012 album Albatross on vinyl for the first time in deluxe 2xLP limited-edition featuring live and unreleased music as a Record Store Day exclusive. The album was certified Gold and was their biggest hit since In Loving Memory Of… in 1997 and its big shiny rock radio staple “That Song.” The title track of Albatross has also gone Platinum.
“It’s a great honour for Big Wreck to be Record Store Day Ambassadors,” says Big Wreck leader Ian Thornley. “We grew up going to record stores and building our vinyl collections and it means a lot to us to continue the tradition. It’s especially exciting to be putting Albatross out into the world for the first time on vinyl. That record holds a special place.”
Big Wreck succeeds another popular Canadian rock band of the era, The Tragically Hip, who were last year’s ambassadors. This week, Post Malone was named 2025 Record Store Day Ambassador for the U.S.
Head here for a list of participating Record Store Day Canada stores.
—Richard Trapunski
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