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A few months after film and television music supervisors kicked off a national worker organizing drive, a group that works with Netflix has filed a petition for a union election with the National Labor Relations Board.
A number of music supervisors who are currently working with or have recently worked with the streamer on a project-by-project basis are seeking to be represented in collective bargaining by IATSE, the major crew union that represents music editors, camera crews, script supervisors and other crafts. (No in-house workers are included in the current effort.) According to IATSE, “an overwhelming majority” of music supervisors recently and now affiliated with the company asked the company for voluntary recognition, which Netflix rebuffed, so the group is now seeking to join IATSE through the NLRB process.
The Hollywood Reporter has reached out to Netflix for comment.
Music supervisors at the company are seeking to “standardize pay rates,” join IATSE healthcare and retirement plans and “address structures that enable studios to delay workers’ pay for months at a time” with their unionization effort at Netflix, among other goals. As THR has previously reported, financial stresses and the craft’s dearth of union-provided healthcare during the COVID-19 pandemic helped inspire the national union drive, which had been in the works for two and a half years before it was officially launched in June.
The Netflix petition is the first time that this group of organizing workers has filed for an NLRB election. Per IATSE, the streamer “is presently the largest employer of Music Supervisors out of any studio in the AMPTP,” referring to the Alliance of Motion Picture and Television Producers, the bargaining representative for studios and streamers with unions.
Workers involved in the craft-wide unionization effort have previously said that they at one point asked the AMPTP itself for voluntary recognition, which the AMPTP declined. The Netflix election petition suggests workers will now attempt to organize their field employer by employer. If the NLRB grants an election, the Board will determine the size of the potential bargaining unit for music supervisors at the streamer.
Music supervisors curate and/or oversee the recording of music that appears in films and in television shows and manage negotiations for the use of preexisting music. The craft entered the spotlight in the late spring and early summer when several prominent appearances of Kate Bush’s “Running Up that Hill (A Deal With God)” during the fourth season of Netflix’s Stranger Things prompted a major surge in streams for the 1985 single and subsequent news coverage.
IATSE claimed in June that 75 percent of an estimated 500 working music supervisors nationwide have signed union authorization cards and therefore signaled their support for the IATSE drive.
This story was originally published on THR.com.
LONDON — For live music executives, Monday’s (Oct. 24) appointment of Rishi Sunak as Liz Truss’ successor as U.K.’s prime minister brings a sense of urgency as the sector struggles to recover to full health after the devastating impact of the pandemic.
They are calling for Sunak, who served in Boris Johnson’s government as Chancellor of the Exchequer and will become the U.K.’s first British-Asian prime minister, to swiftly cut the sales tax rate charged on U.K. ticket purchases from the current 20% VAT to 5%.
At the height of the pandemic, Sunak lowered VAT rates to 5% to try and help boost advance sales. The tax cut lasted for eight months, before rising to 12.5% last October and then returning to its pre-pandemic level of 20% on April 1.
Live execs say that cutting VAT back to 5% will encourage ticket sales at a time when many people in the U.K. are experiencing a drastic reduction in disposable income due to soaring food and energy prices. Last month, inflation hit a 40-year high of 10.1% in the United Kingdom.
Jon Collins, CEO of U.K. live music industry association LIVE, says he hopes Sunak’s experience in the Treasury office “leaves him well placed to recognize the economic stimulus that would follow” a reduction in VAT on ticket sales. “Safeguarding gigs, festivals and venues while encouraging additional activity will bring benefits to town and city centers across the U.K.,” says Collins.
An immediate priority for the new prime minister — who officially takes up his post on Tuesday, following a meeting with King Charles III — will be restoring confidence in the financial markets, following Truss’ disastrously brief reign.
Last month, the pound fell to a record low against the U.S. dollar in the aftermath of Kwasi Kwarteng’s Sept. 23 mini budget, which spooked investors with its unfunded tax cuts — something Sunak warned about when he unsuccessfully competed in an earlier Conservative Party leadership contest this summer. Truss sacked Kwarteng as Chancellor on Oct. 14, precipitating her downfall. Almost all the tax measures he introduced have since been scrapped.
Sunak, a former hedge fund partner who married the daughter of an Indian billionaire, won the prime minister role after Johnson announced on Sunday he would not be running for the position. On Monday, Sunak’s only other rival, Penny Mordaunt, pulled out of the contest shortly before votes from members of Parliament (MPs) were due to be announced.
The markets calmed Monday with sterling broadly unchanged against the dollar and government borrowing costs falling as the interest rate on bonds dropped to 3.8%. (The rate was 5.17% in late September.)
“There is no doubt we face a profound economic challenge,” Sunak, one of Westminster’s wealthiest politicians, said in a televised address. “We now need stability and unity, and I will make it my utmost priority to bring our party and our country together.”
Michael Kill CEO of The Night Time Industries Association (NTIA), which represents more than 1,400 U.K. nightclubs and venues, says he will judge the incoming prime minister on his “actions not words.”
Kill says he hoped Sunak can “can address the current instability, uncertainty and begin a journey to build back consumer confidence for nighttime economy and hospitality businesses.” He echoed live executives’ demands for a cut to VAT and called for an extension on business rates relief (taxes payable on business premises, such as record shops and music venues). “Independent businesses will not survive without it,” Kill says.
Amid calls to cut ties with Kanye West over his repeated antisemitic comments, CAA stopped representing the artist within the last month, a source tells The Hollywood Reporter.
The Century City-based talent agency had worked with the artist, but his repeated interviews espousing antisemitic rhetoric have proved indefensible to business partners. With CAA ending its run with West, Hollywood’s major talent agencies — including WME and UTA — have supported calls to end working relationship with the rapper and fashion mogul.
On Oct. 23, Jeremy Zimmer, who leads rival agency UTA, sent a companywide email titled “Rise of Anti Semitism and Hate,” writing that West’s comments “embolden others to amplify their vile beliefs.” The UTA CEO added: “we can’t support hate speech, bigotry or anti-Semitism. Please support the boycott of Kanye West.”
Days earlier, Endeavor and WME mogul Ari Emanuel penned a column in the Financial Times saying that “silence” isn’t an option for the business community given West’s antisemitism. “Those who continue to do business with West are giving his misguided hate an audience,” Emanuel wrote.
While West has a lucrative deal with Adidas for his Yeezy shoe and fashion line, other major partners — including French label Balenciaga, as well as production studio MRC, which was working on a documentary with the artist — have publicly distanced themselves and cut ties. “We cannot support any content that amplifies his platform,” wrote MRC’s leaders, while Balenciaga noted that it doesn’t have “any relationship” with West moving forward.
While the rapper still has official accounts on Twitter and Instagram, posts containing antisemitic comments — including a tweet on Oct. 8 that called for “death con 3 On JEWISH PEOPLE” — have been removed from the social media giants’ platforms. In seeming response, West inked a deal to take ownership of the small “free speech” social media app Parler on Oct. 17. That app is run by the CEO George Farmer, the husband of conservative activist Candace Owens, who donned a “White Lives Matter” t-shirt along with West at Paris Fashion Week earlier this month.
The artist — whose net worth is estimated at $2 billion, per Forbes‘ calculations — had his last full length album, 2021’s Donda, distributed by Def Jam Recordings, a division of the publicly traded Universal Music Group. In a tweet on Oct. 17, UMG stated, “There is no place for antisemitism in our society,” but made no reference to West.
West’s media tour this month has included stops with Tucker Carlson on Fox News, rapper N.O.R.E. on the podcast Drink Champs, and Chris Cuomo at NewsNation. “I classify as Jew also, so I actually can’t be an antisemite,” West told Cuomo.
This article was originally published on THR.com.
Apple is increasing the prices of its Apple Music subscription plans in the U.S. starting Monday (Oct. 24), the company confirmed to Billboard.
In a statement, Apple noted that the Apple Music price hike is due to an increase in licensing costs, “and in turn, artists and songwriters will earn more for the streaming of their music. We also continue to add innovative features that make Apple Music the world’s best listening experience.”
The subscription prices of Apple TV+ and Apple One plans are also being raised, the company confirmed.
Prices are increasing $1 per month for Apple Music individual plans (from $9.99 to $10.99), $2 per month for family plans (from $14.99 to $16.99) and $10 per year for annual plans (from $99 to $109). Its bundled Apple One subscriptions are increasing $2 per month for individual plans (from $14.95 to $16.95) and $3 per month for family and premier plans — from $19.95 to $22.95 and $29.95 to $32.95, respectively. Notably, Apple Music subscriptions will continue to include lossless and Spatial Audio at no additional charge.
This marks the first time Apple has raised subscription prices for these services in the U.S. The website 9to5Mac, which first reported on the increases, also reported that Apple would increase its raise prices in international markets, though the company had not confirmed that by press time.
Though Apple does not regularly report subscriber numbers, in June, J.P. Morgan estimated Apple Music could hit 110 million subscribers by 2025. The lat time the company reported subscriber numbers for Apple Music was in 2019, when it reported 60 million subscribers to the service.
The Apple Music price hike comes amid reports that Spotify could be charging $19.99 a month for its forthcoming premium HiFi subscription tier, though the company has not yet confirmed that. Earlier this month, YouTube raised the price of its YouTube Premium Family plan, which includes its music subscription service, from $17.99 to $22.99 per month.
MRC announced on Monday (Oct. 24) that it will not release a finished documentary on Kanye West following his recent spate of antisemitic comments.
“This morning, after discussion with our filmmakers and distribution partners, we made the decision not to proceed with any distribution for our recently completed documentary about Kanye West,” CEO Modi Wiczyk, CEO Asif Satchu, and COO Scott Tenley wrote in a joint statement sent to the media. “We cannot support any content that amplifies his platform.”
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“Kanye is a producer and sampler of music,” MRC’s leaders continued. “Last week he sampled and remixed a classic tune that has charted for over 3,000 years — the lie that Jews are evil and conspire to control the world for their own gain… Kanye has now helped mainstream it in the modern era.”
The decision made by MRC — Billboard‘s former publisher — follows a Financial Times op-ed published by Ari Emanuel, CEO of Endeavor, last week that urged West’s various business partners to halt work with him. “Those who continue to do business with West are giving his misguided hate an audience,” Emanuel wrote. “There should be no tolerance anywhere for West’s anti-Semitism.”
Emanuel went on to note that “West is not just any person — he is a pop culture icon with millions of fans around the world. And among them are young people whose views are still being formed. This is why it is necessary for all of us to speak out. Hatred and anti-Semitism should have no place in our society, no matter how much money is at stake.”
On Sunday, Jeremy Zimmer, CEO of UTA, also sent a memo asking staff to “please support the boycott of Kanye West.” “Regrettably, anti-Semitism, racism and many forms of hate and intolerance are part of the fabric of society,” Zimmer wrote. “… Throughout history some have used their public platform to spew the plague out loud and spread the contagion to dangerous effect. Kanye is the latest to do so, and we’re seeing how his words embolden others to amplify their vile beliefs.”
In addition to announcing their decision to shelve the documentary on West, MRC’s leaders called on others to distance themselves from the star or condemn his statements. “The silence from leaders and corporations when it comes to Kanye or antisemitism in general is dismaying but not surprising,” their statement read. “Why is a group that has historically been brave and unreserved in its fight against antisemitism so quiet on Kanye?”
Read the full MRC memo below:
This morning, after discussion with our filmmakers and distribution partners, we made the decision not to proceed with any distribution for our recently completed documentary about Kanye West. We cannot support any content that amplifies his platform.
Kanye is a producer and sampler of music. Last week he sampled and remixed a classic tune that has charted for over 3000 years – the lie that Jews are evil and conspire to control the world for their own gain. This song was performed acapella in the time of the Pharaohs, Babylon and Rome, went acoustic with The Spanish Inquisition and Russia’s Pale of Settlement, and Hitler took the song electric. Kanye has now helped mainstream it in the modern era.
Lies are an important part of all discrimination, and this one is no different. When well crafted, they create the illusion that the action is just, that the bigot is “punching up” at the victim. It’s critical to antisemites, who must explain why they are attacking a people that comprise less than half of one percent of the world’s population. Not a fair fight, numbers wise. But if the Jews are ultra-powerful because of secret evil plots, well, the argument is, it must be fair and ok.
The silence from leaders and corporations when it comes to Kanye or antisemitism in general is dismaying but not surprising. What is new and sad, is the fear Jews have about speaking out in their own defense.
Why is a group that has historically been brave and unreserved in its fight against antisemitism so quiet on Kanye?
Because of the emergence of a second lie – one that is at the center of what we call Antisemitism 2.0. It is brilliantly crafted, fast becoming part of mainstream thinking, and puts Jews is a terrible philosophical corner. That lie goes as follows:
If you support Israel’s right to exist, you are a racist.If you are a Jew, you support Israel’s right to exist.Therefore, if you are Jewish, you are a racist.
As leaders of this company (a Jew, a Muslim, and a Christian), we feel duty bound to say to all of you this is a pernicious, terrible use of false logic. It marries very well with the first “punching up” lie that all Jews are connected by conspiracy. And it is working, because many Jews are scared to speak up in defense of their religion, or Israel, for fear of being labelled racists. It is no more true than saying that if you support Palestine’s right to exist, you must be an antisemite.
For proof of how quickly a protest of Israel’s policies can jump to antisemitism, look no further than last week’s outrage at Wellesley College. The school is a historical bastion of liberalism and civil rights. But last week its newspaper editorial board saw fit not only to condemn Israel, but actually publish a MAP of Jewish places of worship, organizations and business in the area so that they could be targeted for protest – or worse. This would not be shocking from Neo-Nazis, but Wellesley?
The three of us want to make our position on this very clear.• We support Palestine’s right to exist.• We support Israel’s right to exist.• Both nations represent a dream and an ideal for their peoples – one of safety, freedom, and prosperity.• Both ideals are worthy of protection, even though we have significant objections to the policies of the governments of both nations.• Objections to a nation’s government do not constitute grounds for discrimination against that nation’s citizens or supporters.• We uniformly reject any assertion that we, our colleagues, or anyone else is bigoted or racist based on their support for the sovereignty and existence of any country, all of which have flaws.
If you hear or encounter the perpetuation of these intolerances and falsehoods, please let us know. It is totally unacceptable. And to those who are afraid to use their voice, hopefully this encourages you to do so.
Asif, Modi, Scott
Music and events venue veteran Becky Colwell has been announced as the general manager for the Kia Forum and vp for music and events at the yet-to-open Intuit Dome, both in Inglewood, Calif. She joins the LA Clippers organization, which owns both buildings, and brings to the job 25 years of venue industry experience. Colwell will be responsible for operations and programming of the Kia Forum as well as the programming of Intuit Dome when it opens as the new home of the Clippers in 2024.
Colwell was previously the gm of the Greek Theater, first for SMG and then for ASM Global following AEG Facilities merger with SMG in 2019, and also served as regional director of booking for ASM Global’s western region. While at the Greek, Colwell was named 2017 venue executive of the year by the International Entertainment Buyers Association (IEBA), and the venue was consistently recognized as one of the top five venues in the country.
She starts her new role today, Oct. 24 and will report to LA Clippers president of business operations Gillian Zucker.
“Becky has earned a reputation for creating best-in-class experiences for all who step foot in the venues she leads and will help us continue to achieve new standards at the Kia Forum and Intuit Dome,” said Zucker.
Colwell added “I’m thrilled to join the Kia Forum family and to be a part of the talented team building what will be the best new venue in the world at Intuit Dome.”
Colwell has also worked as an executive at Booth Amphitheatre and Walnut Creek Amphitheatre in North Carolina. She is an alumna of Auburn University and currently serves as IEBA President and incoming chairman.
YoungBoy Never Broke Again is headed to Motown, sources familiar with the situation tell Billboard.
Headed from Warner Music Group’s Atlantic Records — where he released four official studio albums and many more mixtapes — YoungBoy will begin releasing music on the Universal Music Group-owned Motown in 2023.
Youngboy’s already been working with Motown since last year, when he signed a global joint venture deal with the label and his Never Broke Again collective. Together, they have released two compilations — Never Broke Again: The Compilation Volume 1 (2021) and Green Flag Activity (2022) — and Oct. 28 will release their third, Nightmare on 38th Street, led by the single “Searching” featuring Ten last Friday.
The Baton Rouge, Louisiana, native Youngboy broke out in 2015 and signed to Atlantic two years later, going on to become one of music’s top acts. Since, he’s charted 24 albums on the Billboard 200 — 11 that were top 10, four of those No. 1. He’s been incredibly prolific, as those 24 charting titles have all hit the chart in just over five years (since Aug. 2017).
This year alone, Youngboy has debuted six projects on the chart — five solo endeavors and one collaborative set with DaBaby (Better Than You). He’s charted four top 10 albums on the Billboard 200 in 2022 — more top 10s than any other act this year — and has released four albums in about the past two months: The Last Slimeto, Realer 2, 3800 Degrees and Ma I Got a Family.
Youngboy’s catalog of albums, in total, have earned 16.75 million equivalent album units, according to Luminate. His catalog of songs have tallied 29.04 billion on-demand official streams in the U.S.
Warner Music Middle East has a new general manager, with Ahmed Nureni chosen to replace a departing Moe Hamzeh. Nuhreni arrives from music distribution company Qanawat Music, which WMG acquired earlier this year, and will continue to be based in Dubai — though WMME’s headquarters and staff will remain in Beirut.
Nuhreni, who’ll report to Alfonso Perez-Soto, president of emerging markets at Warner Recorded Music, will continue to run Qanawat in tandem with his duties at Warner. In a statement, he said his “dual role will allow me to harness synergies from both businesses and be thoughtful and strategic in the way we grow Warner Music Middle East’s artist roster,” adding, “There’s so much creative potential in our region and we’re only just beginning to tap into it.”
WMME’s mandate is sprawling, covering a total of 17 markets: Algeria, Bahrain, Egypt, Iraq, Iran, Jordan, Kuwait, Lebanon, Libya, Morocco, Oman, Qatar, Saudi Arabia, Syria, Tunisia, United Arab Emirates and Yemen.
Hamzeh helped launch Warner Music Middle East in 2018; the company now says he is moving on to pursue other projects in music. He had previously been head of content at digital streaming platform m.media and, earlier in his career, worked at Temple Entertainment and Virgin Megastores.
Perez-Soto called Nureni a “brilliant exec who combines an amazing ear for music with a brilliant strategic mind,” adding, “With the support of our amazing team in Beirut, he’ll champion artists from the region and help them connect with a global audience. I’d also like to thank Moe Hamzeh for all his amazing support over the last five years and wish him good luck in his next adventures.”
Simon Robson, president of International at Warner Recorded Music, called the Middle East and North Africa a “priority market for us” as “highlighted by our accelerated activity in MENA in the last 18 months” — in early 2021 WMG invested in the region’s largest indie label, Rotana Music — “but we have further ambitious growth plans, which Ahmed will help us deliver.”
This year, Spotify is making the streamer’s annual year-end Wrapped campaign more artist-friendly.
Called Your Wrapped Soundcheck, the new feature, available via Spotify for Artists, will allow artists to upload videos thanking their biggest fans for a great year on Spotify, list their latest merch and ensure tickets for their upcoming shows are available on the platform. These videos and offers will then be promoted to top fans as a part of their Wrapped experience.
By uploading short, video messages of 30 seconds or less to their Spotify for Artists profiles, artists can let fans know what their support meant to them over the past year, tease what they’re working on next and/or tell a story that defined their year. Artists are encouraged to list merch on Shopify (the e-commerce giant that partnered with Spotify last October), and provide information regarding their upcoming concert dates on one of Spotify’s partner sites, plus set up a Fan Support account to collect end-of-year tips or drive donations to a charitable cause.
Artists are encouraged to prepare their profiles ahead of this year’s Wrapped season. Your Wrapped Soundcheck’s website provides step-by-step instructions to help artists get ready for the big day.
Three of Hollywood’s top agency chiefs are now calling on the entertainment industry to cut ties with Kanye West given the rapper and fashion mogul’s antisemitic rhetoric on multiple platforms and interviews.
On Sunday evening, UTA chief Jeremy Zimmer sent a companywide memo to staff titled “Rise of Anti Semitism and Hate,” writing that West’s comments’ “embolden others to amplify their vile beliefs.”
Zimmer made reference to a widely circulated Oct. 23 photo of a group of seven people who stood on a 405 freeway overpass in Los Angeles with signs that included “Kanye is right about the Jews,” as well as The Mapping Project, an anonymous effort that purported to show links between Jewish businesses in Massachusetts and “support for the colonization of Palestine.”
“Whether it’s signs on the 405 in Los Angeles, flyers on doorsteps, mapping Jewish businesses in Boston, or marching with hoods and crosses, all of these behaviors ignite the embers of bigotry, and they must not be tolerated,” Zimmer wrote.
The Beverly Hills-based agency CEO’s missive follows a similarly themed Oct. 19 column in the Financial Times by Ari Emanuel, who runs the entertainment and sports company Endeavor, which owns talent agency WME. “Those who continue to do business with West are giving his misguided hate an audience,” Emanuel wrote. “There should be no tolerance anywhere for West’s anti-Semitism.”
Emanuel added: “West is not just any person — he is a pop culture icon with millions of fans around the world. And among them are young people whose views are still being formed.”
Meanwhile, Gersh agency president Bob Gersh weighed in on Sunday, telling Variety, “People really need to hammer these companies in business with him to impress upon them how wrong it is to support somebody like this.”
Following an appearance at Paris Fashion Week in which West donned a “White Lives Matter” shirt on Oct. 3, he went to post a since-removed Oct. 8 tweet that called for “death con 3 On JEWISH PEOPLE,” wrote posts on Instagram that were removed for violating content restrictions, made a stop on Fox News that included a controversial interview with Tucker Carlson (that later included unaired portions leaked to Vice News), taped an interview with the podcast Drink Champs (that was later removed from YouTube) and stopped for an interview on NewsNation with Chris Cuomo in which West said “I don’t believe in that term,” in reference to antisemitism.
Companies and partners that have business with West, whose net worth is estimated by Forbes to be at $2 billion, are under increasing pressure to cut ties with the rapper. Adidas, which has a distribution deal for West’s Yeezy shoe and fashion brand, stated earlier this month that it had placed its partnership “under review,” while French label Balenciaga cut ties on Oct. 21 and said it “no longer any relationship” with West.
In seeming response to having his tweets and Instagram posts restricted, West made a deal with the backers of a small social media platform called Parler. On Oct. 17, the company — which calls itself the “premier free speech social media app” — sent out a press release stating that it had agreed to sell itself to the artist. Parler’s CEO is George Farmer, the husband of conservative activist Candace Owens, who also donned the “White Lives Matter” shirt at Paris Fashion Week.
Read Zimmer’s full memo to UTA staff on THR.com