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R. Kelly is asking to cut short his 30-plus-year sentence for racketeering, sexual abuse and child pornography based on strange new claims that jail officials tried to solicit a fellow inmate to kill him.
The disgraced R&B star made the eyebrow-raising allegations in a Tuesday (June 10) court filing asking to be released from the Federal Correctional Institution in Butner, N.C., where he’s serving multiple decades after being convicted in two separate criminal cases.
Kelly claims he’s no longer safe behind bars because prison officials are trying to have him killed to keep from revealing prosecutorial misconduct he recently uncovered — namely, that his pre-trial cellmate stole his attorney-client communications and shared these private messages with prosecutors.
According to the motion, prison officials tried to stop this damaging information from getting out by soliciting fellow inmate Mikeal Glenn Stine, a member of the Aryan Brotherhood prison gang, to kill Kelly. Kelly’s lawyers say that while Stine ultimately did not go through with the alleged assignment, the threat still lingers.
“More A.B. members are accumulating at his facility,” reads the filing. “More than one has already been approached about carrying out his murder. One of them will surely do what Mr. Stine has not, thereby burying the truth about what happened in this case along with Robert Kelly.”
The motion includes signed declarations from both Stine and Kelly’s former cellmate. In a statement shared with Billboard, Kelly’s attorney, Beau Brindley, said, “The evidence we have before us demonstrates the weaponization of the D.O.J. to pursue a public figure through corrupt and criminal means.”
Brindley added that Kelly’s legal team is seeking clemency from President Donald Trump, saying Trump “is the only one with both the power and the courage” to curb such alleged prosecutorial corruption.
Prosecutors did not immediately return a request for comment on the motion, but they quickly filed papers of their own asking Judge Martha M. Pacold to strike Kelly’s filing, which contained the name of a child victim who was anonymized during his trial.
“Robert Kelly is a serial sexual predator,” wrote prosecutors. “He even documented his sexual abuse of children on film — creating child pornography — such that the abuse would live on in perpetuity. That abuse and harassment continues with defendant’s latest filing.”
Judge Pacold struck the motion as requested and ordered Kelly’s team to refile it with the victim’s name properly redacted. The judge set a hearing on the matter for Wednesday (June 11) in Chicago.
Kelly was convicted of a slew of sex crimes at two separate federal trials. A New York jury found him guilty of racketeering and sex trafficking in 2021, and he was convicted of child pornography and enticing minors for sex in Chicago in 2022.
The former R&B star was sentenced to 30 years in prison for the New York conviction and 20 years in the Chicago case, although the vast majority of the second sentence will overlap with the first. Both convictions have been upheld on appeal.
Música mexicana singer-songwriter Codiciado has filed a lawsuit against his old record label, Rancho Humilde, and former bandmates in the ensemble Grupo Codiciado, claiming they stole his intellectual property by getting the band back together under the name Los Codicia2 after he went solo.
Codiciado (Erick de Jesús Aragón Alcantar) made the accusations in a federal lawsuit filed Tuesday (June 10) against Rancho Humilde; the label’s trio of co-founders, Jaime Humilde, Jose “JB” Becerra and Roque “Rocky” Venegas; and former Grupo Codiciado members Alexis Aguirre, Ivan Ramirez and Giovanni Rodriguez Meza.
Grupo Codiciado formed in Tijuana in 2015 and later signed with Rancho Humilde; it reached No. 8 on the Regional Mexican Albums chart with Miro Lo Que Otros No Miran in 2018. The group disbanded in 2021, after which its lead singer, Codiciado, went solo, returning to the Billboard charts with his song “Vamos Aclarando Muchas Cosas” in 2023 and launching a successful tour the following year.
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The trouble started when Aguirre, Ramirez and Rodriguez Meza debuted a new group called Los Codicia2, pronounced “Los Codiciados,” under Rancho Humilde at the beginning of 2025. Codiciado claims the group’s name infringes his own trademarked moniker.
“The infringing mark adopted and used by defendants is practically identical to plaintiff’s marks,” wrote Codiciado’s lawyers. “This mark differs from plaintiff’s ‘CODICIADO’ mark only in that the final letter is ‘S’ and in the preceding term ‘LOS.’”
Codiciado says Rancho Humilde and his former bandmates are purposefully trying to mislead fans into thinking he’s affiliated with or endorses the new group, stating in the lawsuit that they’re attempting to “trade on the goodwill of plaintiff’s marks, cause confusion and deception in the marketplace and divert potential sales of plaintiff’s products to defendants.”
According to Codiciado, this alleged wrongdoing has persisted despite his sending multiple cease-and-desist letters to the label and band. He’s now seeking a court injunction to make them stop, plus monetary damages for trademark infringement, trademark dilution and unfair competition.
“Defendants’ acts are causing and, unless restrained, will continue to cause incalculable damage and immediate irreparable harm to plaintiff and to his valuable reputation and goodwill with the consuming public for which plaintiff has no adequate remedy at law,” the lawsuit reads.
Representatives for Codiciado declined to comment on the claims. Rancho Humilde did not immediately return requests for comment.
A federal judge has issued a gag order in Megan Thee Stallion’s defamation lawsuit against gossip blogger Milagro Gramz over the Tory Lanez shooting, citing warnings from the star’s lawyers that ongoing posts about Megan could “incite violence.”
The ruling came in a lawsuit Megan filed against Gramz (Milagro Cooper) last year, claiming the YouTuber had been “churning out falsehoods” on behalf of Lanez, who is currently serving a 10-year prison sentence for shooting Megan in 2020.
At a court hearing last week, Megan’s attorneys warned the judge that Gramz had continued to post “derogatory statements” about the superstar even after she sued her. Attorneys for Gramz argued back that she was merely responding to statements from Megan.
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In a ruling issued Tuesday (June 10), Magistrate Judge Lisette M. Reid settled the spat by simply ordering both sides to stop discussing the case publicly — a decision that came with a reminder that “the First Amendment right to free speech is not absolute.”
“Both plaintiff’s and defendant’s social media postings have been viewed by their large following and plaintiff’s counsel expressed concern that defendant’s posts have generated severely critical and derogatory comments about plaintiff by defendant’s social media followers and could incite acts of violence,” the judge wrote. “As such, further extrajudicial statements by plaintiff and defendant could taint the jury pool.”
Neither side immediately returned requests for comment — unsurprisingly, given that they are now subject to a gag order.
Lanez (Daystar Peterson) was convicted in December 2022 on three felony counts over the 2020 shooting, in which he shot at the feet of Megan during an argument following a pool party at Kylie Jenner’s house in the Hollywood Hills. In August 2023, he was sentenced to 10 years in prison. He has filed an appeal, which remains pending.
In an October civil lawsuit, Megan’s attorneys accused Gramz of repeatedly spreading falsehoods about that criminal case, including questioning whether Megan was even shot at all and claiming she was “caught trying to deceive the courts.” More recently, they said Gramz had pushed the “outlandish claim” that the gun Lanez used in the shooting had gone missing from evidence.
The lawsuit claimed the blogger made those claims because she was serving as a “mouthpiece and puppet” for Lanez as the singer sat behind bars. In an updated version of the lawsuit filed in December, Megan’s attorneys said prison call logs suggested that Lanez and his father had arranged to pay Gramz.
In February, a judge ruled that the case could move ahead. Denying a request by Gramz to dismiss the lawsuit, the judge said Megan had made a “compelling case” that the blogger had defamed her by claiming the star lied during Lanez’s trial and that she was “mentally retarded.”
“Plaintiff’s claims extend far beyond mere negligence — they paint a picture of an intentional campaign to destroy her reputation,” the judge wrote. “That is more than enough to [deny the motion to dismiss].”
In her gag order Tuesday, Judge Reid said that neither Megan nor Gramz “nor anyone acting on either parties’ behalf” can discuss the case “in any public forum or manner” while it remains pending. And she warned that violators of the order could be held in contempt of court.
Jon Loba, president of Frontline Recordings for BMG Americas, has been named the recipient of Country Radio Broadcasters (CRB) Inc.’s 2025 CRB President’s Award. The honor is presented to people who have displayed “exceptional dedication and played a vital role in shaping the success of the Country Radio Seminar and its mission to advance the […]
On Monday (June 9), the night before David Israelite’s third annual Music Investor Conference, the National Music Publishers’ Association and Billboard hosted their annual music investor dinner at Manhattan’s Estiatorio Milos Midtown. Over Greek seafood, three dozen of the top figures in the music investment business discussed deals, the larger business environment and how music […]
Doechii’s “Anxiety” entered its third-straight week at No. 1 on Billboard’s Radio Songs chart on Monday (June 9) after spending a total of 12 weeks on the Billboard Hot 100, where it peaked at No. 9. But the song, which samples of Gotye’s “Somebody That I Used to Know,” isn’t just a megahit for the Florida singer and rapper.
Billboard estimates that the publishers of the Belgian-Australian indie rocker Gotye and the Brazilian born jazz-pop artist Luis Bonfá — whose 1967 hit “Seville” is sampled in “Somebody” — could earn as much as $72,000 each from the success of “Anxiety.”
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“Sampling is a big business,” says Michael Poster, chair of music acquisitions and financing at law firm Michelman & Robinson, LLP. When an old hit is revived through a sample, both the masters and publishing rightsholders stand to earn a cut; the publisher becomes a co-owner of the new song; and the old song will likely see an uptick in streaming activity and synch opportunities, industry sources say.
Doechii’s “Anxiety,” Gotye’s “Somebody” and Bonfá’s “Seville” have all seen “a significant increase… in popularity and consumption” since the March release of Doechii’s hit, says Pär Almqvist, CEO of Sweden-based publishing administration company AYO.
As of Monday (June 9), “Anxiety” has generated nearly 1.2 million song consumption units in the United States, where it has racked up nearly 165 million total on-demand streams and roughly 284,000 airplay spins, according to Luminate.
Billboard estimates that those streams, spins and sales of Doechii’s “Anxiety” have generated about $1.165 million in master recording and publishing revenues combined so far this year.
It is unclear exactly how much Gotye directly stands to earn from that amount, but “Anxiety” credits three songwriters: Jaylah Ji’mya Hickmon, or Doechii; Walter André De Backer, or Gotye; and Bonfá.
DMG Clearances, which secured consent from the copyright holders of “Somebody That I Used to Know” for Doechii’s team, declined to comment on the terms of the licensing deals, citing confidentiality.
Deborah Mannis-Gardner, owner/president of DMG Clearances, says that because “Anxiety” lifted directly from the original recording of “Somebody” to incorporate it into a new song, DMG secured consent from both the master and publishing rightsholders. (Songs that interpolate, rather than sample, earlier hits only need to get consent from the publishing side.)
Mannis-Gardner says that sampled songs see twofold benefits: First, the publisher gets an ownership stake in the new song, thereby increasing the size of its catalog. Additionally, fans of Doechii’s “Anxiety” may find their way to streaming Gotye’s “Somebody,” which could then lead them to “Seville” — and both of those songs are likely to field synch inquiries.
Poster and Mannis-Gardner both say that in typical sample deals, the publisher owns a percentage of the copyright to the new song. Industry sources say it is also typical that publishers will negotiate a one-off, non-recoupable licensing fee of at least a few thousand dollars in addition.
If, as one-third co-writers, Gotye’s and Bonfá’s publishers negotiated 30% of the songwriting credit for “Anxiety,” that could result in nearly $72,000 each to Gotye and Bonfá’s publishers, with Gotye and Bonfá netting anywhere from $36,000 to almost $68,000, if they own their own publishing and have administration deals, Billboard estimates.
Industry sources say Gotye’s and Bonfá’s publishers’ likely got smaller cuts than that. However, what the artists stand to earn from the streaming and synch bumps to their catalogs, though harder to calculate, will also add to their bottom line.
“A sample elevates and increases the value of a song,” Mannis-Gardner says. “But keep in mind, music licensing, including sampling, is an emotional business. Approvals, denials and sample values are not based on a rate sheet. It is how the sampled copyright holder and creator feel about the new use.”
Round Hill Music, the name of the Josh Gruss-led, private-equity backed company with more than $1.1 billion in music assets under management, now adorns a physical music store in Greenwich, Conn.
The 1,100-square-foot outlet, which opened last month, hawks high-end guitars and amps as well as a healthy offering of vinyl and other merchandise in a store designed to appeal to the entire family, says Gruss, who is the store’s sole owner. In his day job, Gruss is the CEO of Round Hill Music, the music asset company that’s also a full-service music company which owns or represents rights in music written or performed by the likes of Bobby Darin, Brittany Howard, Gil Scott-Heron, Rob Thomas, Ashley Gorley, Bruce Cockburn, Massive Attack, Collective Soul, Skid Row, Craig Wiseman and Randy Bachman, according to the company’s website.
While the impetus may have been to open a guitar store, Gruss says he wanted it to have broad appeal for the whole family: “If parents come in with a son for a guitar, maybe mom will pick up a shirt or a candle. Another family had a 4-year-old daughter, and we had a kid guitar for her. While the main focus is the high-end guitars and amps, we have something for everybody.” Beyond the above items, the store’s inventory includes sunglasses, rock ’n’ roll t-shirts, hand-made jean jackets, art for sale and even an ashtray. But in the first few weeks of operation, the big eye-opener has been the strength of the record store component, says Gruss. The shop carries some 1,500 vinyl albums, all new — and that has turned out to be the surprise selling category. “Everyone loves music, and we all know vinyl has resurged in popularity,” says Gruss. While he says he was hoping that vinyl would be the secondary reason customers visited the store, “it turns out it’s the primary reason,” he reports. “So far, about 20% of our vinyl inventory is getting sold per week. So far, our No. 1 seller is a local jam band called Goose. Everyone comes in asking for them.”
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Round Hill Music Co.
Terry Moseley
In assembling the retail outlet, Gruss, who plays guitar in an original rock band called Rubikon and a cover band called Kaintuck, says he was inspired by memories from when he was younger. “My favorite thing to do as a kid was look at guitars in guitar stores, especially those on 48th Street,” he recalls, referencing the Manhattan block between 6th and 7th Avenues that, in the 1960s through the 1990s, was known as Music Row for the many musical instrument stores lining the street (the most famous being Manny’s Music).“Even today, when I travel to places like Stockholm and Paris, I check out guitar stores,” says Gruss. Over the years, he adds, “I built up an idea of what I like in a guitar store.”
It wasn’t until the COVID pandemic that Gruss decided to act on his vision. “It was during the height of COVID when I was going through town [and] I see the ‘for sale’ sign on this building,” he remembers. “With my contrarian hat on, I thought, maybe I can get a good price.” After buying the building, he set about planning for the guitar store, a category that Greenwich — although rich in various types of retail — lacked.
Round Hill Records
Terry Moseley
In conceptualizing the Round Hill Music store, Gruss explains he didn’t want it to focus on things you can find at Guitar Center, which he acknowledges as the dominant merchant of musical instruments and equipment in the U.S. As a result, he gave the store a high-end boutique slant, which, considering its location, makes sense: Greenwich is consistently ranked as one of the wealthiest communities in the U.S., with a median household income of $180,000 in 2021, according to the U.S. Census Bureau.
While there are many affordable and recognized guitar brands in the store, it also has more unique items. Case in point: a $20,000 replica of “Greeny,” a 1959 Les Paul Standard guitar named after its owner, Fleetwood Mac’s Peter Green, who sold it to Thin Lizzy’s Gary Moore and which eventually wound up with Metallica guitarist Kirk Hammett. Gruss says the store ordered the replica from the Gibson Custom shop, noting the company only made 50 as part of a limited-edition run.With guitars by Gibson, Fender, Paul Reed Smith, Taylor LsL Instruments, Ernie Ball, Rock N Roll Relics and Suhr, Gruss says he wants the store to be a haven for musicians and collectors as well as younger consumers, which is why it also carries guitars attractive to beginners. Beyond guitars, the store carries premium speakers from Devialet and Transparent and apparel by Madeworn, Daydreamer and Rowdy Sprout.
Beyond inventory, Gruss says he wanted Round Hill Music to have a different feel than Guitar Center. “We want our store to be as welcoming as possible and we want people to sit and play as much as possible,” he says. In contrast, he says Guitar Center can be intimidating for customers, with a sales staff that he believes measures whether people have money to buy a guitar and may require some kind of collateral if a customer wants to play one of the nicer models on the floor.Consequently, he says he wants the Round Hill Music store to be welcoming to all ages and hopes it will give young customers the opportunity to enjoy the same experience he had as a teenager at similar shops. He also expresses the hope that the store can be a place where music fans interact with one another.
Mike Stern Band
Ed Christman
To make sure the Round Hill store is correctly merchandised and boasts a welcoming atmosphere, Gruss says having the right staff is key, citing the “super knowledgeable” John Mahoney, who works as the store’s operations manager. He adds that his vision was carried out “by a great group of people” who previously worked in retail at other music instrument stores, including Sam Ash. In total, the store is currently staffed with six employees.At the store’s opening event, what Gruss sees as intrinsic to the store’s future success — an in-store stage — was put to good use by the Mike Stern Band, which played a high-energy set that left the crowd wanting more. “We will program the store with plenty of in-store artist events, including up-and-coming songwriters and local singer-songwriters,” Gruss says. Gruss points out that he’s also using the store to promote the Round Hill Music catalog business, noting that artists and songwriters in the music-asset company’s catalog have their own section in the shop; the inventory there includes albums by Soul Coughing, System Of A Down and Neon Trees. “The store is a great way to spread the Round Hill network,” he says. “It will really help out the rest of the business.”
THE BIG STORY: Two years after Jimmy Buffett’s death, his widow and his longtime former business manager are locked in a legal war over the singer-songwriter’s $275 million estate.
Jane Buffett, his wife of 46 years, and Rick Mozenter, an accountant and financial advisor to Buffett for decades, launched dueling court actions last week accusing the other of hostility and mismanagement. At issue is control of the singer’s trust, which holds, among other assets, a lucrative 20% stake in his Margaritaville chain of resorts and restaurants.
Jane’s lawyers say Mozenter has been “openly hostile and adversarial” and has “failed to perform even the most basic tasks required of him” in his role as co-trustee. Mozenter’s attorneys say Buffett clearly intended to limit his wife’s control over the trust – but that this has “made Jane very angry” and caused her to be “completely uncooperative.”
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For more, go read Rachel Scharf’s full story on the battle over Buffett.
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Other top stories this week…
CUSTODY BATTLE – Halle Bailey and ex-boyfriend DDG exchanged scathing court filings amid their increasingly acrimonious custody battle over their one-year-old son. In his petition, the rapper (Darryl Dwayne Granberry Jr.) claimed that Bailey had been abusive and repeatedly threatened self-harm; in her response, Bailey said those claims were exaggerated and that DDG’s filing was “cold retribution to embarrass, humiliate and caused me additional emotional distress.” The back-and-forth came a month after Bailey sought and won a restraining order by claiming the rapper had physically abused her, including in the presence of their son.
DIDDY TRIAL RECAP – The sex-trafficking trial of Sean “Diddy” Combs continued into a fifth week, starting with the judge denying a motion for a mistrial based on testimony about an infamous alleged incident in which the rap mogul dangled a woman from a 17th-floor balcony. Don’t miss our full recap of Week 4, which included testimony about the balcony incident; testimony about Diddy buying a surveillance video with $100,000 in cash in a paper bag; and the start of testimony from an alleged victim named “Jane” over being forced to participate in marathon “freak-offs.” The trial is expected to run until early July.
YSL CASE CLOSED – More than three years after Young Thug, Gunna and dozens of others were indicted in Atlanta on gang charges, the last co-defendant pleaded guilty – a moment that marks the formal end of a sprawling, controversial criminal case that had captivated the music industry for years. The final closure came seven months after Thug pleaded guilty and received only probation, a stunning defeat for prosecutors that had labeled him a dangerous gang boss.
BIG PIMPIN QUOTES – Jay-Z’s legal nemesis Tony Buzbee asked a federal judge to dismiss the rapper’s defamation case with an unusual flourish: quoting the lyrics from the star’s “Big Pimpin.” Buzbee, a Texas lawyer who briefly filed a rape lawsuit against the rapper before dropping it without a settlement, claimed in the court filing that the 2000 song’s references to prostitution describe Jay’s views on “how men should treat women.”
LYRICS LITIGATION – Lyrics provider Musixmatch filed a response to a recent antitrust lawsuit from rival LyricFind, calling the case “meritless” and arguing that the rival was “hoping it can obtain through litigation what it was unable to win in the marketplace.” The response came two months after LyricFind accused Musixmatch of seeking to monopolize the market for providing lyrics to streamers like Spotify by signing an “unprecedented” deal with Warner Music.
ANOTHER TAYLOR STALKER – Taylor Swift won a temporary restraining order against an alleged stalker named Brian Jason Wagner, a 45-year-old Colorado man who the pop superstar claims showed up at her Los Angeles home numerous times over the past year to falsely claim she’s the mother of his child. In seeking the court order, Swift argued Wagner’s conduct “makes me fear for my safety and the safety of my family.” Swift has had trouble with stalkers before, including a man arrested last year after being spotted dozens of times outside her Manhattan apartment.
LIL DURK BAIL DENIED – The drill rapper was once again denied release on bond in his murder-for-hire case, leaving him to sit in jail until his trial (currently scheduled for October). The federal judge overseeing the case – which claims he hired gunman to carry out a failed hit on rival Quando Rondo – noted that rapper was apprehended trying to board a flight to Dubai (United Arab Emirates is a non-extradition country) and might try to escape again if let free.
DEFAMATORY DOC? – Russell Simmons filed a defamation lawsuit against HBO over a 2020 documentary called On The Record that focused on the sexual assault allegations against him. Simmons said the movie disregarded or “suppressed” key evidence in his favor — including “CIA-grade polygraph results” and Oprah Winfrey’s withdrawal from the project – that would have refuted and rebutted” the allegations that were “falsely made against plaintiff in the film.”
ROYALTIES ROW – Sony filed a lawsuit against the streaming platform LiveOne and its subsidiary Slacker Radio, claiming they owe $2.6 million in unpaid licensing fees but have refused to stop playing the label’s music, including tracks by Beyoncé, Miley Cyrus and Tate McRae.
NEWJEANS COURT ORDER – A dispute between K-pop band NewJeans and its agency ADOR, a HYBE subsidiary, escalated when a South Korean court approved a stricter legal measure restricting the group’s independent activities. The court ordered each member (Minji, Hanni, Danielle, Haerin and Hyein) to pay 1 billion KRW ($734,000) for any unauthorized entertainment activity – meaning fines could total $3.6 million for a single uncleared group appearance.
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A motion for a mistrial in the Sean “Diddy” Combs sex trafficking trial has been denied by a federal judge.
Attorneys for the embattled hip hop mogul had argued that prosecutors knowingly introduced false testimony by Bryana Bongolan – the witness who claimed last week that Combs dangled her from a 17-story balcony in 2016.
But at the start of Tuesday’s proceedings, Judge Arun Subramanian said the alleged issue did not rise to the level of a trial-ending error: “This is not fodder for a mistrial. This is the adversarial process at work,” Subramanian said from the bench, according to ABC.
Combs is standing trial on racketeering and sex trafficking charges over accusations that he ran a sprawling criminal operation aimed at facilitating freak-offs — elaborate events which he allegedly forced his ex-girlfriend Cassie Ventura and other women to have sex with male escorts while he watched and masturbated.
Prosecutors also say the star and his associates used violence, money and blackmail to keep victims silent and under his control. (Read Billboard‘s full explainer of the case against Diddy here.) Combs had pleaded not guilty; if convicted on all of the charges, he faces a potential sentence of life in prison.
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With the case halfway through a trial expected to run eight weeks, Diddy’s defense team moved for a mistrial based on Bongolan’s testimony about the balcony incident, one of the flashiest accusations in the case.
In a motion filed Saturday, the star’s lawyers said prosecutors had presented jurors with “demonstrably false” evidence during her time on the stand. Bongolan testified that she took photos of her injuries from the attack on September 26, 2016, but defense attorneys said they had hotel receipts showing Diddy was in New York from Sept. 24 to 29 of that year.
“The government knew or should have known this testimony was perjured, and that Ms. Bongolan could not possibly have been injured by Mr. Combs on a Los Angeles balcony in the early morning hours of September 26, or even the day before that,” his lawyers wrote in the motion, also claiming that Bongolan had committed perjury.
Prosecutors did not respond with a written filing of their own, but they argued in court last week that the attack could have happened before the September 24and that Bongolan merely documented it later. Presented with the receipts and subject to withering cross examination, Bongolan stood by her story but admitted that she was unsure of the date.
Following Tuesday’s denial, the trial will continue on with more testimony from prosecution witnesses. The most recent is “Jane,” a former girlfriend who testified last week and Monday that Diddy physically, sexually and psychologically abused her. She is facing cross-examination during Tuesday’s proceedings.