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Benson Boone’s “Beautiful Things” was named song of the year at the 2025 iHeartRadio Music Awards on Monday night (March 17). It marked the first time a male artist has won in that top category since The Weeknd took the prize in 2021 for “Blinding Lights.”
Boone winning iHeart’s top prize for his broadly appealing pop/rock smash made up for his quieter showing at last month’s 2025 Grammy Awards, where he was nominated in just one category – best new artist. (Though he did make a big splash with one of the most-talked-about performances of the night.)

Billie Eilish’s Hit Me Hard and Soft was named album of the year. It was nominated for a 2025 Grammy in that same category but lost to Beyoncé’s Cowboy Carter.

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Gracie Abrams won breakthrough artist of the year. In her acceptance speech, she gave thanks to four artists who have shared their stages with her: Taylor Swift, Olivia Rodrigo, Noah Kahan and The National. Abrams was a Grammy finalist for best new artist a year ago.

SZA won R&B artist of the year for the third year in a row, which sets a new record for most wins in the category. SZA surpasses H.E.R., who won twice in 2020-21. Jelly Roll won country artist of the year, one year after winning for new country artist of the year. GloRilla won hip-hop artist of the year, two years after she tied with Latto for new hip-hop artist of the year. Sabrina Carpenter won pop artist of the year for the first time. Green Day won alternative artist of the year for the first time.

Three powerhouse women won honorary awards. Lady Gaga received the 2025 iHeartRadio Innovator Award, Mariah Carey received the 2025 iHeartRadio Icon Award, and Taylor Swift’s record-breaking Eras Tour was named Tour of the Century (despite the fact that we’re only one-quarter of the way through the century). In addition, Nelly received the iHeartRadio Landmark Award, to mark the 25th anniversary of his debut studio album, Country Grammar.

The 12th annual iHeartRadio Music Awards celebrated the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2024. The show aired live from Dolby Theatre at Ovation Hollywood on Monday, March 17 (8:00-10:00 p.m. ET live / PT tape-delayed) on FOX. The event was also heard on iHeartRadio stations nationwide and on the iHeartRadio app. The show’s executive producers were Joel Gallen, for Tenth Planet; and John Sykes, Tom Poleman and Bart Peters, for iHeartMedia.

Fan voting determined this year’s favorite soundtrack, favorite Broadway debut, favorite K-pop dance challenge, favorite surprise guest and favorite tour tradition (all of which are new categories this year), plus these five returning categories: best lyrics, best music video, favorite tour style, favorite tour photographer and favorite on screen. (For a full list of categories, visit iHeartRadio.com/awards.)

Here’s the full list of nominations for the 2025 iHeartRadio Music Awards, with winners marked. All categories will be marked as more winners become known.

Artist of the Year

    Billie Eilish

    Doja Cat

    Jelly Roll

    Kendrick Lamar

    Morgan Wallen

    Post Malone

    Sabrina Carpenter

    SZA

    Taylor Swift

    Teddy Swims

Song of the Year            

    “A Bar Song (Tipsy)”- Shaboozey

    “Agora Hills”- Doja Cat

    WINNER: “Beautiful Things”- Benson Boone

    “Espresso” – Sabrina Carpenter

    “Greedy”- Tate McRae

    “I Had Some Help” – Post Malone featuring Morgan Wallen

    “Lose Control” – Teddy Swims

    “Lovin on Me” – Jack Harlow

    “Not Like Us”- Kendrick Lamar

    “Too Sweet” – Hozier

Best Collaboration

    “Die With a Smile”- Lady Gaga and Bruno Mars

    “Fortnight”- Taylor Swift featuring Post Malone

    “I Had Some Help”- Post Malone featuring Morgan Wallen

    “Like That” – Future, Metro Boomin and Kendrick Lamar

    “Miles on It”- Kane Brown and Marshmello

Producer of the Year

    Julian Bunetta

    Jack Antonoff

    Evan Blair

    Mustard

    Dan Nigro

Songwriter of the Year

    Josh Coleman

    ERNEST

    Ashley Gorley

    Amy Allen

    Justin Tranter

Pop Song of the Year

    “Agora Hills”- Doja Cat

    “Beautiful Things”- Benson Boone

    “Espresso”- Sabrina Carpenter

    “Greedy”- Tate McRae

    “Too Sweet”- Hozier

Pop Artist of the Year

    Billie Eilish

    Chappell Roan

    WINNER: Sabrina Carpenter

    Tate McRae

    Taylor Swift

Best New Artist (Pop)

    Benson Boone

    Chappell Roan

    Gracie Abrams

    Shaboozey

    WINNER: Teddy Swims

Country Song of the Year

    “A Bar Song (Tipsy)”- Shaboozey

    “Cowgirls” – Morgan Wallen featuring ERNEST

    “I Am Not Okay”- Jelly Roll

    WINNER: “I Had Some Help”- Post Malone featuring Morgan Wallen

    “World on Fire”- Nate Smith

Country Artist of the Year

    WINNER: Jelly Roll

    Kane Brown

    Lainey Wilson

    Luke Combs

    Morgan Wallen

Best New Artist (Country)

    Ashley Cooke

    Dasha

    George Birge

    WINNER: Shaboozey

    Tucker Wetmore

Hip-Hop Song of the Year

    “Like That”- Future, Metro Boomin and Kendrick Lamar

    “Lovin on Me”- Jack Harlow

    “Not Like Us”- Kendrick Lamar

    “Rich Baby Daddy”- Drake featuring Sexyy Red and SZA

    “TGIF” – GloRilla

Hip-Hop Artist of the Year

    Drake

    Future

    WINNER: GloRilla

    Kendrick Lamar

    Travis Scott

Best New Artist (Hip-Hop)

    310babii

    BigXthaPlug

    BossMan Dlow

    Cash Cobain

    Jordan Adetunji

R&B Song of the Year

    “ICU” – Coco Jones

    “Made for Me”- Muni Long

    “Sensational” – Chris Brown featuring Davido and Lojay

    “Water” – Tyla

    “WY@”- Brent Faiyaz

R&B Artist of the Year

    Chris Brown

    Muni Long

    WINNER: SZA

    Usher

    Victoria Monét

Best New Artist (R&B)

    4Batz

    Ambré

    Inayah

    Josh X

    Maeta

Alternative Song of the Year

    “Dilemma” – Green Day

    “Landmines” – Sum 41

    “Neon Pill”- Cage The Elephant

    “The Emptiness Machine” – Linkin Park

    WINNER: “Too Sweet”- Hozier

Alternative Artist of the Year

    Cage The Elephant

    WINNER: Green Day

    Linkin Park

    Sum 41

    twenty one pilots

Best New Artist (Alt and Rock)

    Djo

    WINNER: Fontaines D.C.

    Good Neighbours

    Myles Smith

    The Last Dinner Party

Rock Song of the Year

    “A Symptom of Being Human” – Shinedown

    “All My Life” – Falling In Reverse and Jelly Roll

    “Dark Matter” – Pearl Jam

    “Screaming Suicide” – Metallica

    “The Emptiness Machine” – Linkin Park

Rock Artist of the Year

    Green Day

    Linkin Park

    Metallica

    Pearl Jam

    Shinedown

Dance Song of the Year

    “360” – Charli xcx

    “Chase It (Mmm Da Da Da)” – Bebe Rexha

    “I Don’t Wanna Wait”- David Guetta and OneRepublic

    “Make You Mine”- Madison Beer

    “Water” – Tyla X Marshmello 

Dance Artist of the Year

    Calvin Harris

    David Guetta

    Dua Lipa

    Kylie Minogue

    Tiësto

Latin Pop / Urban Song of the Year

    “Brickell” – FEID X Yandel

    “LA FALDA” – Myke Towers

    WINNER: “Perro Negro”- Bad Bunny featuring FEID

    “Qlona” – Karol G featuring Peso Pluma

    “Si Antes Te Hubiera Conocido”- Karol G

Latin Pop / Urban Artist of the Year

    Bad Bunny

    FEID

    Karol G

    Myke Towers

    Shakira

Best New Artist (Latin Pop / Urban)

    Christian Alicea

    Cris MJ

    Ela Taubert

    FloyyMenor

    Kapo

Regional Mexican Song of the Year

    “Alch Si” – Grupo Frontera and Carin León

    “El Beneficio De La Duda” – Grupo Firme

    “FIRST LOVE” – Oscar Ortiz and Edgardo Nuñez

    “La Diabla”- Xavi

    “Tu Perfume” – Banda MS de Sergio Lizárraga

Regional Mexican Artist of the Year

    Grupo Frontera

    Intocable

    Los Ángeles Azules

    Peso Pluma

    Xavi

Best New Artist (Regional Mexican)

    Chino Pacas

    Iván Cornejo

    Luis R. Conriquez

    Tito Double P

    Xavi

K-pop Artist of the Year

    aespa

    ATEEZ

    ENHYPEN

    Jimin

    Lisa

K-pop Song of the Year

    “Chk Chk Boom” – Stray Kids

    “Magnetic”- ILLIT

    “Supernova” – aespa

    “Who”- Jimin

    “XO (Only If You Say Yes)”- ENHYPEN

Best New Artist (K-pop)

    BABYMONSTER

    BADVILLAIN

    ILLIT

    NCT WISH

    TWS

World Artist of the Year

    Burna Boy

    Central Cee

    Tems

    Tyla

    YG Marley

Favorite Soundtrack

    Back to Black

    Bad Boys: Ride or Die

    Bob Marley: One Love

    Challengers

    Deadpool & Wolverine

    Descendants: The Rise of Red

    Emilia Pérez

    The Book of Clarence

    Twisters

    Wicked

Favorite Broadway Debut

    Adam Lambert – Cabaret at the Kit Kat Club

    Ariana Madix – Chicago

    Barbie Ferreira – Cult of Love

    Charli D’Amelio – & Juliet

    Grant Gustin – Water for Elephants

    Kit Connor – Romeo + Juliet

    Lola Tung – Hadestown

    Nicole Scherzinger – Sunset Blvd

    Rachel Zegler – Romeo + Juliet

    Robert Downey Jr. – McNeal

    Sebastián Yatra – Chicago

    Shailene Woodley – Cult of Love

Favorite K-pop Dance Challenge

    “GGUM”- Yeonjun (TXT)

    “MAESTRO” – Seventeen

    “Magnetic”- ILLIT

    “Smart”- LE SSERAFIM

    “Sticky”- Kiss of Life

    “Supernova” – aespa

    “Touch” – KATSEYE

    “UP”- Karina (aespa)

    “WORK”- ATEEZ

    “XO (Only If You Say Yes)”- ENHYPEN

Favorite Surprise Guest

    Charli xcx bringing out Lorde

    Coldplay bringing out Selena Gomez

    Future & Metro Boomin bringing out Travis Scott

    GloRilla & Megan Thee Stallion bringing out Cardi B

    Jennifer Hudson bringing out Cher

    Kendrick Lamar bringing out Ken & Friends

    Luke Combs bringing out the “Twisters” Cast

    Morgan Wallen bringing out Travis Kelce & Patrick Mahomes

    Niall Horan bringing out Shawn Mendes

    Olivia Rodrigo bringing out Chappell Roan

    Peso Pluma bringing out Becky G

    Taylor Swift bringing out Travis Kelce

Favorite Tour Tradition

    Benson Boone- Backflips

    Chappell Roan – Teaching “HOT TO GO” dance

    Charli xcx + Troye Sivan – “Apple” Girl (dance)

    Morgan Wallen – Walk out song

    Niall Horan – Heaven pose

    Nicki Minaj – Fans sing

    Olivia Rodrigo- Encore tank

    Sabrina Carpenter- “Juno” position

    Tate McRae – Soundcheck covers

    Taylor Swift- “22” Hat

    Taylor Swift – Surprise songs

    Usher – Feeding cherries

Best Lyrics

    “Beautiful Things” – Benson Boone

    “BIRDS OF A FEATHER” – Billie Eilish

    “Espresso”- Sabrina Carpenter

    “Exes” – Tate McRae

    “Fortnight” – Taylor Swift featuring Post Malone

    “Good Luck, Babe!”- Chappell Roan

    “I Had Some Help”- Post Malone featuring Morgan Wallen

    “I Love You, I’m Sorry” – Gracie Abrams

    “Not Like Us” – Kendrick Lamar

    “Saturn” – SZA

    “we can’t be friends (wait for your love)” – Ariana Grande

    “Who”- Jimin

Best Music Video

    “APT.” – ROSÉ and Bruno Mars

    “Beautiful Things” – Benson Boone

    “Die With A Smile” – Lady Gaga and Bruno Mars

    “Espresso”- Sabrina Carpenter

    “Fortnight”- Taylor Swift featuring Post Malone

    “Houdini” – Dua Lipa

    “Houdini” -Eminem

    “I Had Some Help” – Post Malone featuring Morgan Wallen

    “LUNA” – ATL Jacob X FEID 

    “Not Like Us” – Kendrick Lamar

    “Please Please Please” – Sabrina Carpenter

    “Rockstar”- Lisa

Favorite Tour Style

    Billie Eilish – Hit Me Hard and Soft

    Chappell Roan – The Midwest Princess

    Charli xcx and Troye Sivan – Sweat

    GloRilla and Megan Thee Stallion – Hot Girl Summer Tour

    Nicki Minaj – Pink Friday 2 Tour

    Olivia Rodrigo – GUTS

    Sabrina Carpenter – Short n’ Sweet

    Tate McRae – Think Later

    Taylor Swift – The Eras Tour

    Usher – Usher: Past Present Future

Favorite Tour Photographer

    Adam Degross – Post Malone

    Alfredo Flores – Sabrina Carpenter

    Baeth – Tate McRae

    Christian Tierney – Niall Horan

    David Bergman – Luke Combs

    Henry Hwu – Billie Eilish

    Lucienne Nghiem – Chappell Roan

    Miles Leavitt – Olivia Rodrigo

    Pooneh Ghana – Noah Kahan

    RAYSCORRUPTEDMIND – Travis Scott

    Sanjay Parikh – Shinedown

    Yasi – Kacey Musgraves

Favorite On Screen

    Are You Sure?! (Jimin and Jungkook)

    Child Star (Demi Lovato)

    Elton John: Never Too Late (Elton John)

    Gaga Chromatica Ball (Lady Gaga)

    I Am: Céline Dion (Céline Dion)

    Lainey Wilson: Bell Bottom Country (Lainey Wilson)

    Megan Thee Stallion: In Her Words (Megan Thee Stallion)

    Olivia Rodrigo: GUTS World Tour (Olivia Rodrigo)

    Pop Star Academy: KATSEYE (KATSEYE)

    Road Diary: Bruce Springsteen and the E Street Band (Bruce Springsteen)

    Taylor Swift | The Eras Tour (Taylor’s Version) (Taylor Swift)

    Thank You, Goodnight: The Bon Jovi Story (Bon Jovi)

Lady Gaga’s MAYHEM moves in at No. 1 on the Billboard 200 albums chart, as the set debuts atop the tally dated March 22. It’s the seventh leader for the superstar. The set — her seventh studio album — launches with 219,000 equivalent album units earned in the U.S. in the week ending March 13, according to Luminate — the biggest week of the year for an album by a woman. It also scores Gaga her largest streaming week ever.

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Gaga previously led the Billboard 200 with Chromatica (2020), the soundtrack to A Star Is Born (with Bradley Cooper, 2018), Joanne (2016), Cheek to Cheek (with Tony Bennett), ARTPOP (2013) and Born This Way (2011). In total, MAYHEM is Gaga’s 11th top 10-charting effort, stretching back to her debut project, The Fame, which reached No. 2 in 2010, after bowing on the list in 2008.

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Also in the top 10 of the latest Billboard 200, JENNIE’s debut solo album, Ruby, bows at No. 7 on the Billboard 200. She’s the third member of the chart-topping quartet BLACKPINK to notch a solo top 10 – and all three have come in the last three months.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 22, 2025-dated chart will be posted in full on Billboard‘s website on March 18. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of MAYHEM’s 219,000 first-week equivalent album units, album sales comprise 136,000 (it’s the top-selling album of the week and debuts at No. 1 on Top Album Sales), SEA units comprise 80,500 (equaling 108.05 million on-demand official streams of the set’s songs; Gaga’s biggest streaming week ever, and it debuts at No. 1 on the Top Streaming Albums chart) and TEA units comprise 2,500.

With MAYHEM’s bow of 219,000 equivalent album units, the set earns the biggest week for a woman in 2025, and the largest debut by a woman in over six months. The last larger bow by a woman was Sabrina Carpenter’s Short n’ Sweet, which started with 362,000 atop the Sept. 7, 2024-dated list.

MAYHEM was officially announced on Jan. 27 and went up for pre-order that same day. The set was released on March 7 and was preceded by a trio of top 40-charting titles on the Billboard Hot 100 songs chart: “Disease” (reaching No. 27 in November 2024), “Die With a Smile” (No. 1 for five weeks beginning in January; a duet with Bruno Mars), and “Abracadabra” (No. 13 in February).

Gaga ushered in the album’s release with an interview with Apple Music’s Zane Lowe (March 5), participated in a livestreamed Little Monsters Press Conference presented by Spotify (March 6), and did double duty as the host and musical guest on NBC’s Saturday Night Live (March 8, performing “Abracadabra” and the new album’s “Killah”). Gaga also popped up and/or performed on numerous other programs in the lead up to the album’s release, including the livestreamed FireAid benefit concert (Jan. 30), CBS’ broadcast of the Grammy Awards (Feb. 2), First We Feast’s Hot Ones (Feb. 13), NBC and Peacock’s Saturday Night Live 50th Anniversary Homecoming Concert (Feb. 16), and Vanity Fair’s lie detector test series (Feb. 19).

MAYHEM’s first-week sales were bolstered by its availability across a gaggle of editions: 14 vinyl variants (some signed, and some include the bonus track “Can’t Stop the High,” while Target’s exclusive vinyl has the extra track “Kill for Love”), four CD editions (one signed, Target’s exclusive CD adds “Kill” while Gaga’s webstore carried a CD with the bonus track “Can’t Stop the High”), a cassette tape, a deluxe CD box set with a branded T-shirt and poster, and two widely available download albums (the standard 14-song album, and then a deluxe version exclusive to iTunes with the three music videos for “Disease,” “Die With a Smile” and “Abracadabra”).

Of MAYHEM’s opening-week sales, vinyl purchases comprise 74,000 — Gaga’s biggest week on vinyl ever.

Gaga will soon hit the road for a series of major concerts, beginning with her headlining turn at the Coachella Valley Music and Arts Festival (April 11 and 18), two shows in Mexico City (April 26-27), a free show on Copacabana Beach in Rio de Janeiro (May 3) and four shows in Singapore (May 18, 19, 21 and 24).

Kendrick Lamar’s GNX falls to No. 2 on the latest Billboard 200 with a little more than 81,000 equivalent album units earned (down 10%), while five more former leaders round out the top six. PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U dips 2-3 (79,000; down 13%), SZA’s SOS is steady at No. 4 (69,000; down 7%), Tate McRae’s So Close To What descends 3-5 (63,000; down 27%), and Carpenter’s Short n’ Sweet falls 5-6 (61,000; down 5%).

JENNIE’s first solo studio album, Ruby, arrives at No. 7 on the new Billboard 200, marking the BLACKPINK member’s first chart entry. The set launches with 56,000 equivalent album units earned. Of that sum, SEA units comprise 29,000 (equaling 39.93 million on-demand official streams of the set’s songs; it debuts at No. 13 on Top Streaming Albums), album sales comprise 26,500 (it debuts at No. 2 on Top Album Sales) and TEA units comprise 500.

Ruby was preceded by three charting titles on the Hot 100 songs chart: “Mantra,” “Love Hangover” (with Dominic Fike) and “ExtraL” (with Doechii).

Ruby was available in its first week as a nine-track widely available digital download album, and then an expanded 15-song physical set and a 15-track download and streaming edition. While the standard and physical albums have only one guest star (FKJ, on “JANE”), the 15-track download and streaming edition adds further special guests on a few tracks, including Doechii, Dua Lipa, Dominic Fike, Childish Gambino and Kali Uchis.

Ruby’s first-week sales were aided by its availability across four CD variants (all containing collectible paper ephemera, some randomized), five deluxe CD boxed set editions (each containing a piece of branded clothing, a signed insert and a copy of the album) and two download editions (a widely available standard version with nine tracks and an expanded 15-song edition).

JENNIE is a member of the Billboard 200-topping quartet BLACKPINK, who saw its last album, BORN PINK, debut atop the chart dated Oct. 1, 2022, after the act’s The Album became its first top 10 (No. 2, 2020). JENNIE is the third member of the group to notch a top 10-charting solo effort on the Billboard 200, following LISA, whose Alter Ego debuted at No. 7 a week ago (March 15 chart), and ROSÉ, whose rosie debuted and peaked at No. 3 on the Dec. 21, 2024, chart.

Rounding out the top 10 of the latest Billboard 200, Bad Bunny’s chart-topping Debí Tirar Más Fotos falls 6-8 (52,000 equivalent album units; down 8%), Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 9 (43,000; up 3%), and Chappell Roan’s The Rise and Fall of a Midwest Princess dips 8-10 (42,000; down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

When we say j-hope is comfortable on the stage, we mean from his head all the way down to his fuzzy feet. On Monday night’s (March 10) episode of The Tonight Show Starring Jimmy Fallon, the BTS star will make his solo debut performance on the late-night show, joined by R&B singer Miguel for their […]

Kendrick Lamar’s GNX returns to No. 1 on the Billboard 200 for a third nonconsecutive week on top. The set climbs 3-1 (on the March 15-dated chart) with 90,500 equivalent album units earned in the U.S. in the week ending March 6 (down 15%), according to Luminate. GNX debuted atop the chart dated Dec. 7, 2024, and returned to the top on the Feb. 22-dated chart in the wake of its physical release and Lamar’s Super Bowl LIX halftime show (Feb. 9).
Meanwhile, the lone debut in the top 10 is LISA, whose first full-length studio album, Alter Ego, enters at No. 7. She becomes the second member of the chart-topping group BLACKPINK to notch a solo top 10 effort, following ROSÉ.

Trending on Billboard

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 15, 2025-dated chart will be posted in full on Billboard‘s website on March 11. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of GNX’s 90,500 equivalent album units earned in the latest tracking week, SEA units comprise 73,000 (down 15%, equaling 103.14 million on-demand official streams; it holds at No. 3 on Top Streaming Albums), album sales comprise 16,500 (down 13%; it’s a non-mover at No. 2 on Top Album Sales) and TEA units comprise 1,000 (down 18%).

PARTYNEXTDOOR and Drake’s chart-topping $ome $exy $ongs 4 U holds at No. 2 on the Billboard 200 with 90,000 equivalent album units earned (down 24%; while it holds at No. 1 on Top Streaming Albums for a third week).

Tate McRae’s So Close To What falls to No. 3 with 87,000 equialent album units (down 51%) after debuting atop the chart a week ago.

Nos. 4-6 on the latest Billboard 200 are all former chart-toppers, and non-movers, as SZA’s SOS is No. 4 (74,000 equivalent album units; down 10%), Sabrina Carpenter’s Short n’ Sweet is No. 5 (64,000; down 16%) and Bad Bunny’s Debí Tirar Más Fotos is No. 6 (56,000; down 11%).

LISA has the top debut of the week as her first full-length studio effort, Alter Ego, enters at No. 7 with 45,500 equivalent album units earned. Of that sum, album sales comprise 28,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 16,500 (equaling 23.12 million on-demand official streams of the set’s songs; it debuts at No. 31 on Top Streaming Albums) and TEA units comprise 1,000.

During the album’s release week, LISA performed on the Academy Awards (March 2), taking part in a tribute to the music of the James Bond film series, where she performed Wings’ “Live and Let Die.” She recently made her acting debut in the third season of HBO’s The White Lotus (which premiered on Feb. 16).

Alter Ego was preceded by a trio of charting songs from the album on the Billboard Hot 100 chart: “Rockstar” (No. 70 peak in July 2024), “New Woman” (featuring Rosalía; No. 97 in August) and “Born Again” (featuring Doja Cat and RAYE; No. 68 in February).

Alter Ego was issued as a standard 12-song album (on streamers, and to purchase as a digital download, CD and vinyl), a 15-song set (with three bonus tracks, on streamers and as digital download) and a 19-track set (with three additional remixes and a voice note from the artist, sold as a digital download exclusively on LISA’s official webstore). The set was issued across nine CD variants (including a signed edition; with all containing collectible paper ephemera such as randomized photocards), six deluxe CD boxed sets (each containing a copy of the album on CD and a branded piece of clothing) and two vinyl variants (including one signed edition).

LISA is a member of the Billboard 200-topping quartet BLACKPINK, who saw its last album, BORN PINK, debut atop the chart dated Oct. 1, 2022, after the act’s The Album became its first top 10 (No. 2, 2020). LISA is the second member of the group to notch a top 10-charting solo effort on the Billboard 200, following ROSÉ, whose rosie debuted and peaked at No. 3 on the Dec. 21, 2024-dated chart.

Rounding out the rest of the top 10 on the latest Billboard 200: Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 8 (43,000 equivalent album units earned; down 8%), Morgan Wallen’s chart-topping One Thing at a Time is steady at No. 9 (42,000; up 2%) and The Weeknd’s former leader Hurry Up Tomorrow falls 7-10 (40,000; down 19%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Rimas Entertainment, home to Bad Bunny and the No. 1 label on Billboard‘s 2024 year-end Top Independent Labels chart, has acquired a “significant” stake in Dale Play Records, the maverick Argentine label that’s home to DJ Bizarrap, Rels B and rapper Duki, Billboard can reveal.
The partnership includes Sony Music Latin Iberia, which continues to own a stake in the label. Helping bring the deal to fruition were Rob Stringer, Sony Music Group chairman and Sony Music Entertainment CEO; Afo Verde, chairman/CEO of Sony Music Latin America, Spain and Portugal; and Brad Navin and Jason Pascal of The Orchard.

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Fede Lauria, the Argentine executive who founded Dale Play out of Argentina and grew the label to its current stature, will retain a smaller percentage of the company and continue as CEO. The Orchard will also continue to distribute Dale Play as it has for years. The company’s other business verticals, which include booking and management — including the management of Duki, Nicki Nicole and Bizarrap — are not part of the deal and will remain solely under Lauria.

The partnership brings together two indie companies that have redefined the way Latin music is made and promoted on a global scale, with both developing and capitalizing on a new wave of urban music in Spanish — one centered in Puerto Rico (Rimas) and the other in Argentina (Dale Play) — with international ambitions. Rimas has already expanded its roster beyond Puerto Rico, signing Spain’s Quevedo and Mexico’s Latin Mafia.

“From day one, our mission has been to support and develop artists with authenticity and respect for their identity,” said Rimas Entertainment CEO Noah Assad in a statement. “With Federico and Dale Play, we’ve built a relationship founded on trust and mutual admiration. This alliance will allow us to break new boundaries and create opportunities for our artists and teams.”

In an earlier conversation with Billboard, Assad noted that this is Rimas’ first major acquisition and that it follows a longstanding friendship and years of business dealings between him and Lauria.

“We’re working hand in hand and all we’re doing is adding more value to each other, him to me and me to him,” he said. “The collaboration already existed. We’re formalizing something that was already happening.”

Lauria was already an established concert promoter in Argentina with the company Dale Play (which currently sells over 1 million tickets per year, mostly in Argentina) when he created the label portion of his business, Dale Play Records, in 2017, focusing on a previously untapped rap and trap music scene bubbling out of Argentina. Sony Music came in as a partner in 2020.

“Afo and I have had a long-standing friendship for many years, united by a mission to elevate Latin music to the highest level,” said Lauria in a statement. The new partnership with Rimas, he told Billboard earlier, “reflects a journey we have been on for many years with Noah, Jomy and the RIMAS team. We share the same vision and values. Our companies are 360 companies with similar philosophies and origins. They’re rare in the global market. We do management, booking, label, publishing. The potential that these two ecosystems have together and the mutual collaboration that our artists and businesses can have is huge.”

Fede Lauria, Noah Assad and Afo Verde.

Afo Verde/Sony Music Latin Iberia

Added Verde in a statement: “I have great admiration for the achievements of both Fede and Noah. They epitomize the new generation of executives and label leaders, characterized by their independent spirit and innovative approach. It is a privilege to continue our partnership with them, and I love that they wanted to work together.”

Assad and Lauria’s working relationship dates back to Bad Bunny’s early days as an artist playing small venues in Buenos Aires, which Lauria booked. Today, he still promotes Bunny’s Argentina stadium and arena dates. The two have since worked together on multiple artist collaborations and started discussing a possible partnership three years ago, with conversations solidifying last year.

 “This alliance is key to expanding our global reach and connecting with talent wherever it may be,” said Jonathan “Jomy” Miranda, president of Rimas Entertainment, in a statement. “We have always been at the forefront of discovering new artists, and now, through this partnership, we will have ears in more corners of the world to support and develop the next generation of stars.”

“Rimas is still Rimas and Dale Play is still Dale Play,” said Lauria during his conversation with Billboard, when asked about the future management of the respective labels. But, he adds, both labels have been “an essential part of the development of a cultural movement, and we’re in the process of shaping artists in Spain and Mexico that aren’t Argentine or Puerto Rican. Being together gives us huge power.”

Everything aligned to make the partnership come together now, said Assad. “We want a partner that has a clear vision, knows what they want and knows their destination,” he adds. “Culturally speaking, we share a lot of the same culture, and that’s why we’re doing this strategic alliance.”

Create Music Group has acquired the deadmau5 catalog in addition to the catalog of the electronic producer’s longstanding label, mau5trap.
The deal is valued at $55 million and includes the master recordings and publishing of more than 4,000 songs. The partnership also includes the formation of a joint venture to release future recordings from deadmau5 and mau5trap.

“I have worked closely with Jonathan, Alex and Create for nearly two decades now, building my own career as well as the artists on mau5trap,” said Deadmau5 (born Joel Zimmerman) in a statement. “We didn’t need to look far when we were considering a partner to help get it all to the next level. With Create, I feel the music is going to reach more.”

As part of the partnership, Create Music Group will remaster and re-release key catalog pieces, launch exclusive new content and work to introduce “the mau5trap legacy” to new generations of fans, according to a press release. The collaboration will also explore licensing opportunities and brand partnerships and continue to focus on media such as gaming, virtual reality and live-streaming to drive additional revenue streams.

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Founded in 2015, Create Music Group functions as a record label, distribution company and entertainment network. Eric Nguyen, senior vp of global corporate development and M&A at Create Music Group, played a key role in the deal. Paul Hastings LLP served as legal advisors to Create Music Group while LaPolt Law P.C. served as legal advisors to deadmau5 and mau5trap.

“From the earliest days of Create Music Group, [co-founder and COO] Alexandre Williams and I had the privilege of working alongside Joel and his business partner Dean Wilson, witnessing firsthand the evolution of an icon,” added Jonathan Strauss, co-founder/CEO of Create Music Group. “Now, as the stewards of deadmau5 and mau5trap’s legendary catalog, we inherit a legacy that changed music forever. Joel’s influence reaches far beyond sound — his mastery bridges music, gaming, and technology, inspiring a new generation to think bigger. This is more than an acquisition; it’s a responsibility.”

“Over the last 20 years, fueled by Joel’s creative and entrepreneurial ambitions, we have built one of the strongest brand names in electronic music,” adds Wilson, deadmau5’s longtime manager. “To have partnered with Create, who have worked so closely with us over the years on our journey, ensures that the next two decades will be every bit as exciting for Joel and everyone on the mau5trap team as we work to expand our legacy even further.”

Tate McRae scores her first No. 1 album on the Billboard 200 chart as her third full-length studio set, So Close to What, debuts atop the list dated March 8. It arrives with 177,000 equivalent album units earned in the U.S. in the week ending Feb. 27, according to Luminate — marking the biggest debut week, by units, for a studio album by a woman in five months.

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It’s the second top 10-charting effort for the singer-songwriter, who previously visited the region with the No. 4-peaking Think Later in December 2023. The album generated a trio of charted songs on the Billboard Hot 100, including the No. 3-peaking “Greedy.”

So Close to What was announced in November 2024 and its release was preceded by three charted titles on the Hot 100, including a pair of top 40 hits: “It’s OK I’m OK” (No. 20, September 2024) and “Sports Car” (No. 21 in February).

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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 8, 2025-dated chart will be posted in full on Billboard‘s website on March 4. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of So Close to What’s 177,000 first-week equivalent album units, SEA units comprise 105,000 (equaling 137.30 million on-demand official streams of the set’s songs; McRae’s biggest streaming week ever, and it debuts at No. 2 on Top Streaming Albums), album sales comprise 71,000 (her best sales week ever, it debuts at No. 1 on Top Album Sales) and TEA units comprise 1,000.

With So Close to What’s launch of 177,000 equivalent album units, the set tallies the biggest debut week for a studio album by a woman since Sabrina Carpenter’s Short n’ Sweet bowed at No. 1 with 362,000 units on the Sept. 7, 2024-dated chart.

So Close to What’s streaming activity was led by the tracks “Sports Car,” “Revolving Door,” “It’s OK I’m OK” and “Dear God,” which collectively comprise a little more than a third of the album’s total streams for the week.

So Close to What was released across an array of permutations and variants. It was issued as a standard 11-song digital download album, a 13-song physical set (on CD, cassette and vinyl), a 15-song digital download and streaming edition, a 16-song digital download and streaming set, and an 18-song digital download sold exclusively in McRae’s webstore. Each variation of the album beyond the 11-song set contained the core 11 songs found on the standard edition, as well as additional tracks (which varied depending on the version).

The album’s first-week sales were bolstered by its availability across four download variants (three widely available, and one exclusive to the artist’s webstore), three CD variants (including one signed), seven vinyl variants (including two signed editions) and a cassette.

McRae ushered in the release of the new album with an appearance on NBC’s The Tonight Show Starring Jimmy Fallon, along with interviews with Apple Music’s Zane Lowe, iHeartRadio and Allure, among other outlets. The performer’s Miss Possessive Tour kicks off on March 18 in Mexico City and has dates scheduled through Nov. 8 in Inglewood, Calif. McRae will play more than 80 dates in over 20 countries on three continents.

As for the rest of the top 10 on the latest Billboard 200 chart, it’s a quiet week, as McRae’s set is the lone new arrival in the region. PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U falls to No. 2 in its second week, earning 119,000 equivalent album units (down 52%). The next five titles on the Billboard 200 are all former No. 1s: Kendrick Lamar’s GNX holds at No. 3 (106,000 units; down 22%); SZA’s SOS is a non-mover at No. 4 (82,000; down 13%); Sabrina Carpenter’s Short n’ Sweet slips 2-5 (76,000; down 51%); Bad Bunny’s Debí Tirar Más Fotos falls 5-6 (63,000; down 6%); and The Weeknd’s Hurry Up Tomorrow drops 6-7 (50,000; down 14%).

Chappell Roan’s The Rise and Fall of a Midwest Princess dips 7-8 (46,000 equivalent album units; down 5%), Morgan Wallen’s chart-topping One Thing at a Time is stationary at No. 9 (41,000; up 4%), and Billie Eilish’s Hit Me Hard and Soft falls 8-10 (nearly 41,000; down 11%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

ASCAP, the only not-for-profit performance rights organization in the U.S., which — after covering its overhead — shells out all of its collections to songwriters and publishers, reports revenue increased 5.7% to 1.835 billion from the prior year’s total of $1.737 billion. What’s more the PRO said the amount of its collections available for distribution totaled $1.696 billion, or a 6.5% increase over 2023’s total of $1.592 billion.
Out of that collected revenue, domestic royalties totaled $1.397 billion, up 5.3% from the 2023’s total of 1.327 billion; while foreign receipts grew 6.8% to $438 million, up 6.8% from the prior year’s total of $410 million. Put another way, domestic revenue comprised 76.1% of collections while foreign receipts comprised 23.9%.

ASCAP said its compound annual growth rate (CAGR) for total revenue for the 10 years leading up to 2024 was 7%, and that the CAGR for total distributions over the same time period was 8%. Its overhead expense structure remains at about 10%.

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“For songwriters, composers and publishers, ASCAP provides the best return on their performance royalties because they get 90 cents of every dollar we collect,’ ASCAP CEO Elizabeth Matthews said in a statement. “It’s that simple. We are the only US PRO that does not take a profit and the only one that can credibly say we put creators first in everything we do.”

In 2023, BMI, ASCAP’s main competitor and the only other U.S. PRO operating under a U.S. Dept. of Justice consent decree, abandoned its not-for-profit status in order to sell to a private equity firm, which occurred in 2024 when New Mountain Capital acquired the collection society. Besides BMI, both SESAC and GMR, aka Global Music Rights, are both for-profit performance rights organizations.

Breaking out its total $1.696 billion available for distributions, ASCAP reported that $1.284 billion was due to domestic songwriters and publishers while $438 million was available for foreign distributions. Overall, its domestic collections available distribution increased 5.5% from the prior year’s total of $1.217 billion, while foreign distribution availability increased 9.8% from $375 million in 2023.

Looking at its activities over the last year, ASCAP reported that signings and renewals include Katy Perry, Timbaland, Kacey Musgraves, Jack White, Justin Tranter, Neil Young, Graham Nash, Def Leppard,  Sexyy Red, Max Martin, Hans Zimmer and Tate McRae; along with with the estates of Tom Petty and Jimi Hendrix.

ASCAP said it was active in helping to shape the U.S. Copyright’s Office recommendations on legal and policy issues related to copyright and AI; and formed a strategic alliance with SACEM, France’s collection management organization, to leverage their investments in infrastructure. Finally, ASCAP reported that it moved quickly to launch a $1 million emergency relief fund to assist Los Angeles-based ASCAP songwriter affected by the LA wildfires.

“ASCAP is committed to innovating, growing and evolving in ways that benefit our members, because music creators drive every decision we make,” ASCAP president and chairman of the board Paul Williams said in a statement. “Protecting the livelihoods of songwriters and composers and defending the value of music is a mission we take seriously. For us, this is more than just business – it’s personal, and that’s what sets ASCAP apart from any other PRO.”

PARTYNEXTDOOR and Drake’s first collaborative album, $ome $exy $ongs 4 U, debuts atop the Billboard 200 chart (dated March 1), earning 246,000 equivalent album units in the U.S. in the week ending Feb. 20, according to Luminate. It’s the first leader for PARTYNEXTDOOR and fourth top 10 charting set. It’s 14th No. 1 for Drake among 17 top 10s. Drake now ties JAY-Z and Taylor Swift for the most No. 1s among soloists in the nearly-69-year history of the chart. Overall, only The Beatles, with 19 No. 1s, have more.

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A collaborative project from PARTYNEXTDOOR and Drake had been teased for months, but was only officially announced on Feb. 3, in advance of its release on Feb. 14.

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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 1, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of $ome $exy $ongs 4 U’s 246,000 first-week equivalent album units, SEA units comprise 219,000 (equaling 287.04 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 25,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 2,000.

With 287.04 million on-demand official streams generated of its songs, $ome $exy $ongs 4 U nets the largest streaming week for an album in 2025. It’s the largest streaming week for any album since Kendrick Lamar’s GNX debuted at No. 1 on the Dec. 7, 2024, chart with 379.72 million.

Speaking of Lamar, $ome $exy $ongs 4 U is Drake’s first album since the feud between him and Lamar escalated in March 2024 with the release of “Like That” by Future, Metro Boomin and Lamar. A flurry of diss tracks followed from each artist, with Lamar’s “Not Like Us” finding the most commercial success, spending three nonconsecutive weeks at No. 1 on the Billboard Hot 100 (including a return to the top a week ago after he performed the track during his Super Bowl LIX halftime show on Feb. 9).

$ome $exy $ongs 4 U replaces Lamar’s GNX atop the Billboard 200, as the latter falls to No. 3 after returning to No. 1 a week ago in the wake of the halftime show. It’s the first time Lamar and Drake have swapped the No. 1 slot on the Billboard 200. This is also only the third time Lamar and Drake have been in the top three at the same time on the Billboard 200. They previously shared space in the top three on the May 13, 2017, chart, when Lamar’s DAMN. was in its second week at No. 1 and Drake’s former leader More Life was No. 2, and on the May 6, 2017, chart, when DAMN. debuted at No. 1 and More Life was No. 3. (DAMN. spent four nonconsecutive weeks at No. 1 in May-August 2017 and More Life had three weeks at No. 1, consecutively, in April 2017.)

$ome $exy $ongs 4 U is the first collaborative No. 1 on the Billboard 200 in 2025. There were three collab No. 1s in 2024, none in 2023, one in 2022, one in 2021 and one in 2020. Of Drake’s 14 leaders, three are collaborative sets. He previously led with the collab projects Her Loss (with 21 Savage in 2022) and What a Time to Be Alive (with Future in 2015).

On the new Billboard 200 chart, Sabrina Carpenter’s former leader Short n’ Sweet surges 7-2 with 156,000 equivalent album units earned (up 208%) following its reissue with five additional tracks on Feb. 14. The set was reissued on streamers, as well as at retail as a digital download, CD, cassette and two vinyl variants. One of the additional cuts on the reissue is a reworked version of Carpenter’s solo No. 1 Hot 100 hit “Please Please Please,” now rerecorded as a collaboration featuring Dolly Parton.

With 156,000 equivalent album units earned in the latest tracking week, Short n’ Sweet snags its biggest week since it debuted at No. 1 on the chart dated Sept. 7, 2024, with 362,000. Of the album’s 156,000 units earned, SEA units comprise 83,000 (up 108%, equaling 111.95 million on-demand official streams of the set’s songs; it climbs 7-4 on Top Streaming Albums), album sales comprise 71,000 (up 616%; it rises 6-1 on Top Album Sales) and TEA units comprise 2,000 (up 198%).

SZA’s chart-topping SOS falls 2-4 on the Billboard 200 with 93,000 equivalent album units earned (down 14%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos dips 4-5 with 67,000 units (down 14%); and The Weeknd’s chart-topping Hurry Up Tomorrow descends 3-6 with 58,000 units (down 42%).

Chappell Roan’s The Rise and Fall of a Midwest Princess slips 5-7 on the Billboard 200 (49,000 equivalent album units earned; down 17%); Billie Eilish’s Hit Me Hard and Soft drops 6-8 (46,000; down 18%); Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (39,000; down 5%); and Lamar’s DAMN. falls 9-10 (33,000; down 14%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

A$AP Rocky (Rakim Mayers) has been found not guilty on both counts in the shooting case involving his former friend and associate A$AP Relli (Terrell Ephron). The verdict, which the jury reached after about three hours, according to The Associated Press, was read in the downtown Los Angeles courtroom at 4 p.m. PT on Tuesday […]