Brandon Blackstock
Kelly Clarkson has settled a lawsuit against her ex-husband Brandon Blackstock over commissions he was paid during his time as her manager, according to a new report in Rolling Stone.
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Clarkson requested a dismissal of the case on Tuesday (May 21), while Blackstock and his father’s management firm, Starstruck Entertainment, requested to dismiss the case on Wednesday (May 22), according to court documents reviewed by Billboard — though the documents do not mention a settlement.
Billboard has reached out to Clarkson and Blackstock’s reps for more information but did not receive a response at the time of publication.
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The reported settlement comes two months after Clarkson filed a case in Los Angeles courton March 14 seeking a ruling that Starstruck Entertainment had been violating state labor rules stemming from the start of their relationship. The lawsuit sought the return of “any and all commissions, fees, profits, advances, producing fees or other monies” she paid to Starstruck Entertainment dating all the way back to 2007.
Clarkson filed for divorce from Blackstock in June 2020 after seven years of marriage. The case was finalized in 2022, and the singer agreed to pay her ex-husband monthly child support of $45,601 for their two children — nine-year-old daughter River Rose and eight-year-old son Remy Alexander — plus a one-time payment of $1.3 million.
Shortly after Clarkson filed for divorce, Starstruck sued her for alleged unpaid fees, claiming the company had “invested a great deal of time, money, energy, and dedication” into her and had “developed Clarkson into a mega superstar.”
In response, Clarkson filed a complaint with California’s Labor Commissioner, claiming that Blackstock and Starstruck had violated California’s Talent Agencies Act by serving as her managers as well as unlicensed talent agents who booked her business deals. In November, a Labor Commissioner ruled in Clarkson’s favor and Blackstock was ordered to repay Clarkson more than $2.6 million in commissions she paid him for handling a number of deals, including her role as a coach on The Voice. A month later, Blackstock and Starstruck challenged the ruling in court, asking for a Los Angeles judge to rule rather than the Labor Commissioner.
Kelly Clarkson has won a legal ruling that her ex-husband Brandon Blackstock owes her more than $2.6 million in commissions she paid to him for procuring business deals while he served as her manager.
In a Nov. 21 decision, California’s labor commissioner ruled that Blackstock procured a number of deals for Clarkson, including her lucrative role as a judge on The Voice, that should have been handled by her talent agents at Creative Artists Agency (CAA).
By doing so, Labor Commissioner Lilia Garcia-Brower ruled that Blackstock violated California’s Talent Agencies Act (TAA), which bans anyone other than a licensed talent agent from procuring work for artists.
All told, Blackstock must pay back commissions earned on four deals: $1,983,155.70 for securing Clarkson’s role on The Voice; $208,125 for a deal to promote Norweigan Cruise Lines; $450,000 for an agreement to promote Wayfair; and $93.30 to host the Billboard Music Awards in 2018, 2019 and 2020.
Importantly, the commissioner rejected Clarkson’s claim that Blackstock was also required to pay back commissions he earned from helping to secure The Kelly Clarkson Show — which could have seen him owe much more. His involvement in that deal, including “strategizing” with her agents, was clearly “at the request of CAA” and thus not a violation of the law, the commissioner ruled.
“When a manager strategizes with the agent during a negotiation and does not approach the potential employer without the agent’s permission, they are doing exactly what the TAA demands of them,” Garcia-Brower wrote.
After a marriage of seven years, Clarkson filed for divorce from Blackstock in June 2020. The case was finalized two years later, with the singer agreeing to pay her ex-husband monthly child support of $45,601 for their two children, plus a one-time payment of just over $1.3 million.
Attorneys for both sides did not immediately return requests for comment on this month’s decision.
Kelly Clarkson is putting herself first following her divorce from Brandon Blackstock, and she’s reflecting that in her lyrics.
The star made noticeable changes to her 2015 hit, “Piece by Piece,” during her Las Vegas residency performance on Saturday (Aug. 5), telling the crowd, “This song I initially wrote just super hopeful, right? And well, sometimes hopeful turns into hopeless, so here we go.”
In the original song, she belts in the chorus, “But piece by piece, he collected me up / Off the ground, where you abandoned things, yeah / Piece by piece, he filled the holes that you burned in me / At six years old.”
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But in her recent performance, Clarkson changed the lyrics from “he” to “I,” according to ET and videos circulating on social media. Additionally, she replaced, “He never walks away / He never asks for money / He takes care of me / He loves me,” with: “I just walk away / when they ask for money / I take care of me / ’cause I love me.”
Clarkson originally wrote the track about her father, who abandoned Clarkson’s family when she was a kid, and her now ex-husband Blackstock. In June 2020, however, Clarkson filed for divorce from Blackstock after seven years of marriage, and she channeled the pain of the split into her 10th studio album, Chemistry. She references “Piece by Piece” in her track named after iconic actor Rock Hudson.
“When I wrote ‘Piece by Piece,’ it was a very hopeful song,” the singer previously told The Hollywood Reporter. “I wasn’t able to say everything at the time. A lot of that song is about what I desired and what I hoped and what I saw in someone. And it turns out I might not be singing that song again. It turns out that I maybe did marry into what I didn’t want to do in the first place. So it’s OK now.”
She continued, “It wasn’t for a couple years, but I think that’s the thing about seeing red flags and seeing things that aren’t healthy and recognizing that and not holding on to hope and potential all the time in a relationship. So just a lot of lessons learned, which is, I guess, all you can hope for, getting that it wasn’t all for naught.”
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