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Former BMG executives Dominique Casimir, Maximilian Kolb and Justus Haerder have formed a new rights company, umn — pronounced “human” — that will be based in Berlin. The new company today announced a forthcoming project from German pop star Max Giesinger, whose new album Menschen comes out Sept. 13. But the company will operate […]
BMG CEO Thomas Coesfeld says taking his company’s digital distribution in-house and operational changes — two initiatives launched during his first year at the helm — are paying off.
The Berlin-based music company reported on Wednesday (Aug. 28) that it generated 459 million euros ($491.7 million) in revenue in the first half of 2024, marking an 11.1% increase from the year-ago period thanks to strong growth in digital income streams. Digital revenue, which contributed nearly 70% of BMG’s overall revenue for the period, rose 20.3% in the first half 2024 compared to 2023, as BMG exited a contract with Warner Music Group (WMG) and moved oversight of its digital distribution business in-house.
“This move is paying off,” Coesfeld tells Billboard of taking control of BMG’s 80-billion stream digital business. BMG now has greater insight into its streaming data, which enables it to provide “better marketing insights, more timely campaigning and iterations of that campaign [and] better tools around fandom” to its artists, who include Jelly Roll, Kylie Minogue and Mustard, Coesfeld says. Also, BMG saves money not paying fees to WMG’s ADA.
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“One or two years ago we had this plan, we said this is what will happen,” Coesfeld adds. “And [these earnings] show it works.”
BMG’s first-half organic revenues grew by 12.5% while operating earnings before interest, taxes, depreciation and amortization (EBITDA) — a closely watched measure of growth — rose by 35.5% to 122 million euros ($130.7 million). EBITDA margin was 26.5%, up from 21.7% in the first six months of 2023. BMG’s catalogs again underpinned that margin figure, as the company acquired 10 catalogs during the first half of the year. Details of those deals were not disclosed.
The close of the first six months of 2024 coincided with the end of Coesfeld’s first year as CEO. After taking the reins of BMG from longtime CEO Hartwig Masuch on July 1, 2023, Coesfeld has set a tone that communicates BMG is open to change, even if it means taking advantage of artificial intelligence and collaboration with historic rivals.
“We figured only if we anticipate trends a little earlier do we have a chance to win in this very competitive market,” Coesfeld says. “We are looking at a fundamentally attractive market that is growing. It is driven by tech and if we adopt it and don’t fight it there is huge opportunity for BMG and artists.”
One example of this approach is BMG’s partnership with a generative AI lab at Munich’s Technical University, through which they have successfully launched a pilot program that uses gen-AI to market BMG’s deep catalog. Students at the lab generated short videos that have proven to be more cost efficient and effective at getting the audience to engage with the music.
Last fall, BMG also began a structural reorganization that included letting go of around 40 employees. It was a “tough period… but a business necessity” and part of a broader strategy meant to help the company respond quickly to industry trends, Coesfeld says.
“The operational changes, which we enacted — digital distribution, better able to monetize our repertoire and catalogs and our reorg, which is complete, is making us way more agile and faster in delivering our service and making decisions,” he adds. “We are much more agile on a day-to-day.”
BMG has appointed Celine Joshua to the newly created role of executive vice president of global marketing, putting the industry veteran in charge of the company’s marketing strategy and operations across its 20 offices worldwide. The Los Angeles-based leader reports directly to BMG CEO Thomas Coesfeld, who late last year unveiled a “local where necessary, global where possible” strategy that shifted much of its recorded music division into global roles.
“These recent changes further enhance our ability to deliver top-tier service to our artists and songwriters on a global scale, and we’re excited to have Celine at the helm of our marketing team,” Coesfeld said in announcing Joshua’s hiring. “Her sharp digital acumen and artistic instincts will be invaluable in identifying innovative commercial opportunities for our artists, songwriters and music catalog.”
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Joshua started her career as a music-tech futurist — her first industry job was in Warner Music’s IT department before shifting to e-commerce roles in the company’s catalog division, Rhino Entertainment. From there, she was a top digital executive at Disney Music, where she worked across Hollywood Records and Walt Disney Records, and then on to Sony Music, where she was senior vp of digital for nearly five years.
In 2018, Joshua joined Universal Music Group as GM of commercial content and artist strategy and quickly formed her own Web3-focused label — called 10:22PM because that’s when she thought of it one night. The joint venture, touted as the first Web3-based imprint at a major label, was tasked with signing and developing not just recording artists, but also social media influencers and digital creators with a focus on “advancing new forms of storytelling.” 10:22PM arguably made its biggest splash by creating KINGSHIP, a first-of-its-kind virtual act made up of Bored Ape Yacht Club NFT characters.
During a five-year tenure at UMG, where she rose to evp of commercial innovation and artist strategy, Joshua also worked on projects with a diverse slate of major artists including Taylor Swift, The Weeknd, Sam Smith, Snoop Dogg, Elton John and others.
Joshua is a repeat–honoree in Billboard’s annual list of high-achieving women and she cracked the top 40 of the Power 100 in 2019.
“I’m honored to join BMG at such a pivotal time in the music industry and to work across BMG’s artist roster to create exciting ways for them to connect with fans around the world,” said Josua. “I’m thankful to Thomas for this opportunity and I’m looking forward to working with the BMG team.”
Singer-songwriter K. Michelle has signed with BBR Music Group/BMG Nashville, home to artists including Jelly Roll, Lainey Wilson and Jason Aldean, the company announced today (July 29).
Tennessee native Michelle grew up absorbing the music of artists ranging from Whitney Houston to The Judds. She’s released six albums so far, including her 2013 debut Rebellious Soul and 2016’s More Issues Than Vogue, both of which reached No. 2 on the Billboard 200. With 2023’s I’m The Problem announced as her final R&B project, Michelle has begun the process of releasing her debut country album, and putting her full expanse of musical artistry on display. She then issued songs including “Tennessee” and introduced her alter-ego, Puddin.
Michelle’s signing to BBR/BMG Nashville comes as several Black country artists continue to reach new career heights. Most notably, Shaboozey‘s “A Bar Song (Tipsy)” recently topped Billboard‘s country radio-focused Country Airplay chart, and has logged multiple weeks atop Billboard‘s all-genre Hot 100, and also topped the charts in multiple radio formats. Shaboozey was among the country artists featured on Beyoncé‘s country-influenced Cowboy Carter project, which heralded both Black country music trailblazers including Linda Martell, as well rising Black country artists Willie Jones, Brittney Spencer, Reyna Roberts, Tanner Adell and Tiera Kennedy. Beyoncé’s own “Texas Hold ‘Em” dominated the Hot Country Songs chart for 10 weeks.
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K. Michelle was recently featured on the project A Tribute to the Judds last year, singing the Judds’ signature “Love Can Build a Bridge” with Jelly Roll and the Fisk Jubilee Singers. They also performed the song live at the 57th annual CMA Awards in November. Last month, Michelle also performed at CMA Fest for a second time, making her Nissan Stadium debut as well performing at the Chevy Vibes Stage.
“When we first met K. Michelle, she radiated her passion for country music,” said Katie Kerkhover, vp of A&R at BMG, in a statement. “It’s the fabric of who she is because the lyrics represent truth. She’s built an incredible fanbase with her unique vocals anchored with storytelling at its heart and that is what transcends genres.”
“I have been ready. I am grateful for this moment,” Michelle said in a statement. “Rebels and Real Outlawz, it’s time! I am excited and want to thank my BMG Team. I am happy to finally sing the music I grew up on. I am a country girl at heart and can’t wait to share my country music with you.”
Welcome to another edition of Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. While you’re here, we also have a weekly interview series spotlighting a single executive and a regularly updated gallery honoring many of the industry figures we’ve lost throughout the year.
Maximilian Kolb announced his departure as BMG‘s executive vp of repertoire and marketing for continental Europe, effective at the end of the month. Kolb, who has been running things in Europe since late 2021, said the industry is in the midst of “one of its most revolutionary periods” and that it was time for a “new chapter” in his life. Assuming Kolb’s responsibilities in Europe on an interim basis will be Alistair Norbury, president of repertoire and marketing in the U.K. and Asia-Pacific regions. BMG CEO Thomas Coesfeld lauded Kolb’s contributions over the years, saying “his leadership and vision have been instrumental in the growth and success of our GSA and Continental Europe operations.” Kolb joined BMG from Sony in 2012 as an A&R manager and was promoted to director A&R recorded music for Germany, Austria and Switzerland (GSA) five years later. In 2019, he was elevated to managing director of the GSA block and then snagged his most recent role in October 2021. Some of Kolb and company’s most recent wins include the acquisition of German independent label Telamo and the addition of rights packages from Jean-Michel Jarre, Tina Turner, Martin Solveig, Cro and more. Kolb has not telegraphed his next move professionally.
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Over in the U.S., BMG elevated Jen Morgan to vice president, global content & creative, executing content creation initiatives for BMG artists, as well as developing and executing marketing and sales content strategies supporting BMG’s artists and global objectives. Morgan previously served as vp, creative & imaging, and joined BBRMG in 2010. –Jessica Nicholson
Meanwhile…
Prescription Songs promoted Siara Behar and Eddie Fourcell each to vice president of A&R at the Dr. Luke-founded publisher. Behar was previously senior director of A&R and during her seven years at the company has signed or worked with a host of top writers, including Play-N-Skillz, DallasK, ALOISIO, JayM, LU KALA, Space Primates, Chloe George, Micah Premnath, Seb (1Mind). Prescribed since early 2021, most recently as senior A&R executive, Fourcell has found success with a roster that includes Grammy winner Lunchmoney Lewis (“All My Life” by Lil Durk and J Cole) and Jay-Z collaborator Fridayy, plus B Ham, Kaine, MizzyLoft and Baerose, among others. Fourcell earned his industry stripes at Mary J. Blige’s MJB Productions, where he rose from intern to head of A&R. “Siara and Eddie go above and beyond for our writers and creatives at Prescription Songs,” said Dr. Luke. “We are so grateful and proud to announce their well-deserved promotions and continued leadership roles.” Both executives report to Rhea Pasricha, head of A&R on the West Coast, and Katie Fagan, head of A&R at Prescription Songs Nashville.
PULSE Music Group promoted Steven Gringer to senior vp of A&R. Foley is celebrating his tenth year at PULSE, where in 2014 he started as an A&R coordinator for its publishing division before quickly being promoted to creative director that same year. He eventually rose to vp of A&R for publishing, his most recent title at the company, where he’s based in Los Angeles and reports to Ashley Calhoun, president. Prior to PULSE, Gringer worked in A&R at Shapiro Bernstein Music Publishing. Gringer’s portfolio at PULSE includes Noah Kahan collaborator Gabe Simon, Jack Harlow producer Angel Lopez, Latin music hitmaker Manuel Lara, cross-genre writer-producer DVLP and others. “What makes Steven really incredible as an A&R executive is his deft ability to work across genres, creating pop, latin, hip-hop and international opportunities for our roster of songwriters and producers,” raved Calhoun and co-CEOs Scott Cutler and Josh Abraham in a statement. “As we continue to take the careers of our clients to the next level, Steven’s work over the past 10 years at PULSE Music Group has been an instrumental part of this success.”
Live music company Mammoth hired Rob Owens as president of global touring and Angela Brown as president of global tour marketing. Owens was most recently vp of talent at NoCap Shows and earlier in his career held director-level gigs at AEG Presents and Nederlander Concerts — where for years he booked the historic Greek Theatre in Los Angeles. Brown, who is based in St. Louis, joined Mammoth following 27 years at Live Nation, where she rose to vp of marketing and along the way helped promote tours for Beyoncé, Drake and Billy Joel, among many others.
credit: Amanda Brandl
Alyssa Kitchen was promoted to general manager of the legendary Capitol Theatre in Port Chester, NY. The New Jersey native and self-professed former “emo kid” was previously assistant GM and director of finance at the venue. Prior to storming The Capitol (sorry), Kitchen served in senior accountant roles at Relix Media Group and Hear & There.
Jelena Grozdanich is the new vp of music at FivePointFive, a welltech app launching soon that will offer live and on-demand classes of functional breathwork. Grozdanich (GROWS-duh-nitch) is coming off a 10-year run at Sony Music Entertainment and Columbia Records, where she rose to director in the latter’s film and TV licensing division. While at Sony/Columbia, she represented a who’s-who of influential artists including Beyoncé, Adele, Miles Davis, A Tribe Called Quest and Elvis Presley, among others. During this decade, she also founded her own talent management firm (Guardian MGMT) and wellness community (TheSecret.LA). Grozdanich is based in Los Angeles.
NASHVILLE NOTES: Writer/artist development company Eclipse Music Group hired Courtney Crist as vp of publishing. She joins EMG from Anthem Entertainment, where as senior director she worked with writers including Ronnie Bowman, Early James and Brit Taylor, among others. “Courtney is a songwriter’s best friend, ultimate ally and has the best ears in the business,” said Penny Gattis, a partner at Eclipse … EastCoast Entertainment added Beth Potter to their Nashville office. Potter arrived from Downtown Band Entertainment, home of the Music City-based party band of the same name. ECE recently signed on to rep the band.
Lisa Goich recently left The Recording Academy, where she oversaw the jazz and comedy genres for the Grammy Awards, to launch her own consulting firm. LGA Creative Consulting will work with emerging artists and entrepreneurs from concept to creation on their creative projects. Prior to joining the Recording Academy in 2011, Goich worked in radio, website production (notably for Carole King) and was a coordinator and web-and-social media guru for the Playboy Jazz Festival.
Alana Battaglia joined the publicity team at The Untold. In her new role, she will manage accounts with notable clients including talent agency UTA and its new UTA Creators division as well as Don Toliver’s newly released Fortnite game Hardstone — a playable experience tied to his new album, Hardstone Psycho. Battaglia was previously director of public relations at gaming and esports organization FaZe Clan, where she led strategy and execution for internal and external facing communications and publicity. Prior to that, she was on the digital publicity team at Universal Pictures. –Chris Eggertsen
ICYMI:
Bob Bruderman
Legendary Columbia Records and PolyGram president Dick Asher passed away at age 92 … Alexis Lanternier was named CEO of French streamer Deezer, replacing interim CEO Stu Berger … HYBE promoted Jason Jaesang Lee to be the company’s new chief executive, replacing Jiwon Park … and Kobalt elevated longtime executive Bob Bruderman to the role of chief digital officer.
Last Week’s Turntable: Tree Paine’s Ex-Assistant Comes Full Circle
BMG and Cirque du Soleil have formed a partnership to handle the live entertainment company’s musical catalog, as well as explore a number of music-oriented initiatives.
The agreement calls for BMG to be the label home for Cirque’s catalog of original scores and soundtracks, administer its music publishing and jointly create new music.
The first release under the pact is the country-themed Songblazers, out today. Songblazers is Cirque’s newest production, presented in conjunction with Universal Music Group Nashville, about two characters who go on a journey to find their own path to country music stardom. The soundtrack was produced by Grammy-winning producer Daniel Tashian.
The partnership will be led by Cirque du Soleil’s new music division, Cirque du Soleil Studio, which is tasked with expanding the brand’s fan base.
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“The power of music has long been a force uniting cultures and peoples in Cirque du Soleil productions around the world. As music plays an integral part in our productions, we’re proud to finally dive into the music industry and explore this new avenue,” said Anne Belliveau, chief customer experience officer for Cirque du Soleil Entertainment Group. “Over the last few years, BMG has brought a fresh vision to the music business, and we look forward to partnering with BMG on a variety of music-related opportunities.”
Marian Wolf, senior vp of music publishing, North America, for BMG added, “Cirque du Soleil is one of the most innovative and creative entertainment companies in the world. We are thrilled to be the new publishing and recorded music home for Cirque du Soleil and to collaborate on upcoming new releases. This will provide unparalleled opportunities for BMG’s diverse roster of artists, songwriters, and catalogs. Together we aim to celebrate and elevate global culture by showcasing diverse music releases and transforming the way global audiences discover new music.”
Cirque’s catalog includes more than 30 titles including the recordings to such popular Cirque du Soleil productions as Ka, O, Alegria, Mystere, La Nouba, Dralion, Saltimbanco, Zumanity and Quidam. (The deal does not include Love, the Cirque production based on the Beatles catalog; that title remains on Apple/Capitol. Separately, BMG has publishing and recording relationships with Beatles drummer Ringo Starr and the late George Harrison).
Cirque’s catalog has earned more than 250 million career streams in the U.S .and more than 500,000 album equivalents sold in the US alone, according to the company.
Kylie Minogue’s brilliant year keeps sparkling with “My Oh My”, her new collaboration with Bebe Rexha and Tove Lo.
Produced by Steve Mac (Calvin Harris, Little Mix, Ed Sheeran, One Direction, P!nk), “My Oh My” dropped in the small hours of Thursday morning via BMG, following teases earlier in the week.
A sophisticated and polished shot of pop, “My Oh My” lifts a few notches with its slappy, ready-for-the-club beat. On it, the Aussie pop princess flirts: “When you asked / What’s your name? / What’s your sign? / I’m Kylie, it’s Gemini / What’s your drink? Let me buy / You had me when you said hi.”
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The Melbourne-raised pop legend enjoyed an outstanding 2023, with the release of Tension, which hit No. 1 in the U.K. and Australia, and yielded the global hit “Padam Padam,” which cracked the U.K. top 10 and won an ARIA for best pop release.
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The good times carried well into 2024, with Kylie collecting the Global Icon Award at the BRIT Awards, becoming just the second woman to claim the accolade, following Taylor Swift in 2021. Also, she won a Grammy Award (best pop dance recording) for “Padam Padam,” and completed her inaugural Las Vegas Residency.
Also, Kylie signed with United Talent Agency (UTA) for live representation in the U.S. and Canada and acting roles worldwide, an alliance that should help the singer and actor to build on the success of her More Than Just a Residency show in Las Vegas, which was extended through May.
She’s all set to perform her first live show this year in the U.K., where she’s adopted as a national treasure, when she headlines BST Hyde Park in London this Saturday, July 13.
After scoring a Hot 100 No. 1 single with Kendrick Lamar for “Not Like Us” last month, Mustard partners with BMG for his forthcoming studio album, Faith of a Mustard Seed.
“I’m happy to join forces with BMG, a company known for its dedication to nurturing artistic independence, integrity, and innovation,” Mustard tells Billboard. “Together, we’ll continue to push the boundaries of creativity and deliver groundbreaking music that resonates with audiences worldwide.”
On Friday (June 21), Mustard kicked off the rollout to his fourth studio by releasing a first single, “Parking Lot,” featuring Travis Scott. Slated to drop July 26, Faith of a Mustard Seed follows Mustard’s 2019 release Perfect 10, which featured Hot 100 charting hits “Pure Water,” “100 Bands” and “Ballin.” Upon its release, the effort debuted at No. 8 on the Billboard 200 and included an all-star lineup with Migos, Young Thug, Gunna, Roddy Ricch, Future, A$AP Rocky, Playboi Carti, and more.
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“Mustard’s approach, coupled with a proven track record of chart-topping hits, delivers unparalleled musical experiences to audiences worldwide,” says Dan Gill, BMG’s executive vp of recorded music, West Coast. “We look forward to supporting and working alongside him as we continue to elevate his artistry and the impact of his music.”
Adds Tim Reid, BMG senior vp of repertoire & marketing: “Mustard’s anthems have consistently orchestrated the soundtrack to the Culture. Partnering with Mustard and the 10 Summers Team on his next movement is an exciting opportunity for the BMG Team to help propel his brand and turn the ordinary into extraordinary.”
Mustard recently featured at Lamar’s Juneteenth Concert celebration, which honored the West Coast. During his set, he brought out Tyler, The Creator, Steve Lacy, Ty Dolla $ign, Roddy Ricch, Blxst, Dom Kennedy, and 310 Babii. He also joined Lamar for his performance of “Not Like Us,” where the Compton rapper performed the song five times.
Following the example of its bustling Nashville division, BMG is moving headfirst into its focus as a frontline label and investing heavily in developing U.S. acts.
Less than six months after Jon Loba was promoted from president of BMG Nashville to president of frontline recordings at BMG North America, he now expands his reach to president of frontline recordings, The Americas, to include Brazil under his watch. He will oversee new releases across all genres, including pop, rock, R&B/Hip-Hop, country and Latin.
“We’re going to become much more frontline focused,” Loba tells Billboard. “There’s a reallocation of resources to the U.S. We’re going to be much more frontline competitive, including building out our LATAM division.”
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The move comes with a heavy investment in A&R, A&R research and digital resources, with BMG doubling the dollars it had been spending on U.S. signings and acquisitions. “The whole idea of putting me in this position was [BMG] very much wanted the rest of the U.S. to match the culture of Nashville and how we broke acts,” Loba says.
BMG’s country division has been a frontline powerhouse with such platinum artists as Jason Aldean, Jelly Roll, Lainey Wilson, Parmalee, Dustin Lynch and Blanco Brown, while the non-country genres were “focused on acquisition and established artists,” Loba says. “We want to be intentional about growing organically, as well as being a home for new viral acts.”
Running BMG Nashville has taught Loba that “the icons come from fringes” and copycats need not apply. “We want to be a home for artists that maybe don’t easily find a home elsewhere or that others don’t immediately see the value in,” he says. “We want to be home for a different perspective, a different voice.”
Part of BMG Nashville’s success has come from the strength of its radio promotion team, and Loba expects that team to work to select non-country records going forward. “Radio tends to be the rocket fuel of streams too,” he says. “You may have streaming airplay for a certain amount of time without radio’s involvement, but I still don’t know an artist who doesn’t care about radio airplay, so to be attractive to our current and potential artists, you can’t afford not to have a radio presence.”
BMG expects to still be very involved in the acquisition space, with the focus on signing new acts coming as an additive to the existing business. According to its 2023 year-end report, the Berlin-based BMG made 30 acquisitions last year as revenues grew to 905 million euros (the equivalent of $986 million), up 4.6% over 2022. Among its main acquisitions were the purchase of Paul Simon’s royalty income in his Simon & Garfunkel recordings as well as acquiring the catalog of British rock band The Hollies.
Unlike a number of labels that are combining frontline and catalog operations, BMG’s will remain separate (even though, before new BMG CEO Thomas Coesfeld took over last July, the plan had been to unite the two). Thomas Scherer, who formerly ran the publishing division, is now head of global recorded catalog. According to the 2023 report, recordings account for 34% of BMG’s revenue, 61% comes from publishing and the remaining 5% comes from broader rights.
Loba has also set his executive team, many of whom are refining their duties. Below are the key members of his team and their defined roles.
*JoJamie Hahr, executive vp of recorded music, BMG Nashville, will oversee day-to-day management of BBR Music Group and its three imprints, which are home to such acts as Jelly Roll, Aldean and Wilson. Hahr, who joined the company in 2017, reports to Loba.
*Zarah Ortiz, vp of repertoire and campaign management, will oversee BMG’s building presence in Latin American markets including Mexico and Brazil and such genres as Afro-pop. Based in Miami, Ortiz, who oversees a team in Mexico, reports to Loba, as does GM Daniel Fernandes in Brazil.
*Dan Gill, executive vp of recorded music, West Coast, will oversee the pop, rock, R&B/Hip-Hop and international outbound repertoire. Gill, who joined BMG following its 2014 acquisition of Vagrant Records, led the success of such acts as blink-182 and LP at BMG and will lead the campaign on upcoming releases from YG, Chief Keef, Wiz Khalifa and others. He reports to Loba.
*Gill’s direct reports include Cyndi Lynott, senior vp of marketing, who will lead BMG’s recorded frontline strategy for pop artists including New Kids on the Block and The Script; Sean Heydorn, senior vp at Rise Records, who will now lead all rock frontline efforts, including Rise’s roster and BMG rock acts Godsmack, Lenny Kravitz and Sum41; Shane Cosme, senior vp of international marketing for BMG U.S., who will be responsible for handling U.S. repertoire outside the United States; and Tim Reid, senior vp of repertoire & marketing, who will oversee R&B/Hip-Hop in the United States as well as handle RBC Records, home to Chief Keef and Run the Jewels. Reporting to Reid is Jecoure Lemothe, vp of A&R and marketing, who will also handle day-to-day operations for RBC Records. Lynott, Heydorn, Cosme and Lemothe are L.A.-based, while Reid has relocated from L.A. to Nashville.
*Bryan Columbus, vp of recorded music, Canada, reports directly to Loba; he returns to BMG following a stint at Concord Label Group. Before Concord, Columbus led Canadian market campaigns for Nashville’s Broken Bow Records Music Group through BMG’s partnership with Black Box Music.
Loba hints there will also be more changes coming, including additions to the frontline, global and U.S. teams.
YG has agreed to a multi-album partnership deal with BMG under his 4Hunnid record label, it was announced today (April 3). “BMG is making big waves in the industry right now,” YG tells Billboard. “This partnership will take my music to new heights. The BMG team understands the vision for my music and business. Excited for […]
