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Ahead of Music’s Biggest Night, the Grammys, Billboard staffers sat down and chatted all about their predictions, performances, snubs and more!Tetris Kelly:It’s Grammy Sunday! I’m Tetris Kelly, here at Soho Warehouse in downtown Los Angeles. We have a great show for you today with behind-the-scenes access, exclusive interviews with nominees like Dom Dolla and Scott Hoying of Pentatonix, and some hot performances. Plus, we’ll talk to Billboard’s experts covering all things you need to know, the biggest snubs, hottest genres and their picks in the Big Four categories, including the highly competitive best new artist. Oh, and by the way, we’ll introduce you to all eight best new artist nominees, so let’s run it down! Welcome to Billboard Celebrates Music’s Hottest Night!
First up are two of Billboard’s most in-the-know contributors Katie Atkinson and Rania Aniftos to talk about some of the biggest moments in music this year and what everyone is talking about going into the Grammys. Hey, ladies, how’s it going?
Katie Atkinson:Hi, Tetris!
Rania Aniftos:Hi, Tetris!
Tetris Kelly:I love that you got the green memo with me, Katie.
Katie Atkinson:That’s right! Sorry, Rania!
Tetris Kelly:Sorry, Rania!
Rania Aniftos:No one informed me!
Tetris Kelly:You we’re not informed, but you guys are the most informed in music. So let’s talk about this year. Can’t talk about it without the biggest tours — Beyonce, Taylor’s Eras tour, Renaissance tour, how did that shape music this year?
Rania Aniftos:I mean, you were at both the tours this year.
Katie Atkinson:I did. I went to both. I think Tetris did too.
Tetris Kelly:I had a good time!
Katie Atkinson:Basically, two of our biggest superstars had their career-defining tours this year and I think that kind of goes into the Grammys because it’s like who’s going to be next? Whoever gets coronated as the big star after Sunday night, maybe they’re gonna have the big career-defining tour next year, right?
Tetris Kelly:Absolutely and I mean, Taylor is also having a big year in nominations as well, correct?
Rania Aniftos:Oh, yeah, I mean, she’s nominated for album of the year for ‘Midnights,’ and she basically dominates the Grammys once again, as she does with every single album cycle. Something that I really liked about her tour, and I’m hoping that more artists do it and it seems like with Madonna and the Jonas Brothers, there are already artists who are playing on this “Eras thing,” you know, where they want to celebrate their discography and the music that made them who they are. And I hope that more artists look towards the future to do something like that.
Tetris Kelly:And we can’t talk about women having a big year without talking about the ‘Barbie’ soundtrack I mean Lizzo, Dua Lipa, Billie Eilish, that soundtrack had bops on bops.
Watch the video above!
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As more and more artists from the pop world add writing a Broadway musical to their career-goal lists, Sara Bareilles stands out as one of the brightest success stories from that group.
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Waitress — the musical adaptation of Adrienne Shelly’s beloved independent film, featuring music and lyrics by Bareilles — was an unequivocal Broadway hit, running for nearly four years after an opening in April 2016.
That year, Bareilles’ score earned her two Tony nominations (out of a total four for the show), and she went on to perform the lead role of Jenna for three different stints. The production played London’s West End as well as internationally, garnered a Grammy nomination for its original Broadway cast recording, and yielded both a standalone Bareilles album (What’s Inside: Songs From Waitress, released on Epic Records between the show’s off-Broadway and Broadway runs) and a film of the stage show (which debuted at the Tribeca Film Festival in 2023).
Sara Bareilles performs during the curtain call for Broadway’s “Waitress” at The Brooks Atkinson Theatre on March 31, 2017 in New York City.
Noam Galai/Getty Images
Now, Bareilles — who’s been warmly embraced by the wider theater community, and racked up another Tony nomination last year for her portrayal of The Baker’s Wife in Into the Woods — is making her return to Broadway.
She’s writing the music and lyrics for The Interestings, an adaptation of the New York Times bestselling novel by Meg Wolitzer with a book by Pulitzer- and Tony-nominated playwright Sarah Ruhl.
The plot of Wolitzer’s novel revolves around character Jules Jacobson and her friends from an exclusive childhood arts camp (the titular Interestings, as they call themselves) who grow up to find varying degrees of success and satisfaction or disillusionment with where a creative life has led them.
When it came out in 2013, the Times called it “warm, all-American, and acutely perceptive about the motivations of its characters,” likening it to modern Great American Novels and praising Wolitzer’s “inclusive vision and generous sweep.” With its complex, layered female protagonist and diverse cast of characters, as well as the knotty themes it explores — ranging from what qualifies as success to whether being extraordinary is the only path to it — the book seems rich material for musical adaptation, and it’s easy to see why it appealed to Bareilles, whose Waitress balanced the buoyant with the bittersweet.
The Interestings is being produced by Matt Ross, and is currently in development; additional creative team and production details will be announced in the coming months.
Green Day’s latest studio album, Saviors, makes an eye-catching debut across Billboard’s charts, as it debuts atop seven different U.S. album charts (all dated Feb. 3). Plus, the set scores the band its best sales week ever on vinyl in the U.S.
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All told, Saviors starts at No. 1 on Top Album Sales, Top Current Album Sales, Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Vinyl Albums and Tastemaker Albums.
In the tracking week ending Jan. 25, Saviors sold 39,000 copies in the U.S., according to Luminate. Of that sum, physical sales comprise 30,000 (18,000 on vinyl – the band’s best week ever on vinyl; 11,000 on CD and 1,000 on cassette) and digital album download sales comprise 9,000.
Saviors is Green Day’s fifth No. 1 on Top Album Sales and Top Current Album Sales; fourth No. 1 on Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums, third No. 1 on Vinyl Albums and fifth leader on Tastemaker Albums.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums rank, respectively, the week’s most popular rock and alternative, rock, and alternative albums by equivalent album units. Vinyl Album tallies the week’s top-selling vinyl releases. Tastemaker Albums measures the top-selling titles at independent and small chain record stores. Top Current Album Sales ranks the week’s top-selling new/current albums (non-catalog/older titles).
The first-week sales of Saviors were bolstered by its availability across more than 15 vinyl variants (all with the same tracklist, just different colored vinyl), an autographed CD sold through the band’s webstore and two deluxe boxed sets containing a CD and an artist branded t-shirt (both exclusive to Green Day’s Webstore).
A quartet of former No. 1s follows Saviors on the new Top Album Sales chart, as Taylor Swift’s Folklore is a non-mover at No. 2 (11,000; down 42%), as is Swift’s 1989 (Taylor’s Version) at No. 3 (nearly 11,000; down 18%). Kali Uchis’ Orquideas falls 1-4 in its second week with 7,000 (down 78%), while Swift’s Midnights rises 6-5 (nearly 7,000; down 15%).
NMIXX notches its first top 10-charting effort on Top Album Sales as Fe3O4: Break debuts at No. 6 with a little over 6,000 sold. Its sales were encouraged by its availability in five collectible CD packages, all containing branded paper merchandise (including some randomized), including two signed editions sold through the act’s official webstore.
Stray Kids’ former No. 1 ROCK-STAR is steady at No. 7 (6,000; down 19%) and Swift’s chart-topping Lover is stationary at No. 8 (nearly 6,000; down 9%). The Rolling Stones’ Hackney Diamonds returns to the top 10, re-entering the chart at No. 9 with just over 5,000 sold, following the release of a new deluxe edition containing seven live bonus tracks recorded in October 2023. Swift’s former leader Evermore rounds out the top 10, dipping 9-10 with 5,000 sold (down 12%).
In the week ending Jan. 25, there were 1.103 million albums sold in the U.S. (up 1.8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 823,000 (up 0.1%) and digital albums comprised 280,000 (up 7.4%).
There were 388,000 CD albums sold in the week ending Jan. 25 (up 5.1 week-over-week) and 429,000 vinyl albums sold (down 4.6%). Year-to-date CD album sales stand at 1.704 million (down 26.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 1.995 million (down 45.8%).
Overall year-to-date album sales total 4.797 million (down 35% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 3.718 million (down 38.5%) and digital album sales total 1.079 million (down 19%).
Narrator:Harry Styles knows his way around the Billboard charts. While he first charted as a member of One Direction, he’s proven he can stand on his own as a solo artist. This is Billboard Explains: Harry Styles’ Solo Chart History. Harry is no stranger to the Billboard charts. He has three No. 1 albums on […]
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